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| 巴拉基列夫 （Balakirev, Mily 1837～1910） | |||||||||||||||||||||
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| 巴拉基列夫《伊斯拉美》（Sascha Goetzel） | |||||||||||||||||||||
| 巴拉基列夫伊斯拉美（交响乐团演奏） | |||||||||||||||||||||
| 巴拉基列夫《伊斯拉美》（瓦伦廷娜·李斯蒂莎） | |||||||||||||||||||||
| Balakirev 'Isram' (Valentina Listitha) | |||||||||||||||||||||
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音乐历史上的今天 1858年7月17日，在巴拉基列夫诚恳邀请他成为一名全职作曲家的情况下，莫德斯特.穆索尔斯基辞去了在俄罗斯政府的公务员职位。
巴拉基列夫 Balakirev, Mily
(Alekseyevich)(1837.1.2,俄罗斯下诺夫哥罗德～1910.5.29,圣彼得堡)俄国作曲家与爱国主义作曲家格林卡(Mikhail
Glinka)相遇并深受其影响。他的作品包括两部交响曲、钢琴幻想曲《伊思拉美》(1869)、歌剧《李尔王》的配乐音乐(1858～1861)以及一首钢琴协奏曲。他的音乐绚丽多彩且富想像力，采用了很多民间音乐的主题，或许可称之为最具影响力的俄国民族主义的推崇者。 |
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五人(强力集团）;Moguchaya Kuchka) 米利·巴拉基列夫(领袖)、谦逊的穆索尔斯基、塞萨尔·居伊、亚历山大·鲍罗丁、尼古拉·里姆斯基-科萨科夫. |
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The Five
(The Mighty Handful; Moguchaya Kuchka) Mily Balakirev (the leader), Modest Mussorgsky, César Cui, Aleksander Borodin, Nikolai Rimsky-Korsakov。 |
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| 巴拉基列夫 （Balakirev, Mily 1837～1910） | |||||||||||||||||||||
| 要是没有巴拉基列夫，俄国音乐的命运可能和眼前我们实际所有的记载大不相同。假如没有巴拉基列夫来当音乐领导者，教育者，居伊、穆索尔斯基、鲍罗丁、里姆斯基-科萨科夫以及后来的格拉祖诺夫、利亚多夫、李雅普诺夫和许多俄国作曲家将不晓得怎么办呢！当然他们中也有很多会赤手空拳打出个天下来。但是我们敢这样说，要是没有他也就不会有新俄罗斯乐派，俄罗斯音乐生活也就不会有那么些页生气勃勃、充满了大无畏精神的活动和进展。 ——《俄罗斯十九世纪艺术》斯塔索夫(vladimir stasov)。 | |||||||||||||||||||||
| Had it not been for Balakirev, the fate of Russian music might have been very different from what we actually have now.What would have happened if Balakilev had not been the music leader, the educator, Guy, Mussorgsky, Borodin, Rimsky-Kosakov, and later Graculov, Lyapunov, and many Other Russian composers!Of course, many of them will fight through the day with their bare hands.But we dare say that without him there would not have been a new Russian school, and there would not have been such a lively, intrepid movement and progress in Russian musical life.-- Stasov, Russian Art of the Nineteenth Century | |||||||||||||||||||||
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| 巴拉基列夫 （Balakirev, Mily)《伊斯拉美》 交响乐总谱 | |||||||||||||||||||||
| Balakirev (Mily) symphonic score of Islam | |||||||||||||||||||||
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五人(强力集团）;Moguchaya Kuchka) 米利·巴拉基列夫(领袖)、谦逊的穆索尔斯基、塞萨尔·居伊、亚历山大·鲍罗丁、尼古拉·里姆斯基-科萨科夫. |
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The Five (The Mighty Handful;
Moguchaya Kuchka) Mily Balakirev (the leader), Modest Mussorgsky, César Cui, Aleksander Borodin, Nikolai Rimsky-Korsakov。 |
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拿破仑被击败后，俄罗斯成为世界政治和文化强国。在赢得国内战争后，俄罗斯认真对待自己的民族身份，因为在此之前，俄罗斯文化在很大程度上试图模仿西欧的趋势。 在18世纪末，在俄罗斯演奏的音乐几乎完全是由意大利或德国作曲家创作的。与其他形式的俄罗斯身份侵蚀(过度使用法语贵族etc)一起，俄罗斯爆发了一场文化危机，其结果是关于发展自己的艺术的争论，这将建立在独特的“俄罗斯”基础上，而不是模仿欧洲文化。在俄罗斯音乐的发展方面，这场冲突的特点是音乐保守派的创造，以及作曲家的出现，他们对俄罗斯本土的音乐动机感到敬畏。 1856年至1862年，米利乌斯·巴拉基列夫遇到了恺撒·居里，苏联五人(或者被称为“强大的一群人”)组成。后来加入了他们的还有莫德斯特·普勒斯基、尼古拉·罗马-科尔萨克和亚历山大·鲍罗丁。乐队的目标是创造和影响音乐的创作，引导俄罗斯文化的思想。五个人有很多共同点:他们都很年轻，都很热情，没有受过正式的学术音乐教育，都想创造一种特殊的俄罗斯音乐风格。这个名字是由评论家弗拉基米尔·斯塔索夫(vladimir stasov)创造的。该组织随后将与学术界人士展开一场激烈的战争，宣传俄罗斯古典音乐的美学。 |
