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　　　　　　　　　　　　　　　　　　　　　　　　　　　　        莫扎特之旅 编译 文/图 2020-09-14  19:36

 　
　
　
　
　

　
　
　
　
　

　
　
　
　
　
　
　 费迪南德·里斯(Ferdinand Ries 1784-1838 ) 　 　 　
　 　 　 　 　
　 Ferdinand Ries（费德南 里斯）D大调第一交响曲第一乐章 　 　 　
　
　 　 　
　 音乐历史上的今天

1886年9月14日德国小提琴家、作曲家：里斯（Ries，Hubert）逝世于柏林。

休伯特·里斯(Ries，Hubert 1802-1886)是弗兰兹·安东尼奥·里斯最年轻的儿子，他是波恩的音乐总监，贝多芬在他的管弦乐队演奏。 休伯特年迈，更为人所知的兄弟费迪南德里斯是一位钢琴演奏家和作曲家，曾在维也纳与贝多芬一起学习。 休伯特在与父亲学习小提琴后，继续与路德维希·斯波尔一起学习小提琴，并从着名的老师莫里茨·豪普特曼（Moritz Hauptmann）那里学习作曲课程，他在柏林度过了大部分时间，在那里他作为各种管弦乐团的音乐会大师享受了职业生涯，然后在柏林担任指挥。 他还担任柏林领先的弦乐四重奏之一多年。 他还是一位着名的教师，他的教学著作仍在使用。


费迪南德·里斯(Ferdinand Ries 1784-1838) 是一位德国作曲家、小提琴家、钢琴家。里斯是路德维希·凡·贝多芬的朋友、学生和秘书。他创作了8部交响乐、1部小提琴协奏曲、8部钢琴协奏曲、3部歌剧和其他许多作品，其中包括26部弦乐四重奏。1838年，他出版了一本关于他的老师贝多芬的回忆录集，这是他和弗朗茨·维格勒合著的。他的小提琴协奏曲和钢琴协奏曲都被录制下来，其中一些室内乐作品——大部分是用钢琴完成的——由于他与贝多芬的联系，这些作品的风格介于古典和早期浪漫主义风格之间。

今日视频：1、（费德南 里斯）D大调第一交响曲第一乐章；2、 费迪南德·里斯小提琴曲《无穷动》。     
　

 　
　
　
　
　
　 　
　 休伯特·里斯(Ries，Hubert 1802-1886) 　 　 　
　 费迪南德·里斯(Ferdinand Ries ) 　 　 　
　 从1747年起，里斯这个名字就与波恩的音乐联系在了一起。这一年，费迪南德的祖父约翰·里斯(Johann Ries, 1723-1784)被任命为科隆选帝侯的宫廷号手。费迪南德的姑姑安娜•玛利亚是选举法庭上的一名歌手，他的父亲弗朗茨•安东•里斯则是著名的小提琴神童，11岁时便加入了法庭管弦乐队。
费迪南德·里斯是家族中最著名的成员，今天人们之所以记得他，很大程度上是因为他与贝多芬的亲密关系，后者曾与费迪南德的父亲一起学习音乐。里斯于1784年11月28日在波恩接受洗礼，从小就表现出音乐天赋，他跟随父亲学习小提琴和钢琴，并与伯恩哈德·隆伯格一起学习大提琴。法国大革命后的剧变影响了当时许多音乐家的事业，费迪南德也不例外。波恩的选举法庭于1794年被法国解散，结果，费迪南德未能在交响乐团得到他所承诺的职位。他十几岁的大部分时间都是在家里度过的，在他父亲的指导下度过的。他的父亲在失去了选举管弦乐队的工作后，不得不勉强维持生计。1801年，里斯在慕尼黑与彼得·冯·温特呆了几个月，靠拷贝音乐赚钱。他设法攒够了钱去了维也纳。1801年10月，他带着父亲给他以前的学生贝多芬的介绍信到达了维也纳。

