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| 弗兰克.泽菲雷利（Franco Zeffirelli 1923-2019） | |||||||||||||||||||||||
弗兰克.泽菲雷利导演的乔治·比才的歌剧《卡门》 |
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| 2003年 意大利维罗纳古罗马剧场 | |||||||||||||||||||||||
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Georges
Bizet - Carmen Arena di Verona, 2003 |
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玛丽娜·多马申科(卡门), 玛雅Dashuk(米凯拉), 克里斯蒂娜·帕托雷洛 (弗雷拉吉它), 米蕾·约西波维奇(奔驰) 马尔科·伯蒂(唐·何塞)， 雷蒙德的香(安东尼奥·费拉科), 马可·卡马斯塔(《舞蹈》)， 安东尼奥·费拉科(《雷蒙达多》)， 罗伯特·奥库尔索 (莫拉莱斯;) 管弦乐队，在维罗纳的舞台上演奏 售票员:阿兰•伦巴第 导演:电影 本杰明·布里顿儿童合唱团 合唱大师:马可·法利 编舞:玛丽亚·格拉齐亚·加洛弗利 |
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音乐历史上的今天
1966年9月16日，造价4600万美金的大都会歌剧院以塞缪尔.巴伯作曲的《安东尼与克娄奥帕特拉》作为开幕，由华丽的弗兰克.泽菲雷利（Franco
Zeffirelli ）担任编剧并监制。《纽约时报》评论：“艺术上用华丽绚烂加以粉饰。” |
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| 弗兰克.泽菲雷利（Franco Zeffirelli） | |||||||||||||||||||||||
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| 弗兰克.泽菲雷利（Franco Zeffirelli） | |||||||||||||||||||||||
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| 弗兰克.泽菲雷利（Franco Zeffirelli） 执导的歌剧《卡门》在排演中 | |||||||||||||||||||||||
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| 弗兰克.泽菲雷利（Franco Zeffirelli） 执导的歌剧《卡门》 | |||||||||||||||||||||||
| 比才的歌剧《卡门》简介 | |||||||||||||||||||||||
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歌剧《卡门》取材于梅里美的同名小说，完成于1874年秋。这是比才一生中最后一部作品，也是当今世界上演率最高的一部歌剧。比才用音乐为大家讲述了一个欢快背景下的悲剧故事，描绘着吉普赛女郎卡门快乐、坦率、又充满野性的复杂性格。它向我们展示着赤裸裸的激情，展示着男人和女人间永恒的对立，展示着生活的残酷和美好，展示着爱情和死亡的永恒追随。 歌剧的序曲为A大调，回旋曲式。整部序曲建立在具有尖锐对比的形象之上，以华丽、紧凑、引人入胜的音乐来表现这部歌剧的主要内容。序曲中集中了歌剧内最主要的一些旋律，而且使用明暗对比的效果将歌剧的内容充分地表现了出来，主题选自歌剧最后一幕中斗牛士上场时的音乐。本剧的序曲是音乐会上经常单独演奏的曲目。 第一幕中换班的士兵到来时，一群孩子在前面模仿着士兵的步伐开路。孩子们在轻快的2/4拍子,d小调上,唱着笛鼓进行曲《我们和士兵在一起》。在这一幕塑造了吉卜赛姑娘卡门热情、奔放、富于魅力的形象。 主人公卡门的著名咏叹调《爱情像一只自由的小鸟》是十分深入人心的旋律，充分表现出卡门豪爽、奔放而富有神秘魅力的形象。卡门被逮捕后，龙骑兵中尉苏尼哈亲自审问她，可她却漫不经心地哼起了一支小调，此曲形象地表现出卡门放荡不羁的性格。还是这一幕中，卡门在引诱唐·豪塞时，又唱出另一个著名的咏叹调，是一首西班牙舞蹈节奏的迷人曲子,旋律热情而又有几分野气，进一步刻画了卡门性格中的直率和泼辣。 第一幕与第二幕之间的间奏曲也十分有名，选自第二幕中唐·豪塞的咏叹调《阿尔卡拉龙骑兵》,大管以中庸的快板奏出洒脱而富活力的主旋律。 第二幕中还有一段吉普赛风格的音乐，表现的是两个吉普赛女郎在酒店跳舞时纵情欢乐的场面，跳跃性的节奏和隐约的人声烘托出酒店里喧闹的气氛。 第二幕中著名的《斗牛士之歌》，是埃斯卡米里奥为感谢欢迎和崇拜他的民众而唱的一首歌曲。这首节奏有力、声音雄壮的凯旋进行曲，成功地塑造了这位百战百胜的勇敢斗牛士的高大形象。 第二幕与第三幕之间的间奏曲是一段轻柔、优美的旋律,长笛与竖琴交相辉映，饱含脉脉的温情。 第四幕的结尾，正象柴科夫斯基所说的那样：“当我看这最后一场时，总是不能止住泪水，一方面是观众看见斗牛士时的狂呼，另一方面却是两个主人公最终死亡的可怕悲剧结尾，这两个人不幸的命运使他们历尽辛酸之后还是走向了不可避免的结局。”剧中还有一段脍炙人口的西班牙风格舞曲“阿拉贡”，也是音乐会上经常单独演出的曲目。 |
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| 弗兰克.泽菲雷利（Franco Zeffirelli） | |||||||||||||||||||||||
| 意大利传奇导演泽菲雷利 | |||||||||||||||||||||||
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他拍过电影，当过议员，还参加过“二战”，他就是意大利传奇导演佛朗哥•泽菲雷里，他有着《茶花女》《诺玛》《托斯卡》《乡村骑士》《拉美莫尔的露琪亚》等优秀作品。 弗兰克.泽菲雷利（以下简称为泽菲雷利）为意大利电影及歌剧双料导演，曾因《罗密欧与朱丽叶》得到奥斯卡最佳导演提名，还为米兰、纽约和伦敦的一些世界上最受赞誉的歌剧院精心制作了《福斯塔夫》(Falstaff)、《托斯卡》(Tosca)和《茶花女》(La Traviata)等经典歌剧。他于1982年拍摄的歌剧版《茶花女》获得第55届奥斯卡金像奖最佳艺术指导提名，由世界著名男高音多明戈主演。在上世纪90年代，他还短暂进军政坛，成为过一名以强硬著称的意大利参议员。 泽菲雷利最为出名的作品是他的处女作，改编自莎士比亚的《驯悍记》(The Taming of The Shrew)， 1967年由伊丽莎白·泰勒(Elizabeth Taylor)和理查德·伯顿(Richard Burton)主演，获得第40届奥斯卡金像奖。1968年，由伦纳德·怀汀(Leonard Whiting)和奥利维亚·赫西(Olivia Hussey)主演的广受欢迎的《罗密欧与朱丽叶》(Romeo and Juliet)获得了最佳导演和最佳影片提名。这两部电影的大获成功，让泽菲雷里跻身顶级导演的行列，他先后导演了二十多部电影，经常与大牌明星伊丽莎白·泰勒、理查德·伯顿、劳伦斯·奥利维尔、亚历克·吉尼斯、费·唐纳薇和乔恩·沃伊特合作。泽菲雷利善于从古典小说中吸取灵感，由他改编拍摄的《奥赛罗》、《哈姆雷特》等都曾先后斩获各项大奖。 当然，泽菲雷利的人生如同他的职业生涯一样充满传奇色彩。 |
