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| 亚历克西斯-艾曼纽.夏布里埃（Alexis-Emmanuel Chabrier，1841——1894） | ||||||||||||||
柏林爱乐乐团、西蒙拉特尔演奏夏布里耶的西班牙狂想曲 |
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| The Berlin Philharmonic and Simon Rattle play Chabriere's Spanish rhapsody | ||||||||||||||
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狂想曲是一种非常个性的音乐形式，没有原则就是它最大的原则：作曲家可以不受曲式结构的限制，放任他们的想象尽情发挥、尽情创作。在这场2007年的森林剧场露天音乐会中，西蒙·拉特爵士为我们演绎了几部世界上最美、最受欢迎的狂想曲。其中包括夏布里埃、戴留斯、拉赫玛尼诺夫、德沃夏克、德彪西、埃奈斯库等人的作品，可以说名家名作荟萃。 2007年6月17日 柏林森林剧场 |
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音乐历史上的今天
1894年9月13日，53岁的作曲家、艺术爱好者、国家公务员艾曼纽·夏布里埃（Alexis-Emmanuel
Chabrier）因梅毒并发症在巴黎过世。他的私人财产里有六幅雷诺阿、八幅莫奈、两幅西斯涅、两幅方丹-拉图尔和十一幅马奈。 |
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| 爱德华·埃尔加（Edward Elgar ） | ||||||||||||||
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Today in the
history of music On September 13, 1894, Alexis Emmanuel, a 53-year-old composer, art lover and national civil servant.Alexis Chabrier died in Paris of complications from syphilis.Among his personal possessions are six Renoirs, eight Monets, two Cisnees, two Fatin Lattos and 11 Manais. Emmanuel Chabriere Alexis Emmanuel.Alexis Emmanuel Chabrier (18 January 1841 -- 13 September 1894) was a French romantic composer.In 1862, he became a civil servant and became associated with musicians Saint - Sang, Foley, etc.The first opera appeared in 1877.In 1879, he traveled to Germany and watched Wagner's musical plays, which greatly influenced him.Later he specialized in composing music.His works include opera, orchestral music, piano music and so on.He is famous for his Spanish Rhapsody and Habanera. After listening to Wagner's Opera Tristan and Isolde, Chabriere decided to give up public office and devote himself to music.Since then he has written works including opera and orchestral music, the most famous of which is the Orchestral Rhapsody of Spain. After listening to Wagner's Opera Tristan and Isolde, Chabriere decided to give up public office and devote himself to music.Since then he has written works including opera and orchestral music, the most famous of which is the orchestral rhapsody "Spain". Dix Pieces Pittoresques (10 songs, 1881) Spain (EspañA, Rapsodie pour Orchestre, 1883) Gwendoline (1885), Habanera (1885), Le ROI Malgre Lui (1887), Joyeuse Marche (1888), Suite Pastorale (1888), Bourree Fantasque (1986),1891) Today's video: 1. Berlin Philharmonic, Simon Rattle playing Chabrier's Spanish rhapsody;2. The Russian State Philharmonic Orchestra performed the works of Chabriere, Rallo and Ravel in "Spanish Night";3. Score of Chabriere's Spanish rhapsody. |
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| 夏布里埃的管弦乐《西班牙交响狂想曲》唱片封面 | ||||||||||||||
| Cover of Chabriere's orchestral Rhapsody of the Spanish Symphony | ||||||||||||||
| 夏布里埃的管弦乐《西班牙交响狂想曲》 | ||||||||||||||
