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| 贝尔恩德.齐默尔曼（Bernd Zimmermann 1918——1970） | |||||||||||||||||||||||
| 现代重奏合奏团演奏齐默尔曼作品 | |||||||||||||||||||||||
| Bernd Alois Zimmermann, Antiphonen - Ensemble intercontemporain | |||||||||||||||||||||||
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音乐历史上的今天
1970年8月10日，52岁的贝尔恩德.阿诺伊斯.齐默尔曼（Bernd Alois
Zimmermann，1918——1970）完成了一部康塔塔——“我环顾四方，便看见阳光下所有不公之事”。当他得知自己将永远失明后，在孔宁施多夫自杀。 |
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| 贝尔恩德.齐默尔曼（Bernd Zimmermann ）在冥思苦想那些怪异的和声与节奏。 | |||||||||||||||||||||||
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贝尔恩德·阿洛伊斯·齐默尔曼 德国作曲家贝尔恩德·阿洛伊斯·齐默尔曼Bernd Alois Zimmermann(1918-1970)是为数不多的独立于20世纪各种音乐信条的音乐家之一，并建立了自己的作曲风格。 1918年，第一次世界大战刚刚结束，贝恩德·阿洛伊斯·齐默尔曼(Bernd Alois Zimmermann)出生在科隆附近的布莱森姆(Bliesheim)。二战期间，他被征入德国军队，中断了他的天主教传统教育。在这段期间所写的一封未公开的私人信件中，他说，在他当兵期间，他实际上从未向另一个人开过枪。在战争早期受了伤，他在1942年得以继续接受教育。当他还是个学生时，齐默尔曼通过在舞蹈乐队演奏来支持自己。在1949年至1950年的达姆施塔特，他放弃了一篇关于现代音乐中赋格的使用的音乐学论文，以追求成为一名作曲家。 在他的成年生涯中，齐默尔曼作为作曲教授谋生，除了他的艺术音乐，他还为电台、电影和舞台创作了许多商业乐谱。他的学术工作为他提供了生活手段，但却妨碍了他的创造性工作。事实上，齐默尔曼作为一个作曲家最多产的时期就是他能够从他的学术任命中获得休假的时候。他相对独立于流行的，前卫的作曲方法，如连载和幸运的音乐，导致他无法成为一个独立的作曲家。事实上，齐默尔曼的作品只有音乐家知道，直到他去世后，他的音乐开始有了更广泛的听众。 齐默尔曼的天主教教育和基督教信仰对他的创作产生了影响，并导致他在音乐中使用了教会的参考和概念。和圣奥古斯丁一样，齐默尔曼相信过去、现在和未来是同时存在的，这是上帝心中永恒的时刻。因此，他发展了一种在自己的现代作品中引用过去大师作品的技巧:他最喜欢的作品包括巴赫、莫扎特和德彪西。这些引语总是标注在齐默尔曼的乐谱中，但听众可能不会注意到，因为齐默尔曼改变了引语及其使用上下文。这些引用意在记录齐默尔曼对永恒存在的音乐的参与，尽管来自过去的材料，旋律、节奏或其他音乐结构，可能会无缝地编织到齐默尔曼自己更表现主义、半音阶或无调性的背景中。齐默尔曼的引用手法发展成了一种拼贴画，这种技术被运用在视觉艺术中，通过将一组看起来随意的图像和物体组合在一起。作曲家将音乐史上不同时期、不同音乐文化的元素组合在一起，形成自己统一的音乐作品。 齐默尔曼的作品完全是原创的，并且深刻地融入了音乐史。他把过去的音乐和现在的音乐融合在一起，把过去的非欧洲音乐和西方艺术音乐融合在一起。他的音乐可以非常压缩:例如，在Stille und Umkehr(1970)的42件作品中，只有4或5种乐器同时演奏。在其他时候，他的音乐似乎很自然。他的同事们把这些相反的倾向看作是作曲家复杂个性的表现，这种个性似乎结合了修道院和酒神的特质。 尽管他的宗教信仰和纪律，齐默尔曼创作的音乐表达了深深的不快乐。他的和平主义和对世界大战的看法反映在他那个时代的特点，他的歌剧《士兵们》，经常被认为是自阿尔班·伯格的作品以来，在该类型的德国最重要的作品。1967年至1969年，因视力不良和对死亡的担忧，齐默尔曼创作了《挽歌》。这部作品概括了齐默尔曼在世时的欧洲历史，摘录了一些政治演讲和一些自杀诗人的作品。1970年，齐默尔曼在哥尼斯堡自杀。从那时起，许多指挥家和表演者向广大听众展示了他的作品，听众们对他的作品越来越感兴趣。 |
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| 贝尔恩德.齐默尔曼（Bernd Zimmermann ）乐谱手稿 | |||||||||||||||||||||||
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Today in the
history of music Bernd Alois Zimmermann (1918-1970), 52, finished a Cantata on Aug. 10, 1970 -- "I look around and I see all the injustice in the sun."When he learned that he would be blind forever, he committed suicide in Koningsdorff. German 20th century composer George Zimmermann, mainly active in West Germany after World War II.He was born in the Etestadt region.My father was a railroad worker and a farmer.As a child Zimmerman attended a private Catholic school and was exposed to music.In 1938, he entered the Cologne Conservatory to study music theory and composition.Drafted into the army in 1940, but discharged in 1942 due to a severe skin condition.He began freelancing as a composer in 1946 and began participating in Darmstadt's new music activities several