|
||||||||||||||||||||||||||
 |
 |
|||||||||||||||||||||||||
|
|
|
|||||||||||||||||||||
 |
|
||||||||||||||||||||
| 菲利普•格拉斯（Philips Glass，1937 —) | |||||||||||||||||||||
吉东·克莱默 吉德雷·迪尔瓦瑙斯凯特演奏《格拉斯 小提琴大提琴二重协奏曲》 |
|||||||||||||||||||||
GIDON KREMER violin GIEDRE DIRVANAUSKAITE VioloncellePhilip Glass: Double Concerto for Violin, Cello and Orchestra |
|||||||||||||||||||||
|
|
|||||||||||||||||||||
|
音乐历史上的今天
1976年7月25日菲利普·格拉斯（Philips
Glass，1937-——）以相对论之父为题而作的超现实主义歌剧《海滩上的爱因斯坦》（Einstein on the
Beach）在法国的阿维尼翁音乐节上演出。这位作曲家以搬家具、修水管和在纽约开出租为生。 |
|
||||||||||||||||||||
 |
|||||||||||||||||||||
| 年轻的菲利普•格拉斯（Philips Glass) | |||||||||||||||||||||
|
Today in
the history of music Philips Glass's surrealist opera "Einstein on the Beach" was performed at avignon, France, on July 25, 1976.The composer made a living moving furniture, fixing plumbing and driving a New York taxi. 20th century's most have the courage to break through, is also one of the most influential composer Philip glass, extremely large and covers the ground, including orchestral works, operas, film music, because of the steps in the environment music and music in the new century, so also has, for electronic synthetic sound and integrated into the essence of music from all over the world. Flute is beginning from the age of eight, Philip glass and shows interest in talent for music and, in the age of 15, the Chicago school, he spends most of the energy on the piano, and then into Julia a classical music college music education, but to bring his biggest inspiration, is the king of India west tower piano - Ravi Shankar, from then on, his music is from the heart of melody passages to lead, figuring out the symbols rather than paper.In 1967, he went to New York and developed the famous ultra-micro music school, which consists of several repeated melodic themes to form the whole music, completely breaking the established rules of classical music. The practice was very post-modern, which soon attracted the attention of art circles.With a dedicated ensemble of musicians and years of hard work, he was signed by the British record label Virgin in 1974 and gained international fame, but it wasn't until the release of North Star in 1977 that his music began to reach the general public. "North Star" was originally written in honor of an artist's film, but has been rewritten and reassembled into this album.The music on the album is separate but coherent.Don't think of it as a movie soundtrack, but instead of a narrative theme, it's a short, stream-of-consciousness tone that's meant for you to feel, and of course it's very musical.As if from a machine organ tone, mixed with orchestral electronic composite instruments and surrounded by human voices, the album is like a late-century hymn, full of forward-looking vision, aimed at the present and the future. Philip Glass is arguably the most famous of the minimalists, thanks to his numerous plays, films and dance scores.The more intrinsic factor is that he pays more attention to sound effect. By drawing lessons from the "cyclic rhythm structure" in Indian music, he extensively applies the principle of repetition, and at the same time keeps repeating through the whole song with a simple tone pattern, he changes it by means of constantly expanding rhythm and enhancing the embellishment effect of orchestration.The sound effect of the harmony and the richness of the texture of Philip Glass's works are far beyond those two composers.His representative works include the music of the Fifth Degree, Look again at Harmony and other instrumental works.But more widely influential was the trifecta of Einstein on the Beach, Noncooperation (featuring Gandhi) and Akhnaten (a 14th century BC Egyptian king).It breaks the tradition of storytelling in opera and depicts characters with musical metaphors and symbols rich in meditation. 