首页 主页 纪念 古典 浪漫 现代 热点 教育 读书 图片 收藏 滚动 文化 人物 比赛                    
                   
                      莫扎特之旅-文化交流-音乐历史上的今天                    
                     
 
 
                   
                     

                   
                      width="1%"> 
 

 
 

                                    莫扎特之旅 编译文/图 2020-09-28  20:36

 
 
 
 
 

 
 
 
 
 

 
 
 
 
 
 
  约翰·塞巴斯蒂安·巴赫(Johann Sebastian Bach 1685-1750)      
         
  斯特拉文斯基《火鸟》欧内斯特·安瑟梅特,NHKSO
 欧内斯特Ansermet
 NHK交响乐团
 1964.5.30东京。日本生活
     
  Stravinsky - 'The Firebird' - Ernest Ansermet, NHKSO
Ernest Ansermet
NHK Symphony Orchestra
1964.5.30 Tokyo. Japan Live
     
 
     
  音乐历史上的今天

1918年9月28日,厄内斯特.安塞美(Eenest Ansermet,1883——1969)在洛桑指挥了《大兵的故事》(L'Histiire du Soldat)的首演。这是斯特拉文斯基根据C.F.拉慕斯(C.F.Ramuz,1878——1947)的故事改变的,讲述一个大兵出卖了自己的小提琴和灵魂。“和拉慕斯不被打扰的合作。。。。。。帮助我熬过病中那段艰难时光;作为一名爱国者,我为可怜的(苏德)布列斯特-立陶夫斯克条约感到万分羞耻。”(《斯特拉文斯基自传》)
欧内斯特·安塞梅(Ernest·Ansermet,1883年11月11日—1969年2月20日),又译欧内斯特·安塞美,瑞士指挥家,20世纪重要的指挥大师之一,早年曾为数学教师,1918年创建瑞士罗曼德乐团并担任指挥直到去世,29岁代替因病不能登台的大指挥家蒙特上台指挥而走上漫长而辉煌的指挥生涯;在好友斯特拉文斯基的推荐下,安塞美担任俄罗斯芭蕾舞团指挥,赢得了很高的声誉;安塞美和Decca唱片公司录制了一百多张唱片,他指挥的《天鹅湖》、《睡美人》、《三角帽》和《罗密欧与朱丽叶》等一直奉为最佳演绎,完美地展现芭蕾舞台上的兴奋感和音乐推动感。
The great conductor
(Ernest·Ansermet,1883—1969),瑞士指挥家,20世纪重要的指挥大师之一;又译欧内斯特·安塞美。
1883年11月11日生于瑞士日内瓦湖畔小镇沃韦(Vevey).29岁那年,在一次偶然的机会中,本是数学老师的他在蒙特勒(Montreux)临时代替指挥演出了贝多芬《第五交响曲》,这是他首次登台指挥,从此开始了他漫长而辉煌的指挥生涯.
安塞美通常在欧洲的大城市指挥,如伦敦和巴黎,但也去过美国和苏联演出。第一次世界大战期间和流亡的斯特拉文斯基相识。两人成为至交,安塞美多次指挥后者作品的首演。1915年担任日内瓦交响乐团指挥,同时,在斯特拉文斯基的推荐下,他开始担任贾吉列夫领导的俄罗斯芭蕾舞团的指挥。
安塞美一生中最大的功绩是1918年在日内瓦创建了瑞士罗曼德管弦乐团,其目的是栽培本国乐手人才.安塞美担任罗曼德乐团指挥长达49年直至去世,成为与一个乐团长期合作最久的指挥家,这是个骄人的记录.
1924年后的3年,安塞美曾兼任阿根廷布宜诺斯艾利斯交响乐团的指挥,1928年曾与科尔托(A.Cortot)同任巴黎交响乐团的指挥.二战前后,他还经常在世界各国著名乐团担任客席指挥.1947年他在格林德柏恩歌剧院指挥布里顿《卢克莱修受辱记》的首演.1949年他带领罗曼德乐团赴美国巡回演出。
1969年2月20日,安塞美逝世于日内瓦,享年86岁;他去世后,乐团曾一度由萨瓦利希接棒,演奏逐渐倾向德国乐派的厚重音色,昔日安塞美时代所特有的透明轻盈的音色已经不再。 [1]
安塞美驾驭乐团的能力高超,其演奏充满活力,表情则纤细而生动。尤其是他所诠释的芭蕾音乐和法国音乐,敏锐的节奏感和驱使乐团所呈现的色彩,更是其他指挥所望尘莫及。
 