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Italian
legendary director Zeffirelli He has made films, been a member of parliament, and served in the Second World War. He is the legendary Italian director Franco Zaferelli, whose works include La Traviata, Norma, Tosca, Country Knight, and Lucia of Ramore. Franco, Manuel in thin ray (hereinafter referred to as the jersey in the thin ray) for double Italian film and opera director, was "romeo and Juliet" to get the best director Oscar nominations, also for milan, New York and London some of the world's most acclaimed opera house elaborate the Falstaff (Falstaff), "Tosca" (Tosca) and La dame aux camelias classic opera (La Traviata) and so on.His 1982 opera version of La Traviata, starring world-renowned tenor Domingo, was nominated for best Art Direction at the 55th Academy Awards.He also made a brief foray into politics in the 1990s as an Italian senator with a reputation for toughness. Zeffirelli is best known for his debut novel, an adaptation of Shakespeare's "The Taming of The Shrew," which starred Elizabeth Taylor and Richard Burton and won The 40th Academy Award in 1967.In 1968, the popular "Romeo and Juliet," starring Leonard Whiting and Olivia Hussey, was nominated for best director and best picture.The success of these two films propelled Zeffirelli into the top ranks of directors, directing more than two dozen films and often collaborating with big-name stars Elizabeth Taylor, Richard Burton, Laurence Olivier, Alec Guinness, Faye Dunaway and Jon Voight.Zeffirelli is good at drawing inspiration from classical novels. His adaptations of Othello and Hamlet have won various awards. Of course, Zeffirelli's life has been as legendary as his career. |
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| 弗兰克.泽菲雷利（Franco Zeffirelli） | |||||||||||||||||||||||
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1923年2月12日，泽菲雷利出生在意大利佛罗伦萨，原名Gianfranco
Corsi，他的父亲Ottorino Corsi是一名绸布商人，母亲Adelaide
Garosi是Corsi的情妇，泽菲雷利是两人的非婚生子。当时的意大利社会对于这种轻率行为态度相当严厉，他的母亲不得不按照当时的传统为他改姓为Zeffiretti（这一姓氏来自于莫扎特歌剧《Cosi
fan
tutti》的咏叹调，意为微风，后来被错写为Zeffirelli，《纽约时报》曾报道了这段故事）。 六岁那年，他的母亲不幸去世，在被亲戚收养前，他曾在孤儿院居住过一段时间。因为自幼在英籍家庭女教师的照顾下长大，泽菲雷里有一口流利的英语，他将这些经历改编成电影《情深一吻》（Tea with Mussolini）。 泽菲雷利的导演生涯开始于歌剧。“首先，歌剧的视觉效果吸引了我，”他说。“后来当我成熟了，我发现情感不仅是视觉的，而且是如此复杂和完整，不像其他媒介，你拥有一切——一切的魔力，一切最好的东西。” 1941年，泽菲雷利从佛罗伦萨学院美术馆毕业后，按照父亲的建议进入佛罗伦斯大学（University of Florence）修读建筑学。“二战”爆发期间，泽菲雷里休学参战，后来成为了英国陆军的翻译。战后，泽菲雷里继续了自己的学业，不过他开始对舞台剧和布景感兴趣。 上个世纪40年代末，泽菲雷里因为担任一部歌剧的幕后人员而结识了导演卢奇诺•维斯孔蒂(Luchino Visconti)。 在维斯孔蒂的赏识下，泽菲雷利当上了副导演，开启了自己的导演生涯，成为广受欢迎的布景设计师和歌剧导演。泽菲雷里亲手为舞台剧设计了大量背景，包括《三姐妹》和《欲望号街车》。这之后，泽菲雷里转到米兰著名的斯卡拉歌剧院为歌剧设计舞台背景，之后又亲自在这个具有传奇色彩的剧院中执导舞台剧和歌剧的表演。 泽菲雷里曾说，音乐并不意味着场面。但他制作的歌剧作品总是极尽奢侈和豪华，由他精心制作的《福斯塔夫》《托斯卡》和《茶花女》《波西米亚人》等经典歌剧饱受赞誉，观众们认为，这些宏大优美，华丽精致的舞台布景和逼真的道具使得整台歌剧的效果震撼，富有冲击感。不过，这也意味着极其高昂的花销。在上个世纪八十年代，即使是大都会歌剧院对此也会感觉到难以负担，在开给大都会歌剧院《波西米亚人》一剧的合同里，泽菲雷里直接注明：“制作预算无限制。”事实上，即便是批评者也会对泽菲雷利的歌剧大加赞赏，认为这些歌剧往往形象化得很好，就像文艺复兴时期的画作一样栩栩如生。 他曾说：“尽管所有的证据都已经证明了，我还是不情愿接受总有一天我会死去的事实——和大多数人一样，我希望我会留下不朽的名声。”是的，不管怎么说，他用一生，为自己留下了不朽的名声。 |
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| 弗兰克.泽菲雷利（Franco Zeffirelli）执导的歌剧《图兰朵》 | |||||||||||||||||||||||
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Zefferelli was
born Gianfranco Corsi in Florence, Italy, on 12 February 1923, to