1975 opera Einstein on the Beach.During four ACTS and five hours of performance, there is no closing or intermission, the audience can come and go at will, and there is no familiar operatic aria, narration or plot.Breaking with the traditional form of opera, Glass and Wilson claim that "sand" needs no explanation, and that they want people to feel with their eyes and ears, to feel their own meaning.He then wrote The Truth and The Hard, The Story of Gandhi in South Africa, and the Pharaohs, both of which, along with Einstein on the Beach, became His opera trilogy. Since the trilogy, Glass has written several more operas, and by the 1990s the Cocteau trilogy (Offie, Beauty and the Beast, Scary Kids) had produced thirteen.Opera, since 87, he began to compose the large-scale orchestral, the lower limit of symphony, "easy too at the dam" is a masterpiece of this period, he also for many movies to write the music, including "the imbalances in the life", Godfrey Reggio directed by documentary trilogy, "the biography of mishima yukio, and Martin scorsese guided by" the dalai lama's life "is his representative work, he also work with master documentary errol morris has a long-term cooperation," the thin red line ", "a brief history of time" and "fog of war" three documentaries classical music are all his works. As the representative of minimalist modern music, Glass is a widely influential composer who does not make film scores.But the chances of encountering his work would be much smaller if he hadn't written for more than 30 films. After all, we'd always rather watch movies than listen to pure avant-garde music.Grass's theory of music also seems to be "minimalist" : use as few notes as possible to repeat layers of rich music, but it is not easy to understand.The good news is that not only can we listen to music with our ears, but we can also watch Graz's minimalist style with a movie.Anyone who has watched Godfrey Reggio's documentary QATSI Trilogy has experienced the maestro's musical charm.More Oscar fans can listen to Philip Glass in the Hours. Today's video: 1.Kramer Dilwanuscate plays the Glass Concerto for Violin and Cello.2.Tim Fane's violin solo on Philip Glass's Einstein on the Beach;3.Philip Guerra's Einstein on the Beach, recorded at the Théâtre du Châtelet de Paris. |
|
||||||||||||||||||||
 |
|||||||||||||||||||||
| 菲利普•格拉斯（Philips Glass)表演自己的作品《开》(1981)(Georg Philipp Telemann ） | |||||||||||||||||||||
|
开(1981) 菲利普·格拉斯 Philip Glass, Anton Batagov和Jenny Lin表演 Glassworks最初是作为CBS唱片公司在1981年的委托而写的(我为该公司录制的第一张CD)。除了为我的合奏组做的工作，它还有几件不寻常的作品，包括钢琴独奏的开场和高音萨克斯管独奏的面板。其中一些音乐后来成为杰罗姆·罗宾斯1983年在纽约市芭蕾舞团的舞蹈作品的基础。开场是一系列钢琴独奏音乐的开始，直到今天，我还在继续增加。 |
|||||||||||||||||||||
|
Opening (1981) Composed by Philip Glass Performed by Philip Glass, Anton Batagov and Jenny Lin Glassworks was originally written as a commission for CBS Records in 1981 (the first CD of mine recorded for that company). Besides work for my ensemble, it contained several unusual pieces including Opening for solo piano and Façadesfor solo soprano saxophone. Some of this music later formed the basis of Jerome Robbins’ dance piece at the New York City Ballet in 1983. Opening was the beginning of a series of music for solo piano, which I am still adding to, to this day. |
|||||||||||||||||||||
 |
|||||||||||||||||||||
| 菲利普•格拉斯（Philips Glass)的 歌剧《海滩上的爱因斯坦》（Einstein on the Beach）乐谱 手稿 | |||||||||||||||||||||
| The Georg Philipp Telemann's electronic music | |||||||||||||||||||||
 |
|||||||||||||||||||||
| 菲利普•格拉斯（Philips Glass)歌剧《海滩上的爱因斯坦》（Einstein on the Beach）乐谱手稿封面 | |||||||||||||||||||||
 |
|||||||||||||||||||||
| 菲利普•格拉斯（Philips Glass)歌剧《海滩上的爱因斯坦》（Einstein on the Beach）乐谱手稿 | |||||||||||||||||||||
 |
|||||||||||||||||||||
| 漫画菲利普•格拉斯（Philips Glass) | |||||||||||||||||||||
| 《沙滩上的爱因斯坦》被公认为「二次大战后最辉煌的舞台作品」「20世纪最伟大的艺术成就之一」，掀起了现代歌剧和舞台美学的革命潮流，影响延至21世纪的今天。这个长篇巨构，每一分钟都让人目不暇给。华丽雄壮的舞台意象是威尔逊最高的艺术境界，配上格拉斯引人入胜的乐章，还有美国现代舞家查尔特斯跌荡起伏的舞蹈，《沙滩上的爱因斯坦》是一部连绵不断的现代史诗式歌剧。它的伟大，堪比爱因斯坦。 | |||||||||||||||||||||
 |
|||||||||||||||||||||
| 生命，繁衍即意义，对智慧，认知即意义。而人，负有生命与智慧的双重责任。 | |||||||||||||||||||||
| 《海滩上的爱因斯坦》读书笔记 | |||||||||||||||||||||
|
简直拜倒在爱因斯坦的石榴裙下😄 又羞惭于认知力还不及一百年前的人😂 这本书值得读好几遍，一方面当然是有趣又有内涵，另一方面，因为还不能完全看懂~ 除了一百年前就有论文现世的狭义与广义相对论的部分，能勉强理解，后面的各种理论都只可想象不可自行揣度，很难受的好么~ 所以当前的摘录，也只涉及相对论部分，也不要尽是些概括但空泛的概念，那样对自己，反而没有意义。 （btw，对中国古典文化，儒释道哲学，貌似已到自我评述的阶段。因为已见到更高的山峦！望勉之~） 1.长度的单位是秒，米作为衍生单位，被定义为等于1/299792458秒。 2.“时间的流逝”，只对自己一人有效而对任何其他人都无效，它没有绝对性，没有通用性。对所有物体都同样流逝的整体时间概念是不可能的。我们日常度量的精确度让我们看不到这一点。 3.时空是一个四维实体。人们可以将之看作平面（二维）或空间（三维）概念的扩展。数学家们将这样的扩展称为“流形”。 4.观察者的固有时长可以用于确定自身的历史事件——在他自己的世界线上。但无论怎样它们都不能用来确定其他地方发生的事件或历史，因为它们在那些地方没有被定义。 5.“从光子的角度看”，在它被发出的一刻与它被观察到的一刻之间没有任何时间流逝。 6.但在我的固有时间和其他观察者的固有时间之间没有直接关系，也不可比较。 7.每人的固有时间的流逝是相同的，即便没有任何整体时间被定义。从来就没有真正的“时间减速”，没有真正的“时长的收缩（或扩张）”。 8.狭义相对论的主要成果——取消绝对时间和绝对空间并引入时空概念。 9.广义相对论的主要内容：万有引力的概念被四维空间中的曲线几何代替，而这是由宇宙中天体的整体形成的。 |
