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| 朱塞佩·威尔第（Giuseppe Verdi，1813年—1901年） | |||||||||||||||||||||
威尔第《强盗》2019年米兰斯卡拉歌剧院 |
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| Verdi - I Masnadieri Teatro alla Scala | |||||||||||||||||||||
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音乐历史上的今天
1847年7月22日，《强盗》（I Masnadieri）在伦敦首演，由威尔第指挥，珍妮·林德（Jenny
Linder，1820-1887）扮演爱梅利亚（Amelia）。“这音乐，”维多利亚女皇在日记中写道，“非常低级平庸。”
《强盗》（I Masnadieri
）是意大利著名歌剧作曲家威尔第创作的第11部歌剧，完成于1847年33岁时，在伦敦的女王陛下剧院首演。威尔第接受意大利以外国家剧院的直接委托谱写的歌剧，这是第一部，这证明当时他的声名已经传扬到整个欧洲。或许因为如此，此剧在意大利本国几乎没有受到狂热欢迎或好评的记录，直到最近仍大都认为这部歌剧是败笔，或是不太值得瞩目的凡作。实际上，威尔第在此剧中也结下珍贵的果实。1847年7月22曰，在维克多利亚女王、威灵顿大公、路易·拿破仑等驾临观赏下，《强盗》的首演博得空前的成功。随后在该乐季中又反复上演四次，威尔第曾亲自指挥两次。当时由被称为“瑞典夜莺”的著名女高音珍妮·琳德饰唱阿玛丽亚，著名男低音拉布拉许饰唱马西米利亚诺，年轻的男高音贾德尼饰唱卡罗。
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| 珍妮·林德（Jenny，Lind 1820-1887）历史上被誉为“瑞典夜莺”！ | |||||||||||||||||||||
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珍妮·林德（Jenny，Lind 1820-1887）是瑞典歌剧歌唱家，常常被人们誉为为“瑞典夜莺”。她是19世纪最受推崇的女歌唱家之一，在瑞典和整个欧洲的歌剧中都担任过女高音，并于1850年开始在美国进行音乐会巡回演出极为轰动。
从1840年起，她就是瑞典皇家音乐学院的成员 。 林德于1838年在瑞典的DerFreischütz演出后声名鹊起。几年之内，她的嗓音受到了损害，但歌唱老师ManuelGarcía帮他恢复了她的声音。 1840年代，她在瑞典和整个北欧的歌剧界都有很高的威望，并且与菲利克斯·门德尔松（Felix Mendelssohn）有着密切的联系。在伦敦度过了两个著名的季节后，她宣布在29岁时从歌剧中退休。 1850年，林德（Lind）应演艺人巴纳姆（P. T. Barnum）的邀请去美国。她举办了93场大型音乐会，然后在她自己的管理下继续巡回演出。她从这些音乐会中获得了超过35万美元的收入，将收益捐赠给了慈善机构，主要是瑞典免费学校的捐赠。 1852年，她与新丈夫奥托·戈德施密特（Otto Goldschmidt）回到欧洲，在那里生了三个孩子，并在接下来的二十年里偶尔举行音乐会，并于1855年定居英国。从1882年开始，她在伦敦皇家音乐学院担任了几年的声乐教授。 今天我们能听到帕瓦罗蒂和卡拉斯等人的美妙歌声， 完全得益飞速发展的科学技术，我们感谢上帝赐给我们食物、还要感谢上帝赐给人类新科技，否则我们只能会入得宝山空手而归了。在珍妮·林德事业辉煌的19世纪中叶还没有录音录像技术，所以今天总算找到了《马戏之王》贝利卡·弗格森还原“瑞典夜莺”的视频，这个视频中贝利卡的天籁般的音色完全替代我心中的遗憾了。 |
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Jenny
(Lind 1820-1887) was a Swedish opera singer, often referred to
as the Swedish Nightingale.One of the most acclaimed female
singers of the 19th century, she was a soprano in opera in
Sweden and throughout Europe, and in 1850 began her concert tour
in the United States to great effect.She has been a member of
the Royal Swedish Academy of Music since 1840. Linde rose to fame after performing in DerFreischutz, Sweden, in 1838.Within a few years, her voice was damaged, but singing teacher ManuelGarcia helped him recover it.In the 1840s, she was highly respected in Sweden and throughout Northern Europe in opera, and was closely associated with Felix Mendelssohn.After two famous seasons in London, she announced her retirement from opera at the age of 29. In 1850, Lind went to the United States at the invitation of the entertainer P. T. Barnum.She gave 93 major concerts and then went on tour under her own management.She earned more than $350,000 from the concerts, which she donated to charities, mainly free schools in Sweden.In 1852, she returned to Europe with her new husband, Otto Goldschmidt, where she had three children, gave occasional concerts for the next two decades, and settled in England in 1855.From 1882, she was a professor of vocal music at the Royal College of Music in London for several years. Today we can hear pavarotti, Callas and others wonderful singing, fully benefit from the rapid development of science and technology, we thank God for the food, but also thank God for the new technology of human beings, otherwise we would only enter the treasure mountain and return empty-handed.In the mid-19th century, when Jenny Lind's career was at its best, there was no recording or video technology, so today we have belica Ferguson's video of the Swedish Nightingale, in which belica's natural voice completely takes the place of my own. |
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| 朱塞佩·威尔第（Giuseppe Verdi，1813年—1901年） | |||||||||||||||||||||
| 朱塞佩·威尔第（Giuseppe Verdi，1813年—1901年），意大利作曲家 ，1813年出生于意大利北部布塞托附近的一个小酒馆经营者家庭。13岁开始学音乐，1832年投考米兰音乐学院，未被录取，后留在米兰向斯卡拉歌剧院的音乐家（拉维尼亚）学习音乐。1842年，创作了他的第二部歌剧《那布科王》，演出异常成功，一跃而成意大利第一流作曲家。当时意大利正处于摆脱奥地利统治的革命浪潮之中，他以自己的歌剧作品《伦巴底人》（1848）、《厄尔南尼》（1844）、《阿尔济拉》（1846）、《列尼亚诺战役》（1849）以及革命歌曲等鼓舞人民起来斗争，因之获得“意大利革命的音乐大师”之称。共写了26部歌剧，7首合唱作品。 | |||||||||||||||||||||
| Giuseppe Verdi (1813 -- 1901) was an Italian composer who was born in 1813 in northern Italy into a family of tavern owners near Busetto.He began to study music at the age of 13. In 1832, he applied for the Milan Conservatory of Music, but was not accepted. After staying in Milan, he studied music with the musician of la Scala opera (Lavinia).In 1842, he wrote his second opera, "King Nabucco", which was so successful that he rose to become Italy's top composer.When Italy is under the wave of revolution from Austria control, he in his opera works "Lombard man" (1848), "el nani" (1844), "al economy" (1846), the column of bologna's campaign (1849), and encouraged people to struggle such as revolutionary songs, enjoys "Italian music master" of the revolution.He has written 26 operas and 7 choral works. | |||||||||||||||||||||