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夏布里埃最著名的管弦乐《西班牙交响狂想曲》是他到西班牙旅行采风后的产物。后来被人改成管弦乐的《快乐进行曲》，和声新颖独特，配器手法别出心裁而色彩鲜明，音乐富于幽黩感而健美。他被认为是德彪西、拉威尔、普朗克等法国近代音乐的先行者。 夏布里埃（Emmanuel·Chabrier,1841-1894），法国作曲家，生在昂贝尔，自幼显示音乐才能，但从父命学法律当公务员，同时自学音乐。1877年他的轻歌剧《星》在巴黎喜歌剧院上演后，被承认为专业作曲家，但仍利用业余时间创作。直到1880年在慕尼黑听了瓦格纳的歌剧《特里斯坦与伊索尔德》深受影响后，才决意退职专门从事作曲。 他最著名的管弦乐《西班牙狂想曲》是他到西班牙旅行采风后的产物。他被认为是德彪西、拉威尔、普朗克等法国近代音乐的先行者。 夏布里埃和当时的许多法国人一样，都醉心于西班牙。他访问西班牙时，曾悉心研究过那里的音乐、舞蹈和舞蹈家，而且详细地做了笔记，并经常在给友人的信中生动地谈论起这些问题。 1882年11月，他从格拉纳达写信给友人。信中提到：“每天晚上，我们到咖啡馆听音乐，那里演唱马拉圭那、索立达、萨帕台阿多和佩台涅拉，还有那里的舞蹈，说实话，那是纯而又纯的阿拉伯舞蹈。你若是能看到她们的臀部像脱了臼似地扭来扭去，我敢说你再也不想离开。在马拉加，那舞蹈越跳越狂热，我不得不带了我的妻子离场；不用说，你也知道我记录了有关这些音乐的不少东西…”这就是我们在夏布里埃的《西班牙狂想曲》中听到的那种色彩与激情。 这部作品是为钢琴而谱写的，后由作者配器。整个乐曲主要包括两种西班牙舞曲：马拉圭那（一种狂热而放荡的舞蹈）和霍塔（一种火热、冲动的快速圆舞曲，边唱边跳）。 乐曲的第一主题为霍塔主题，由大管和小号奏出，其间有三角铁进行点缀。这一具有跳跃性的主题,带有狂放的西班牙民间风格；经过整个乐队对第一主题的反复，乐曲进入第二主题。 第二主题为圆舞曲式，依然奔放的性格中不乏抒情色彩，其后又产生各种多姿多彩的派生主题，生动地描绘出节日般的欢庆气氛。 |
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| 艾曼纽.夏布里埃（Emmanuel Chabrier）完整的钢琴音乐唱片封面 | ||||||||||||||
| Emmanuel Chabrier's complete piano music album cover | ||||||||||||||
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Chabriere's most famous orchestral rhapsody is the product of
his travels to Spain.Later, the "Happy March" was changed into
orchestral music, the harmony is novel and unique, the
orchestration technique is ingenious and the color is bright,
the music is full of security and beauty.He is regarded as
Debussy, Ravel, Planck and other pioneers of modern French
music. Emmanuel Chabrier (1841-1894) was a French composer who was born in Umber. He showed musical talent from his childhood, but he studied law from his father as a civil servant and taught himself music at the same time.In 1877, after his operetta "The Star" was performed at the Comi Opera in Paris, he was recognized as a professional composer, but he still wrote it in his spare time.It was only after listening to Wagner's "Tristan und Isolde" in Munich in 1880 that he decided to quit his job and devote himself exclusively to composing. His most famous orchestral "Spanish Rhapsody" is the product of his travels to Spain.He is regarded as Debussy, Ravel, Planck and other pioneers of modern French music. Chabriere, like many Frenchmen of his day, was obsessed with Spain.When he visited Spain, he had studied its music, dances, and dancers with great care, and he had made detailed notes of them, and he often wrote vividly about them in letters to friends. In November 1882, he wrote to a friend from Granada."Every night, we go to the cafe and listen to music, singing Maraguina, Soledad, Sapadaiado and Petenella, and the dance, which is, to be honest, pure and pure Arab dance," the letter said.If you could see their hips twisting like they were out of joint, I bet you'd never want to leave.In Malaga, the dance grew so wild that I had to leave with my wife;Needless to say, you know I've recorded a lot of things about this music..."This is the kind of color and passion we hear in Chabriere's Rhapsody in Spain. This work was written for the piano and later arranged by the author.The whole piece consists mainly of two types of Spanish dance: Maraguina (a wild and dissolute dance) and Horta (a hot, impulsive fast waltz, sung and danced at the same time). The first theme is the Horta theme, played by bassoon and trumpet, punctuated by triangular iron.This is a leaping theme, with a wild Spanish folk style;After the whole band repeated the first theme, the music entered the second theme. The second theme is waltz style, there is no lack of lyrical color in the bold and unrestrained character, and then produce a variety of colorful derived theme, a vivid description of the festive atmosphere. |
