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　　　　　　　　　　　　　　　　　　　　　　　　　　　　                  田润德 编译文/图 2020-07-01  19:36

 　
　
　
　
　

　
　
　
　
　

　
　
　
　
　
　 安德烈·普列文（André Previn 1929－2019） 　 　 　
　   　 　 　
　 普列文&穆特 演绎门德尔松作品 　 　 　
　 安苏菲,小提琴
曾将安德烈普列文,钢琴		 　 　 　
　 Anne-Sophie Mutter, violin André Previn, piano 　 　 　
　
　 　 　
　 音乐历史上的今天

1977年7月1日，汤姆·斯托帕德（Tom Stoppard）讽刺苏联精神病医院践踏人权的话剧《每个好孩子都该爱护》（Every Good Bey Deserves a Favor)在伦敦上演。安德烈·普列文（André Previn）指挥了自己的配乐版。其首字母对记住这音乐特有帮助。
安德烈·普列文（André Previn 1929年4月6日－2019年3月1日），出生于柏林，有俄国犹太人血统，世界著名的指挥家、钢琴家、作曲家，20世纪乐坛上一位百科全书式的音乐全才。
安德烈·普列文曾在柏林高等音乐学校与巴黎音乐院学习钢琴，1939年逃出纳粹德国前往美国，1943年成为美国公民。他是举世公认的指挥大师，成功统率伦敦交响乐团十一年之久，并曾担任多个欧美著名乐团的首席指挥 ，他是杰出的电影音乐大师，曾经四度获奥斯卡最佳电影配乐大奖； 他同时还是室内乐演奏家、百老汇舞台剧作家、音乐编辑、音乐评论家、电视节目主 持人，而且每一行都获得了令人惊叹的成功。曾任休斯顿交响乐团荣誉指挥。
普列文是出生于德国柏林的犹太人，在柏林高等音乐学校与巴黎音乐院学习钢琴，1939年由于二战爆发而逃出纳粹德国，前往美国投靠堂兄查尔斯·普列文。当时查尔斯在好莱坞环球电影担任音乐总监。家人决定在洛杉矶定居后，普列文在当地跟随鲁比诺维契学习钢琴、托赫与阿赫隆学习音乐理论，接着又向卡斯泰尔诺－沃泰代斯科学习作曲。在这段期间里，普列文对爵士乐的印象一直停留在「饭店乐团中戴着滑稽帽子的人」，但是没有多久，他就迷上了这样的音乐。1943年成为美国公民后，普列文经常在广播或是电影配乐中弹奏爵士钢琴，十六岁已经能够写出相当不错的爵士乐曲。普列文最早的录音约在1945到46年间完成，合作的伙伴都是后来经常合作演奏爵士乐的搭档。这时候，普列文不论演奏或作曲技巧都已经相当成熟，他的演出也得到前辈音乐家的好评。普列文在1950年代都一直在米高梅电影公司任职，他在那儿的第一件差事就是在电影《灵犬莱西》中「写一些歌曲并制造吠声」。征召入伍后，普列文所属部队驻扎在旧金山，演奏爵士钢琴之余，普列文开始对严肃音乐产生兴趣，1951年跟着当时在旧金山交响乐团工作的蒙都学习指挥，开始了作曲家、钢琴家与指挥家三重身份。
1953年回到好莱坞后，普列文以自由身份在各处担任指挥或是演奏钢琴，1954年为金凯利的电影编写长约四十分钟的音乐，五八、五九、六三、六四年以电影《金粉世家》、《乞丐与荡妇》、《爱玛姑娘》、《窈窕淑女》得到奥斯卡奖。爵士乐在五、六零年代的加州相当盛行，并且形成相当特别的「西岸爵士」。「西岸爵士」和所谓的「酷派爵士」有一点关系。「酷派爵士」在四零年代与bebop结合后，成为一种更高阶的创作形式以及演奏方法。普列文相当热衷演奏、创作这些音乐，他在这段期间留下不少唱片。不过，这些唱片多半只有标示乐团的名称，并没有特别强调普列文。但是某些个人习惯与特色中，仍然可以分辨出演奏者是普列文。
除了爵士唱片，有些录音，如1956年的《窈窕淑女》也是以别人的名字出版。《窈窕淑女》的热卖造成一股风潮，根据百老汇音乐剧演奏的爵士黑胶唱片也在这个时候出现。普列文在爵士领域最大的成就是在三重奏以及根据着旋律所做的钢琴即兴演奏。这时候，普列文也和著名爵士伸缩号演奏家为哥伦比亚唱片公司录制怀尔的作品。对于一般人来说，电影配乐与录音的工作已经够忙了，但是普列文却同时投入为爵士乐辩护请命的工作，特别是针对好莱坞那些对爵士乐有偏见的人，虽然普列文日后在指挥交响曲及演奏严肃音乐方面也占有重要的地位。普列文从1962年开始指挥圣路易交响乐团；经过多场客席指挥的邀约后，他在1967到69年接任巴毕罗里的位置成为休斯敦交响乐团常任指挥。普列文早在1965年就和伦敦交响乐团合作灌录多张唱片，他在1968年到79年出任该团首席指挥，现在则是伦敦交响乐团的桂冠指挥。

今日视频：1、普列文和穆特演绎门德尔松室内乐作品；2、 音乐纪录片《莫扎特之旅》第一集（普列文演奏和解说）。

 　
　
　
　
　
　
　 　
　
　
　 年轻的安德烈·普列文（André Previn） 　 　 　
　 Today in the history of music
 On July 1, 1977, Tom Stoppard's play, "Every Good Bey Deserves a Favor," mocking human rights violations in Soviet psychiatric hospitals, was presented in London.Andre Previn directed his own musical version.Its initials are very helpful in remembering the music.
Andre Previn (April 6, 1929 -- March 1, 2019) was an Encyclopedic composer, pianist, and composer born in Berlin.
