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| 里姆斯基一科萨科夫（Rimsky-Korsakov1844-1908） | |||||||||||||||||||||
| 马切伊·托马谢耶夫茨指挥里姆斯基一科萨科夫的交响组曲《天方夜谭》（西曼诺夫斯基青年交响乐团） | |||||||||||||||||||||
西里西亚爱乐音乐厅
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音乐历史上的今天 1888年7月26日,里姆斯基-科萨科夫完成《天方夜谭（Sheherazade）。
里姆斯基-科萨科夫的作品风格包含了四项特质：旋律是古老的俄罗斯风格，而节奏是独创；和声华美而大胆；他对乐器的编配极具才能，音色的混合自然而华丽；另外，他的作品也散发着旧俄作曲家罕见的开朗与温馨。里姆斯基-科萨科夫是军人出身，由于俄国国民乐派先趋
格林卡等前辈的启发，加上五人乐派同僚的策动，因而放弃军旅生涯转而投入音乐创作。本身较专长于理论作曲，尤其是管弦乐编曲和色彩运用方面对后世影响颇大。 |
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| 里姆斯基一科萨科夫（Rimsky-Korsakov） | |||||||||||||||||||||
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1856年在圣彼得堡入海军军官候补生队，同时业余时间学习钢琴演奏、观赏歌剧及听音乐会，与巴拉基列夫等人交往，交流音乐创作感受。1862-65年出海航行。1865年完成他的第一部交响乐。1869年续成达尔戈梅日斯基（Dargomyzhsky）的歌剧《石客》（The
Stone Guest）。 1871年他成为圣彼得堡音乐学院乐器和作曲教授。1874年到1881年他是免费音乐学校的领导，并以指挥家和教育家姿态亮相。他的学生有亚历山大·格拉祖诺夫、奥托里诺·雷斯皮基、斯特拉文斯基和普罗科菲耶夫。 |
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| 里姆斯基一科萨科夫（Rimsky-Korsakov ） 的夫人年轻的时候 | |||||||||||||||||||||
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| 圣彼得堡“五人强力团”名单：鲍罗丁、巴拉基雷夫、居易、莫索尔斯基、里姆斯基-科萨科夫 | |||||||||||||||||||||
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The Five (The Mighty
Handful) Aleksander Borodin, Mily Balakirev (the leader), César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov |
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圣彼得堡“五人团” 圣彼得堡的一群大多靠自学成才的作曲家决心创立以我为主的俄罗斯音乐风格，他们对圣彼得堡音乐学院只重视德国音乐的风气嗤之以鼻。这些被称为“五人团”（成员包括巴拉基列夫、鲍罗廷、居伊、穆索尔斯基和里姆斯基一科萨科夫）的作曲家从本国的民间音乐及通俗音乐中获得灵感。“五人团”的领袖米利·巴拉基列夫（1837-1910年）是钢琴家和音乐教师，他用大量时间鼓励团内其他成员。1862年，他开办了圣彼得堡免费音乐学校，后担任帝国宫廷礼拜堂乐长。交响诗《塔玛拉》（l867-1882年）及颇具东方情调的钢琴幻想曲《伊思拉美》（1869年）是他最著名的作品。 |
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St.
