首页 主页 纪念 古典 浪漫 现代 热点 教育 读书 图片 收藏 滚动 文化 人物 比赛 　 　 　 　 　 　 　 　 　 　
　 　 　 　 　 　 　 　 　 　
　 　 　 　 　 　 　 　 　 　 　 莫扎特之旅－文化交流－音乐历史上的今天 　 　 　 　 　 　 　 　 　 　
　 　 　 　 　 　 　 　 　 　 　
　
　
　 　 　 　 　 　 　 　 　 　
　 　 　 　 　 　 　 　 　 　 　

　 　 　 　 　 　 　 　 　 　
　 　 　 　 　 　 　 　 　 　 　
　
　

　
　

　　　　　　　　　　　　　　　　　　　　　　　　　　　　           田润德 编译 文/图 2020-07-12  19:36

 　
　
　
　
　 　
　
　
　
　

　
　
　
　
　
　
　 科尔斯滕.弗拉格斯塔德(Kirsten Flagstad, 1895-1962) 　 　 　
　 　 　 　 　
　  “瓦格纳女高音之王”科尔斯滕.弗拉格斯塔德演唱歌剧《女武神》选段 　 　 　
　 "The King of Wagner's sopranos," Colsten Flagstad, from the opera Valkyries, Ho Jo to Ho 　 　 　
　
　 　 　
　 音乐历史上的今天

1895年7月12日，伟大的瓦格纳女高音科尔斯滕.弗拉格斯塔德（Kirsten Flagstad）在挪威的哈迈尔出生。但在接下来的38年中，她没有在斯堪地拉维亚之外的地方演唱过。

科尔斯滕.弗拉格斯塔德(Kirsten Flagstad, 1895-1962)，20世纪中期最伟大的瓦格纳式女高音。
20世纪初的声乐历史也不仅仅是花腔女高音们的天下，弗拉格斯塔德就是世纪初出现的最伟大的“瓦格纳女高音”之一，与后来的尼尔森（Birgit Nilsson）不同，弗拉格斯塔德拥有浓重的音色，她的音量也很大，但高音的穿透力更强，她的胸声很重，呼吸深入，而且，中音区很好，这就是她何以能既唱瓦格纳歌剧又唱德奥艺术歌曲的原因。

科尔斯滕.弗拉格斯塔德(Kirsten Flagstad, 1895-1962)，1895年7月12日，生于挪威哈玛尔，20世纪中期最伟大的瓦格纳式女高音。她的父亲是奥斯陆挪威国家歌剧院指挥，母亲是钢琴家，因此，弗拉格斯塔德从小就受到过良好的音乐启蒙教育，她的记忆力惊人，据说10岁就能默诵《罗恩格林》中埃尔莎的全部唱段，成年后，更是以背诵瓦格纳歌剧为乐事。入学奥斯陆音乐学院，师从雅各布森等，在学院期间，她的表现并不十分突出，她天生音量很大，但是，当时不知道如何使用，空给人大号女高音的感觉。