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| 巴拉基列夫钢琴协奏曲的唱片封面 | |||||||||||||||||||||
| Album cover of Balakirev's piano Concerto | |||||||||||||||||||||
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Становление России
в качестве мировой политической и культурной державы в полной мере
началось после разгрома Наполеона. После победы в Отечественной войне
Россия всерьез принялась работать над своей национальной идентичностью,
ибо до этого русская культура во многом пыталась имитировать
западноевропейские тренды. В конце 18 века музыка, которую исполняли в России, была почти полностью написана итальянскими или немецкими композиторами. Вкупе с иными проявлениями эрозии русской идентичности (чрезмерное использование французского языка аристократией etc), в России разразился культурный кризис, итогом которого стала дискуссия о необходимости развития собственного искусства, которое зиждилось бы на уникальной «русскости», а не занималось бы подражательством европейской культуры. В отношении развития музыки в России, этот конфликт иллюстрируется созданием музыкальных консерваторий, а также появлением композиторов, которые восхищались родными для России музыкальными мотивами. «Русская Пятерка» (или, как иx называл критик Стасов, «Могучая кучка»), формировалась в период 1856-1862, когда Милий Балакирев познакомился с Цезарем Кюи. Позднее к ним присоединился Модест Мусоргский, Николай Римский-Корсаков, а затем и Александр Бородин. Свои задачи группа видела в создании и влиянии на создание музыки, которая проводила бы идеи русской культуры. У пятерки было много общего: все они были молоды, все были энтузиастами, не получившими формального академического музыкального образования и всем хотелось создать особый русский музыкальный стиль. Название «Могучая кучка» было введено критиком Владимиром Стасовым, который посетил в 1867 году Всероссийский концерт, организованный Балакиревым: «Сколько поэзии, чувства, таланта и умения есть у маленькой, но уже могучей кучки русских музыкантов». Группа впоследствии вступит в ожесточенную войну со сторонниками академического подхода за идеи, определяющие эстетику русской классической музыки. |
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| 亚历山大·德米特里耶维奇·乌里比舍夫(1794 - 1858) | |||||||||||||||||||||
| Alexander Dmitryevich Ulybyshev (1794 – 1858) | |||||||||||||||||||||
| 亚历山大·德米特里耶维奇·乌里比舍夫(1794 - 1858)是一位富有的地主和有能力的音乐爱好者，他拥有自己的管弦乐队，是莫扎特和贝多芬的传记作家，也是米利·巴拉基列夫最重要的早期赞助人。 | |||||||||||||||||||||
| Alexander Dmitryevich Ulybyshev (1794 – 1858), was a wealthy landowner and capable musical amateur who had his own orchestra, an influential biographer of Mozart and Beethoven and the most important early patron of Mily Balakirev. | |||||||||||||||||||||
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| 中国流传很广的介绍五人强力集团的一本书，其中首先介绍了巴拉基列夫，其中斯塔索夫(vladimir stasov)在《俄罗斯十九世纪艺术》一书中说道：假如没有巴拉基列夫来当音乐领导者，教育者，居伊、穆索尔斯基、鲍罗丁、里姆斯基-科萨科夫以及后来的格拉祖诺夫、利亚多夫、李雅普诺夫和许多俄国作曲家将不晓得怎么办呢！当然他们中也有很多会赤手空拳打出个天下来。但是我们敢这样说，要是没有他也就不会有新俄罗斯乐派，俄罗斯音乐生活也就不会有那么些页生气勃勃、充满了大无畏精神的活动和进展。 | |||||||||||||||||||||
