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| 珀西·格兰杰（Percy Grainger,1882-1961） | |||||||||||||||||||||
西蒙 拉特尔爵士指挥-Percy Aldridge Grainger In A Nutshell(excerpts) |
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柏林爱乐数字音乐厅指挥：西蒙 拉特尔爵士乐队：柏林爱乐 Percy Aldridge Grainger- In A Nutshell(excerpts) 珀西·格兰杰-《在坚果内》（选段） |
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音乐历史上的今天
1909年7月20日,“昨天，我鞭打了自己，好像从来没有被鞭打过那样......鞭打持续了10-15分钟。当我停下来时，身上肯定有超过1000条长长的血红鞭痕......当年第一鞭开始后，疼痛就不再那么重要，只有愉悦、狂喜、激动、忘却一切。鞭打浑身都很舒服，但打在胸口处最令我如痴如狂......”珀西·格兰杰对他的女朋友凯伦·霍尔特这样说道。 今日视频：1、西蒙
拉特尔爵士指挥柏林爱乐演奏珀西·格兰杰《在坚果内》；2、奥夫钦尼科夫演奏珀西·格兰杰
改编的柴可夫斯基的《花之华尔兹》。 |
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| 珀西·格兰杰（Percy Grainger,) | |||||||||||||||||||||
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珀西·格兰杰（Percy Grainger,)这位来自澳洲、耕耘于英国、成名於美国的钢琴家暨作曲家，不仅以作为一位民谣采集学者著称，在以管乐合奏为媒介的创作上更是贡献非凡。他的重要作品诸如早期充满实验性的作品「Hill
Song No.1 (1902)」、「Hill Song No.2
(1907/1947)」，在移民美国之後所创作对管乐合奏音响充满开拓性的「Irish Tune from County Derry and
Shepherd’s Hey (1918/1913)」、「Colonial Song (1918)」、「Children’s March
“Over the Hills and Far Away” (1919)」、「Molly on the Shore
(1920)」，以至於管乐曲目中经典中的经典「Lincolnshire Posy
(1937)」等等，不仅将民谣和原创性完美的结合、赋予民谣新的生命力、在节拍及节奏上作出大胆创新却又合理的尝试（在作曲家来说这是为了忠实的呈现民谣原来的风貌），其和声及织理上的丰富细致以及旋律线之间精致的对位实是杰作，而在管乐合奏的音响及色彩上，更为後世开创出丰富的可能性。作为一位积极推广管乐合奏、并开发管乐种种新的可能性的作曲家，Percy
A. Grainger绝对具有里程碑的地位。
任纽约大学音乐系主任，1907年与格里格相识，然后开始从事民歌整理工作，墨尔本大学音乐学院设有格兰杰纪念馆。作品有《乡间花园》、《亨德尔在海滨》、《玫瑰骑士漫步》。 |
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Percy Grainger, a
pianist and composer from Australia, cultivated in the United Kingdom
and famous in the United States, is not only known as a collector of
folk music, but also made extraordinary contributions to the creation of
wind ensemble as the medium. Important works such as his early,
experimental "Hill Song No.1 (1902)", "Hill Song No.2 (1907/1947)",
"Irish Tune from County Derry and Shepherd's Hey (1918/1913)", "Colonial
Song (1918)" and "Children's" were the pioneering sounds of wind
ensemble created after immigrating to the United States March "Over the
Hills and Far Away" (1919), "Molly on the Shore" (1920), "Lincolnshire
Posy (1937)" and so on, It not only perfectly combines folk music with
originality, endores folk music with new vitality, and makes bold but
reasonable attempts in rhythm and rhythm (for the composer, this is to
faithfully present the original style of folk music), but also its rich
and detailed harmony and texture as well as delicate counterpoint
between melody lines are masterpieces. In terms of sound and color of
wind ensemble, And create a wealth of possibilities for later
generations. As A composer who actively promoted wind ensemble and
explored new possibilities for wind music, Percy A. Grainger is
definitely a milestone. He was the head of the music department at New York University. He met Greig in 1907 and began to arrange folk songs. There is a Granger Memorial in the School of Music at the University of Melbourne. Among his works are Country Garden, Handel by the Sea, and Rosenkavalier Walk. |
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| 珀西·格兰杰（Percy Grainger,） | |||||||||||||||||||||
| 珀西·格兰杰 | |||||||||||||||||||||
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澳大利亚出生的作曲家珀西·格兰杰(Percy Grainger)的大型复古肖像照片，他在照片上签名，并附上温馨的题词和音乐情感 碑文全文如下:“致亲爱的哈利，衷心钦佩他真正的天才，感谢他第一次演出《失落的女士》，并愉快地纪念我一生中为数不多的几场电子音乐会之一(6月2日)。他的朋友珀西，1938年6月。”接下来的音乐情感包括《失踪的女人找到了》的前三小节，格兰杰的《林肯郡诗集》的第六乐章，这是为音乐会乐队安排的民歌合集。珀西·奥尔德里奇·格兰杰(1882-1961)以收集民间音乐和实验早期电子乐器而闻名;碑文非常贴切。《澳大利亚传记词典》指出，“在他生命的后半段，Grainger的剩余精力和时间被用于两个大型项目:完成和安排他在墨尔本的博物馆(于1938年开放)，以及他在怀特平原的实验，他称之为‘自由音乐’。”为了追求自由音乐的想象声音，一种不受固定音高，规则节拍和人类表演限制的音乐，他制造了机械音乐机器，将临时和未来结合在一起。明胶银照片(令人印象深刻的330 × 250毫米)由摄影师弗雷德里克莫尔斯(“莫尔斯1937”，用墨水写在图像的右下角)签名和日期。第一次世界大战后，年轻的专业摄影师弗雷德里克·莫尔斯在纽约州怀特普莱恩斯的珀西和罗斯·格兰杰家隔壁建了一栋房子。他在20世纪20年代、30年代和40年代制作了许多格兰杰的宣传照片，并非正式地记录了格兰杰的家庭和珀西的不拘一格的追求。他们的关系变得密切起来，莫尔斯定期担任珀西的秘书，偶尔还会成为摔跤伙伴”(Brian Allison，“Grainger photos”，墨尔本大学图书馆杂志，2000)。这张照片的右下角有一点银光，它的边缘有一些微小的碎片有点暗;总的来说，它的状况很好。获奖者是哈里·塞茨(Harry Seitz)，他是密歇根州底特律市新中央学校合唱团的音乐总监和指挥。1938年6月2日的音乐会在学校的管弦乐大厅举行。(非常感谢珀西·格兰杰学会名誉主席巴里·彼得·乌尔德提供的宝贵信息;他的数据库收录了1894年至1960年的格兰杰音乐会)。(我们目前有三卷《多尔梅奇英国弦乐合集》系列，由格兰杰为现代弦乐器谱曲，都热情地题写着对“哈利……珀西。1944年10月”)。 |