Petersburg group of five A group of mostly self-taught composers in st. Petersburg determined to create a predominantly Russian style of music, scoffed at the school's emphasis on German music.These composers, known as the "five," whose members included balakilev, borotin, guy, mussorgsky and rimsky-kosakov, drew their inspiration from their home country's folk and popular music.The leader of the five, mili balakilev (1837-1910), was a pianist and music teacher who spent much of his time encouraging other members of the group.In 1862, he opened the st. Petersburg free music school and later served as rector of the chapel at the imperial court.The symphonic poem tamara (l867-1882) and the Oriental piano fantasia israme (1869) are his most famous works. |
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Today in
the history of music On July 26, 1888, Remsky Kosakov completed Sheherazade. The earliest Russian composer was Rimsky-Korsakov-1844-1908, with a successful opening in St. Petersburg in 1865.He later became a major member of the Fifth Regiment.His first opera, The Pskofer Girl, premiered in 1373.His most famous works are operas and symphonic poems, both based on the folk music the author was familiar with as a child.He wrote about 15 operas, all based on Slavic fairy tales and Russian history.Among the most important were The Snow Girl (1880 -- l881) and the Golden Cock (1909).These works, full of fantasy and supernatural content, lack dramatic appeal, but their music, thanks to a system of inflections, skillfully conveys the distinction between fairy tales and photorealism.His colorful and vivid orchestration style is fully displayed in symphonic suites such as Spanish Cappadocia (1887), Sheherazade (1888) and the Overture of Russian Easter (1888).Rimsky-kosakov constantly revised his early work and made major (sometimes unsatisfactory) changes to Musorgsky's work before it was published.Igor Stravinsky, Alexander Grazunov and Sergei Prokofiev were among Rimsky-Kosakov's students.Through them, the influence of the first generation of Russian composers permeated the development of Russian music in the 20th century. Musski-kosakov's style contains four characteristics: the melody is the old Russian style and the rhythm is original;The harmony was rich and bold;His arrangement of instruments is very talented, the mixture of timbre is natural and gorgeous;In addition, his works also exudes the openness and warmth rarely seen in composers of old Russia.Rimsky Kosakov was born in the army, but he abandoned his military career and turned to music because of the inspiration of the Russian folk music school, such as Glingka, and the inspiration of the five musicians.He is specialized in theoretical composition, especially orchestral arrangement and color application, which have great influence on later generations. Video of the day: Karol Simanovsky Youth Symphony performs Limski-Kosakov's completion of "The Arabian Nights," conducted by Marche Tomasieevts. |
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| 里姆斯基一科萨科夫（Rimsky-Korsakov）唱片封面 | |||||||||||||||||||||
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莫瑞季欧856年在圣彼得堡入海军军官候补生队，同时业余时间学习钢琴演奏、观赏歌剧及听音乐会，与巴拉基列夫等人交往，交流音乐创作感受。1862-65年出海航行。1865年完成他的第一部交响乐。1869年续成达尔戈梅日斯基（Dargomyzhsky）的歌剧《石客》（The
Stone Guest）。 1871年他成为圣彼得堡音乐学院乐器和作曲教授。1874年到1881年他是免费音乐学校的领导，并以指挥家和教育家姿态亮相。他的学生有亚历山大·格拉祖诺夫、奥托里诺·雷斯皮基、斯特拉文斯基和普罗科菲耶夫。 |
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| 老年的里姆斯基一科萨科夫（Rimsky-Korsakov） | |||||||||||||||||||||
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In 1856, he joined the
midshipman in st. Petersburg. In his spare time, he learned to play the
piano, watch operas and listen to concerts.He sailed from 1862 to 65.He
completed his first symphony in 1865."The Stone Guest," by Dargomyzhsky,
