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| 伊丽莎白一克劳德·雅凯·德·拉·盖尔( Elisabeth-Claude Jacquet de la Guerre1665-1729 ) | ||||||||||||||||||
伊丽莎白一克劳德·雅凯·德·拉·盖尔-《D小调奏鸣曲》 |
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伊丽莎白一克劳德·雅凯·德·拉·盖尔-《D小调奏鸣曲》 勒克斯特雷巴洛克合奏团 米兰，s.玛丽亚·迪·马科利，2020年1月5日 尼扎·科帕，小提琴 渡边伊西，古大提琴; 加布里埃尔·马尔泽拉，羽管键琴 |
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Elisabeth
Jacquet de La Guerre - Sonata I in re minore
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音乐历史上的今天
1729年6月27日，作曲家伊丽莎白一克劳德·雅凯·德·拉·盖尔( Elisabeth-Claude Jacquet de la
Guerre)在巴黎去世。“可以说从来没有一个女人在音乐作曲方面有如此出众的才情……她有一个独子，在八岁那年就令人们惊于他的古钢琴技艺……但是，死神在他10岁那年就把他带走了。 |
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| 伊丽莎白一克劳德·雅凯·德·拉·盖尔的秘密情人弗朗索瓦·库佩林(François Couperin 1668-1733) | ||||||||||||||||||
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弗朗索瓦·库伯兰1668年11月10日出生于巴黎。父亲夏尔·库伯兰（Charles
Couperin, 1638-1679）是巴黎圣热尔韦教堂（St
Gervais）的管风琴师，早逝后由拉朗德（Lalande）接替他的职位。库伯兰10岁时就开始代理拉朗德演奏，18岁时正式接任这一职位。1685
年任巴黎圣热尔韦教堂管风琴师。在老师拉朗德的提携下，他于1690年发表了第一部管风琴曲集。1693年起又任皇家圣堂管风琴师，故有路易十四御前管风琴师之称，次年又担任皇家大键琴教师。1702年受封爵士。1700-1717年间并担任了凡尔赛宫的大键琴师，此在巴黎和凡尔赛之间繁忙地生活。
1733年9月11日逝世于巴黎。 库伯兰是法国键盘音乐之父，法国巴洛克时期重要的艺术家。其作品包括了4册的拨弦古钢琴曲，大约有230首，此外还有40多首管风琴曲，一些宗教声乐作品和一些室内乐作品。他的大键琴曲以华贵典雅著称，体现出法国18世纪初精巧纤细的洛可可式风格，经常被赞誉为“高贵的”、“温柔的”、“有教养的”、“诗一般的”、“华丽的”。他对巴赫曾有很大影响。他还把科莱里的三重奏奏鸣曲形式引入法国，使器乐表达因融人其独特的感受能力而更具色彩感。后来的法国作曲家德彪西和拉威尔，都给予他像圣人一般的赞誉，称他具有“法国音乐气质的最纯粹和最典型的表现”。此外他还著有《键盘乐器触键艺术》（L'art de toucher le clavecin）一书。 如同巴赫家族相似，库伯兰家族自15世纪至19世纪也出现了许多音乐家，而弗朗索瓦是成就最高的一位，同时他又与他的伯父同名（1631-1701），因此后人称他为“伟大的库伯兰”（le Grand）。 大库普兰的主要动机是想把法国的古典传统和它特有的音乐风格于意大利的音乐风格结合起来。所作古钢琴曲多为标题性乐曲，内容大多反映凡尔赛宫廷生活，或描绘庭园景色、妇女肖像等，具有洛可可艺术风格，以繁缛的装饰音为其特点。出版有《古钢琴曲集》、《古钢琴弹奏法》。 |
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Today in
the history of music On June 27, 1729, composer Elisabeth-Claude Jacquet DE la Guerre died in Paris."It can be said that there has never been a woman with such outstanding talent in music composition...She had an only child who amazed people at the age of eight with his clavichord...But death took him away when he was only ten years old. Elisabeth-Claude Jacquet DE la Guerre1665-1729 was a French baroque composer and harpsichord.Born into a musical family in Paris, she was gifted and, as a child, played the harpsichord before Louis XIV, quickly gaining court recognition.At that time, she had many forms of work, leaving a collection of harpsichord, triple sonata and accompaniment of harpsichord works.It is worth mentioning that in the 17th century, only a few composers, such as Chambonnieres (Av56830637), Nicolas Lebegue (C. 1631-1702) and Jean-Henri D 'Anglebert (1629-1691), left a collection of harpsichord pieces. Later, the earliest composers who wrote three sonatas were also a few, such as Charpentier (Av73535182).F. Couperin (AV73550321) et al.The accompanying harpsichord may have inspired Lamo's harpsichord fourth volume ensemble (AV81354413, P2).There were also plays, operas, hymns, and so on.She died in Paris and left behind three harpsichord sets.After the 1990s, people began to re-record her work. 1. Elizabeth Claude Jacques DE La Guerre -- Sonata in D Minor;2. Prelude No. 1 in D Minor by Claude Jacques DE La Guerre. |
