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| 列奥波德·奥尔（Leopold Auer，1845——1930） | |||||||||||||||||||||
| 海菲兹演奏格鲁克《旋律》，其旋律优美动人！ | |||||||||||||||||||||
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Heifetz plays Gluck's melody, which is beautiful! |
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音乐历史上的今天
1930年7月15日，85岁的列奥波德·奥尔（Leopold
Auer，1845——1930）在德累斯顿附近去世。他是两代俄国犹太裔音乐大师的老师，其学生包括海菲茨、埃尔曼、津巴利斯特、米尔斯坦等人。
莱奥波尔德·奥尔(Leopold Auer. 1845年6月7日-
1930年7月15日)20世纪出著名的小提琴教授，俄罗斯小提琴学派创始人。奥尔出生在匈牙利的维斯普雷姆(Veszprem)，家境贫寒。他八岁开始学习小提琴，启蒙老师是布达佩斯音乐学院的里德雷·孔涅(RidleyKohrk
)教授。后前往维也纳音乐学院师从奥地利小提琴家、教育家雅科布·顿特(Jacob Dont.
1815-1888)。在顿特教授的精心指点下，奥尔打下了扎实的演奏技术基础。以后经过了一段时间的旅行演出。他又前往汉诺威投师于著名的匈牙利小提琴教育家约瑟夫·约阿希姆(Joseph
Joachim， 1831-1907)门下。 |
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| 亚莎·海菲兹（Jascha·Heifetz） | |||||||||||||||||||||
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亚莎·海菲兹（Jascha·Heifetz，1901年2月2日－1987年12月10日，犹太血统的美籍俄国（立陶宛）小提琴家，二十世纪最伟大的小提琴演奏家之一。
幼年时期跟父亲学小提琴，四岁进维也纳音乐学校，五岁即公开演奏，八岁在音乐学校毕业后进圣彼得堡音乐学校深造。9岁转入彼得堡音乐学院,成为奥尔的学生。1911年在彼得堡首次登台。并开始旅行演出。1912年10月与尼基什指挥的柏林爱乐乐团合作柴科夫斯基的小提琴协奏，轰动一时，1925年入美国籍。 二战以后，他先后在洛杉矶大学和加利福利亚大学讲学，1969年起正式担任加利福尼亚大学小提琴教授。1972年举办告别音乐会，1987年去世。 |
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| 米沙·埃尔曼（Misha Ellman） | |||||||||||||||||||||
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米沙·埃尔曼(1891-1967）是一位犹太血统的俄裔美国小提琴家，他于1891年1月20日出生在俄国的塔尔诺。他的父亲是一位教师和业余小提琴手，埃尔曼幼年时就是伴随着父亲的琴声成长的，当年，幼小的埃尔曼曾被小提琴的优美声音所深深地迷住，有一次竟因为渴望得到一把小提琴而病倒了。 1899年，八岁的埃尔曼在学院举行的一次音乐会上成功地演奏了贝里奥的《第七小提琴协奏曲》，受到了许多专家们的瞩目。事隔不久，前来此地进行旅行演出的奥尔无意中听到了小埃尔曼的演奏，他像发现了珍宝一样将埃尔曼抱在怀里，不住地称赞他其有着超人的天才，并立即决定要将埃尔曼带到彼得堡。留在身边亲自培养。就这样，埃尔曼非常幸运地成为了这位伟大小提琴教育家的重点学生。 在奥尔教授的系统和科学的训练方法指导下，埃尔曼的琴技得到了飞速的提高，到了13岁时，他已经是一名非同寻常的神童小提琴家了。这时，奥尔便开始有意放他到欧洲各国的音乐舞台上去闯一闯。1904年，他首先在法国的巴黎与巴黎科隆室内乐团一起演奏了门德尔松的《e小调小提琴协奏曲》，受到了当地听众的热烈赞扬。 |
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Misha Ellman
(1891-1967) was a Russian American violinist of Jewish origin,
born in Tarno, Russia, on January 20, 1891.His father was a
teacher and an amateur violinist, and ehrman had grown up
playing with his father's violin. As a young boy ehrman was so
fascinated by its beautiful sounds that he once fell ill because
he longed for one. In 1899, at the age of eight, Ehrman played Berrio's Seventh Violin Concerto successfully at a college concert, attracting the attention of many experts.Not long after, auer, who was on a tour of the place, overheard the young Ehrman's performance. He held ehrman in his arms like a treasure, complimented him on his genius and immediately decided to take ehrman to Petersburg.Stay around to nurture them.In this way, Ehrman was very lucky to become the great violin educator's key student. Under The guidance of Professor ORR's systematic and scientific training, Ehrman's skills improved rapidly, and by the age of 13 he was an extraordinary child prodigy violinist.Auer then began deliberately to put him on the European musical scene.In 1904, he first performed Mendelssohn's Violin Concerto in E Minor in Paris with the Cologne Chamber Orchestr |
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| 米沙·埃尔曼·德沃拉克幽默曲 | |||||||||||||||||||||
| Mischa Elman Dvorak Humoresque | |||||||||||||||||||||
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Today in the