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| 艾曼纽.夏布里埃（Emmanuel Chabrier）雕像 | ||||||||||||||
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著名指挥家阿根塔录制的西班牙狂想曲集是TAS、企鹅、CD圣经、留声机杂志等榜上的发烧名盘。 Decca版的《西班牙狂想曲集》是模拟录音时代的典范，但实际上到了数码录音时代，已有不少同曲目的新录音无论演奏还是录音效果足以与之相提并论，但Decca版的《西班牙狂想曲集》在人们心目中还是占据着显赫位置。 这张专辑西班牙籍指挥阿根塔逝世前一年于伦敦京士威厅及日内瓦维多利亚厅录制的传奇录音。 此录音的LP版长久以来高挂TAS金榜，数年前DECCA成功将其转制成CD，灿烂华丽的管弦乐、分明的层次与惊人的动态曾令乐迷大为惊艳，阿根塔熟力四射的手法亦令人赞叹。如今DECCA再度将原始母带以24bit, 96K取样重制，音色、细节及爆棚的程度远超乎想象，其效果较前一CD版自是更上层楼。另值得一提的是两录音厅声学条件的差异亦然清楚无隐，考究两者间的差异是音响迷赏乐之外的另一重乐趣。 ) 留声机杂志评鉴：DECCA LP名盘……夏布里埃的《西班牙》轻快宜人，里姆斯基-科萨科夫的《西班牙狂想曲》演奏出色，且不失敏锐、色彩与活力。DECCA录音师完美捕捉惊人的打击乐，即使至今其效果仍令人赞叹……集中莫舒柯夫斯基的《西班牙舞曲集》，具有令人怀念的老录音质感，而其充满活生感且色彩瑰丽的演奏于今仍给人无比欢愉的感受。 企鹅唱片评鉴：1957年在京士威音乐厅的录音充满打击乐器令人目眩的灿烂音效……DECCA的录音小组应该为这个早期立体声录音感到骄傲……CD收藏家最迷人的选择。 |
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| 艾曼纽.夏布里埃（Emmanuel Chabrier） | ||||||||||||||
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A
collection of Spanish rhapsody recorded by the renowned
conductor Sergio Aguanta is among the most popular CDS on TAS,
Penguin, CD Bible, phonograph magazine, etc. Decca version of "Spanish Rhapsody" is the model of the analog recording era, but in fact, in the digital recording era, there are many new recordings with the same track in terms of performance and recording effects are comparable, but the Decca version of "Spanish rhapsody" still occupies a prominent place in people's minds. The legendary recording of the album was made by Spanish conductor Aguanta at Kingsway Hall in London and Victoria Hall in Geneva a year before his death. The LP version of this recording has long been a top hit in TAS. A few years ago, DECCA successfully converted it to CD. The splendid orchestral music, clear layers and amazing dynamics once amazed music fans.Now DECCA reproduces the original master tape with sampling of 24bit and 96K, the degree of sound, detail and explosion is far beyond imagination, and its effect is more advanced than the previous CD version.It is also worth mentioning that the differences between the acoustic conditions of the two recording rooms are also clear and unhidden, and the study of the differences between the two is another pleasure in addition to sound fans.) Phonograph Magazine review: DECCA LP disc...Chabriere's "Spain" is lively and pleasant, and Limsky Kosakov's "Spanish Rhapsody" is well played, without loss of subtlety, color and vitality.DECCA sound engineers capture amazing percussion perfectly, and even today the effects are still amazing...Moschkowski's "Spanish Dance collection" has the nostalgic quality of an old recording, while its vivid and colorful performance is still a great joy today. Penguin Records review: A 1957 recording at Kingsway Music Hall is filled with the dazzling brilliance of percussion...The DECCA recording team should be proud of this early stereo recording...The most fascinating choice for CD collectors. |