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| 伊丽莎白一克劳德·雅凯·德·拉·盖尔( Elisabeth-Claude Jacquet de la Guerre）的音乐手稿 | ||||||||||||||||||
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童年 1665年3月17日，伊丽莎白·德·拉·盖尔( Elisabeth-Claude Jacquet de la Guerre）出生于巴黎圣路易的一个石匠和音乐家家庭。她的叔叔和叔祖父都是著名的乐器制造商，她的父亲克劳德是圣路易教堂的一名管风琴手。伊丽莎白有两个兄弟也成为了风琴手。伊丽莎白第一次上音乐课是跟她父亲学的。她是一名神童，五岁时在凡尔赛宫国王路易十四的法庭上首次公开露面。在接下来的几年里，她成了那里的常客，人们叫她“小奇迹”。多年来，伊丽莎白享受着国王的庇护。在这个宫廷里，她成了蒙特斯潘夫人的宠儿，国王的情妇。伊丽莎白在王室的陪伴下度过了将近三年。 婚姻 1684年9月，伊丽莎白·德·拉·盖尔嫁给了一名风琴师，也是已故风琴师米歇尔·拉奎的儿子。这对夫妇婚后搬到了巴黎，伊丽莎白·杰奎特(Elisabeth Jacquet de La Guerre)起了一个新名字。结婚后，她开始在家里和整个巴黎举办音乐会课程，这使她很受欢迎。尽管伊丽莎白自1680年开始认真从事创作，但她的大部分作品已经失传。 |
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| 伊丽莎白一克劳德·雅凯·德·拉·盖尔( Elisabeth-Claude Jacquet de la Guerre）的音乐作品唱片封面 | ||||||||||||||||||
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职业生涯和贡献 到她搬到巴黎的时候，伊丽莎白·德·拉·盖尔已经成为了一位伟大的作曲家和大键琴演奏家。她作为一名即兴演奏者而声名鹊起，许多音乐专家都前来聆听她丰富、多样、大胆的即兴和和声。她的第一本出版物是1687年出版的《第一羽管键琴作品》，它是罕见的羽管键琴作品收藏之一，也是17世纪在法国印刷的首批羽管键琴作品之一。1694年见证了她的歌剧的生产，“在皇家音乐学院的Cephale et Procris”，这是著名的第一个作品，由一个女人在法国。这部作品于1694年在巴黎歌剧院首演，并没有受到观众的欢迎。这也许会使她意志消沉，迫使她放弃歌剧的创作。第二年，她创作了一套三重奏奏鸣曲。这是音乐史上此类作品的最早形式。有意大利标题的奏鸣曲显示了她对意大利风格的兴趣。 在接下来的几年里，伊丽莎白·德·拉·盖尔遭遇了许多悲剧。1704年，她失去了她的丈夫和他们唯一的儿子，他们的儿子在十岁时就英年早逝了。这些灾难可能迫使她把注意力转移到几场在她家里举行的音乐会上，这些音乐会变得非常受欢迎。由于自身的限制，她于1717年退出了所有的公众场合，但仍在继续创作。1707年，她出版了两首组曲和小提琴奏鸣曲。接下来是“六首Sonates pour le viollon and pour le clavecin”。1708年和1711年，她出版了12部以圣经主题为基础的康塔塔，法语为《Cantates francoises sur des sujets tirez de l'ecriture》。在她去世前15年，她的最后一篇作品《弗朗索瓦的Cantates》出版了，这是一系列献给巴伐利亚选主马克西米利安·伊曼纽尔的康塔塔诗。伊丽莎白最后的作品是《Te Deum》(1721)，为庆祝路易十五从天花中康复而作。一七二九年，她在她原来居住的圣尤斯塔什教区去世了。 1776年，著名的历史学家约翰·霍金斯称她为法国历史上最伟大的女性作曲家之一，他说:“如此丰富而美妙的和谐之流迷住了所有的听众。” |
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| 伊丽莎白一克劳德·雅凯·德·拉·盖尔( Elisabeth-Claude Jacquet de la Guerre）的音乐作品唱片封面 | ||||||||||||||||||
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Childhood Elisabeth Jacquet was born on 17th March 1665 in Saint-Louis-en-l'Ile in Paris, into a family of masons and musicians. Her uncle and great uncle were renowned instrument makers and her father, Claude, worked as an organist at Saint-Louis-en-l'Ile church. Elisabeth had two brothers who also became organists. Elisabeth got her first music lessons from her father. She was a child prodigy and had her first public appearance before the court of King Louis XIV in Versailles, at the age of five. In the following years, she became a frequent visitor there and was called ‘small wonder’. For many years, Elisabeth enjoyed the patronage of the king. At this court, she became the pet of Madame de Montespan, mistress of King. Elisabeth spent almost three years in this entourage to the royal court. Marriage In September 1684, Elisabeth Jacquet got married to Marin de La Guerre, an organist and the son of the late organist Michel de La Guerre. The couple moved to Paris after marriage and Elisabeth Jacquet took up a new name Elisabeth Jacquet de La Guerre. After marriage, she started giving concert classes at home and all through Paris, which made her popular. Though Elisabeth was seriously into composing since 1680, most of her works have been lost. |
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| 当今美国最受欢迎的巴洛克音乐表演者和教师之一亚瑟·哈斯(Arthur Haas)在讲学演奏中 | ||||||||||||||||||