在接下来的大约五年里，贝多芬给了里斯很大的帮助，他教他弹钢琴，并让他与维也纳的一些主要音乐家接触，包括上了年纪的阿尔布列奇茨伯格，后者答应教里斯的和声和作曲。在贝多芬的影响下，里斯在巴登的布朗伯爵那里获得了钢琴师的职位。1805年夏天，贝多芬的推荐再次促使里奇诺沃斯基王子在西里西亚的乡间庄园为他提供了一个类似的职位。
1804年7月，里斯作为贝多芬的学生首次公开亮相，在奥加藤用他自己的华彩乐段演奏了C小调钢琴协奏曲，作品37。演出受到了热情的欢迎，发表在《Allgemeine Musikalische Zeitung》上的评论评论说，里斯表现出了非常诗意的，富于表现力的风格，以及不寻常的技巧和在轻松克服最困难的段落的自信。
作为对贝多芬帮助的回报，里斯经常担任他的秘书和抄写员，很快成为这位老作曲家最亲密的朋友和顾问之一。贝多芬委托里斯与有意出版他作品的出版商谈判出版条款，这是一项微妙的任务。从1803年到1803年，里斯给波恩出版社Simrock的一系列信件，包括关于作品Op. 31钢琴奏鸣曲和Kreutzer奏鸣曲Op. 47的信件，充分证明了贝多芬对年轻的里斯的信任。
然而，这些快乐的时光很快就结束了。作为波恩的一名公民，费迪南德有义务应征加入法国军队，并于1805年9月被迫离开维也纳。最后，他被拒绝了，因为他在孩提时代服用了天花后失去了一只眼睛的视力。他没有回到维也纳，而是继续前往巴黎，在那里过了两年相当不稳定的生活。1808年，他又回到维也纳，在那里住了一年。
从1809年夏天开始，里斯似乎花了四年时间在欧洲各地巡回演出，去了卡塞尔、汉堡、哥本哈根和斯德哥尔摩，甚至更远的地方，还去了圣彼得堡，在那里他遇见了他以前的大提琴老师，Bernhard Romberg。1813年4月底，里斯在伦敦度过了他接下来11年的人生。在那里，他结识了乔治·斯玛特爵士和小提琴家约翰·彼得·所罗门，后者是海顿的挚友和赞助人，也是他父亲的老师。所罗门安排他参加爱乐音乐会，里斯于1814年3月14日在那里首次亮相;此后，他的作品频频出现在他们的节目中。在《口琴》上发表的一篇同时代的报道中，可以看出伦敦观众对Ries的高度评价:                                               

　 　 　
　 　 　 　
　 年轻的费迪南德·里斯(Ferdinand Ries ） 　 　 　
　 The name Ries was connected with music in Bonn from 1747, the year Ferdinand's grandfather, Johann Ries (1723-1784), was appointed court trumpeter to the Elector of Cologne at Bonn. Ferdinand's aunt, Anna Maria, was a singer at the electoral court, and his father, Franz Anton Ries, was renowned as a child prodigy on the violin, competent enough to join the court orchestra at the age of 11.

Ferdinand Ries is the most celebrated member of the family, and is remembered today largely because of his close acquaintance with Beethoven, who had studied music with Ferdinand's father. Ries was baptised in Bonn on 28 November, 1784, and showed musical promise from an early age, studying both violin and piano with his father, and the cello with Bernhard Romberg. The upheavals following the French Revolution affected the careers of many musicians at this time and Ferdinand was no exception. The electoral court in Bonn was dissolved by the French in 1794, and as a result, Ferdinand failed to receive a position in the orchestra he had been promised. Most of his teenage years were instead spent at home under the tutelage of his father who had been forced to scratch a living after losing his job in the elector's orchestra. In 1801 Ries spent a few months in Munich with Peter von Winter, earning money by copying music. He managed to save enough to go to Vienna, and he arrived there in October 1801, armed with a letter of introduction from his father to his former student, Beethoven.

The name Ries was connected with music in Bonn from 1747, the year Ferdinand's grandfather, Johann Ries (1723-1784), was appointed court trumpeter to the Elector of Cologne at Bonn. Ferdinand's aunt, Anna Maria, was a singer at the electoral court, and his father, Franz Anton Ries, was renowned as a child prodigy on the violin, competent enough to join the court orchestra at the age of 11.

Ferdinand Ries is the most celebrated member of the family, and is remembered today largely because of his close acquaintance with Beethoven, who had studied music with Ferdinand's father. Ries was baptised in Bonn on 28 November, 1784, and showed musical promise from an early age, studying both violin and piano with his father, and the cello with Bernhard Romberg. The upheavals following the French Revolution affected the careers of many musicians at this time and Ferdinand was no exception. The electoral court in Bonn was dissolved by the French in 1794, and as a result, Ferdinand failed to receive a position in the orchestra he had been promised. Most of his teenage years were instead spent at home under the tutelage of his father who had been forced to scratch a living after losing his job in the elector's orchestra. In 1801 Ries spent a few months in Munich with Peter von Winter, earning money by copying music. He managed to save enough to go to Vienna, and he arrived there in October 1801, armed with a letter of introduction from his father to his former student, Beethoven.

