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| 保罗·欣德米特（Paul Hindemith 1895- 1963 ) | |||||||||||||||||||||||
| 赫伯特·布隆斯泰特指挥布鲁克纳与亨德米特作品 | |||||||||||||||||||||||
| 赫伯特·布隆斯泰特在本场音乐会中指挥的几部作品仿佛重新唤醒了几个世纪前的浪漫主义：布鲁克纳在宗教礼拜仪式合唱音乐《f小调弥撒》中注入了他充满力量的、崭新的诠释。而保罗·亨德米特《至上的显尊》则与此不同，它是用感性的口吻讲述了圣人方济各的事迹。《法兰克福汇报》评价这部作品为“远离现实魔幻之音”。 | |||||||||||||||||||||||
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Herbert Bronstedt conducted
Bruckner and Hindmeet Herbert Bronstedt conducted several pieces that seemed to reawaken centuries of romanticism: Bruckner injected his powerful new interpretation into the liturgical choral music, "Mass in F Minor."Paul Hendermith's The Manifestation of The Supreme, by contrast, tells the story of saint Francis of Francis of Light in a sentimental tone.The Frankfurter Allgemeine Zeitung described the work as "an escape from the magic of reality". |
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音乐历史上的今天 1957年8月11日，在慕尼黑，保罗.亨德米特在歌剧《和谐的世界》（The Harmony of the World）中检验了开普勒（Kepler）的行星运动的音乐理论。
德国作曲家，指挥，中提琴家保罗·欣德米特（Paul Hindemith 1895- 1963）1895年11月l6日生于德匡哈诺的一个手工业主家庭。他九岁开始正式学习音乐。十四岁进法兰克福音乐学院，随A·门德尔松与B·西克勒斯学习作曲。曾任小提琴，中提琴师。1915年被任命为法兰克福歌剧院乐队长。1917年至1918年应征入伍。1921年起，创作出首批作品，以作曲家与中提琴家而闻名德国。l923年升任乐队指挥，同时创办“阿玛尔四重奏团”，介绍现代音乐，并亲任中提琴手。1927年起，，任担柏林国立音乐学院高级班作曲教授。纳粹执政时，由于对当时统治不满而辞职。1935年至1937年间，他接受土耳其政府的聘请到安卡拉去组织土耳其的音乐生活，提高土耳其的音乐。在纳粹统治期间，他的作品在德国被禁演。1937年至1939年他三次去美国旅行，并于1940年4月在美国定居，以后成为美国公民，在耶鲁大学等处任教。同时还在美国举行了一些巡圆演出。1947年他返回祖国。1951年接受了汉萨市的巴赫奖。l951年去瑞士，被任命为苏黎世大学的正式教授。1956年以后，他主要致力于乐队的指挥工作。1963年2月28日他在美因河畔法兰克福的（Mein-in-Frankfort)逝世 |
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| 约翰尼斯·开普勒（Johannes Kepler，1571—1630） | |||||||||||||||||||||||
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约翰尼斯·开普勒（Johannes
Kepler，1571年12月27日—1630年11月15日），生于符腾堡的威尔德斯达特镇，卒于雷根斯堡
。德国杰出的天文学家、物理学家、数学家。 开普勒就读于图宾根大学，1588年获得学士学位，三年后获得硕士学位。当时大多数科学家拒不接受哥白尼的日心说。在图宾根大学学习期间，他听到对日心学说所做的合乎逻辑的阐述，很快就相信了这一学说。 1630年11月15日，约翰尼斯·开普勒在神圣罗马帝国巴伐利亚公国雷根斯堡病故，享年58岁。 开普勒发现了行星运动的三大定律，分别是轨道定律、面积定律和周期定律。这三大定律可分别描述为：所有行星分别是在大小不同的椭圆轨道上运行；在同样的时间里行星向径在轨道平面上所扫过的面积相等；行星公转周期的平方与它同太阳距离的立方成正比。这三大定律最终使他赢得了“天空立法者”的美名。同时他对光学、数学也做出了重要的贡献，他是现代实验光学的奠基人。 |
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| 开普勒《和谐世界》(1619)（Johannes Kepler）。 | |||||||||||||||||||||||
| 开普勒的《和谐世界》Kepler's Harmonices Mundi | |||||||||||||||||||||||
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开普勒的和声在希腊语中，“和谐”一词的意思是“一致的”或“结合在一起”，希腊语中的“和声”（和声)和“数字”(算术）都来自印欧语根(A)ri，在仪式和节奏等英语单词中可以识别。
在吠陀印度，RTA意味着统一或宇宙秩序。 开普勒认为《和谐世界》(1619)是他最伟大的作品。文本将他关于一致性概念的发现与物理领域的不同类别联系起来:三维几何的规律，不同种类大小之间的关系，音乐的和谐原则，以及太阳系的组织。在这里，我们试图强调一些能体现他思想的问题。 《和谐世界》是约翰尼斯开普勒的一本书。 在作品中，完全用拉丁语写成，开普勒讨论了几何形式和物理现象中的和谐与一致。 工作的最后一节涉及他发现所谓的“第三定律”。
开普勒给《世界和谐》的第一本书命名为:
在开普勒在1619年把《和谐世界》寄送到
印刷厂之后,他完成了一项独立但相关的、长期的任务：发现行星周期之间的某种明确关系，或者发现行星围绕太阳完成一次革命所需的时间，以及它们与太阳的距离。 |
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The Harmony of