今日视频:1、巴赫E大调第二小提琴协奏曲 BWV 1042 (卡拉扬指挥,安妮-索菲·穆特2、巴赫D小调双小提琴协奏曲——梅纽因&奥伊斯特拉赫(1958)

 
 
 
 
 
   
  巴赫给普鲁士国王弹管风琴      
  Bach played the organ to the King of Prussia      
         
  巴赫早年经历
1685年3月31日,约翰塞巴斯蒂安·巴赫出生于德国图林根州埃森纳赫的一个音乐世家,他是约翰·安布罗西乌斯·巴赫与玛丽亚·伊丽莎白·巴赫的第七个也是最后一个孩子。1693年,就读于埃森纳赫拉丁语学校,并参加学校唱诗班接受歌唱训练 。
1694年5月1日,巴赫的母亲去世,终年50岁。1695年2月20日,巴赫的父亲去世,享年49岁 ;同年,因父母离世,巴赫与其兄约翰·雅各布前往奥尔德鲁夫,加入了长兄——管风琴师约翰·克里斯多夫的家庭 ;在此期间,长兄教授了弟弟管风琴的演奏技能和一些作曲基础理论,在其培养下,巴赫的音乐技能得到了一定的提高 。1695年至1700年,进入奥尔德鲁夫学园学习,从三等班读到一等班 。
1700年3月15日,离开奥尔德鲁夫,进入米歇尔学校唱诗班学习 。1702年4月,从米歇尔学校毕业,返回图林根地区;7月,申请赞格豪森圣雅各比教堂的市镇管风琴职位,因公爵的干预,此职位被让予他人 ;同年,多次徒步前往汉堡聆听赖因肯的管风琴演奏,并前往策勒聆听法国风格的室内乐演奏 。1703年,在萨克森·魏玛的约翰·恩斯特公爵处担任音乐仆人;7月,在阿恩施塔特的新教堂测试管风琴。
     
   
  巴赫恰空手稿      
  Bachchan manuscript      
  Artist Bach's early experiences
Johann Sebastian Bach was born in Eisenach, Thuringia, Germany, on March 31, 1685 into a musical family. He was the seventh and last child of Johann Ambrosius Bach and Maria Elisabeth Bach.In 1693, he attended the Essenach Latin School and joined the school choir for singing training.
Bach's mother died on May 1, 1694, at the age of 50.Bach's father died on February 20, 1695, at the age of 49;In the same year, following the death of his parents, Bach and his brother, John Jacob, moved to Oldrough to join the family of his elder brother, organist John Christopher;During this period, the elder brother taught his brother the playing skills of the organ and some basic theories of composition. Under his cultivation, Bach's musical skills were improved to some extent.From 1695 to 1700, he studied in The Oldrof Academy, from the third class to the first class.
On March 15, 1700, he left Oldrof and enrolled in the Choir of Michel's school.In April 1702, he graduated from Michel's school and returned to Thuringia.In July, he applied for the post of town organ at St Jacoby's Church in Zanghausen, which was ceded to others because of the duke's intervention;In the same year, I went to Hamburg on foot to hear Reinken playing the organ, and to Celle to hear french-style chamber music.In 1703, he served as musical servant to Duke John Ernst of Saxe-Weimar;In July, the organ was tested at the new church in Arnstadt.
     