times in 1948.In 1957 he became professor of composition at the Cologne Conservatory.His work came into focus after the 1960s, especially after the opera "Soldiers" was performed in 1965.But his depression grew, and on August 10, 1970, Zimmerman committed suicide at his home in Koenigsdorf.His composition style was different from the prevailing avant-garde music at that time. Although he adopted a variety of techniques from sequentialism to electronic music, he was also known as the pioneer of collage music.He mixes various pieces of music in his music, including quotations from previous works.His most famous work is the opera "Soldiers", considered one of the most important operas in Germany in the 20th century. Bernd Alois Zimmermann (20 March 1918 -- 10 August 1970) was a German composer in the 20th century who was active in West Germany after World War II.Zimmerman's creation is closely related to the city life always and cologne, he was born in small towns near cologne, cologne music school recruited to fight the French, is here, he learned that stravinsky, meters, Max Planck, onegin lattice contemporary composers and affected by them.From his return to China in 1942 to 1948, his works were neoclassicism. In the following two years, he began to pay attention to Schoenberg's 12-tone technique and applied it to his works.In the 1950s, he gradually matured the use of collage. While other contemporary composers resolutely cut off the connection with traditional music, he preferred to use it as a means of confrontation and to represent the history and connotation of the motherland.He USES all the techniques of mid-20th century composing, from sequentialism to electronic music, and calls his collage techniques "integration legal." Zimmermann produced only one opera in his lifetime, The Soldiers, which is widely regarded as the most important Opera in German after Berge's Lulu and Enem's The Death of Danton.He was as much fascinated by the idea of the German-Austrian musical tradition as his contemporary Composer Enem, but unlike the latter, his mature style contained atonal and sequential techniques.In his mixed-media opera Soldiers, he rewrote a classical German story with radical ideas, citing a large number of materials from different musical styles, and combining traditional bands with electronic music, fully reflecting the creative style of his mature period. On August 10, 1970, Zimmerman committed suicide in Koningsdorf, near his home. Today's video: 1. Modern Ensemble plays Zimmerman; 2. Zimmerman's Double Piano and Band Concerto Dialoge;3. Pierre Strache playing Zimmermann's Sonata for Cello;4. Bernd Zimmerman opera: Soldiers. |
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| 贝尔恩德.齐默尔曼（Bernd Zimmermann ）唱片封面 | |||||||||||||||||||||||
| 贝尔恩德·齐默尔曼 | |||||||||||||||||||||||
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西德作曲家贝尔恩德.齐默尔曼（Bernd Zimmermann ），因其歌剧《士兵们》(1965)而闻名，被认为是20世纪最重要的歌剧之一。1970年8月10日，齐默尔曼在完成《我想要的东西和我所有的东西》的五天后自杀了。当时，他正在准备另一部歌剧《美狄亚》。 |