| China is very widely introduced five strong group of a book, which firstly introduces Mr. Balaji Lev, including vladimir stasov (vladimir stasov) said in his book art of Russia in the 19th century: if do not have Leo to barak when music leaders, educators, in Iraq, jose sol, and borodin, liam, - Krakow, Xhosa, and later of the progenitor's, madoff, lyapunov and many Russian composer will not know what to do!Of course, many of them will fight through the day with their bare hands.But we dare say that without him there would not have been a new Russian school, and there would not have been such a lively, intrepid movement and progress in Russian musical life. | |||||||||||||||||||||
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Today in the
history of music On July 17, 1858, With Barakilev's sincere invitation to become a full-time composer, Maudie Mussorgsky resigned from his civil service in the Russian government. Russian composers met and were deeply influenced by the patriotic composer Mikhail Glinka.His works include two symphonies, the piano fantasia Israsia (1869), music for the opera King Lear (1858 ~ 1861) and a piano concerto.His music was colorful and imaginative, adopting many themes of folk music and perhaps the most influential proponent of Russian nationalism. Balakirev, Mily (Alekseyevich) (1837.1.2, Nizhny Novgorod, Russia ~ 1910.5.29, St. Petersburg) Russian composer.In his youth, he met and was deeply influenced by the patriotic composer Mikhail Glinka.He turned out to be a mentor to Cesar Cui (1835-1918) and Transitioned Mussorgsky.In 1861-1862 two more members were added to The group, Borodin and Rimsky-Korsakoff, to form The Five.In 1862 Balakirev also co-founded the School of Free Music.His music was colorful and imaginative, adopting many themes of folk music and perhaps the most influential proponent of Russian nationalism.After suffering from neurological disease in 1871, he became obsessed with the Orthodox Church and only sporadically took part in it. His works include two symphonies, the piano fantasia Islatin (1869), music for the opera King Lear (1858 ~ 1861) and a piano concerto. Video of the day: 1. Balakirev 'Islatin America (played by symphony Orchestra); 2.2. Valentina Listitha playing Balakirev's Islatin;3. Boris Berezovsky playing Balakirev's piano (Festival "Winter in Russia"). |
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| 钢琴家鲍里斯·别列佐夫斯基(Boris Berezovsky) | |||||||||||||||||||||
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鲍里斯·别列佐夫斯基(Boris
Berezovsky)既是最具影响力的钢琴演奏家，也是一位天赋异于他人的洞察力和敏锐的洞察力的音乐家，他的声誉卓著。 鲍里斯·别列佐夫斯基出生于莫斯科，曾与埃利索·维尔萨拉泽在莫斯科音乐学院学习，并与亚历山大·萨茨私下交往。1988年，他在伦敦的威格莫尔音乐厅(Wigmore Hall)首次登台。此后，《泰晤士报》(the Times)形容他是“一位前途无量的艺术家，拥有令人眼花缭乱的技艺和强大实力的球员”。两年后，他在1990年莫斯科国际柴可夫斯基比赛中获得金牌。 鲍里斯•别列佐夫斯基是最著名的管弦乐团包括定期邀请柏林爱乐乐团,马林斯基交响乐团,匈牙利国家交响乐团,Staatskapelle德累斯顿,伦敦爱乐乐团,乐团圣塞西莉亚的罗马,纽约爱乐乐团,NHK交响乐团、巴黎Orchestre,慕尼黑爱乐乐团,俄罗斯国家交响乐团,鹿特丹爱乐乐团,Orchestre国家法国的Orchestre Symphonique蒙特利尔,瑞士罗曼德交响乐团、英国广播公司交响乐团、伯明翰交响乐团及香港爱乐乐团。 鲍里斯•别列佐夫斯基经常邀请最具声望的国际独奏系列包括柏林爱乐乐团,阿姆斯特丹音乐厅(阿姆斯特丹)和皇家节日音乐厅(伦敦)等知名场馆在巴黎香榭丽舍剧院和Salle百雅,在伦敦皇家节日音乐厅,美术宫殿的在布鲁塞尔,在维也纳音乐厅和正厅到韦尔比亚在雅典和著名的国际节日,萨尔茨堡和拉罗基-丹塞隆。 