| Arthur Haas, one of the most popular Baroque performers and teachers in the United States today, lectures | ||||||||||||||||||
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《我的秘密情人:伊丽莎白·克劳德·雅奎特·德拉·盖尔和弗朗索瓦·库佩林——与亚瑟·哈斯的演讲独奏会》 本讲座将探讨17世纪晚期和18世纪早期法国大键琴音乐的两位杰出人物伊丽莎白·克劳德·杰奎特·德拉·盖尔和弗朗索瓦·库佩林之间的联系。他们年龄相仿，一起长大，通过婚姻关系联系在一起，在职业生涯的形成阶段，科雷利(Corelli)在巴黎的表现对他们都有很大的影响。我会特别地看一下并演奏一些例子从1707年的德拉·盖尔的d小调组曲到1713年的 库佩林的第二章，举例说明这些联系并指出他们音乐中重要的演奏练习手势。 亚瑟·哈斯是当今美国最受欢迎的巴洛克音乐表演者和教师之一。他在茱莉亚学院与阿尔伯特·福勒(Albert Fuller)一起学习羽管键琴，在伯克利和阿姆斯特丹与阿兰·柯蒂斯(Alan Curtis)一起学习，并在加州大学洛杉矶分校(UCLA)获得了历史音乐学硕士学位。1975年，哈斯获得了巴黎国际羽管键琴比赛的最高奖项，之后在法国生活到1983年，在许多欧洲早期的主要音乐节上表演和教学。他和艾伦·柯蒂斯一起录制了巴赫的《哥德堡变奏曲》，还和威廉·克里斯蒂一起录制了加斯帕德·勒鲁的两首羽管琴组曲。安吉贝特、福奎雷、普塞尔和他同时代的杰奎特、F.库佩林的独奏cd，拉莫的大键琴作品全集，以及最近的贝纳多·帕斯奎尼的独奏作品，都在媒体上获得了高度评价。 作为一名连续音演奏者，哈斯以其专业技能而闻名，他曾与早期著名音乐家玛丽昂·维尔布鲁根(Marion Verbruggen)、雅普特·林登(Jaap ter Linden)、朱利安·贝尔德(Julianne Baird)、维兰·库伊肯(Wieland Kuijken)和布鲁斯·海恩斯(Bruce Haynes)一起巡演。作为Aulos乐团和Empire Viols乐团的成员，他经常在美国和加拿大各地巡回演出。他每年参加夏季工作坊和音乐节，包括朗吉国际巴洛克学院、弗吉尼亚巴洛克表演工作坊和阿默斯特早期音乐节。2002-2012年，他在那里担任巴洛克学院的艺术总监。他还是一年一度的波特兰(缅因州)巴赫名家音乐节的特邀独奏者。哈斯在石溪大学(Stony Brook University)和耶鲁大学音乐学院(Yale School of music)教授羽管键琴和早期音乐，他还是茱莉亚学院历史表演项目的创始教员之一。 注:出席者将有机会演奏一些乐器在Reed早期键盘集合，以及独奏乐器。 |
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MY SECRET VALENTINE:
Elisabeth Claude Jacquet de La Guerre and François Couperin – A
lecture-recital with Arthur Haas This lecture recital will explore the connections between Elisabeth Claude Jacquet de La Guerre and François Couperin, two of the towering figures in French harpsichord music in the late 17th and early 18th centuries. They were about the same age, grew up together, were related through marriage, and both were heavily influenced by Corelli’s appearances in Paris at formative stages of their careers. I will specifically look at and play examples from La Guerre’s d minor suite from 1707 and Couperin’s 2nd ordre of 1713, illustrating these connections and pointing out important performance practice gestures in their music. Arthur Haas is one of the most sought after performers and teachers of Baroque music in the United States today. He studied harpsichord with Albert Fuller at Juilliard and Alan Curtis in Berkeley and Amsterdam as well as receiving a masters degree in Historical Musicology at UCLA. Mr. Haas received the top prize in the Paris International Harpsichord Competition in 1975, and then lived in France until 1983, performing and teaching in many of the major European early music festivals. He participated in the premier recording of Bach’s Goldberg Variation Canons with Alan Curtis, and has also recorded suites for two harpsichords by Gaspard LeRoux with William Christie. Solo CDs of D’Anglebert, Forqueray, Purcell and his contemporaries, Jacquet de La Guerre, F. Couperin, the complete harpsichord works of Rameau, and most recently solo works of Bernardo Pasquini, have all received critical acclaim in the press. Known for his expertise as a continuo player, Mr. Haas has toured with such distinguished early musicians as Marion Verbruggen, Jaap ter Linden, Julianne Baird, Wieland Kuijken, and Bruce Haynes. A member of the Aulos Ensemble and Empire Viols, he has toured frequently all over the US and Canada. Annual summer workshop and