 　 　 　
　 　
　 休伯特·里斯(Ries，Hubert）关于小提琴的教学著作 　 　 　
　 里斯先生被誉为当今最好的钢琴演奏家之一，这是公正的。他的手是有力的，他的行动是肯定的，经常令人惊讶。但他的演奏最与众不同的是其浪漫的野性……他对那些进入他的风格的人产生了影响，这只能与风琴声最意想不到的组合和过渡相比。
在伦敦的这些年里，里斯和贝多芬的联系一直在继续，事实上，从1815年开始，里斯似乎代表了贝多芬的利益，与各种伦敦出版商努力出版他的作品。不久，里斯成了贝多芬许多晚期作品在伦敦出版的关键人物。此外，里斯为了贝多芬的利益所做的努力导致了各种各样的委托，以贝多芬的方式进行，包括1822年来自爱乐协会的一个交响乐团。两年后，合唱交响曲的乐谱被送到了协会。贝多芬在1825年7月写的一封信中承认了里斯在这些事情中所扮演的角色:“由于我的朋友里斯不在伦敦，我自己也不寄任何东西到那里，因为信件和安排占据了我太多的时间。”
1824年，里斯决定退休，离开伦敦回到他的家乡莱茵兰，过一种更安静的生活。他在戈德斯伯格——波恩以南几英里的一个村庄——住了将近三年。之后，他决定搬到法兰克福，在那里，他作为作曲家和指挥家参与了莱茵河下游的几个音乐节。1834年，他被任命为亚琛市管弦乐团和Singakademie乐团的负责人。里斯于1838年1月13日去世，享年53岁。		 　 　 　
　 Kaikhosru Mr Ries is justly celebrated as one of the finest piano-performers of the present day. His hand is powerful, and his action is certain, often surprising. But his playing is most distinguished from that of all others by its romantic wildness.... He produces an effect upon those who enter his style, which can only be compared to that arising from the most unexpected combinations and transitions of the Aeolian harp.

Ries's contact with Beethoven continued during these London years, and indeed from about 1815, Ries appears to have represented Beethoven's interests with the various London publishers striving to publish his works. In time Ries became a key figure in the London publication of many of Beethoven's late compositions. Moreover, Ries's efforts on Beethoven's behalf resulted in various commissions going Beethoven's way, including one in 1822 from the Philharmonic Society for a symphony. Two years later the score of the Choral Symphony was delivered to the Society. In a letter written in July 1825 Beethoven himself acknowledged the role Ries had played in these matters: "Since my friend Ries is no longer in London, I don't send anything there myself, as the correspondence and arrangements take up too much of my time."

In 1824 Ries decided to retire, and left London to return to a quieter existence in his native Rhineland, living for almost three years in Godesberg, a village a few miles south of Bonn. He then decided to move to Frankfurt am Main where he became involved with several of the Lower Rhine Music Festivals as composer and conductor. In 1834 he was appointed head of the city orchestra and Singakademie in Aachen. Ries died at the age of 53 on 13 January, 1838.      		　 　 　
　 　
　 德国对里斯的成就十分重视，建立了费迪南德·里斯研究学会 　 　 　
　
　 　 　
　 Today in the history of music
Ries, Hubert, German violinist and composer, died in Berlin on September 14.
Hubert Ries (Hubert 1802-1886) was the youngest son of Franz Anton Rees, music conductor at Bonn, where Beethoven played in the orchestra.Hubert's brother, Ferdinand Rees, was a pianist and composer who studied with Beethoven in Vienna.Hubert, after studying violin with his father, continued his violin studies with Ludwig Spohr and learned the lessons of composition by both moritz Hauptmann, a teacher who spent most of his life in Berlin, where he enjoyed a career in various orchestras of the Concertmaster, then the Berlin Philharmonic as director of the society.For many years, he was also one of the leading figures in the Berlin string Quartet.He was also a famous teacher whose teaching works are still used today.
Ferdinand Ries (1784-1838) was a German composer, violinist, and pianist.Rees was a friend, student, and secretary of Ludwig van Beethoven.He composed eight symphonies, one violin concerto, eight piano concertos, three operas, and many other works, including 26 string quartets.In 1838, he published a collection of memoirs about his teacher, Beethoven, which he co-wrote with Franz Wiegler.His violin concertos and piano concertos were recorded, and some of his chamber music -- mostly on the piano -- fell somewhere between classical and early Romantic because of his association with Beethoven.
1. Piano Concerto No. 3 in C Sharp Minor by Ferdinand Marquez.2. Infinite Motion by Ferdinand Reese for violin. 		　 　 　
　
　
　 　 　 　 　
　 里斯 无穷动 小提琴曲目 Ries_Perpetual Motion 　 　 　
　 曲目：Perpetual Motion，无穷动
作者：Ferdinand Ries，德国作曲家，贝多芬的朋友、学生和秘书。
演奏信息：
Elizabeth Pitcairn, violin Artie Kane, piano
Whidbey Island Center for the Arts Amadeus Concert.
虽然帕格尼尼的无穷动流传更广，可是这首也不错哦。演奏者也很棒。
　		 　 　 　
　
　
　
　 　 　
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