1913年，弗拉格斯塔德在奥斯陆挪威国家歌剧院首次登台，出演阿尔伯特的歌剧《低地》中的奴利一角，表现平平，没有引起人们的注意。与后辈歌唱家如卡巴耶等的经历相似，芙拉格斯塔特也属于那种大器晚成的艺术家，但一个人要经历漫长达20年的失意而不放弃自己的事业是一件了不起的事情，1932年6月芙拉格斯塔特在奥斯陆首次扮演伊索尔德赢得热烈欢迎，这是一次意外的成功，人们感到这位女高音具有穿透力的高音和扎实的气息，是难得的瓦格纳女高音人才。成功给予了芙拉格斯塔特信心和勇气，也促使她用心于瓦格纳歌剧并以此为自己终生的事业。
1935年，弗拉格斯塔德等到了千载难逢的机会，她被邀请参加纽约大度会歌剧院的演出季，首演当日她演唱了齐格佛里德，4天后演唱伊索尔德，1个月后唱布伦希尔德，热情的美国评论界马上把她与瓦格纳歌剧划上了等号，她就是瓦格纳的化身，是真正“英雄”般的女高音，要知道，当时弗拉格斯塔德已经40岁，这个年龄是有些戏剧女高音开告别演唱会的时候，而她才刚刚开始活跃于国际声乐舞台。1936年，芙拉格斯塔特来到伦敦，在科文特花园皇家歌剧院登台，依然饰演伊索尔德，这时，她的声乐技巧已经相当成熟，弗拉格斯塔德充分发挥了自己中音区柔美的特点，将悲剧性的伊索尔德演绎得淋漓尽致，英国评论界赞誉她为“完美的伊索尔德”。
第二次世界大战伊始，挪威与德意志帝国合并，弗拉格斯塔德在美国得知丈夫在挪威已加入德国，于是毅然回国。战时，他们夫妇积极与第三帝国合作文化艺术事业，弗拉格斯塔德的行为在美国人眼中变成了“投敌”，为此，弗拉格斯塔德战后在美国遭到审查和犹太财团所推动的文化舆论的抨击，成了被其打击“制裁”的诸多艺术家对象之一。但是，弗拉格斯塔德没有因此而退出舞台。
从1948开始，由于盟军侵占欧洲战后的文化清洗政策，拜罗伊特决策层迫于形势和更迭，与以前的音乐策略暂时隔离，富特文格勒等指挥大师被迫转为在德国以外进行音乐活动，弗拉格斯塔德也随富特文格勒在英国等地演出。
1949年，她首次在萨尔茨堡音乐节演唱，扮演《费岱里奥》中的莱奥诺拉，这是弗拉格斯塔德的一个新角色。1951年在伦敦演唱了普赛尔的歌剧《迪多与埃涅阿斯》。同年在伦敦首次演唱理查·施特劳斯的《最后四首歌》，富特文格勒担任指挥，她成为这套著名声乐作品最完美的诠释者之一，她从来不用大音量来唱艺术歌曲，相反，弗拉格斯塔德经常用细腻、含蓄、恍或天然之悲痛的音色来演绎艺术歌曲，她演唱的《最后四首歌》品格别致、幽韵高贵。
1950年--1952年，在意大利米兰斯卡拉大剧院，罗马及英国科文特花园剧院，弗拉格斯塔德与富特文格勒合作，演出了《尼伯龙根指环》等作品，写下了瓦格纳音乐演出史上的辉煌一页，此时，可以说是她声乐艺术和演唱生涯的巅峰。同时也留下了两位大师合作的杰出录音。
1951年弗拉格斯塔德在利物浦最后一次演唱了伊索尔德，1953年弗拉格斯塔德正式宣布退出舞台。息演后，1958-1960年出任挪威国家歌剧院院长，从事格里格歌曲的校注录音工作，晚年很少登台演出。此后，弗拉格斯塔德患癌症，因此也终于没能完成整部《尼伯龙根指环》的录音。1962年12月8日，一代“英雄女高音”之母科尔斯滕.弗拉格斯塔德不治在挪威奥斯陆去世，享年67岁。