festival appearances include the International Baroque Institute at Longy, the Virginia Baroque Performance Workshop, and the Amherst Early Music Festival, where he served as artistic director of the Baroque Academy from 2002-2012. He is also a featured soloist in the annual Portland (Maine) Bach Virtuosi Festival. Mr. Haas teaches harpsichord and early music studies at Stony Brook University and the Yale School of Music, and was a founding faculty member of Juilliard’s Historical Performance program. NOTE: Attendees will have the opportunity to play some of the instruments in the Reed Early Keyboard Collection, as well as the recital instrument. |
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| 路易十四时代，也就是伊丽莎白·德·拉·盖尔( Elisabeth-Claude Jacquet de la Guerre）时代的法国艺术画风（1660） | ||||||||||||||||||
| Ludvig den XIVs Apoteos- Charles Le Brun 1660. Creative Commons | ||||||||||||||||||
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伊夫利·吉特里斯(Ivry
Gitlis)，以色列小提琴家。第二次世界大战时困居英国，战后在英国各地演奏赢得声誉。1951年参加在巴黎举行的“蒂博国际小提琴竞赛会”荣获首奖，以后经常在巴黎演出，并先后将帕格尼尼、柴可夫斯基、贝尔格、欣德米特、斯特拉文斯基的小提琴协奏曲录了唱片。Gitlis一向以其幽默博得不少Fans，市面上他的录音不多，每张都被Fans视为珍宝。
1922年8月25日生于海法。5岁开始学琴，早年的教师是卡密。10岁时得到霍贝尔曼的赏识和帮助，去巴黎音乐学院从步彻列学习，13岁毕业获第一奖；以后又曾先后从埃内斯库、蒂博、弗莱什诸名家进修。1939年，17岁的Gitlis开始演奏家的生涯。60岁至今定居法国。 |
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| 伊丽莎白一克劳德·雅凯·德·拉·盖尔( Elisabeth-Claude Jacquet de la Guerre）的音乐作品唱片封面 | ||||||||||||||||||
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Ivry Gitlis was an
Israeli violinist.Trapped in Britain during world war ii, he won fame
playing all over the country after the war.In 1951, he won the first
prize in the "tibo international violin competition" held in Paris.
Since then, he has often performed in Paris and recorded the violin
concertos of paganini, Tchaikovsky, berg, sindmeet and stravinsky.Gitlis
has always won many Fans for his humor. There are not many recordings of
him on the market, and every one of them is treasured by Fans. He was born in Haifa on August 25, 1922.He started playing the piano at the age of five, and his early teacher was carmi.At the age of 10, with the recognition and help of hoberman, he went to Paris conservatory of music to study in bouchelles. At the age of 13, he graduated with the first prize.After that, he studied from the masters of enescu, tibbo, and flash.In 1939, at the age of 17, Gitlis began his career as a performer.He has lived in France since he was 60. During his career, he used a 1737 stradivari "Chant du Cygne" (swan song), "Ysaye" Guarnerius del Gesu (" isai "of Jesus guanelli), and owned a 1713 stradivari violin called" Sancy ". Ghitelis spoke highly of paganini. He once said, "paganini is more than a development...First there were these [violinists] and then paganini came along.Even though the techniques paganini used had been invented before him, the techniques developed and stagnated, and no violinist had the great reputation of paganini, whose name, even in his own lifetime, had been associated with inexplicable oddities." |
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| 伊丽莎白一克劳德·雅凯·德·拉·盖尔《d小调第一组曲前奏曲》 | ||||||||||||||||||
【E.J. De La Guerre 1664-1729】Prelude from Suite I in d minor |
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