|||||||||||||||||||||
|
Einstein on the
Beach. Book notes It threw themselves at Einstein's feet 😄 And shame on cognitive 😂 is less than one hundred years ago This book is worth reading several times. On the one hand, it is certainly interesting and informative, and on the other, it is not fully comprehensible With the exception of the mundane parts of special and general relativity written a hundred years ago, which can be barely understood, the rest of the theories are hard to imagine Therefore, the current excerpt only involves the relativistic part, and don't be full of general but vague concepts, which are meaningless to yourself. (BTW, on Chinese classical culture, Confucianism, Buddhism and Taoism philosophy, seems to have reached the stage of self-evaluation.For higher mountains have been seen!Hope mian zhi ~) 1. The unit of length is the second, and the meter, as a derived unit, is defined as equal to 1/2,999,2458 of a second. 2. "The passage of time", which is valid only for itself and no one else, has no absoluteness or universality.It is impossible for all objects to have the same universal notion of time passing.The precision of our daily measurements prevents us from seeing this. 3. Space-time is a four-dimensional entity.One can think of it as an extension of the concept of plane (two-dimensional) or space (three-dimensional).Mathematicians refer to such extensions as manifolds. 4. The observer's intrinsic length can be used to determine his own historical event -- on his own world line.But in any case they cannot be used to determine events or histories elsewhere, because they are not defined there. 5. "From the photon's point of view", no time passes between the moment it is emitted and the moment it is observed. 6. However, there is no direct relationship or comparison between my proper time and the proper time of other observers. 7. The passage of intrinsic time is the same for everyone, even if no integral time is defined.There has never been a real "deceleration in time," a real "contraction (or expansion) of time." 8. The main achievement of special relativity - the abolition of absolute time and absolute space and the introduction of the concept of space-time. 9. Main content of general relativity: The concept of universal gravitation was replaced by curvilinear geometry in four dimensions, which is formed by the totality of celestial bodies in the universe. |
|||||||||||||||||||||
蒂姆·费恩演奏菲利普·格拉斯的《海滩上的爱因斯坦》小提琴独奏 |
|||||||||||||||||||||
| Tim Fain plays Philip Glass' 'EINSTEIN ON THE BEACH' violin solo | |||||||||||||||||||||
| 《沙滩上的爱因斯坦》菲利普•格拉斯 巴黎夏特列剧院 | |||||||||||||||||||||
|
海滩上的爱因斯坦，2014年在巴黎的沙特莱剧院录制 舞台、布景设计和灯光由罗伯特·威尔逊设计 音乐与歌词Philip Glass 露辛达·蔡尔兹编舞 Lucinda Childs, Samuel M. Johnson, Christopher Knowles 迈克尔·里斯曼(Michael Riesman)负责 由安-克里斯汀·罗曼执导 副舞台设计，Charles Otte 灯光设计由Urs Schoenbaum设计 库尔特·蒙卡西(Kurt Munkasci)音效设计 服装设计卡洛斯索托 由杜沙特雷剧院与巴黎汽车节和德拉维尔剧院合作提供，石榴艺术公司制作。在皮埃尔·贝尔热和艾格尼丝·b的支持下，爱因斯坦在巴黎海滩上的形象得以实现，并与法国国际合作。 |
|||||||||||||||||||||
|
Einstein
on the Beach, recorded at the Théâtre du Châtelet de
Paris on 2014 Staging, set design and lighting by Robert Wilson Music and lyrics by Philip Glass Choreography by Lucinda Childs Spoken texts written by Lucinda Childs, Samuel M. Johnson, Christopher Knowles Conducted by Michael Riesman Associate direction by Ann-Christin Rommen Associate stage design by Charles Otte Lighting design by Urs Schoenbaum Sound design by Kurt Munkasci Costume design by Carlos Soto Presented by the Théâtre du Châtelet in partnership with the Festival d'Automne in Paris and the Théâtre de la Ville and Produced by Pomegranate Arts, Inc. Parisian representations of Einstein on the Beach was made ossible through the support of Pierre Bergé and agnès b. and a partnership with France Inter. |
|||||||||||||||||||||
|
|
|||||||||||||||||||||
| 未得原作者编者授权严禁转载www.mt77.com任何内容 | |||||||||||||||||||||
|
|
|
||||||
|
copyright © 2003-2005 xilu.com all rights reserved. |
||||||
|
|
||||||