He studied piano at the Conservatory in Berlin and the Conservatory in Paris before escaping from Nazi Germany in 1939 and becoming an American citizen in 1943.He has been leading the London Symphony Orchestra for 11 years. He has also served as the chief conductor of many famous European and American orchestras.He was also a chamber music player, a Broadway stage playwright, a music editor, a music critic, a TELEVISION host, and a stunning success in every line.He was honorary conductor of the Houston Symphony Orchestra.
Born in Berlin, Germany as a Jew, He studied piano at the Berlin Music School and the Paris Conservatory. In 1939, he escaped from Nazi Germany due to the outbreak of World War II and went to the United States to seek refuge with his cousin Charles Pleven.At the time, Charles was the music director of Universal Pictures in Hollywood.When the family decided to settle in Los Angeles, Pleven studied piano with Rubinovitch, music theory with Toh and Aheron, and composition with Castelno Vertedesco.During this time, Pleven's image of jazz remained "a man in a funny hat in a restaurant band," but he soon fell in love with the music.After becoming an American citizen in 1943, Pleven often played jazz piano on the radio or on film scores, and by the age of 16 was able to write pretty good jazz music.Pleven's first recordings were made between 1945 and 46 with partners who later played jazz regularly.By this time, Pleven had matured in both playing and composing skills, and his performances were well received by older musicians.Pleven worked at MGM throughout the 1950s, where his first assignment was to "write songs and make barks" in the film Lassie.After being drafted into the army, Pleven was stationed in San Francisco. After playing jazz piano, Pleven became interested in serious music. In 1951, he studied conducting with Mondo, who was then working in the San Francisco Symphony Orchestra.
Returned to Hollywood in 1953, general lewin as free as a command or everywhere to play the piano, 1954 write long for gene kelly movie about 40 minutes of music, 58, had been, June 3rd, 64 in the film "jinfenshijia will", "beggar and slut", "Emma girl", "my fair lady" get Oscar award.Jazz flourished in California in the '50s and' 60s and developed into a very special "West Coast jazz".West Coast Jazz has something to do with so-called Cool Jazz.After combining with BeBOp in the 1940s, "Cool Jazz" became a higher-order creation form and performance method.Pleven was quite keen on playing and writing this music, and he left many records during this time.Most of these recordings, however, have only band names and no special emphasis on Pleven.But some personal habits and characteristics, you can still distinguish the performer is Pleven.