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西蒙·拉特尔（生于1955年1月19日，英国利物浦）是一位英国指挥家，以演奏古斯塔夫·马勒、阿诺德·勋伯格和其他维也纳第二学派作曲家的作品而闻名。拉特尔在音乐教育方面的热情努力也得到了认可。 在少年时期，拉特尔就开始学习弹奏钢琴、小提琴和打击乐器。10岁时，他作为打击乐手加入了利物浦爱乐青年乐团（当时称为默西塞德青年乐团）。他还在很小的时候就开始担任指挥工作。1974年，年仅 20 岁的拉特尔从伦敦皇家音乐学院毕业，他在约翰·普莱尔国际指挥家比赛中获得一等奖。这一荣誉为他在伯恩茅斯交响乐团担任助理指挥（1974 - 1977 年）铺平了道路。1977 年至 1980 年，他担任皇家利物浦爱乐乐团的助理指挥。在此期间，拉特尔在 1977 年的苏塞克斯格伦代布尔音乐节上指挥了他的第一部歌剧——利奥什·雅纳切克的《狡黠的小野兔》。1980 年，他开始了在伯明翰城市交响乐团（CBSO）长达 18 年的首席指挥和艺术顾问（1990 年更名为音乐总监）的职务。在那里，他的工作确立了乐团的声誉，也确立了他自己的声誉。1987 年，他被授予英国帝国勋章（CBE）。1992 年，拉特尔仍在英国国家交响乐团工作期间，他还成为了名为“启蒙时代乐团”的英国古乐器演奏团体的首席客座指挥。1994 年，他被封为爵士。 2002 年，拉特尔成为柏林爱乐乐团的首席指挥和艺术总监。在担任这一职务后的众多显著举措中，他首先将乐团转变为一个基金会，并提高了乐手们的薪酬。2002 年 9 月 7 日的首演中，拉特尔指挥了当代作曲家托马斯·阿德斯的《阿西拉》以及马勒的《第五交响曲》。拉特尔将柏林爱乐乐团的曲目范围扩展到了包括许多 20 世纪和当代作曲家的作品，以及更多英国和美国作曲家的作品，使其常规演出阵容中包含了更多此类作品。拉特尔对当代音乐的执着使他与作曲家达成了独特的合作，例如海纳·戈贝尔斯和索菲亚·古巴迪利娜，并且还进行了跨界演出，比如与爵士音乐家韦恩顿·马萨利斯（2010 年的《摇摆交响曲》）。 在古典音乐方面。托马斯·格鲁布于 2004 年拍摄的纪录片《节奏就是如此》记录了 2003 年该教育项目首次举办年度舞蹈节——伊戈尔·斯特拉文斯基的《春之祭》的演出情况。为了表彰其音乐教育项目，拉特拉和乐团于 2007 年被任命为联合国儿童基金会的国际亲善大使。同年，拉特拉还在爱乐音乐厅（爱乐乐团的演出场地）的前厅设立了每周免费的午餐时间音乐会。 拉特尔扩大了柏林爱乐乐团的地域影响力。格鲁贝拍摄的另一部纪录片《亚洲之旅》（2008 年）记录了这些音乐家和拉特尔在 2005 年的亚洲巡演情况，这次巡演使他们 26 年来首次访问北京，21 年来首次访问韩国，并且首次来到香港、上海和台湾。作为向更广泛听众推广古典音乐的努力的一部分，2009 年拉特尔协助推出了数字音乐厅，该平台通过互联网（2013 年还通过移动设备）提供柏林爱乐乐团的现场直播演出。柏林爱乐乐团还于 2010 年在欧洲各地的电影院进行了其新一季的开幕演出的网络直播。2017 年，拉特尔成为伦敦交响乐团的音乐总监，次年他辞去了柏林爱乐乐团的指挥职务。2021 年，他被选为巴伐利亚广播交响乐团和巴伐利亚广播合唱团的首席指挥，从 2023-24 乐季开始。 拉特尔录制了超过 100 首作品。其中一些值得一提的作品包括乔治·格什温的《波吉与贝丝》（1990 年），该作品荣获国际唱片评论家奖（1990 年）；约翰内斯·勃拉姆斯的《一部德意志安魂曲》（2007 年），该作品荣获格莱美奖（2008 年）；斯特拉文斯基的《诗篇交响曲》和《C 大调交响曲》（2008 年），该作品荣获最佳合唱表演格莱美奖（2008 年）；约翰·塞巴斯蒂安·巴赫的《圣马太受难曲》（2010 年）；以及马勒的《C 小调第二交响曲（复活）》（2011 年）。除了上述提到的奖项外，拉特尔还获得了许多其他荣誉，包括皇家艺术学会的阿尔伯特奖章（1997 年）、德国致力于儿童音乐教育的科内纽斯奖（2004 年）、德国联邦共和国勋章（2009 年）、法国政府授予的荣誉军团骑士勋章（2010 年）以及英国女王颁发的勋章（2014 年）。 |
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Simon
Rattle (born January 19, 1955, Liverpool, England) is a British
conductor well known for his performances of works by Gustav
Mahler as well as by Arnold Schoenberg and other composers of
the Second Viennese School. Rattle is also recognized for his
passionate efforts in music education. As a boy, Rattle learned to play piano, violin, and percussion. At age 10 he performed as a percussionist with the Liverpool Philharmonic Youth Orchestra (known then as Merseyside Youth Orchestra). He also began conducting at a young age. In 1974, not yet 20 years old, Rattle graduated from the Royal Academy of Music, University of London, having won first prize in the John Player International Conductors’ Competition. That honour paved the way to an assistant conductor position with the Bournemouth Symphony Orchestra (1974–77). From 1977 to 1980 he was the assistant conductor of the Royal Liverpool Philharmonic Orchestra. During that period, Rattle conducted his first opera, Leoš Janáček’s The Cunning Little Vixen, at the 1977 Glyndebourne Festival in Sussex, England. In 1980 he began an 18-year tenure as