history of music Leopold Auer (1845 -- 1930), 85, died near Dresden on July 15.He was the teacher of two generations of Russian Jewish music masters, including Heifetz, Ehrman, Zimbalist, And Milstein. When we started, Our notes are raw, I know someone (Professor ORR) Show up and show us one by one, How do we put the notes together, Then we'll play at Carnegie Hall "Mischa, Jascha, Toscha, Sascha, by George Gershwin." Leopold Auer (June 7, 1845 -- July 15, 1930) was a famous violin professor in the 20th century and the founder of the Russian violin school.ORR was born in A poor family in Veszprem, Hungary.He began violin lessons at the age of eight, starting with professor RidleyKohrk of the Budapest conservatory.After that, he went to the Vienna Conservatory where he studied under The Austrian violinist and educator Jacob Dunt. 1815-1888.Under the careful guidance of Professor Dent, ORR laid a solid technical foundation.After a period of travel performance.He went to Hanover to study under Joseph Joachim (1831-1907), a famous Hungarian violin educator. Auer learned the essence of violin playing from the master and realized the mystery of playing art. Although he studied in Joachim for less than two years, it had a great influence on his later artistic life and became an important milestone in his learning life.At the end of his studies, he was invited by the German violinist Ferdinand David (1810-1873) to give a concert at the Leipzig Marriott Hall, which was a great success, and later he became the head of the orchestra in Dusseldorf. From 1868 to 1917, he was employed as soloist in the Russian Musical Association and violin professor at the Petry Conservatory.After the Russian Revolution in 1918, he moved to the United States and taught at the Curtis Institute of Music in Philadelphia. During his nearly 50 years of playing and teaching in Russia, ORR brought his talent into full play.Auer's performances are elegant, mellow and sweet, controlled and impressively precise, especially in large productions.He is very good at understanding the spiritual essence of the works and can explain the style and content of the works properly.Auer's greater talent was reflected in his teaching. He was good at perfectly combining the national tradition of Russian art with the excellent achievements of the world violin performance art, and then founded the new and distinctive Russian violin school. Auer's remarkable teaching achievements are all due to his outstanding educational ideas.The biggest characteristic is that he emphasizes teaching students according to their aptitude and focuses on nature. In teaching, he tries his best to maintain the individual characteristics of each student and explore their potential abilities, so as to achieve the perfect artistic realm of violin playing.Auer's students are numerous and spread all over the world, and they all have outstanding personalities and excellent performances.Auer's advanced teaching thought has been proved one by one in his students. ORR under many of the students are able to become a famous violinist, such as (ivory, almost lister (Efrem Zimbalist), misha, Elman (Mischa Elman), jas, head and shoulders, Nathan millstein etc.), on the one hand is due to their own conditions, another important reason is that they are able to put the red scientific principles of education and teaching method to achieve mastery through a comprehensive, flexible use, and