in 1869. In 1871 he became professor of Musical Instruments and composition at the st. Petersburg conservatory of music.He was the head of the free music school from 1874 to 1881 and made his debut as a conductor and educator.His students were Alexander grazunov, autolino lespicchi, stravinsky, and prokofiev. |
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| 马切伊·托马谢耶夫茨(Maciej Tomasiewcz） | |||||||||||||||||||||
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托马谢耶夫茨在卡托维兹音乐学院研究生(博士)，在那里完成了Szymon
Bywalec教授的作曲和音乐理论以及交响乐和歌剧指挥课程。此外，他还参加了在布达佩斯举办的迈克尔·迪特里奇(Michael
Dittrich)的指挥大师班，并在比赛中获得了二等奖。他还参加了加布里埃尔·切穆拉(Gabriel Chmura)、Jacek
Kaspszyk和拉里·利文斯顿(Larry
Livingston)的大师班。他与阿基蒂室内乐团关系密切，他曾作为小提琴手与该乐团合作，并从2014年起担任其指挥。自2015年起，他担任多所学校青年交响乐团(Bytom的波兰青年交响乐团、卡托维兹的Karol
Szymanowski青年交响乐团)的指挥，在他的指挥棒下，在各种比赛和节庆中取得了相当大的成功。 到目前为止,在他的职业生涯,Maciej Tomasiewicz曾担任助理等身材的导体:Mirosław Jacek Błaszczyk,Łukasz Borowicz, Gabriel Chmura马修大厅,Michail Jurowski, Jacek Kaspszyk, MichałKlauza, Christoph康尼锡,亚历山大•Liebreich卢多维奇Morlot,安东尼奥。智慧他的助理指挥Łodź大剧院,他准备(后赢得了竞争的位置助理指挥)Moniuszko授予首映的闹鬼的庄园由Krystyna简达。他领导过以下乐团:贝多芬学院乐团、华沙爱乐乐团、波德拉西歌剧院和爱乐乐团、西里西亚爱乐乐团、西里西亚室内乐团和新音乐乐团。 自2016年起，他与西里西亚歌剧《拜汤姆》(Bytom)一起演出，在那里，他指挥了芭蕾首演《谢赫里扎德/美蒂亚》(Scheherezade/Medea)，里面有里姆斯基-科萨科夫(Rimsky-Korsakov)和巴伯(Barber)的音乐，还指挥了普契尼的《托斯卡》(Tosca)、柴可夫斯基的《胡桃夹子》(the Nutcracker)、小施特劳斯的《齐齐内人男爵》(the Zigeunerbaron)和莫努斯科的《闹鬼庄园》(the Haunted Manor)。Białystok Podlasie歌剧和爱乐乐团的项目包括,比才的卡门,普契尼的《图兰朵》。在2016/2017赛季，他是波兰交响乐团Sinfonia Iuventus的助理指挥。从2019/2020赛季开始，(在赢得Andrzej Boreyko助理指挥的竞争之后)他就在华沙爱乐乐团工作。从这一季开始，他将担任西里西亚室内乐团的第一任首席指挥。 |
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| 马切伊·托马谢耶夫茨(Maciej Tomasiewcz） | |||||||||||||||||||||
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Graduate (PhD) of the Academy
of Music in Katowice, where he completed courses in composition and
music theory as well as symphony and opera conducting taught by Szymon
Bywalec. In addition, he attended Michael Dittrich’s conducting
masterclass in Budapest, where he was awarded Second Prize in a
competition, and masterclasses led by Gabriel Chmura, Jacek Kaspszyk and
Larry Livingston. He is closely associated with Archetti Chamber
Orchestra, with which he has collaborated as a violinist, and since 2014
as its conductor. Since 2015, he has worked as a conductor of several
school youth orchestras (Polish Youth Symphony Orchestra in Bytom, Karol
Szymanowski Youth Symphony Orchestra in Katowice), which have achieved
considerable success under his baton in various competitions and
festivals. So far in his career, Maciej Tomasiewicz has worked as an assistant to conductors of such stature as: Mirosław Jacek Błaszczyk, Łukasz Borowicz, Gabriel Chmura, Matthew Halls, Michail Jurowski, Jacek Kaspszyk, Michał Klauza, Christoph König, Alexander Liebreich, Ludovic Morlot, Antoni Wit. He has been assistant conductor of the Grand Theatre in Łódź, where he prepared (after having won a competition for the position of assistant conductor) the awarded premiere of Moniuszko’s The Haunted Manor directed by Krystyna Janda. He has led such orchestras as: the Beethoven Academy Orchestra, Warsaw Philharmonic, Podlasie Opera and Philharmonic Orchestra, Silesian Philharmonic Orchestra, Silesian Chamber Orchestra and New Music Orchestra. Since 2016, he has performer alongside the Silesian Opera in Bytom, where he has conducted, inter alia, the ballet premiere Scheherezade/Medea to the music of Rimsky-Korsakov and Barber, as well spectacles of Puccini’s Tosca, Tchaikovsky’s The Nutcracker, Strauss Jr’s The Zigeunerbaron and Moniuszko’s The Haunted Manor. At the Podlasie Opera and Philharmonic in Białystok his projects has included, Bizet’s Carmen, Puccini’s Turandot. In the 2016/2017 season, he was assistant conductor with the Polish Orchestra Sinfonia Iuventus. Since 2019/2020 season, (after having won competition for the position of Andrzej Boreyko’s assistant conductor) he is working with the Warsaw Philharmonic. Since this season he’ll take position of the first principal conductor of the Silesian Chamber Orchestra. |
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