他经常与瓦迪姆·列宾(Vadim Repin)和鲍罗丁四重奏乐队(Borodin Quartet)合作进行室内乐表演。2004年8月，由Boris Berezovsky, Dmitri Makhtin和Alexander Kniazev三人组录制的柴可夫斯基的钢琴，小提琴和大提琴三重奏的DVD《大艺术家的回忆录》获得了Diapason d 'Or。DVD在日本的电视频道ARTE和NHK播出。2004年10月,与华纳国际经典鲍里斯•别列佐夫斯基亚历山大Kniazev和Dmitri Makhtin记录了肖斯塔科维奇三没有2和拉赫玛尼诺夫三人组Elegiaque 2,被授予朱古力de la音乐节奖在法国,留声机奖在英国和回声Klassik在德国2005年。 鲍里斯·别列佐夫斯基与Teldec一起录制了肖邦、舒曼、拉赫玛尼诺夫、穆索尔斯基、巴拉基列夫、梅特纳、拉威尔的作品以及完整的李斯特超越性练习曲。他的《拉赫玛尼诺夫奏鸣曲》获得了德国音乐协会(Preis der deutschschallplattenkritik)的大奖，而他的拉威尔唱片则被《世界报》、《Diapason》、BBC音乐杂志和《星期日独立报》推荐。鲍里斯·别列佐夫斯基还在2006年3月获得了BBC音乐杂志的“最佳乐器演奏家”奖。他的独奏现场录音(肖邦/Godowsky)受到高度赞扬。 鲍里斯·别列佐夫斯基与米拉雷一起录制了拉赫玛尼诺夫的前奏曲，以及与乌拉尔爱乐乐团的德米特里·利斯指挥的完整的拉赫玛尼诺夫钢琴协奏曲，以及与布丽吉特·恩格尔为拉赫玛尼诺夫专门录制的两架钢琴的CD，这两架钢琴获得了几个著名的奖项。他在伦敦的皇家节日音乐厅和图尔的梅斯雷庄园为李斯特录制了一张专辑。音乐家与合作伙伴布丽吉特·恩格尔和亨利·德马奎特一起录制了圣桑斯的“狂欢节”(CHOC de l ' annee, 2010)。 鲍里斯·别列佐夫斯基(Boris Berezovsky)担任了他的朋友布丽吉特·恩格尔(Brigitte Engerer)曾经担任的职位，成为波维音乐节“钢琴镜”(Pianoscope Beauvais)的艺术总监。 |
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| 钢琴家鲍里斯·别列佐夫斯基(Boris Berezovsky)在演奏巴拉基列夫的作品 | |||||||||||||||||||||
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Boris
Berezovsky has established a great reputation, both as the most
powerful of virtuoso pianists and as a musician gifted with a
unique insight and a great sensitivity. Born in Moscow, Boris Berezovsky studied at the Moscow Conservatoire with Eliso Virsaladze and privately with Alexander Satz. Subsequent to his London debut at the Wigmore Hall in 1988, The Times described him as “an artist of exceptional promise, a player of dazzling virtuosity and formidable power”. Two years later, he won the Gold Medal at the 1990 International Tchaikovsky Competition in Moscow. Boris Berezovsky is regularly invited by the most prominent orchestras including the Berliner Philharmoniker, the Mariinsky Orchestra, the Hungarian National Orchestra, the Staatskapelle Dresden, the Philharmonia of London, the Orchestra Santa Cecilia of Rome, the New York Philharmonic, NHK Symphony Orchestra, the Orchestre de Paris, the Munich Philharmonic, Russian National Orchestra, the Rotterdam Philharmonic, the Orchestre National de France, the Orchestre Symphonique de Montréal, the Orchestre de la Suisse Romande, the BBC Symphony Orchestra, the Birmingham Symphony Orchestra and Hong Kong Philharmonic. Boris Berezovsky is frequently invited to the most prestigious international recital series including those of the Berliner Philharmoniker, the Concertgebouw (Amsterdam) and the Royal Festival Hall (London) as well as such acclaimed venues as the Théâtre des Champs-Élysées and Salle Pleyel in Paris, Royal Festival Hall in London, the Palais des Beaux-Arts in Brussels, the Konzerthaus in Vienna and the Megaron in Athens and famous international festivals in Verbier, Salzburg and La Roque-d’Anthéron. He is frequently partnered in chamber music performances by Vadim Repin and the Borodin Quartet. In August 2004, the DVD of Tchaikovsky’s Pieces for Piano, Violin and Cello and Trio Élégiaque “À la Mémoire d’un grand artiste” recorded by the trio of Boris Berezovsky, Dmitri Makhtin and Alexander Kniazev received the Diapason d’Or. The DVD was broadcast on the TV channels