deduce their unique style.In a sense, it is because of their different wonderful performances that the Russian violin school shows its extraordinary brilliance.Olgan said, "Rather than a pedantic, 'traditional', earnest, unimaginative, and therefore unaesthetic play, I would rather have a passionate, emotional play, unconventionalized, concentrated, and striving to comprehend the author's intentions.It may be overblown and overemphasized, but the show is alive and heartfelt."This is where Auer's genius lies, not just in bringing out his students' talents, but in bringing out their personalities. At this point, he also said, "I have been teaching for many years, and my students are trying to express their individuality rather than trying to express me.I feel proud that I can stick to this great original.Kathleen Parlow (1890-1963), Ed Brown, Max Lawson, Theima Given, RuthRay. MichelPiastro (1892-1970) -- weren't they all distinctly different?Did not each of them, as a performer, have a strong personality and unique style?It was under the influence of this thought that the Russian violin school founded by Auer showed its brilliant strength and led to the birth of the famous Russian violin school. Auer also wrote some violin scores, including Rhapsodie Honroise no. 2.He also wrote decorative passages for violin concertos by Beethoven and Brahms.He wrote three books about Violin Playing as I Teach It (published in 1920), My Long Life in Music (published in 1923) and Explanations of the Violin Classics. Leopold Auer died in 1930 in Loschwitz, a suburb of Dresden, and was buried in the Ferncliff Cemetery in Hartsdale, New York. Today's video: 1. Heifetz playing Gluck's Melody; 2.2. Misha Ehrman playing Dvorak's "Humorist";3. Historical video Of Milstein playing Paganini. |
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| 津巴利斯特（Efrem Zimbalist 1889–1985） | |||||||||||||||||||||
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艾弗雷姆·津巴利斯特（Efrem Zimbalist
1889–1985）于1889年4月9日出生在俄国的罗斯托夫，他的父亲是一位小提琴家和指挥家，曾在当地的歌剧院中担任过多年的小提琴手和乐队指挥。因此可以说，津巴利斯特从小是在一个拥有良好音乐氛围的家庭中生活与成长的。他自幼随父亲学习小提琴，很快便掌握了扎实的演奏技巧。11岁进入了彼得堡音乐学院，拜在了20世纪小提琴教育巨匠、俄罗斯小提琴学派的创史人奥尔教授的门下，成为这位大名鼎鼎的小提琴教育家所培养的众多优秀学生中的一位。 1907年，跟随奥尔苦学了七年的津巴利斯特以极其优异的成绩从彼得堡音乐学院毕业。 |
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Efrem
Zimbalist was born on April 9, 1889 in Rostov, Russia, the son
of a violinist and conductor who for many years was a violinist
and conductor in the local opera house.So it can be said that
Zimbalist grew up in a family with good music atmosphere.He
learned the violin from his father at an early age and soon
mastered solid playing skills.At the age of 11, he entered the
Petersburg Academy of Music and became one of the outstanding
students cultivated by the famous violin educator under the
guidance of Professor ORR, the great master of violin education
in the 20th century and the founder of the Russian violin
school. In 1907, after seven years of hard work with Auer, Zimbalist graduated with distinction from the Petersburg Academy of Music. |
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| 康斯坦蒂·戈尔斯基（Konstanty Gorski） | |||||||||||||||||||||
| File:Chaliapin F. (Шаляпин Ф. И.) 1900 with Stasov and Glazunov.jpg | |||||||||||||||||||||