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Today in the
history of music On July 22, 1847, "The Robber" (I Masnadieri) premiered in London, conducted by Verdi and played Amelia by Jenny Linder (1820-1887)."This music," Queen Victoria wrote in her diary, "is very low and commonplace." The Bandit (I Masnadieri) is the 11th opera composed by verdi, a famous Italian opera composer. It was finished in 1847 at the age of 33 and premiered in her Majesty's Theatre in London.It was the first of verdi's operas commissioned directly by national theatres outside Italy, proving that his fame had spread throughout Europe.Perhaps because of this, the play has little record of fanaticism or critical acclaim in its native Italy, where until recently it was largely regarded as a failure or a less noteworthy work.In fact, Verdi also made precious fruit in this play.On July 22, 1847, with Queen Victoria, The Archduke of Wellington, Louis Napoleon and others watching, the premiere of The Bandit was an unprecedented success.It was repeated four more times in the season, twice conducted by Verdi himself.The famous soprano Jeanne Lind, known as the "Swedish Nightingale," sang Amalia, the famous bass Labrasch sang Massimiliano, and the young tenor Jadini sang Carlo. The original play, "Die Raiuber" (1781), the first by the German playwright Schiller, who was 22, was adapted into a play by Verdi's friend and poet A.Affei.The names of the characters appearing in the play were all changed into Italian names in the opera.Carlo and Francisco, the two sons of Masimiliano, count of Moor, not only fought over the inheritance of their estates but also fell in love with the beautiful Maria, resulting in a jealous and infighting drama.Although the whole play is seldom presented, the music is often sung alone because it is full of beautiful arias. Verdi lived during one of the most turbulent periods in Italian history.The country was divided, and Austrian rulers ruled.Verdi had a strong sense of justice and declared himself first an Italian and then a musician.Nabucco, an opera that evinces the brutality of Austria over Italy, is full of patriotism. The premiere of Nabucco was a thunderous success.From Nabucco, opera singers begin their glorious journey.Aida brought the opera master's fame to the zenith of his life.On December 24, 1871, Aida premiered in Cairo with great success.The impassioned audience hoisted the master to his home, thousands of torchbearers escorted him, and the band belted out a march from "Aida" outside his window... After Aida, Verdi was silent and did not write again for 16 years.It was widely believed that the master had run out of inspiration.Indeed, the artist has produced 24 operas in a row, almost all of them successful.To his surprise, In 1887 Verdi produced another great tragedy, Othello, which has been regarded as the representative of Italian lyric opera for 300 years.Six years later, at the ripe old age of 80, Verdi again produced a comedy, Falstaff.People commented that Verdi's genius was on a par with That of Shakespeare! Verdi is a veritable people's artist.In spite of the high reputation he had acquired, he remained invaluable.In his later years verdi used a large sum of his savings to build a magnificent "house of musicians" in Milan, where poor musicians lived.To this day, the tall building still stands there intact, towering and graceful. 1. The Bandit by Verdi -- La Scala opera House in Milan in 2019. |
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现代珍妮·林德（Jenny，Lind《马戏之王》电影原声 |
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The Greatest Showman (马戏之王） - Jenny Lind |
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| 威尔第歌剧《纳布科》第三幕中大合唱《希伯来奴隶大合唱》（纽约大都会歌剧院） | |||||||||||||||||||||
| 《希伯来奴隶大合唱》又名《飞吧，思念，乘着金色的翅膀》，出自歌剧《纳布科》。全剧共四幕，《希伯来奴隶大合唱》是其中第三幕。也是最核心，最经典的片段。《纳布科》是意大利作曲家朱塞佩·威尔第的第三部歌剧，脚本由索莱拉根据圣经故事及1836年奥古斯特·阿尼塞-布尔乔伊斯与弗朗西斯·科尔努合著的法语剧本改编。 | |||||||||||||||||||||
| The Hebrew Slave Cantata, also known as Fly, Yearning, On Golden Wings, from the opera Nabucco. "The Hebrew Slave Chorus" is the third act in a four-act play. It's the core, the classic piece. Nabucco is the third opera by Italian composer Giuseppe Verdi. The script was adapted by Solera based on the biblical story and an 1836 French libretto by Auguste Anise-Burjoyce and Frances Kornou. | |||||||||||||||||||||
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