In addition to jazz recordings, some recordings, such as 1956's my Fair Lady, were published under other names.The sale of "My Fair Lady" caused a stir, and jazz vinyl records based on Broadway musicals appeared at the same time.His greatest achievements in jazz were in trios and piano improvisation to melodies.At the same time, Pleven was recording Wyre's work for Columbia Records with the famous jazz telescopist.Film scores and recordings were busy enough for the average person, but Pleaven also went on to defend jazz, especially against its critics in Hollywood, though he later became important in conducting symphonies and playing serious music.Mr. Pleven began conducting the St. Louis Symphony Orchestra in 1962;After several guest conductor offers, he succeeded Barberoli as permanent conductor of the Houston Symphony from 1967 to 69.Pleven recorded with the London Symphony Orchestra as early as 1965, where he was principal conductor from 1968 to 79 and is now the LSO's Laureate Conductor.
Video of the day: 1. The performance of Mendelssohn chamber music by Preven and Mutt; 2.The first episode of the musical documentary Mozart's Journey (Pleven plays and talks).		 　 　 　
　 　
　 安德烈·普列文（André Previn）和夫人 　 　 　
　 　 　 　 　
　 犹太音乐家的佼佼者：安德烈·普列文 　 　 　
　 89岁高龄的普雷文之死，让人想起的不是一个，而是几个黄金时代。显然是音乐：不仅是古典音乐——在他的时代，指挥家都是家喻户晓的名字——还有华丽的电影配乐和爵士乐黄金时代的最后回声。
普雷文也是一位严肃的指挥家、钢琴家和作曲家，但他的普世音乐才能完美地适应了电视的黄金时代。他为在BBC1的周六晚间节目中推广伟大音乐所做的努力，可能是之前或之后任何人都无法比拟的。
普雷文也代表了好莱坞的黄金时代。1968年，普雷文来到伦敦，指挥伦敦交响乐团(London Symphony Orchestra)，给那里的大人物带来了一种魅力光环(他获得了四项奥斯卡奖和十多项电影配乐提名)。虽然米娅·法罗只是他五个妻子中的一个，但他与一位真正的电影明星的婚姻更增强了他的光环。
最重要的是，对于任何活在1971年的人来说，安德烈·普列文在莫克姆风格和智慧的素描中是最伟大的“普列文先生”。对于一个在英国喜剧史册上仍然占统治地位的二人组来说，这个来自美国的异国奇景完全符合他们的目的。		 　 　 　
　 　 　 　 　
　 Leading Jewish musician: André Previn
Previn's death, at the age of 89, recalls not one, but several golden ages. Music, obviously: not just classical music - conductors were household names in his day - but gorgeous film scores and the last echoes of the golden age of jazz.
Previn was also a serious conductor, pianist and composer, but his universal musicianship was perfectly suited to the golden age of television. His efforts to promote great music on BBC1's Saturday night programme were probably unmatched by anyone before or since.
Previn also represents the golden age of Hollywood. In 1968, Previn moved to London to conduct the London Symphony Orchestra, bringing an aura of glamour to the big names there (he won four Oscars and more than a dozen nominations for film scores). Although Mia Farrow was only one of his five wives, his marriage to a bona fide movie star enhanced his aura.
Above all, for anyone alive in 1971, Andre Previn was the greatest "Mr Preview" of Morecambe sketches with style and wit. For a duo that still dominates the annals of British comedy, this exotic spectacle from the United States served their purpose perfectly.		 　 　 　
　 　
　 世界著名的莫扎特演奏专家并不多，安德烈·普列文（André Previn）就是近代最著名的，他主持播出的纪录片《莫扎特之旅》让人耳目一新，由于理论和演奏都让人非常信服， 他在我们面前展示了一个真正的莫扎特专家。这是普列文在演奏和指挥莫扎特钢琴协奏曲。 　 　 　
　 There are not many famous Mozart experts around the world, but Andre Previn is the most famous one in modern times. His documentary "Mozart's Journey" is so refreshing that he presents us with a real Mozart expert due to his convincing theory and performance.This is Pleven playing and conducting the Mozart piano concerto. 　 　 　
