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| 古斯塔夫.霍尔斯特（Gustav Holst，1874——1934） | |||||||||||||||||||||||
北德廣播交響樂團 - 霍斯特：《行星》組曲之木星 |
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NDR Radiophilharmonie - Gustav Holst: "The Planets" Op. 32 - Jupiter【1080P/50fps】 |
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音乐历史上的今天
1874年9月21日，古斯塔夫.霍尔斯特（Gustav
Holst，1874——1934）在切尔特汉姆出生。“一个娇弱的孩子，近视，而且有哮喘。” |
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| 古斯塔夫.霍尔斯特（Gustav Holst) | |||||||||||||||||||||||
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| 古斯塔夫.霍尔斯特（Gustav Holst)在作曲 | |||||||||||||||||||||||
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| 1916年，他在教堂组织和指挥了第一次圣灵降临节，他把他在伦敦莫利学院的学生(包括杰克·普特瑞尔)召集到萨克斯特德合唱团参加巴赫的康塔塔和伯德的三声部弥撒。音乐是教堂服务的一部分，唯一的听众是会众。 |
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| It was in 1916 that he organised and conducted the first Whitsun Festival in the church, bringing his London pupils from Morley College (including Jack Putterill) to join with the Thaxted choir in Bach cantatas and Byrd’s Mass for Three Voices. The music was performed as part of the church services, the only listeners were the congregation. |
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| 年轻的古斯塔夫.霍尔斯特（Gustav Holst)和家人在一起的光阴 | |||||||||||||||||||||||
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| 古斯塔夫.霍尔斯特（Gustav Holst)漫相 | |||||||||||||||||||||||
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Country
music legend Kenny Rogers died March 20, 2020 from natural causes at age
81. The hall-of-fame singer will be missed by not only his fans, but by
his wife, Wanda Miller, and his five children. Rogers was known for his close friendship with collaborator Dolly Parton, and he had four previous marriages. But his commitment to Miller lasted the longest after the two wed in 1997. When asked why his previous marriages failed, the singer told Reuters that it was because of his commitment to his music career. "When I became driven and selfish I was so intent to follow my life that it cost me. I was gone so much from some of my marriages that there was a disconnect," he said. "I blame myself and my chosen field of music. That's why I say that music is a mistress, because you can't wait to get out there to it, and usually the mistress wins in a situation like that." Rogers and Miller had clearly found a balance that stood the test of time — they'd been married more than 22 years and had two children together before Rogers passed away. Let's take a closer look at what made Miller and her union with "The Gambler" so special. |
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| 古斯塔夫.霍尔斯特（Gustav Holst)曾经住过的地方，行星就是在这里创作的。 | |||||||||||||||||||||||
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“ The
Manse”前门附近的牌匾位于他1917至1925年间音乐室的墙壁上。这是一个安静的作曲场所。他在那里度过了整个1924年，从疾病中恢复过来，并在他的合唱交响乐团工作。他写给朋友说：“这真是太好了”，“整天坐在花园里，看着交响乐在鲜花和蔬菜旁边长大，然后发现它完成了！” 我们于1925年离开Thaxted，但他从未与朋友失去联系。在他生命的最后一个冬天，他希望去教堂过圣诞节。但是他还不够好，他在五个月后的1934年圣灵降生周去世，享年59岁。他的传统得以延续。伯德弥撒音乐节的凯里（Kyrie）仍然在每个星期日演唱，他的“萨克斯泰颂歌”则在每个圣诞节早晨播放。 1917年的音乐横幅仍在游行队伍中随教会携带：褪色的丝绸已经完美地更新过，巴赫的话语仍然宣告“音乐的目标是上帝的荣耀和愉快的娱乐。” |
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The plaque
near the front door of ‘The Manse’ is on the wall of what was his
music-room from 1917 to 1925. It was a peaceful place for composing. He
spent the whole of 1924 there, recovering from an illness, and working
at his Choral Symphony. ‘It has been wonderful’, he wrote to a friend,
‘to sit all day in the garden and to watch the symphony grow up
alongside of the flowers and vegetables, and then to find that it is
done!’ We left Thaxted in 1925, but he never lost touch with his friends. In the last winter of his life he was hoping to get to the church for Christmas. But he was not well enough, and he died five months later, in the Whitsun week of 1934, at the age of fifty-nine. His tradition lives on. The Kyrie from the Byrd Mass is still sung every Sunday, and his ‘carols for Thaxted’ are played every Christmas morning. The 1917 music-banner is still carried round the church during processions: its faded silk has been beautifully renewed, and Bach’s words, which he chose, still announce that ‘the aim of music is the glory of God and pleasant recreation.’efinition of "love at first sight," right? |
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| 抬头仰望，满天星斗，浩瀚的星空会引起人们无限的遐想,激发人们去探索宇宙天体的奥秘。 | |||||||||||||||||||||||