the World Kepler considered the Harmonices Mundi (The Harmony of the World, 1619) his greatest work. The text relates his findings about the concept of congruence with respect to diverse categories of the physical domain: regularities in three-dimensional geometry, the relationships among different species of magnitude, the principles of consonance in music, and the organization of the Solar System. Here we seek to highlight issues that provide a flavor of his thought. Harmonices Mundi is a book by Johannes Kepler. In the work, written entirely in Latin, Kepler discusses harmony and congruence in geometrical forms and physical phenomena. The final section of the work relates his discovery of the so-called "third law of planetary motion". Kepler entitled the first book of The Harmony of the World: "On the regular figures, the harmonic proportions they create, their source, their classes, their order, and their distinction into knowability and representability." (The Harmony of the World, Book I) Plato is credited with discovering that only five three-dimensional, convex solids can be formed using regular convex polygons (the so-called Platonic Solids). When a sphere is circumscribed around each shape touching all its corners, the vertices mark off spherical polygons that define the only possible equal divisions of the sphere's surface area. Earlier, in the 1597 Mysterium Cosmographicum Kepler proposed that a nested arrangement of the Platonic Solids determines the spacing between the planetary orbits. After Kepler sent The Harmony of the World to the printer in 1619, he attained the end of a separate but related, and longstanding, quest: To discover some definitive relationship between the periods of the planets, or the time it takes planets to complete a revolution around the Sun, and their distance from the Sun. From his earliest investigations Kepler knew that the speed of the planets decreases with increasing distance from the Sun, and he sought some rule or principle that connected speed and distance. Believing as he did that the same immaterial species of universal gravitation produced all planetary motion, he was convinced that a regular relationship must exist. Thus, in the course of his concluding investigations into the harmonic structure of the cosmos, Kepler discovered that the ratio of the square of a planet's period to the cube of its semi-major axis (see below) is constant for all orbits. Today, we know this relationship as Kepler's Third Law. Many consider it to be one of the most elegant results in all of astronomy. |
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| 保罗·欣德米特（Paul Hindemith 1895- 1963 ) | |||||||||||||||||||||||
| Liszt's dazzling love life was an inseparable part of his dramatic musical life.Is he a prodigal among the stamens?Is he a chivalrous, tender, romantic lover?Unknown.Melodious soul dream, gloomy mood, butterflies across the wall.Countess Dagour left her husband to live with Liszt;With 30,000 slaves, the brilliant Princess Caroline, Duchess of Wittgenstein, gave up fame, status and fortune to follow him through thick and thin.These noble ladies, let the breeze in front of the hall, also a little more beautiful.Listen to Liszt's Dream of Love, No. 3 in A flat major, to express the artistic conception in the poem with musical language. The beautiful broken chords highlight the romantic atmosphere. | |||||||||||||||||||||||
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1915年冬天，亨德米斯成为他的老师阿道夫·莱布纳的四重奏乐队的一员。他先是拉第二小提琴，然后根据自己的要求改拉中提琴。大提琴手是莫里茨·弗兰克，他曾在霍奇音乐学院教过欣德米斯的弟弟鲁道夫。这个四重奏乐团通常在法兰克福和邻近的城镇举行音乐会，在该地区获得了一定的声望。 在1919年12月的《Kolnische Zeitung》中，人们可以看到:“在音乐协会，法兰克福莱布纳四重奏(A. Rebner Quartet, H. Kraus, P. Hindemith, M. Frank)的绅士们是受欢迎的客人……”莱布纳四重奏在晚期的海顿四重奏(作品76，降b大调)和贝多芬的f小调四重奏(作品95…)中表现得尤为明显。1921年，“四重奏”乐队到荷兰和西班牙进行了两次大规模的巡回演出。 在莱布纳四重奏的节目中，只有很少的当代作品，包括巴托克的弦乐四重奏，尚伯格的弦乐四重奏，Op. 7和欣德米斯的第一弦乐四重奏，Op. 10。他们更喜欢演奏海顿的作品，尤其是贝多芬的作品，而莱布纳对贝多芬特别着迷。追求新领域的年轻音乐家Hindemith，很快就厌倦了这种传统的节目:“这种音乐必须被禁止五年!”他精力充沛地问道:“贝多芬对我来说太主观了。”1921年秋，亨德米斯在西班牙巡回演出时，节目编排上的分歧最终导致了他与莱布纳之间的争吵。 |