　
　 他出生在魏玛共和国的柏林，在那里，他的家人才勉强逃脱了纳粹的迫害:直到1938年，纳粹才离开那里。那时，年轻的路德维希·安德里亚斯·普列文(Ludwig Andreas Prewin)才知道自己是犹太人，因为“他们在街上朝我扔石头”。安德烈·普列文(Andre Previn，他们在洛杉矶流亡期间使用的名字)是高雅文化世界的化身，当时高雅文化与其他人类之间的鸿沟令人眩晕。像普列文这样严肃的人不应该听说过像莫克姆和怀斯这样的喜剧演员，更不要说他们自己是被他们提拔上来的。
 因此，当普雷文与埃里克和厄尼一起走上舞台扮演他的角色时，他只提前一天记住他的台词，这是他这种地位的人从未做过的事情。一眼认出连耶胡迪·梅纽因——莫克姆和明智的假装已经预定执行门德尔松的小提琴协奏曲的圣诞表演,但在最后一分钟被取消了和他的尊严——曾经采取这种风险——尽管两年后梅纽因曾将遵循普列文的例子。
 这个动作比与坐在前排的作曲家指挥斯特拉文斯基的作品需要更多的勇气。(在这之后,普列文回忆说,“伟大的人盯着我,脸上面无表情,然后他只说一句话:你有美妙的手指。”)在某种意义上 ，普列文牺牲了他在同行中的声望崇高，但却成为了徒劳的试图阻止古典音乐成为老龄化的少数人之一。
 当“安德鲁·普列文先生”(或者“普里怀特先生”)问埃里克·莫克姆是否可以接过指挥棒时，他认出了一个志趣相投的人，他以完美的喜剧时机补充道:“在芝加哥。”据报道，这位喜剧演员惊呼:“这太棒了!”的确如此。
 当莫克姆坐下来演奏格里格的钢琴协奏曲时，普列文不得不板着脸。然后，他就成了我们最伟大的电视喜剧演员所讲过的也许是最伟大的俏皮话:“你演奏的音符都错了。莫克姆站起来，对着身材矮小的指挥家摆好架势，抓住他晚礼服的翻领说:“我演奏的所有音符都是正确的，但不一定是按正确的顺序。”
 在那崇高的时刻，两个相互排斥的世界短暂地结合在一起。这就是为什么这幅素描如此令人难忘，以至于几十年后，当出租车司机看到他时，他们会喊出“普列文先生!”“这种事再也没有发生过。他们不再制造像埃里克·莫克姆这样的喜剧演员了。他们也不培养像安德烈·普 列文这样的音乐家。.		 　 　 　
　 　 　 　 　
　 He was born in Berlin, in the Weimar Republic, where his family only narrowly escaped the Nazis: they did not leave until 1938. It was then that the young Ludwig Andreas Prewin learned he was Jewish because "they threw stones at me in the street." Andre Previn (the name they used in exile in Los Angeles) was the personification of the world of high culture at a time when the gulf between high culture and the rest of humanity was dizzying. No one as serious as Plevin should have heard of comedians such as Morecambe and Wise, let alone been promoted by them.
So when Previn took to the stage with Eric and Ernie to play his part, he memorized his lines only a day in advance, something no one in his position had ever done. Instantly recognising Liyehudi Menuhin - Morecambe and wise Pretend had been booked to perform a Christmas performance of Mendelssohn's violin concerto, but cancelled at the last minute and his dignity - had taken such risks - though two years later Menuhin would follow Plevin's example.
This action requires more courage than conducting Stravinsky's work with the composer sitting in the front row. (After this, Plevin recalls, "The great man stared at me, his face blank, and he just said one thing: You have wonderful fingers." In a sense, Plevin sacrificed his prestige among his peers, but became one of the few who tried in vain to stop classical music from aging.
When "Mr Andrew Plevin" (or "Mr Plewight") asked Eric Morecambe if he could take the baton, he recognised a kindred spirit and, with perfect comic timing, added: "In Chicago." "This is great!" the comedian reportedly exclaimed. That's true.