principal conductor and artistic adviser (in 1990 title changed to music director) of the City of Birmingham Symphony Orchestra (CBSO). His work there established the orchestra’s reputation, as well as his own. In 1987 he was made Commander of the Order of the British Empire (CBE). While still with the CBSO in 1992, Rattle also became the principal guest conductor of the British period-instrument ensemble called the Orchestra of the Age of Enlightenment. He was made a knight bachelor in 1994. In 2002 Rattle became the principal conductor and artistic director of the Berlin Philharmonic Orchestra. The first of many notable actions he took in this position was to convert the orchestra into a foundation and raise the salaries of the musicians. For his opening performance on September 7, 2002, Rattle conducted contemporary composer Thomas Adès’s Asyla and Mahler’s Symphony No. 5. Rattle stretched the repertoire of the Berlin Philharmonic to include many 20th-century and contemporary composers as well as more British and American composers in their regular roster of performances. Rattle’s commitment to contemporary music led to unique collaborations with composers, such as Heiner Goebbels and Sofia Gubaidulina, and to crossover performances, as with the jazz musician Wynton Marsalis (Swing Symphony, 2010). to classical music. Thomas Grube’s 2004 documentary Rhythm Is It! chronicled the 2003 production of the education program’s first annual dance program, Igor Stravinsky’s The Rite of Spring. In recognition of their music education program, Rattle and the orchestra in 2007 were appointed international UNICEF goodwill ambassadors. That year Rattle also instituted weekly free lunchtime concerts in the foyer of the Philharmonie, the Philharmonic’s concert hall. Rattle expanded the Berlin Philharmonic’s reach geographically. Trip to Asia (2008), another documentary by Grube, followed the musicians and Rattle on their tour of Asia in 2005, which took them to Beijing for the first time in 26 years, to Korea for the first time in 21 years, and for the first time ever to Hong Kong, Shanghai, and Taiwan. As part of his effort to present classical music to a broader audience, in 2009 Rattle helped launch the Digital Concert Hall, which offered a live-stream of Berlin Philharmonic performances on the Internet (and in 2013 on mobile devices). The Berlin Philharmonic also streamed its 2010 season opening performance in cinemas across Europe. In 2017 Rattle became music director of the London Symphony Orchestra, and the following year he stepped down as conductor of the Berlin Philharmonic. He was chosen in 2021 to become chief conductor of both the Bavarian Radio Symphony Orchestra and the Bavarian Radio Chorus beginning in the 2023–24 concert season. Rattle made more than 100 recordings. Those of note included George Gershwin’s Porgy and Bess (1990), which won the International Record Critics’ Award (1990); Johannes Brahms’s Ein deutsches Requiem (2007), which won a Grammy Award (2008); Stravinsky’s Symphony of Psalms and Symphony in C (2008), which won the Grammy for best choral