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| 一身戎装拿着小提琴的欣德米特（Paul Hindemith） | |||||||||||||||||||||||
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Today In the
winter of 1915 Hindemith became a member of the quartet of his teacher,
Adolf Rebner. He first played second violin and then changed - at his
own request - to the viola. The cellist was Maurits Frank, who had
taught Hindemith's brother Rudolf at Hoch's Conservatory. The Quartet
usually performed its concerts in Frankfurt and neighbouring towns,
acquiring a certain prestige in the region. In the «Kölnische Zeitung» of December 1919 one could read: «At the Musical Society, the gentlemen of the Frankfurt Rebner Quartet (A. Rebner, H. Kraus, P. Hindemith, M. Frank) were welcome guests [...]. The splendid musical and sonorous merits of the Rebner Quartet were particularly apparent in a late Haydn Quartet, Op. 76 in B-flat major and in Beethoven's F-minor Quartet, Op. 95 [...].» Two extensive tours took the Quartet to Holland and Spain in 1921. There were only rarely contemporary compositions on the programmes of the Rebner Quartet, these few including string quartets by Bartok, Schönberg's String Quartet, Op. 7 and Hindemith's 1st String Quartet, Op. 10. They preferred to play Haydn and especially Beethoven, to whom Rebner was particularly devoted. Hindemith, the young musician in pursuit of new frontiers, soon tired of such conventional programmes: «This music would have to be prohibited for five years!» he energetically demanded, «Beethoven is too subjective for me.» Disagreements over programming finally led to a row with Rebner during the Spanish tour in autumn 1921, and Hindemith left the Quartet. |
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| 威廉·普利姆罗斯演奏欣德米特中提琴协奏曲唱片封面 | |||||||||||||||||||||||
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朱莉娅·费舍尔（Julia Fischer）
，1983年生于德国慕尼黑。母亲维埃拉·费舍尔出生于斯洛伐克，1972年移居联邦德国，是钢琴家。父亲弗朗克-迈克尔·费舍尔是数学家，出生于东德，同年移居西德。 费舍尔曾在林肯中心、卡耐基音乐厅等知名场所演奏。曾与众多国际知名的指挥家合作，诸如洛林·马泽尔、克里斯托夫·艾森巴赫、雅科夫·克莱兹伯格、尤里·捷米尔卡诺夫、内维尔·马里纳、大卫·津曼、丹内克·马卡尔、君·麦克尔、鲁本·加扎里安、马雷克·扬诺夫斯基、赫伯特·布隆斯泰特、迈克尔·蒂尔森·托马斯等等。足迹遍布美国，巴西和日本以及绝大多数欧洲国家。 费舍尔的演奏曲目非常广泛，从维瓦尔第到肖斯塔科维奇，从巴赫到潘德列茨基，她甚至还在2008年1月1日以钢琴家的身份弹奏了爱德华·格里格a小调钢琴协奏曲 。 |
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Julia Fischer was
born in Munich, Germany, in 1983.Her mother, vieira fischer, was
born in Slovakia and moved to federal Germany in 1972. She was a
pianist.His father, frank - Michael fischer, was a mathematician
who was born in east Germany and moved to the west in the same
year. Fisher has played at famous venues such as Lincoln Center and Carnegie Hall.Has cooperation with many international famous conductor, such as lorraine lorin maazel, Christopher eschenbach, yakov klein sulzberger, yuri jie mirka panov, neville marriner, David mann, tianjin, Dan's markal, prince Michael, reuben garza, marek young's base, Herbert bloomberg Tate, Michael tilson Thomas, etc.It has spread to the United States, Brazil and Japan and most European countries. Fischer's repertoire ranges from vivaldi to shostakovich, Bach to penderetsky, and she even played the edouard grieg piano concerto in a minor as a pianist on Jan. 1, 2008. |