When Morecambe sat down to play Greig's piano concerto, Plevin had to keep a straight face. Then he became perhaps the greatest one-liner ever told by our greatest TV comedian: "You're playing all the wrong notes. Morecambe stood up, squared up to the diminutive conductor, grabbed the lapels of his evening jacket and said: "I'm playing all the right notes, but not necessarily in the right order."
In that sublime moment, two mutually exclusive worlds were briefly united. That's what made the sketch so memorable that decades later, when taxi drivers saw him, they would shout "Mr. Plevin!" "It never happened again. They don't make comedians like Eric Morecambe any more. They don't produce musicians like Andre Plevin. .		 　 　 　
　 　 　
　 　 　 　 　
　 　 　 　 　
　 　
　 安妮-索菲·穆特(Anne-SophieMutter)与安德烈·普雷文(AndrePrevin)和大提琴演奏家丹尼尔·穆勒-肖特(DanielMuller-Schott)一起表演了莫扎特最好的钢琴三重奏，拍摄于曼图亚(Mantua)18世纪壮丽的提特罗·毕比耶纳(TeatroBibiena。 杰出的音乐家以一种深情和优雅的方式制作音乐“（国际唱片评论）。 “咕哝的温暖语气和她微妙的颤音等级是一种持续的乐趣”(bbc音乐杂志)。 　 　 　
　 Anne-Sophie Mutter is joined in by André Previn and cellist Daniel Müller-Schott for these performances of the finest of Mozart's Piano Trios, filmed in Mantua's magnificent 18th-century Teatro Bibiena. "The outstanding musicians making music in an affectionate and elegant way" (International Record Review). "Mutter's warm tone and her subtle gradations of vibrato are a constant pleasure" (BBC Music Magazine). 　 　 　
　 　 　 　 　
　 　
　 2002年8月8日，40岁的穆特与古稀之龄的安德烈.普列文结为秦晋之好 　 　 　
　 　 　 　 　
　 穆特和普列文的故事 　 　 　
　

为艺术为爱情，穆特毅然和一个音乐家安德烈.普列文永结百年好合，真的太浪漫了，我刚刚看到这幅图片是在《音乐爱好者》2004年2月号中，我有些不敢相信，但是世界就是这样， 出人意料的东西简直就是层出不穷，令你目不暇接，因为在古典音乐界明星鲜有成为伉俪的，所以我们都感到不可思议，越是不可思议的事情越会发生                                              

    安尼－索菲.穆特1963年6月9日生于德国符腾堡州的巴登，5岁学习钢琴，稍后即学拉小提琴。7岁穆特以精彩的表演赢得联邦音乐比赛，1974年再度夺冠并开始全身心投入到艺术中。1977年穆特于卡拉杨在萨尔茨堡音乐节上合作演出，这是他首度登台，从此开始了她的艺术生涯,成为世界上最受尊敬的独奏家之一。被卡拉杨誉为“自小梅纽因之后最伟大的音乐天才，”随后与卡拉杨和柏林爱乐乐团共同演出，受到高度评价。三方建立起长期和富有成效的合作关系。此后穆特作为一个独奏家和室内音乐家广受欢迎。1978年，15岁的穆特与柏林爱乐乐团灌制了她的第一张唱片，该唱片获1979年国际唱片奖。从那时以来，穆特的唱片获得了无数奖项，得到了很多头衔，年度艺术家，德意志一级功绩勋章，巴伐利亚功绩勋章等。1983年穆特成为牛津大学莫扎特协会名誉主席，1996年成为波恩贝多芬协会名誉会员。2003年6月，穆特赢得“卡拉杨当代杰出音乐家奖”成为获此殊荣的第一人。

普列文我是在一个纪录片中对才有了清晰的了解，就是1991年中央电视台播出了一个13集的，系列节目《莫扎特之旅》，就是有普列文负责介绍和演奏的，13集节目中是以莫扎特的钢琴协奏曲来作为主线来展开的，每一集中都有一首莫扎特的钢琴协奏曲，而演奏给我印象最深的就是普列文亲自指挥并演奏的莫扎特第24号钢琴协奏曲。

    2002年8月8日，40岁的穆特与古稀之龄的安德烈.普列文结为秦晋之好。

    穆特与1995年患癌症去世的前任丈夫律师翁德里希（Detlef wunderich)生有两个孩子，而普列文曾有过三次婚姻，分别娶了歌唱家多丽.普雷文、女演员米亚.法罗和宝石学家海瑟.哈雷丝。

 　 　 　
　 The story of Mutter and Plevin 　 　 　
　 For art and love, Mutter decided to marry a musician, Andre. I just saw this picture in the February 2004 issue of The Music Lover, and I couldn't believe it, but it's the way the world is, the unexpected just keeps popping up, and it just keeps popping up, and because in classical music, it's rare for a couple to be married, so it's amazing to us, The more the more magical thing happens...