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| 珀西·格兰杰（Percy Grainger,)和家人 | |||||||||||||||||||||
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| 珀西·格兰杰（Percy Grainger,)签名照片 | |||||||||||||||||||||
A large vintage portrait photograph of Australian-born composer Percy Grainger, signed by him with a warm inscription and musical sentimentThe inscription reads in full: 'To dear Harry, in warm admiration of his true genius, thanking him for his glorious first performance of "The Lost Lady", & in happy memory of one of the few electric concerts of my life (June 2). His friend, Percy, June 1938'. The musical sentiment that follows comprises the first three bars of 'The Lost Lady Found', the sixth movement of Grainger's 'Lincolnshire Posy', a collection of folk songs arranged for concert band. Percy Aldridge Grainger (1882-1961) is well-known for his work in collecting folk music and experimentation with early electronic instruments; the inscription is singularly apposite. The 'Australian Dictionary of Biography' notes that 'In the latter part of his life, Grainger's surplus energy and time were directed into two large-scale projects: the completion and arrangement of his museum in Melbourne [opened in 1938], and his White Plains-based experiments in what he called "free music". In pursuit of the imagined sound of his free music, a music unconstrained by fixed pitch, regular metre and human performance, he built mechanical music machines which combine the makeshift and the futuristic'. The gelatin silver photograph (an impressive 330 × 250 mm) is signed and dated by the photographer Frederick Morse ('Morse 1937', written in ink on the bottom right-hand corner of the image). 'After World War 1, Frederick Morse, a young professional photographer, built a house next door to Percy and Rose Grainger in White Plains, New York. He produced many of Grainger's promotional photographs during the 1920s, 1930s and 1940s as well as informally documenting the Grainger household and Percy's eclectic pursuits. Their association became close, with Morse periodically working as Percy's secretary and as an occasional wrestling partner' (Brian Allison, 'Grainger Photographs', University of Melbourne Library Journal, 2000). The photograph has a little silvering-out to the lower right-hand portion, and its edges are a little darkened with a few trifling chips; overall it is in excellent condition. The recipient is Harry Seitz, supervisor of music and conductor of the choir at the New Central School, Detroit, Michigan. The concert on 2 June 1938 was in the Orchestral Hall of the school. (Many thanks to Barry Peter Ould, President Emeritus, The Percy Grainger Society, for this invaluable information; the event is listed in his database of Grainger concerts from 1894-1960). (We currently have in stock three volumes in 'The Dolmetsch Collection of English Consorts' series, scored for modern string instruments by Grainger, all warmly inscribed with different sentiments to 'Harry ... from Percy. Oct 1944'). |
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| 珀西·格兰杰（Percy Grainger,)和夫人 | |||||||||||||||||||||
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格兰杰生平 Biography 澳大利亚钢琴家，作曲家，萨克斯管演奏家。出生于澳大利亚的墨尔本。父亲是一名建筑师。小时候格兰杰在学校适应不良，母亲便肩负起教育格兰杰的工作。1892年，10岁的格兰杰首次在演奏会上露面。12岁时便开始巡回演奏。1895年随母亲到德国法兰克福学习钢琴及作曲。1901年定居伦敦，与弗雷德里克·戴留斯成为莫逆之交，并曾师从于布索尼。1906年在伦敦结识格里格，格里格非常赏识格兰杰的演奏，邀请他去挪威对其“a小调钢琴协奏曲”进行专门研究，后来格兰杰一直是这部作品的出色解释者。格兰杰在纽约首次演出是1914年，其后便在美国安家。虽然他的作品中以“牧羊人的呼唤”一类根据传统曲调而写的轻快乐曲最为著名，但像“沙洛·布朗”那样由民歌改编的合唱曲也是别出心裁而令人难忘，并得到过布里顿的赞扬。他毕其一生从事试验探索，是一个颇为古怪而又十分活泼、很有鼓动性的人物。他不用意大利文在乐谱上批示速度等等，代之以口语化英文，早在1937年他已为初创的电子乐器写作。晚年他为实现自己称为的“自由音乐”而努力（摆脱由和声、调式、节奏等一类传统作曲方式及概念实现而来的音乐，自由自在实现的音乐），并参与研究设计了一些实现“自由音乐”的乐器。1961年在纽约去世。 |
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| 珀西·格兰杰（Percy Grainger ）和格里格一家在一起 | |||||||||||||||||||||