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| 行星的形成 | |||||||||||||||||||||||
| “在太阳系形成初期,99%以上的物质向中心聚合成为太阳,周围还有部分散在的物质碎片围绕着太阳旋转,经过很长一段时间的碰撞和引力作用,散在的碎片逐渐聚合成了九大行星,但那时的地球只是一团混沌的物质,又经过了几十万年,物质逐渐冷却凝固,形成了地球的初步形态,再经过几十万年,由于地球的引力作用,由地球内部化学反应所产生的气体喷出后被保存在地球周围,形成了大气层,并由氢气和氧气化合成了水,再然后经过太阳的能量辐射,地球本身的电场、磁场作用和适宜的生存环境,由水中产生了有机物,也就是一切生命的祖先……二、最新说法 有研究认为:行星是从黑洞中产生的。并为此找到了确凿的证据:银河系中央的小型黑洞能够超速“喷射”行星。在此之前,科学家认为只有特大质量黑洞才能以超速喷射行星。研究人员称,实际上小型黑洞要比特大质量黑洞喷射更多数量的行星。1988年,美国洛斯·阿拉莫斯...” | |||||||||||||||||||||||
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| 这就是土星的造型 | |||||||||||||||||||||||
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| 霍尔斯特基金会 | |||||||||||||||||||||||
| 霍尔斯特基金会由古斯塔夫·霍尔斯特的女儿伊莫金·霍尔斯特(1907-84)于1981年创立，霍尔斯特基金会是一个捐赠慈善机构，在过去30多年里，其资金主要用于在世作曲家的音乐表演和录音。在此期间，提供的赠款总额达300多万笔。在1984年版权最初到期后，伊莫金·霍尔斯特不打算通过该基金会支持霍尔斯特音乐的演出或出版。这是通过管理霍尔斯特房产的公司进行的。在1997年的版权立法将版权期限延长至70年之后，主要版权终于在2004年底到期，公司被并入基金会。霍尔斯特基金会从一开始就是靠版税来资助的，大多数资助活动都在2014年结束。对1988年在该基金会赞助下创立的NMC唱片公司的年度资助已于2016年终止。尽管基金会希望能够在有限的基础上由其音乐委员会决定资助选定的项目，但申请资助的申请将不再被接受。该基金会继续管理古斯塔夫和伊莫金·霍尔斯特的财产，他们的档案现在由奥尔德堡的布里顿-皮尔斯基金会持有，该基金会还管理着伊莫金·霍尔斯特的故居——教堂步道9号，可供作曲家居住:可以向grants@brittenpears.org申请。欲了解更多详情，请访问布里顿·皮尔斯基金会网站 | |||||||||||||||||||||||
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About the Holst
Foundation Founded in 1981 by Imogen Holst (1907-84), the daughter of Gustav Holst, the Holst Foundation is a grant-giving charity whose funds were for more than 30 years directed primarily towards the performance and recording of music by living composers. The total of grants awarded during that period amounted to over £3 million. Imogen Holst did not intend to support performance or publication of Holst’s music through the Foundation after the initial expiry of copyright in 1984. This was done in a small way through the company which administered the Holst Estate; subsequent to the copyright legislation of 1997 which extended copyright to 70 years, the major copyrights finally expired at the end of 2004, and the company was incorporated into the Foundation. The Holst Foundation was from its inception funded from royalties, and most grant-giving activities came to an end in 2014. The annual grant to NMC Recordings, which was created under the auspices of the Foundation in 1988, was discontinued in 2016. Applications for grants are no longer accepted, although the Foundation hopes to be able to fund selected projects on a limited basis at the discretion of its Music Committee. The Foundation continues to administer the estates of both Gustav and Imogen Holst, whose Archives are now held by the Britten-Pears Foundation in Aldeburgh, who also administer Imogen Holst’s former home, 9 Church Walk, which is available for composer residencies: applications may be made to grants@brittenpears.org. For further details visit the Britten Pears Foundation website. |
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Today in the
history of music On September 21, 1874, Gustav.Gustav Holst (1874 -- 1934) was born in Cheltenham."A delicate child, short-sighted and asthmatic." Gustav Holst (1874 -- 1934) was an English composer.Born into a musical family of Swedish descent.In 1893, he entered the Royal College of Music in London, England, to study piano, organ, composition and trombone.Later in the opera band as the first trombonist, organist.Since 1905, he has been director of music Section of St Paul's School for Girls in London and professor of composition at the Royal College of Music.His masterpieces include the suite The Planet (Op. 32, consisting of seven movements) for large orchestras, the opera Seville, The Wild Pig's Head, the dance drama Bonehead and the orchestral Suite Sao Paulo, among which the Planet suite is the most famous. Gustav Holst (September 21, 1874 -- May 25, 1934) was a British composer.Most of the ancestors were British, the rest Were Swedes.At the age of 19, he enrolled at the Royal College of Music in London, where he studied with Charles Stanford for five years.In music writing, in addition to the bold harmony experiment, also adopts the multi-tone composition technique."Is for" The Planets "as an orchestral suite."Planet" suite is a mighty tome, the whole work is divided into seven movement, with seven of the nine planets planet (the earth and then it is not known to the human except Pluto), and the band is unusually large, general rarely enabled on the stage of bass flute, oboe, bass clarinet, fill, tenor large wind instruments, and the organ and many percussion instruments, in a period of six parts in the last movement of female chorus is replaced with two solo flute (sometimes). The combination of so many instruments produces rich sound colors. For example, in a piece of "Mars" movement, the ensemble of the orchestra shows the momentum of the earth shaking.But perhaps because of the sheer size of the Suite itself and its orchestra, the piece is rarely played in its entirety, usually in three or five movements, sometimes in a single movement.In the sense of the Planets suite, it has nothing to do with pure astronomy but is based on astrology as it was known to the ancient Ledeans, The Chinese, the Egyptians and the Persians.On this point, Holst told reporters at the 1920 premiere of the full piece: "These compositions were inspired by the astrological significance of the planets.They are not title music, nor do they have anything to do with the gods of the same name in ancient mythology.If musical guidance is needed, then, especially in a broad sense, the subtitle of each song is sufficient to indicate the kind of ceremonial joy associated with certain celebrations.Saturn, for example, brings not only physical decay, but also the fulfillment of ideals, while Mercury is the symbol of the heart..." Holst's busy teaching schedule meant that he had to compose on weekends and holidays: "The Planetary Suite" took him three years to complete (1914-1916).Although a skeptical Holst did not consider it his finest work, "The Planetary Suite" made him an overnight sensation.We can well imagine how the terrifying music of Mars would have shaken listeners in the depths of their first world War fears.The piece became so famous that it overshadowed everything else the composer had written, almost relegating it to the status of a "songwriter".It is a household name, but also makes people often ignore the work of fresh ideas.As The movement of Neptune draws to a close, he evokes a sense of permanence that varies from person to person, but is equally imaginative, with the fading of the female chorus behind.At the time of the publication of The Planetary Suite, there were hardly any radical works in British literary music that were in line with The Times.When Jakilev took the Russian Ballet to London in 1913, British composers, especially young musicians like Holst, were shocked. Holst's ballet "Full Fool" was born out of this shock.The influence of The Rite of Spring can also be seen in the novel musical vocabularies of The Planetary Suite and the large band arrangements.Originally from Sweden, Holst's great-grandfather emigrated to Britain in 1807.Holst comes from a musical family that has produced some great musicians.Holst was born on September 21, 1874, in Cheltenham.Influenced by his family, Holst became interested in music at an early age, and his father wanted to develop him into an excellent pianist.He had been learning the piano from his father when he was a child.In 1893, at the age of 19, Holst was admitted to the Royal College of Music, where he learned to play the piano and compose music. Later, he developed neuritis in his fingers and changed to senior trumpet. After graduating from the College of Music, he worked as a trombonist and chorus conductor in several theaters.In 1905, he became music teacher at St. Paul's Girls' school;In 1907 he was appointed music teacher at Morley College, London;In 1919, Holst was appointed professor of composition at the Royal College of Music;In 1923, he went to the United States and lectured at Michigan, Harvard and other universities.Later in life Holst resigned all teaching duties to concentrate on his music.On May 25, 1934, Holst died in London, England, at the age of sixty. Today's videos: 1. North German Radio Symphony Orchestra - Horst: Jupiter of the Planet suite; 2. Galicia Symphony by Holst, Op. 32;3. Documentary Planet (Chinese subtitles). |
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| 加利西亚交响乐团演奏霍尔斯特《行星组曲》, op. 32 | |||||||||||||||||||||||
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古斯塔夫·霍尔斯特(1874 - 1934) 行星组曲, op. 32 乐团:加利西亚交响乐团 指挥:迪玛·斯洛博登努克 GUSTAV HOLST (1874-1934) Los planetas, op. 32 乐团：Orquesta Sinfónica de Galicia 指挥：Dima Slobodeniouk |
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| 纪录片《行星》（中文字幕) | |||||||||||||||||||||||
| 行星 - THE PLANETS Space Documentary [中文字幕] | |||||||||||||||||||||||
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