Anne-sophie Mutter was born on June 9, 1963 in Baden, Wurttemberg, Germany. She studied the piano at the age of five, and later the violin. At the age of seven, Mutter won the Federal Music Competition with a spectacular performance. In 1974, he won again and began to devote himself to art. Mutter made her debut with Karayan at the Salzburg Festival in 1977, launching her career as one of the world's most respected soloists. He was praised by Carayan as "the greatest musical genius since Menuhin," and later performed with Carayan and the Berlin Philharmonic Orchestra, receiving high praise. The three parties have established a long and fruitful cooperative relationship. Mutter has since gained popularity as a soloist and chamber musician. In 1978, at the age of 15, Mutter made her first recording with the Berlin Philharmonic Orchestra, which won the 1979 International Recording Award. Since then, Mutter's recordings have won numerous awards and titles, such as Artist of the Year, German Order of Merit First Class, Bavarian Order of Merit, etc. In 1983 Mutter became honorary president of the Mozart Society of Oxford University and in 1996 honorary member of the Beethoven Society of Bonn. In June 2003, Mutter won the Karayang Award for Outstanding Contemporary Musician, becoming the first person to do so.
I got a clear understanding of Plevin in a documentary. It was in 1991 that CCTV aired a 13-episode series called The Journey of Mozart, which was introduced and played by Plevin. The 13-episode program took Mozart's piano concerto as the main line, and each episode had a Mozart piano concerto. What impressed me most was the Mozart Piano Concerto No. 24 conducted and played by Previn himself.
On August 8, 2002, Muth, who was 40 years old, and Andre, who was in his early 20s. Plevin became the best of Qin and Jin.
Mutter had two children with her previous husband, lawyer Detlef wunderich, who died of cancer in 1995, while Plevin was married three times, to singer Dori. Previn, actress Mia. Farrow and Heather the gemologist. Haley.		 　 　 　
　 　
　 安德烈·普列文（André Previn） 演奏莫扎特钢琴协奏曲的唱片封面 　 　 　
　 　
　 安德烈·普列文（André Previn）在指挥中 　 　 　
　 　 　 　 　
　
　 　 　
　 　 　 　
　 汤姆·斯托帕德（Tom Stoppard） 　 　 　