Ottorino Corsi, a silk merchant, and Adelaide Garosi, Corsi's mistress,
whom he fathered out of wedlock.Italian society took such a harsh view
of the indiscretion that his mother, in accordance with tradition, had
to change his surname to Zeffiretti. (The name comes from an aria from
Mozart's "Cosi Fan Tutti," meaning breeze, which was later misspelled as
Zeffirelli, as reported in the New York Times.) His mother died when he was six, and he lived in an orphanage for a while before being adopted by relatives.Raised by a British governess, Zeffirelli spoke fluent English, an experience he adapted for the film "Tea with Mussolini." Zefferelli began his directing career in opera."First of all, I was drawn to the visual effects of opera," he said."Then as I matured, I realized that emotions were not only visual, but so complex and complete that unlike other mediums, you had everything -- the magic of everything, the best of everything." After graduating from Florence's Institut D 'Art in 1941, Zeffirelli attended the University of Florence on his father's advice to study architecture.During world War II, Zeffirelli took time off from school to fight and later became a translator for the British Army.After the war, Zeffirelli continued his studies, but he became interested in stage plays and scenery. In the late 1940s, Zeffirelli met Luchino Visconti, the director, while working behind an opera. In Visconti's favor, Zeffirelli became an associate director and launched his career as a popular set designer and opera director.Zefferelli designed a number of sets for the stage, including "Three Sisters" and "A Streetcar Named Desire."After that, Zeffirelli moved to the famous Scala in Milan to design the setting for the opera, and later directed the stage and opera performances himself in the legendary opera house. Zefferelli has said that music is not a scene.But he made the opera works are always the best luxury and luxury, crafted by him "Falstaff" tosca "and" the Bohemia person "" La Traviata" and other classic opera acclaimed, the audience thinks, the grand, beautiful ornate stage set and lifelike props for the whole opera, the effect of rich sense of shock.But it also means extremely high costs.In the 1980s, even the Metropolitan Opera would have found it hard to afford, and in his contract for "Bohemian" Mr Zefferelli put it bluntly: "Production budgets are unlimited."In fact, even critics praise Zeffirelli's operas, which are often as vividly visualized as Renaissance paintings. He once said: "Despite all the evidence, I am still reluctant to accept that one day I will die - like most people, I hope to leave an immortal name."Yes, after all, he had left an immortal name for himself all his life. |
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| 弗兰克.泽菲雷利（Franco Zeffirelli）的作品一向以华美而精致的舞台布景，恢弘大制作的场景效果而闻名。 | |||||||||||||||||||||||
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| 导演弗朗哥·泽菲雷利(Franco Zeffirelli)决定于2020年在阿曼首都马斯喀特的马斯喀特皇家歌剧院(Royal Opera House of Muscat)制作威尔第(威尔第的《里戈莱托》(Rigoletto)。泽菲雷利将于2019年2月满96岁。戏剧界最年长的演员2020年，也就是歌剧院建院50周年之际，将国名由“阿曼马斯喀特”改为现在的“阿曼”，届时将迎来歌剧院建院10周年。新作品采用了一套维罗纳舞台节的服装，罗马歌剧的服装，并采用了与立陶宛国家歌剧院和克罗地亚国家歌剧院合作的风格。 | |||||||||||||||||||||||