   
  在圣托马斯教堂前的巴赫雕塑      
   
  巴赫《马太受难曲》手稿      
  Pages from Score of the 'St. Matthew Passion'      
 
     
   
  斯特拉文斯基芭蕾音乐《火鸟》简介      
  《火鸟》,是令斯特拉文斯基成名的芭蕾舞剧,此作作于1909-1910年。贾吉列夫原邀请里亚多夫创作《火鸟》,因里亚多夫迟迟不能交稿,独具慧眼的贾吉列夫在听过焰火》后,就邀斯特拉文斯基作曲。此曲呈献给里姆斯基-科萨科夫,1910年6月25日在巴黎歌剧院首演,加勃里埃尔·皮埃尔内指挥。
这部作品的故事取自俄罗斯神话,描述年轻的王子伊凡深夜在林中徘徊,凭一丝红光见火鸟在银树上啄金果。火鸟躲闪不及,被伊凡捉住。她求他放了她,愿送一根火红的羽毛,作为需要帮助时必来相助的信物。伊凡将这美丽的火鸟放归自由。拂晓,伊凡发现树林成了古堡的花园,原来这是绿爪怪物卡歇伊的城堡。13个美丽少女走出宫外玩金苹果游戏,她们个个美丽端庄,是卡歇伊劫持进城堡的皇家公主。第13个公主出现时,伊凡情不自禁从匿身处走出来。公主们跳起优美的轮舞。天色越来越亮,公主们纷纷回卡歇伊宫中受幽禁。王子下决心,打开宫门。一时,大钟狂鸣,一群怪物蜂涌而出,最后才出现吃人的魔王卡歇伊。伊凡被擒人狱,卡歇伊企图像对待其他闯人的骑士一样,把他变成石头。伊凡记起火鸟的羽毛,挥一下,火鸟出现了,她施法使古堡中的群怪疯狂地跳起地狱之舞,他们一个个跳得精疲力竭。火鸟又以一支优美的摇篮曲催他们人睡。她引伊凡找到一具埋在地下的棺材,里面有一个巨蛋锁着卡歇伊的罪恶灵魂。伊凡将蛋砸碎,卡歇伊死了,群魔均在黑暗中消隐。光明重现时,公主们获释,囚禁的石头骑士们复生。最终,在一片欢腾中,伊凡娶第13名公主为妻。
     
   
         
  Today in the history of music
July 28, 1750 "Shortly after 8:45, Johann Sebastian Bach died peacefully and peacefully in the 66th year of his life, according to the will of our Lord."
Johann Sebastian Bach (1685-1750) is the heir of the past polyphonic music art, he is the peak representative of Baroque music, is the last great religious artist, is one of the giants of music history.
Bach's family has been a professional musician for generations. Since the end of the 16th century, Bach's family has been known as a musical family. Within two years, dozens of musicians were born, most of them were active in Thuringia or nearby areas, and it was the fifth generation that came to Bach.Several of his children went on to become famous musicians, and the family was truly musical.It was fortunate for the young Bach, who was very musical, to grow up in such an environment.
At the age of eight, Bach attended a Latin school where he was taught a wide range of subjects.At home, Bach followed his father to learn the skills of playing the violin and cello, and learned the organ from his uncle.However, Bach's learning career was not always smooth. His mother died of illness when he was 9 years old, and his father died the following year. Bach had to live in his brother's home while continuing his schooling and learning the organ and harpsichord.At the time, Bach was a soprano for children in the church choir.Based on a love of music and desire, he is skilled in a very short period of time brother as he arranged all the music courses, but it doesn't seem to satisfy his desire of learning, he has repeatedly pleaded with brother let him have a look at some famous masters, such as Florida, berger, Kerr and seashells large keys, the music of violin music such as people but are brother sternly refused.In spite of the great store of musical materials in the house, his imperious brother would not allow him to study, no matter how much he entreated him to do so.Little Bach had to secretly transcribe the beloved music in the moonlight while his brother was away from home and sleeping late at night. It lasted for half a year, which greatly damaged his vision and led him to spend his old age in agony in blindness until his death.
How pathetic and admirable is it that a 10-year-old who has lost both parents should be seeking valuable knowledge from his family in this way!It is strange that such a noble and obsessive pursuit could not move his elder brother -- when he discovered his brother's secret, he went into a rage and not only mercilessly confiscated all Bach's blood, but also severely punished him without introspection or pity.
At 15, Bach felt he could no longer depend on others.He finally left home alone and embarked on the road of independent life.
With a beautiful voice and excellent skills at clavichord, violin and organ, he was admitted to the choir of The Church of Mycleis in Luneburg and attended theological school.The library contained a wealth of classical music, and Bach plunged into it like a giant sponge, absorbing with all his might the artistic achievements of various European genres and broadening his musical horizon.
In order to practice the piano, he often stayed up all night.Every holiday, he would walk dozens of miles to Hamburg to hear famous musicians play.
Looking back on Bach's growth path, we can find that he consulted many famous musicians, but never received long-term guidance from a formal teacher.Because of this, he is just like a diligent bee, looking for and sucking nourishment everywhere, go through all the pains, do not hesitate.
In Bach's life, poverty and death went hand in hand like a pair of terrible demons.He married twice and had 20 children.Not only did he never enjoy a life of wealth and comfort, but from the age of nine he began to feel the gloom of death as his parents died one after another, becoming a father only to see 11 of his children go to the grave.
Bach underwent two surgeries for his eyes in his later years. The result was that he could not see again, but his body was ruined. He finally died on July 28, 1750.
Bach's career revolted between the aristocratic court and the church. Even though music was attached to the religious system, his works emphasized the thoughts and feelings of the common people and their sufferings.There are also humorous and cheerful themes in his works, which are expressed as the hope for happiness and ideals, the overcoming of pain and humiliation, and the implicit dissatisfaction and protest against the reality.His hymns (hymns) and crucifixes are representative examples.
Bach's creation can be generally divided into three main stages -- the Weimar Period (1 708 ~ 1717), which is the age when his creation reached maturity.Corden's period (1717 ~ 1723) was the peak of his creation, and many outstanding works were completed in this era.The Leipzig period (1723 ~ 1750) was the period when Bach brought religious art to its highest level.
Bach's musical works covered all the musical fields of his time except opera.Although most of the works have long since disappeared, more than 500 remain.Throughout the history of music, there are many magnificent works, but when it comes to the contribution to the history of music and music education, Bach undoubtedly leaves us in the dust.The great master of baroque music opened up a new realm of counterpoint music, equal temperament, fugue and other musical skills in later ages, consolidated the stable foundation of music art after him, and became the source of artistic inheritance of great music artists such as Haydn, Mozart, and Beethoven.
Bach's greatest achievement in the art of music is to push polyphonic music to an unprecedented height. In this realm, it can be said that he has reached the acme of perfection.
Today's video: 1. Bach's Violin Concerto No. 2 in E Major, BWV 1042, conducted by Karajan, Anne-Sophie Mutter;Bach Concerto for double Violins in D Minor -- Menuin & Oysterlach (1958).
 

 
 
 
       
  巴赫的作品108号,康塔塔《装点心灵之爱》总谱的手稿      
  Bach opus 108, the manuscript of Cantata's score of Love that Decorates the Mind      
  音乐中最惊人的奇迹——巴赫      
 