今日视频、音频：1、“瓦格纳女高音之王”科尔斯滕.弗拉格斯塔德演唱歌剧《女武神》选段；2、 上世纪最伟大戏剧女高音演唱实况；3、纪录片《英雄女高音之母弗拉格斯塔》。

 　
　
　
　
　
　 　 　 　
　 年轻时的科尔斯滕.弗拉格斯塔德(Kirsten Flagstad,） 　 　 　
　
　 　 　
　 Today in the history of music
The great Wagnerian soprano Kirsten Flagstad was born in Hamel, Norway, on July 12, 1895.But she did not sing outside Scandinavia for the next 38 years.
Kirsten Flagstad (1895-1962), the greatest Wagner soprano of the mid-20th century.
History of vocal music in the early 20th century and is not only a coloratura soprano, flagstaff DE is the century of one of the greatest "the sopranos" Wagner, and later the Nielsen (Birgit Nilsson), flagstaff, have heavy tone, the volume of the she is big, but the high penetration is stronger, her chest is very heavy, deep breathing, and the tone is very good, that's why she can both sing Wagner and why deo art songs.
Kirsten Flagstad (1895-1962) was born in Hamel, Norway, on July 12, 1895. She was the greatest Wagner soprano of the mid-20th century.Her father was a conductor at the Norwegian National Opera in Oslo, and her mother was a pianist. As a result, Flagstad received a musical education as a child. Her memory was so impressive that she was said to be able to recite all elsa's verses from "Lohengren" at the age of 10.She was admitted to the Oslo Conservatory of Music and studied under Jakobson. During her stay in the conservatory, her performance was not very outstanding. She was born with a loud voice, but she did not know how to use it at that time, which gave her the feeling of a big soprano.
Flagstad made his unremarkable debut in 1913 at the Norwegian State Opera house in Oslo, playing The part of Nauri in Albert's "Lowlands".And successors singers such as kappa and experiences, fu Lagos Tate also belong to the sort of was a late bloomer artist, but a person long to 20 years of frustrated and don't give up his own business is a wonderful thing, in June 1932, fu Lagos Tate in Oslo played isolde won warm welcome for the first time, it was an unexpected success, people feel the soprano penetrating high and solid, is a rare Wagner soprano talent.Success gave Her confidence and courage, and prompted her to devote herself to Wagner's opera and make it her lifelong career.
In 1935, flagstaff, wait for the opportunity to, she was invited to New York will magnanimous opera house of communication performance, the opening day she sang the chigi klebsiella pneumoniae, four days after singing isolde, sing Brunhilde after one month, the American critics immediately put her enthusiasm and Wagner on the equal sign, she is the embodiment of Wagner, is the real "hero" the sopranos, want to know, flagstaff DE was already 40 years old, the age is some dramatic soprano open farewell concert, and she has only just begun active international vocal music stage.Fu's Lagos came to London in 1936, at the royal families and covent garden opera on the stage, still played isolde, at this time, her vocal music technique is quite mature, flagstaff, give full play to their register in feminine characteristics, the tragic isolde deduced to get incisively and vividly, the critically acclaimed her as "perfect isolde".
At the beginning of World War II, Norway merged with the German Empire, and flagstad returned home after learning in the United States that her husband had joined Germany in Norway.In wartime, they actively cooperate with the third Reich cultural and arts enterprises, flagstaff, behavior in America's eyes became "broke", therefore, flagstaff, postwar censorship in the United States and jewish consortium culture induced by the public opinion, was one of the many artists object hit "sanctions".But Flagstad did not quit the stage.
Since 1948, due to the post-war cultural purges of the Allied invasion of Europe, bayreuth's decision-making level was temporarily isolated from the previous music strategy due to the situation and change. Furtwangler and other conductor masters were forced to carry out music activities outside Germany. Flagstadt also performed with Furtwangler in Britain and other places.
In 1949, she sang for the first time at the Salzburg Festival, playing Leonora in Federio, a new role for Flagstad.In 1951, Purcell's Opera Dido and Aeneas was performed in London.Singing in the same year in London for the first time Richard strauss's "four last songs", furtwangler as command, and she became the famous one of the most perfect interpreter vocal music works, she never big volume to singing art songs, on the contrary, flagstaff, often with exquisite, reserved, dreamy, or grief of natural tone to deduce art songs, she sang the "four last songs" chic, deep and remote rhyme noble character.
From 1950 to 1952, in Italy Milanska Theater, Rome and The English Covent Garden theater, Flagstad and Furtwangler cooperation, performance of the Ring of Nibelungen and other works, wrote Wagner music performance history brilliant page, at this time, can be said to be the peak of her vocal art and singing career.At the same time also left two masters cooperation outstanding recording.
He performed isolde for the last time at Liverpool in 1951 and officially retired from the stage in 1953.From 1958 to 1960, he became the director of the Norwegian State Opera House. He was responsible for the proofreading and recording of Grieg's songs. In his later years, he rarely performed on stage.After that, Flagstad contracted cancer and was eventually unable to complete the entire nibelungen Ring recording.On Dec. 8, 1962, Korsten Flagstad, the mother of a generation of "heroic sopranos," died in Oslo, Norway, at age 67.
1. Excerpts from the opera Valkyries performed by Korsten Flagstad, "The King of Wagner's sopranos";2. Live performance of the greatest drama soprano in the last century;3. Documentary "Flagstar, Mother of heroic Sopranos".		 　