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康斯坦蒂·戈尔斯基(波兰发音:[kɔnˈstantɨ一个ˈtɔɲiˈgɔrskʲ我])(利达，1859年6月13日-1924年5月31日，波兹南)是波兰作曲家、小提琴家、风琴演奏者和音乐老师。 康斯坦蒂·戈尔斯基-生活。的生活。Gorski开始在Grodno上学，并在Wilno的第一语言体育馆继续学习。他获得了他的音乐教育在华沙音乐学院(当时的指导下Apolinary Kątski)和圣彼得堡音乐学院师从奥尔学习小提琴 |
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Konstanty Gorski - Life. Life. Gorski began
attending school in Grodno and continued at the
First Philological Gymnasium in Wilno. He obtained
his musical education at the Musical Institute in
Warsaw (then under the direction of Apolinary
Kątski) and at the St. Petersburg Conservatory. In
1881 he Konstanty Antoni Gorski (Polish pronunciation: [kɔnˈstantɨ anˈtɔɲi ˈgɔrskʲi]) (Lida, June 13, 1859 – May 31, 1924, Poznań) was a Polish composer, violinist, organist and music teacher. |
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| 奥斯卡·舒姆斯基（Oscar Shumsky 1917-2000） | |||||||||||||||||||||
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美籍俄裔小提琴家奥斯卡·舒姆斯基（Oscar Shumsky
1917-2000）出生于1917年美国费城，他3岁习琴早熟的音乐天分曾被指挥家列奥波德·斯托科夫斯基（Leopold
Stokowski）誉为”所听过最杰出的天才”！在1925
年Stokowski就邀请舒姆斯基与费城管弦乐团合作莫札特第5号小提琴协奏曲，同年他开始在纽约与名师奥尔(Leopold
Auer)学习，舒姆斯基是奥尔年龄最小的学生。 在舒姆斯基幼年时他就常常登台演出，这段期间他认识指挥家Ernest Schelling，透过Schelling的介绍，舒姆斯基有机会为大师克莱斯勒演奏，当时克莱斯勒的贝多芬小提琴协奏曲装饰奏尚未出版，但小小的舒姆斯基居然在听过两场Kreisler的贝多芬小提琴协奏曲音乐会后就能背出Kreisler的装饰奏，并且在他本人面前演出！ Kreisler于是预言这个小神童会成为二十世纪最优秀的小提琴家之一。 |
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were once
hailed by conductor Leopold Stokowski as "the
greatest genius ever heard".Stokowski invited
Shumsky to play Mozart's Violin Concerto No. 5 with
the Philadelphia Orchestra in 1925, the same year he
began studying in New York with Leopold Auer, ORR's
youngest student. In schumm, when he was young he was performing often, this time he knew the conductor Ernest Schelling, through the introduction of Schelling, schumm for master Chrysler had the opportunity to play, Chrysler's Beethoven violin concerto decorative played had not yet been published, but little schumm, was heard Kreisler Beethoven violin concerto in two music after the meeting can recite Kreisler adornment to play, and before his performance!Kreisler then predicted that the child prodigy would become one of the best violinists of the 20th century. |
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| 内森·米罗诺维奇·米尔斯坦 | |||||||||||||||||||||
| 米尔斯坦1903年12月出生在乌克兰城市敖德萨，他坚持说：“我开始拉小提琴不是因为我被它吸引了，而是因为我母亲强迫我不要作弄！”他7岁时开始和皮奥特·斯托里亚斯基正式学习，尽管当时他觉得自己学到的东西很少，但斯托拉斯基显然知道一两件事。关于小提琴，后来的学生包括莱昂尼德·科根和大卫·奥斯特拉赫。四年后，米尔斯坦加入了奥尔的莫斯科传奇大师班，这是小提琴家努力的温床，已经产生了贾莎·海菲茨、米莎·埃尔曼和埃弗雷姆·津巴里斯特(美国电视演员之父)。即使在每堂课都在50名同学面前演奏的巨大压力下，米尔斯坦还是脱颖而出。 | |||||||||||||||||||||
| Born in The Ukrainian city of Odessa in December 1903, Milstein insisted: "I started playing the violin not because I was attracted to it, but because my mother forced me not to play!"At the age of seven he began his formal studies with Piot Strojasky, and although he thought at the time that he was learning very little, It was clear that Strojski knew one or two things.On the violin, later students included Leonid Coggan and David Ostrach.Four years later, Milstein joined ORR's Legendary Moscow master class, a hotbed of violinist efforts that have produced Jascha Heifetz, Mischa Ehrman, and Efram Zimbarist.Even under intense pressure to play in front of 50 classmates every class, Milstein stood out. | |||||||||||||||||||||
| 历史录影《帕格尼尼偶记》 米尔斯坦 | |||||||||||||||||||||
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