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Today in the
history of music On August 11, 1957, in Munich, Paul Hendermith tested Kepler's musical theory of planetary motion in The opera The Harmony of The World. Paul Hindermet, German composer, conductor and viola player, was born on November 6, 1895, in Quanjuano, into a family of artisan owners.He began to study music formally at the age of nine.At the age of fourteen he entered the Frankfurt Conservatory, where he studied composition with A. Mendelssohn and B. Cycles.He was a violinist and a viola player.In 1915 he was appointed bandmaster of the Frankfurt Opera House.He was conscripted in 1917-1918.Since 1921, he has produced his first works. He is known as a composer and viola player in Germany.L923 promoted to conductor and founded the Amar Quartet, introducing modern music and becoming a viola player.Since 1927, he has been professor of composition in the advanced class at the Berlin State Conservatory.When the Nazis came to power, they resigned because they were dissatisfied with the regime.Between 1935 and 1937, he was hired by the Turkish government to organize Turkish musical life and improve Turkish music in Ankara.His work was banned in Germany during the Nazi occupation.He traveled to the United States three times between 1937 and 1939 and settled in The United States in April 1940. Later he became a US citizen and taught at Yale University and other places.There are also some touring shows in the United States.In 1947 he returned to his motherland.In 1951 he received the Bach Prize from hansa.L951 went to Switzerland and was appointed full professor at the University of Zurich.After 1956, he devoted himself mainly to conducting orchestras.He died at Mein-in-Frankfort on 28 February 1963 Today's videos: 1. Herbert Bloemstedt conducting Bruckner and Hindmeet; 2.Julia Fischer: Violin Sonata in G Minor, 3rd movement, by Paul Hindemeter. |
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| 瑞典指挥家赫尔伯特·布隆斯泰特（Herbert Blomstedt）1927年出生于美国马萨诸塞州，但是其父母都是瑞典人。在布隆斯泰特两岁的时候，全家又回到了家乡。布隆斯泰特的学业是在斯特哥尔摩和乌普萨拉两地完成的，1949年他进入德国达姆施泰德音乐学院深造当代作曲技法，同时师从了萨赫尔（Paul Sacher）学习巴洛克音乐。去了美国之后，他在大指挥家伊格尔。马克维奇（Igor Markevitch）与伯恩斯坦两人的帮助下拿起了指挥棒。1953年，布隆斯泰特荣膺库塞维茨基指挥大赛的头名，两年后，他又在萨尔茨堡指挥比赛中折桂。 | |||||||||||||||||||||||
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| Herbert Blomstedt, a Swedish conductor, was born in Massachusetts in 1927 to Swedish parents.By the time Bronstett was two, the family was back home again.His studies were completed in Stockholm and Uppsala, and in 1949 he went to the Damstedt Conservatory in Germany to study contemporary composition techniques, while studying Baroque music under Paul Sacher.After going to America, he worked under grand Conductor Igel.With the help of Igor Markevitch and Bernstein, he picked up the baton.In 1953 bronstedt won the Kusevitsky competition, and two years later he won the Salzburg competition. | |||||||||||||||||||||||
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| 朱莉娅·费舍尔(Julia Fischer)演奏——保罗·欣德米特《G小调小提琴奏鸣曲》第三乐章 | |||||||||||||||||||||||
| Julia Fischer -- movement 3 of Paul hindmeter's violin sonata in G minor | |||||||||||||||||||||||
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