　
　
　
　
　
　 　
　
科尔斯滕.弗拉格斯塔德(Kirsten Flagstad）在瓦格纳的歌剧中永远是非常成功女武神形象。
　 　 　
　 Kirsten Flagstad has always been a very successful valkyries figure in Wagner's operas.                         　 　 　
　 　 　 　
　 夏天的季节在接近，但是我们知道这个季节将会有很大的不同。我们非常感谢你们所有人呆在家里尽了自己的一份力，也感谢所有人为了让事情继续下去而付出了这么多。
我们想用一些有趣的照片和故事来活跃一下我们的信息流，为7月12日的125周年庆典做点倒计时!🥳你可以第一个在纽约大都会歌剧院看到科尔斯滕.弗拉格斯塔德(Kirsten Flagstad）的肖像!!
我想知道你们中有多少人亲眼见过这幅画。		 　 　 　
　 The summer season in getting close, but as we know this season will be quite different. We are so thankful for all of you that do your part by staying at home and for all the people that do so much to keep things going.
We thought we would liven up our feed with some interesting photos and stories as a little count down to the 125th anniversary celebration on July 12th! 🥳 Lets start with some portraits of Kirsten Flagstad! This first one can be seen at The Metropolitan Opera in New York!
It would be interesting to know how many of you have seen this painting in person.                                         		　 　 　
　 　
　 科尔斯滕.弗拉格斯塔德(Kirsten Flagstad）歌剧人物照片 　 　 　
　 文件:基尔斯滕弗拉格斯塔德的肖像，1936.jp g 　 　 　
　 File:Portrett av Kirsten Flagstad, 1936.jpg 　 　 　
　 　
　 科尔斯滕.弗拉格斯塔德和丈夫亨利·约翰森。1942年 　
　 Kirsten Flagstad's husband Henry Johansen.1942 　 　 　
　
　 　 　
　 　
　 科尔斯滕.弗拉格斯塔德难得的小憩，露出了甜美的微笑 　 　 　
　 女高音Kirsten Flagstad科尔斯滕·弗拉斯塔德（1895年7月12日至1962年12月7日）是挪威 歌剧演员，也是一位备受赞誉的瓦格纳女高音。她是20世纪最伟大的歌唱家之一，许多歌剧评论家都称她为“世纪之声”。戴斯蒙德·肖·泰勒（Desmond Shawe-Taylor）在《新格罗夫歌剧词典》中写道：“活着的记忆中，没有人比她在纯粹的美感和线条和音调的一致性方面超越她。” 　 　 　
　 　 　 　 　
　 　
　 这个大织锦是爱丽丝·玛丽-雅各布森斯最后的作品之一,是挂在储蓄银行为展示一位哈马尔的艺术家。对于这位艺术家来说，这幅作品非常重要，因为当她了解到柯尔斯顿在战后受到的待遇时，她用这一过程来化解所有的愤怒和悲伤。爱尔莎·玛丽和柯尔斯顿很熟，柯尔斯顿帮了她很多，当爱尔莎·玛丽还是个不知名的编织工的时候。这里有一个强有力的故事。你看到了什么? 　 　 　
　 This large tapestry was one of Else Marie Jacobsens last works and is hanging in SpareBank 1 Østlandet here in Hamar. For the artist this piece was very important as she used the process as a way to work through all the anger and sorrow she felt when she understood how Kirsten had been treated after the war. Else Marie knew Kirsten very well and Kirsten had helped her a lot when Else Marie was a young unknown weaver. There is a powerful story here. What do you see? 　 　 　
　
　 　 　
　 　
　 为纪念一位伟大的挪威歌唱家，在挪威到 萨尔茨堡的飞机上都有科尔斯滕.弗拉格斯塔德的头像。 　 　 　
　 In honor of a great Norwegian singer, kolsten Flagstad's head is on every plane from Norway to Salzburg. 　 　 　
　 　
　 挪威国家银行为了纪念伟大的瓦格纳女高音科尔斯滕.弗拉格斯塔德，把她的头像印到了100元的钞票上面。 　 　 　
　 The National Bank of Norway has put a picture of the great Wagner soprano Kolsten Flagstad on the $100 bill in honor of her. 　 　 　
　
　 　 　
　 　 　 　 　
　 女高音Kirsten Flagstad基尔斯藤·弗拉斯塔德】上世纪最伟大戏剧女高音（ I Know That My Redeemer ）1957. 　 　 　
　 女高音Kirsten Flagstad基尔斯藤·弗拉斯塔德（1895年7月12日至1962年12月7日）是挪威 歌剧演员，也是一位备受赞誉的瓦格纳女高音。她是20世纪最伟大的歌唱家之一，许多歌剧评论家都称她为“世纪之声”。戴斯蒙德·肖·泰勒（Desmond Shawe-Taylor）在《新格罗夫歌剧词典》中写道：“活着的记忆中，没有人比她在纯粹的美感和线条和音调的一致性方面超越她。” 　 　 　
　 Kirsten Flagstad (12 July 1895 solstice December 7 1962) is a Norwegian opera singer and award-winning Wagner soprano.She was one of the greatest singers of the 20th century, and many opera critics called her "the voice of the century".Desmond Shawe-Taylor wrote in his New Grove Dictionary of Opera: "No living memory has surpassed her in the sheer beauty and consistency of line and tone." 　 　 　
　
　 　 　
　 　 　 　 　
　

歌唱家纪录片 英雄女高音之母 弗拉格斯塔 Kirsten Flagstad

 　 　 　
　

Singer documentary hero Of the soprano mother Flagstar

 　 　 　
　
　
　
　 　 　
　 未得原作者编者授权严禁转载www.mt77.com任何内容 　 　 　
　 　 　 　 　 　 　 　 　 　
　 　 　 　 　 　 　 　 　 　 　
　
　
　
　
　 　 　 　 　 　 　 　 　 　
　 　 　 　 　 　 　 　 　 　 　
　

站长

 13051246559 1197843751

          copyright © 2003-2005 xilu.com all rights reserved.
         版权所有 copyright © 2003 莫扎特之旅  黑icp备05009702号