| 1923年2月12日，格兰杰显示神童的迹象后,由他的母亲和鼓励第一次搬到欧洲接受了杰出的挪威作曲家爱德华·格里格和指导,对挪威民间音乐的热情引发了兴趣的英语在格兰杰民间音乐吸引住了他的大部分生活。 | |||||||||||||||||||||
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Today in the
history of music July 20th, 1909, "Yesterday I flogged myself as if I had never been flogged before...The whipping lasted 10-15 minutes.There must have been more than a thousand long red whips on my body when I stopped...Once the first lash began, pain was no longer so important, just joy, ecstasy, excitement, and oblivion.The whipping was comfortable all over, but it was the beating on my chest that made me mad..."Percy Granger to his girlfriend, Karen Holt. Percy Aldridge Granger, September 4, 1892 Percy Aldridge (Grainger,1882-1961) was born on 8 July 1882 in Victoria, Australia.His father was the famous architect John H. Grainger, who designed many outstanding buildings and Bridges in Melbourne.His mother rose supported his talents from an early age.Before he was a teenager, Granger wrote Mock Morris and Colonial Song. Granger showed signs of child prodigy after his mother and encouraged him to move to Europe for the first time to receive the distinguished Norwegian composer Edouard Grieg and be directed, and a passion for Norwegian folk music sparked an interest in English in Granger folk music that has fascinated him for most of his life. In 1914, Grainger moved to the United States, where he lived for the rest of his life.During his brief stint in the U.S. Army Band, he composed the folk song Country Garden, one of his most famous and recognized compositions.Although he became an American citizen, he always described himself as Australian. Granger's personal life is too interesting to discuss here.It is safe to say that Grainger lived outside the boundaries of personal behavior, and that his sexuality was considered "distinctly abnormal" at the time. Towards the end of his life, Granger was considered the father of the free music movement, which included the invention of the original electronic synthesizer. Granger is said to have invented the terry cloth tracksuit. In the 1920s, after the death of his mother Rose, Grainger championed the establishment of the Percy Grant Museum as part of the University of Melbourne campus. In 1938, the museum opened as Australia's only autobiographical museum.Gu funded the construction and staffing of the project until his death, when it was taken over by university and grant donors. During his lifetime, Granger produced more than 1,200 works and was one of Australia's most famous sons.He died in New York in 1961, but his body was brought back to Australia and buried in Adelaide. In the late 1990s, the museum's collections were temporarily housed off site while major renovations were required.The museum reopened in 2010 and is located in the University of Melbourne Library. 1. Sir Simon Rattle conducting the Berlin Philharmonic in Percy Granger's "Inside the Nut";2. Ovchinnikov playing Percy Granger's waltz of Flowers. |
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In 1938,
the museum opened as Australia's only
autobiographical museum.Gu funded the construction
and staffing of the project until his death, when it
was taken over by university and grant donors. During his lifetime, Granger produced more than 1,200 works and was one of Australia's most famous sons.He died in New York in 1961, but his body was brought back to Australia and buried in Adelaide. In the late 1990s, the museum's collections were temporarily housed off site while major renovations were required.The museum reopened in 2010 and is located in the University of Melbourne Library. 1. Sir Simon Rattle conducting the Berlin Philharmonic in Percy Granger's "Inside the Nut";2. Ovchinnikov playing Percy Granger's waltz of Flowers. |
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奥夫钦尼科夫演奏珀西·格兰杰 改编柴可夫斯基的《花之华尔兹 》 |
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