约翰·塞巴斯蒂安·巴赫(Johann Sebastian Bach,1685年3月21日-1750年7月28日),巴洛克时期的德国作曲家,杰出的管风琴、小提琴、大键琴演奏家,代表作品有《勃兰登堡协奏曲》、《马太受难曲》、《b小调弥撒曲》、《D大调奏鸣曲》,被认为是音乐史上最重要的作曲家之一,并被尊称为“西方近代音乐之父”,也是西方文化史上最重要的人物之一。他成功地把西欧不同民族的音乐风格浑然融为一体,萃集意大利、法国和德国传统音乐中的精华,曲尽其妙,珠联璧合。
巴赫的音乐就像永恒的和谐正与自己对话,就像上帝创世前心灵的流动,我似乎无耳无眼,也无其它感官,而且我也根本不需要它们,内心却自有一股律动源源而出。
大多数的音乐家通常都能同意这样的观点:巴赫也许是有史以来最伟大的音乐家。然而想要解读他那难以捉摸的音乐本质却并非易事。在这一点上,即使经验丰富的专业人士也发现自己常常为此苦思冥想。
约翰·塞巴斯蒂安·巴赫巴赫将巴洛克时期的音乐推向了欧洲的中产阶级家庭
巴赫是位巴洛克时期的作曲家。在音乐上,巴洛克时期从大约1600年一直延续到1750年。文艺复兴时期和后来的古典时期主张秩序、宁静和清晰,巴洛克时期和后来的浪漫时期则主张运动、不安和怀疑。
巴赫的音乐创作意在低音旋律中搭配不和谐和音来表达一种别样的和声。他把音乐破碎成抑扬顿挫、起伏不定的小节线的近代节奏观也在巴洛克时期发展起来。直接导致各种近代奏鸣曲、交响曲、协奏曲、序曲、变奏曲等体裁的其原始形态也在这一时期兴起。
通奏低音,是音乐最完美的基础,用双手以这样一种方式来演奏:左手弹出写下来的音符,同时右手增添谐和音与不谐和音符,以弹出悦耳动听的和声,来赞美上帝的荣耀,并在可允许的范围内愉悦神灵。乃至一切音乐的目的和存在的最终理由不是别的,而是歌颂全能的上帝,以及陶冶心灵。巴赫的创作灵感来源于对不同作曲风格的痴迷对比研究
他对音乐感兴趣的是作曲技法,对这种兴趣他甚至爱的发狂。巴赫好似对这些东西有种贪得无厌的职业好奇心:作曲家到底是如何作曲的?他们的创作思想到底如何?只要有机会,他就会到处去听新音乐的演奏;无法到场亲耳聆听的,他就找来乐谱痴迷阅读。


名人眼中的巴赫
在巴赫的作品中,所有构成音乐生命的细胞都是统一的,因为世界是上帝的;再没有比这更恢弘的复调音乐!——古斯塔夫·马勒(奥地利作曲家、指挥家)


他的名字应该是‘大海’而不是‘小溪’(Bach在德语里是‘小溪’/Brook的意思)。——路德维希·凡·贝多芬(德国作曲家)


J.S巴赫每件事情都已经做得很完美,他是一个善始善终的人。——瓦格纳


所有音乐中最惊人的奇迹。——歌德(德国诗人、作家)

他对意大利音乐具有代表性的作品进行手抄和改编、他的一些管风琴作品和王室音乐就来自于其对法国音乐的努力专研;巴赫还对当时德国的一些作曲家的作品总谱拿来做一遍遍的改编。甚至,他当时通过各种努力将当时难以得到的英国音乐的乐谱手稿拿到手后,进行深度研究。
巴赫怀着对音乐的大胆探索,对那个时代各个国家的知名作曲家不同音乐风格的代表作品全部收集,并且套用当时现成的作曲规则来创作,这样既省事又能使之听起来新颖和独特。

     
       
  圣托马斯教堂内主祭坛前的巴赫墓      
 
     
       
  鲁道夫·加勒演奏巴赫六首奏鸣曲和帕蒂塔唱片封面      
  Rudolf Galle plays Bach's six sonatas and Padita album covers      
   
  巴赫E大调第二小提琴协奏曲 BWV 1042 (卡拉扬指挥,安妮-索菲·穆特)      
 

Bach Violin Concerto No. 2 in E Major, BWV 1042, conducted by Karajan,

Anne-Sophie Mutter

     
 
     
         
  巴赫D小调双小提琴协奏曲——梅纽因&奥伊斯特拉赫(1958)      
  巴赫D小调双小提琴协奏曲BWV1043。小提琴:奥伊斯特拉赫+梅纽因;皮耶·卡普戴维叶指挥法国国家广播公司国立管弦乐室内乐团。
1958年10月24日摄于巴黎百雅厅
   
 
 
 
     
  未得原作者编者授权严禁转载www.mt77.com任何内容      
                   
                     
 
 
 
 
                   
                     
 

站长

13051246559 1197843751

          copyright © 2003-2005 xilu.com all rights reserved.

         版权所有 copyright © 2003 莫扎特之旅  黑icp备05009702号