ARTE and NHK in Japan. In October 2004, with Warner Classics International, Boris Berezovsky, Alexander Kniazev and Dmitri Makhtin recorded the Shostakovich Trio No 2 and Rachmaninoff Trio Élégiaque No 2, which were awarded the Choc de la musique prize in France, the Gramophone award in Great Britain and the Echo Klassik in Germany in 2005. With Teldec, Boris Berezovsky has recorded works by Chopin, Schumann, Rachmaninoff, Musorgsky, Balakirev, Medtner, Ravel and the complete Liszt Transcendental Études. His recording of the Rachmaninoff sonatas was awarded the Preis der Deutschen Schallplattenkritik while his Ravel disc was recommended by Le Monde de la musique, Diapason, BBC Music Magazine and the Sunday Independent. Boris Berezovsky also won the BBC Music Magazine Awards in March 2006 as “Best Instrumentalist”. His solo live recording (Chopin/Godowsky) has been highly praised. With Mirare, Boris Berezovsky recorded the Rachmaninoff Preludes as well as the complete Rachmaninoff Piano Concertos with the Ural Philharmonic Orchestra conducted by Dmitry Liss and another CD for two pianos dedicated to Rachmaninoff with Brigitte Engerer which received several prestigious awards. He recorded a CD devoted to Liszt live at the Royal Festival Hall in London and at La Grange de Meslay in Tours. Together with partners Brigitte Engerer and Henri Demarquette the musician recorded Saint-Saëns’ Carnaval des animaux (CHOC de l’année, 2010). Boris Berezovsky has assumed a position formerly held by his friend Brigitte Engerer, becoming Artistic Director of the festival Pianoscope Beauvais. |
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| 艺术节“俄罗斯的冬天”-鲍里斯·别列佐夫斯基 | |||||||||||||||||||||
| Festival of arts "Russian Winter" - Boris Berezovsky | |||||||||||||||||||||
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巴拉基列夫 降b大调的第5号马祖卡舞曲 降g大调的第4号马祖卡舞曲 降b小调第2谐谑曲 降b小调夜曲第一号 F-dur的第三谐乐曲 《伊斯兰》——东方幻想，作品18 Lyadov 升f大调船歌，作品44 小调玛祖卡，作品57，第3 B小调前奏曲，作品11第1号 G大调前奏曲，作品46第3号 降b大调前奏曲，作品13第2号 降d大调前奏曲，作品10第1号 斯克里亚宾 四首练习曲，作品8:B大调第4号，E大调第5号，降B小调第7号，降d大调第10号 三首练习曲，作品42:升f大调第3，升f大调第4，升c小调第5 三首练习曲，Op. 65:第一快板幻想第二快板第三Molto vivace 升f大调第五奏鸣曲，作品53 艺术节“俄罗斯的冬天”。 鲍里斯•别列佐夫斯基 2017年12月23日 柴可夫斯基音乐厅 |
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Balakirev
Mazurka No. 5 in B-flat major Mazurka No. 4 in G-flat major Scherzo No. 2 in B-flat minor Nocturne No. 1 in B-flat minor Scherzo No. 3 in F-dur "Islamey" – Oriental fantasy, Op. 18 Lyadov Barcarolle in F-sharp major, Op. 44 Mazurka in F minor, Op. 57 No. 3 Prelude in B minor, Op. 11 No. 1 Prelude in G major, Op. 46 No. 3 Prelude in B-flat major, Op. 13 No. 2 Prelude in D-flat major, Op. 10 No. 1 Scriabin Four etudes, Op. 8: No. 4 in B major, No. 5 in E major, No. 7 in B-flat minor, No. 10 in D-flat major Three etudes, Op. 42: No. 3 in F-sharp major, No. 4 in F-sharp major, No. 5 in C-sharp minor Three etudes, Op. 65: No. 1 Allegro fantastico No. 2 Allegretto No. 3 Molto vivace Sonata No. 5 in F-sharp major, Op. 53 Festival of arts "Russian Winter". Boris Berezovsky December 23, 2017 Tchaikovsky Concert Hall |
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