　 汤姆·斯托帕德（Tom Stoppard，1937年-），又译汤姆·斯托帕。英国剧作家，写了很多电视、电影，戏剧剧本，共获得了一个奥斯卡奖和4个托尼奖。以其睿智的对话，哲学主题，诙谐多样的写作手法和对语言的巧妙运用而闻名。
出生在捷克斯洛伐克，原名为汤姆斯·施特劳斯勒（Tomas Straussler）。1937年7月3日生于捷克斯洛伐克（现捷克共和国）的兹林。父母都是犹太人，二战爆发的时候他们全家逃难到新加坡，1942年日军占领新加坡时，他父亲作为军医被征用，后来在乘日本船只时被美军飞机击沉。父亲死后母亲改嫁一名英国军人，此后斯托帕德即改用后父之姓。
1946年到英格兰，中学毕业后从事新闻工作，当过报纸记者和评论家，直到1963年他开始全职从事戏剧写作。1967年他的诗剧《罗森格兰兹和吉尔登斯吞之死》由国家剧院在伦敦公演，受到热烈欢迎；次年，在美国上演又获得剧评界1968年度最佳戏剧奖，斯托帕德由此而一举成名。该剧从莎士比亚的《哈姆雷特》中抽出两名次要人物──朝臣作为主角，哈姆雷特为配角，用戏中串戏的手法写成，题材新颖别致，台词高雅。剧本探讨了人的浑噩命运，揭示事物的逻辑性后面往往隐藏着荒诞性，并渴望求得合理的解释，哲理气息浓厚。
斯托帕德1970年又写了一出短剧《追随玛格莱特》，幕启后，台上一个老太婆横躺在烫衣板上，一个半裸体男人登在椅上拨弄灯罩，一个身穿舞蹈长裙的女子跪在地上，窗户外面站着一名警察，人物与景物宛然构成一幅超现实主义的图画，使观众迷惑不解。然后作者将事物一一联系起来加以解谜，从而揭示事物的荒诞性后面往往又隐藏着逻辑性。      		　 　 　
　 　
　 汤姆·斯托帕德（Tom Stoppard） 　 　 　
　 从1963年到 70年代中期，斯托帕德还写了 10多出短剧或广播剧，另有两个比较长的重要剧本《跳跃者》(1972)和《怪诞的效仿》(1975)。《跳跃者》把哲学、杂技、政治、月球航行等素材巧妙地搀合在一起，探讨上帝是否存在、善与恶的性质、伦理和形而上学之间相互依存的关系等主题，形成一出独特的闹剧。《怪诞的效仿》是作者根据想象以列宁、爱尔兰现代派作家詹姆斯·乔伊斯和达达派画家T.特杰拉1917年在瑞士苏黎世相遇作为背景，对艺术的责任和政治倾向以及社会革命等问题进行争辩的戏。
斯托帕德虽然承认曾受塞缪尔·贝克特的很大影响，但在创作上又与先锋派或荒诞派有所不同:荒诞派贬低语言，认为语言毫无意义，并不能沟通人与人之间的思想，斯托帕德则相信语言在剧中仍占首要地位，他在驾驭语言方面多少继承了王尔德、萧伯纳等前辈剧作家的传统。但是，由于剧中常有冗长深奥的玄理争辩词句，被认为有炫耀“高雅”的缺点。
70年代中期以后，斯托帕德创作态度有了转变，他自称要认真观察社会，真实而毫不炫耀地写些戏。1976年，他写的一部剧本《家丑》讽刺了英国某些国会议员，揭露了他们卑劣而下流的私生活；1978年，他又写了一部揭露英国新闻界内幕以及西方老牌殖民主义者在非洲争夺势力范围的两幕剧《黑夜与白昼》。1983年，他的浪漫主义喜剧《真情》讽刺了西方有闲阶级的通奸关系，在英美演出轰动一时，先后获伦敦《旗帜晚报》1983年最佳剧作奖和美国1984年度百老汇托尼最佳戏剧奖。		 　 　 　
　
　 　 　
　
　 　 　
　 　 　 　 　
　 音乐纪录片《莫扎特之旅》第一集（普列文演奏和解说） 　 　 　
　 音乐纪录片《莫扎特之旅》的图片的这种非凡互动让观众对他的音乐作品的多样性产生了印象。 由著名的指挥家、钢琴家和作曲家普雷文主持；这一系列的十三部纪录片讲述了莫扎特旅行的故事，其中包括一首钢琴协奏曲（共14首），来自他一生的每一个时期。 莫扎特在旅游中可以深入观察沃尔夫冈·阿马德乌斯·莫扎特的现象。 特征，除其他外，弗拉基米尔·阿什肯纳齐、佐尔坦·科西、拉杜·鲁普和米苏科·乌奇达 　 　 　
　 this extraordinary interaction of music, documentary and pictures of mozart's trips allows viewers an impression of the diversity in his musical works. hosted by eminent conductor, pianist and man-about-music andré previn; this series of thirteen documentaries tells the story of mozarts travels, featuring a piano concerto (14 total) from each period of his life. mozart on tour allows a deep view into the phenomenon wolfgang amadeus mozart. features, among others vladimir ashkenazy, zoltan kocsis, radu lupu and mitsuko uchida. 　 　 　
　
　
　
　 　 　
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