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扩展阅读-贝尔恩德Bernd Alois Zimmermann 关于贝尔恩德·齐默尔曼的文章出现在《新格鲁夫音乐和音乐家词典》(伦敦，1980年)和《贝克传记词典》(第6版，1978年)中。齐默尔曼本人是《时代》(Intervall und Zeit, 1974)的作者。这位作曲家已经成为了以下文章和书籍的主题:A.波特，《音乐事件》，《纽约客》(1979年2月12日);w·格鲁恩，《整合Komposition: zu Bernd Alois Zimmermanns pluralismuso - begriff》，载于《Archiv fur Musikwissenschaft》(1983);《纽约客》(1983年3月28日);安德烈亚斯·冯·伊姆霍夫，Untersuchungen zum Klavierwerk Bernd Alois Zimmermanns(雷根斯堡，1976);和克莱门斯·库恩，齐默曼斯(汉堡，1978)。 |
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| West German composer, best known for his opera Die Soldaten (1965) which is regarded as one of the most important operas of the 20th century. On 10 August 1970, Zimmermann committed suicide, just five days after completing the score to Ich wandte mich um und sah alles Unrecht das geschah unter der Sonne. At the time, he was preparing another opera, Medea. | |||||||||||||||||||||||
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Further Reading on
Bernd Alois Zimmermann Articles on Bernd Zimmermann appear in The New Grove Dictionary of Music and Musicians (London, 1980) and in Baker's Biographical Dictionary, 6th edition (1978). Zimmermann himself was the author of Intervall und Zeit (1974). The composer has been the subject of the following articles and books: A. Porter, "Musical events," The New Yorker (February 12, 1979); W. Gruhn, "Integrale Komposition: zu Bernd Alois Zimmermanns Pluralismus-Begriff," in Archiv für Musikwissenschaft (1983); The New Yorker (March 28, 1983); Andreas von Imhoff, Untersuchungen zum Klavierwerk Bernd Alois Zimmermanns (Regensburg, 1976); and Clemens Kühn, Die Orchesterwerke Bernd Alois Zimmermanns (Hamburg, 1978). |
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| 齐默尔曼双钢琴与乐队协奏曲《对话》 Dialoge | |||||||||||||||||||||||
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贝尔恩德.阿诺伊斯.齐默尔曼 对话——在奥尔切斯特和克拉维尔有一段距离 |
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| 皮埃尔·斯特拉赫演奏齐默尔曼《大提琴奏鸣曲》 | |||||||||||||||||||||||
| Sonate pour violoncelle solo | |||||||||||||||||||||||
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齐默尔曼（Zimmermann）歌剧：甜心一点小事（士兵们） Opera: Die Soldaten 伯纳德•阿洛伊斯•齐默尔曼 |
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斯图加特国家歌剧院合唱团 斯图加特国家管弦乐团 巴黎音乐协会爱乐乐团的合奏团intercontemporain 巴黎音乐学院国家音乐学院 法国电台 作品 贝尔恩德.齐默尔曼 演奏 中提琴和当代合奏小管弦乐队 奥迪尔奥博因，阿尔托 马蒂亚斯品脱，方面 |
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Opera:
Die Soldaten Staatsopernchor Stuttgart Staatsorchester Stuttgart L'Ensemble intercontemporain La Cite de la musique-Philharmonie de Paris en association avec Le Conservatoire natilnal superieur de musique de danser de Paris Radio France Presentent BERND ALOLS ZIMMERMANN Antiphonen pour alto et petit orchestre Ensemble intercontemporain Odile Auboin,alto Matthias Pintscher,direction |
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