performance (2008); Johann Sebastian Bach’s St. Matthew Passion (2010); and Mahler’s Symphony No. 2 in C Minor (Resurrection) (2011). Rattle received many honours in addition to those already mentioned, including the Albert Medal of the Royal Society of Arts (1997), Germany’s Comenius Award for commitment to music education for children (2004), the Order of Merit of the Federal Republic of Germany (2009), chevalier of the Legion of Honour awarded by the French government (2010), and the Order of Merit from the queen of England (2014). |
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| 加布里埃尔·贝贝塞利亚(Gabriel Bebeşelea ） | ||||||||||||||
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加布里埃尔·贝贝塞利亚是克鲁伊-纳波卡“特兰西瓦尼亚”国家爱乐乐团的首席指挥。
由于他的热情和音乐性，他的声誉在过去几年里迅速地大幅增长，使他成为指挥世界上迅速崛起的明星。 2019/20音乐会季的亮点包括他与柏林伦德芬克-辛福尼厄切斯特乐团、管弦乐团国家杜鲁兹乐团、巴塞罗那交响乐团、Tonkunstler乐团和新加坡交响乐团的首演。 此外，加布里埃尔·贝贝塞莱亚将返回柏林Konzerthausorchester、俄罗斯国家爱乐乐团、俄罗斯国家学术交响乐团“Evgeny Svetlanov”和阿尔斯特乐团。 <unk1>最近值得注意的活动包括与皇家爱乐乐团和俄罗斯国家学术交响乐团“Evgeny Svetlanov”的著名首演，以及返回阿尔斯特乐团、萨格勒布爱乐乐团、马其顿爱乐乐团和“George Enescu”爱乐乐团。 在柏林的伦德芬克-辛福尼厄切斯特，他录制了一张CD，其中有乔治·埃内斯库重新发现的清唱剧《幽灵》(The Ghosts)和他的“Pastorale-Fantaisie pour petite管弦乐队”(由Gabriel Bebeselea策划的版本)。 该CD于2018年9月在Capriccio标签下发布。 |
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| 加布里埃尔·贝贝塞利亚(Gabriel Bebeşelea ） | ||||||||||||||
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Gabriel
Bebeşelea is the Principal Conductor of the “Transylvania” State
Philharmonic Orchestra of Cluj-Napoca. Admired for his
enthusiasm and musicality, his reputation grew substantially and
rapidly over the last years, establishing him as a fast-rising
star of the conducting world. Highlights of the 2019/20 concert season include his debuts with the Rundfunk-Sinfonieorchester Berlin, Orchestre National du Capitole de Toulouse, Barcelona Symphony Orchestra, Tonkunstler Orchestra and the Singapore Symphony Orchestra. In addition, Gabriel Bebeşelea will return to the Konzerthausorchester Berlin, the National Philharmonic Orchestra of Russia, the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov” and the Ulster Orchestra. Recent notable engagements include acclaimed debuts with the Royal Philharmonic Orchestra and the State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, as well as returns to the Ulster Orchestra, the Zagreb Philharmonic Orchestra, the Macedonian Philharmonic Orchestra and the “George Enescu” Philharmonic Orchestra. With the Rundfunk-Sinfonieorchester Berlin, he recorded a CD featuring George Enescu’s rediscovered oratorio “Strigoii” (The Ghosts) and his “Pastorale – Fantaisie pour petite orchestre” (edition curated by Gabriel Bebeşelea). The CD was released under the label Capriccio in September 2018. |
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| 俄罗斯国家爱乐乐团演绎『西班牙之夜』夏布里埃、拉罗与拉威尔作品 Russia National Philharmonic Chabrier Lalo Ravel | ||||||||||||||
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2020.02 俄罗斯国家爱乐乐团演绎『西班牙之夜』夏布里埃、拉罗与拉威尔作品
俄罗斯国家爱乐乐团 |
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| 夏布里耶的西班牙狂想曲总谱 | ||||||||||||||
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