| During The director, Franco Zeffirelli, decided to produce the Verdi “Rigoletto” at the Royal Opera House Muscat in Muscat, the capital of Oman in 2020. Zeffirelli will turn 96 in February 2019 next year. The eldest of the theater world. In 2020, the year of 50th anniversary after amending the country name from “Muscat Oman” to the present “Oman”, the opera house will celebrate its 10th anniversary. The new work uses a set of Arena di Verona Festival, costumes of Teatro dell’Opera di Roma, and takes a style of collaborating with the Lithuanian National Opera and the Croatian National Opera. | |||||||||||||||||||||||
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Today in the
history of music On September 16, 1966, the $46 million Metropolitan Opera house was opened by Samuel L.Barber opened with "Antony and Cleopatra" by the flamboyant Frank.Franco Zeffirelli wrote the screenplay and produced it.The New York Times said: "Art is painted with gorgeousness." Frank Zeffirelli, born Gianfranco Corsi(born 12 February 1923 in Florence, Italy; died 15 June 2019 in Rome), was an Italian director, designer and producer of operas, plays, films and television, known for the true details and scale of his operatic works, as well as for Shakespeare's film adaptations. Zeffirelli studied architecture at the University of Florence, but there he joined the university's theatre company.His research was interrupted by the German occupation of Italy;He became a guerrilla and worked as an interpreter for the Scottish Guards.After the war he went to Rome to pursue a dramatic career. In 1946, he joined Lucino Visconti's Morely-Stopa company as an actor and stage director.In 1948, after working with Visconti on The Good Earth;Like other films, Zeffirelli began to focus on stage design.His first major opera design was Gioacchino Rossini's Italy of Algiers for the Scala theatre in Milan in 1952-53.From the 1950s to the early 2000s, he was also the author of many other operas and dramatic works, including the operas La Traviora, Lucia of Lammermore, Bohemian, Tosca, Falstaff, and Carmen. He directed movies.Three of his major films have been adaptations of Shakespeare: the well-made The Taming of the Shrew (1967), starring Richard Burton and Elizabeth Taylor;Romeo and Juliet (1968), in which he cast his first teenage actors in the leading roles;And MEL Gibson in Hamlet (1990).His subsequent films include Jane Eyre (1996), Tea with Mussolini (1999) and Eternal Calas (2002).He continued to work on the operas Pagliacci (1981), Country Knight (1982), Otello (1986) and Bohemian (2008), often playing various roles, including opera director, producer and costume designer. Today's video: 1. FrankZeffirelli's George Bizet opera "Carmen";2. Puccini's Turando by Frank Zeffirelli;3. A Tribute to Rome, directed by Franco Zeffirelli. |
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| 弗兰克.泽菲雷利导演的普契尼的歌剧《图兰朵》Puccini: Turandot 2019.10.12大都会歌剧院 （外挂）英、意文字幕 | |||||||||||||||||||||||
| 【意大利】向罗马致敬(Omaggio a Roma) 2009 - Andrea Bocelli/Monica Bell | |||||||||||||||||||||||
| 弗兰克.泽菲雷利（Franco Zeffirelli）导演的纪录片《向罗马致敬》。Andrea Bocelli出演Puccini《Tosca》中的Mario Cavaradossi, Monica Bellucci出演Floria Tosca. | |||||||||||||||||||||||
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