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| 特瑞·莱利(Terry Riley1935-) | |||||||||||||||||||||
纪录片《特瑞·莱利生活在70年代》 |
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Terry Riley - Live In The Seventies |
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音乐历史上的今天
1935年6月24日，极简主义的创始人泰瑞·莱利（Terry Riley)在加州科尔法克斯出生。 |
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| 特瑞·莱利(Terry Riley) | |||||||||||||||||||||
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特瑞·莱利在悉尼首届极光节开幕式上亮相 2006年4月24日 音乐界极简主义的创始人、传奇人物特里·赖利(Terry Riley)本周首次来到澳大利亚，作为特色作曲家出席悉尼音乐学院科技副院长马修·欣德森(Matthew Hindson)主持的新国际音乐节。 ”没有许多作曲家在音乐历史书,因为他是和极少数可以声称已经开始整个音乐类型,“Hindson博士说的艺术总监极光节(4月29日到5月7日),一个国际知名的作曲家。 作为大学社区外展计划的一部分，Riley将于4月29日在Parramatta河畔剧院举办两年一次的Alfred Hook讲座和演奏会。 他会执行他的开创性的工作在C音乐会“时髦的东西”当晚和第二天将与视觉艺术家约翰·皮尔特在悉尼大学举行的午餐作曲家,安妮·博伊德教授是一个主讲人在电影节开幕会议。他的一些作品也将由其他顶级音乐家在音乐节期间表演。 辛德森博士说:“我们能请到赖利来，这绝对是一件美妙的事情。正因为有了这次胡克讲座，我们才能够让更广泛的人群接触到他。” 莱利令人陶醉的、多层次的、东方风味的作品，多元的、明亮的编曲，为人们对“新调性”的普遍兴趣奠定了基础。从菲利普·格拉斯(Philip Glass)到橘子梦(Tangerine Dream)等著名作曲家和摇滚乐队的作品中都能听到他的影响。 “莱利开始的以脉冲为基础的极简主义影响了很多人，并带回了强烈的节拍感，而这种感觉在很多艺术音乐中是刻意避免的，”欣德森博士说。 “活音乐”是首届欧莱拉音乐节的主题，欧莱拉音乐节是悉尼第一个定期举办的当代艺术音乐节。 “所有的音乐都是活跃的作曲家创作的，活跃的职业音乐家创作的，表演者都是高水准的，音乐也是活跃的，”辛德森博士说，他对来自悉尼大学的代表表示认可。
“它很吸引人，很有活力，很有感染力。我相信，即使是那些认为自己不喜欢当代古典音乐的人，也会喜欢这个音乐节上的音乐。” |
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| 特瑞·莱利(Terry Riley) | |||||||||||||||||||||
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Terry
Riley features in Sydney's inaugural Aurora Festival 24 April 2006 The legendary Terry Riley, founder of minimalism in music, is coming to Australia for the first time this week as featured composer in the new international music festival instigated by the Sydney Conservatorium of Music’s Associate Dean of Technology, Matthew Hindson. “There aren’t many composers who are in all the music history books as he is and very few who can claim to have started an entire musical genre as he can,” said Dr Hindson, artistic director of the Aurora Festival (29 April to 7 May) and himself an internationally acclaimed composer. Riley will present the University’s free, biennial Alfred Hook Lecture and Recital to be held on 29 April at Riverside Theatres, Parramatta as part of the University’s community outreach program. He’ll perform his ground-breaking work In C in the concert ‘Funky stuff' later that evening and next day will be in discussion with visual artist John Peart in a lunch hosted by Sydney University composer, Professor Anne Boyd, who is a keynote speaker at the conference which opens the festival. Several of his works will also be performed by other top musicians throughout the festival. “It’s absolutely fantastic that we’ll have Riley here and it’s because of the Hook lecture that we’ve been able to make him accessible to the wider community,” Dr Hindson said. Riley’s hypnotic, multi-layered, Eastern flavoured works, polymetric and brightly orchestrated, set the stage for the prevailing interest in a ‘new tonality’and his influences have been heard in the works of prominent composers and rock groups from Philip Glass to Tangerine Dream. “The pulse-based minimalism that Riley started has affected so many people and brought back the strong sense of beat in a way that had been deliberately avoided in so much of art music,” Dr Hindson said. ‘Living music’ is the theme of this inaugural Aurora Festival which is Sydney’s first regular festival of contemporary art music. “It’s all music by composers who are alive - and active, working musicians - the performers are all of the highest calibre and the music is alive,” said Dr Hindson who acknowledges strong representation from the Sydney University community. |
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| 特瑞·莱利(Terry Riley)的著名作品《C调》唱片封面 | |||||||||||||||||||||
| Terry Riley's famous album cover of "C" | |||||||||||||||||||||
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“It’s
engaging, it’s vibrant, its communicating and I’m positive that
even those who think they don’t like contemporary classical
music would like the music in this festival.” Amongst the many performance highlights is a concert at the Sydney Conservatorium of Music on 5 May called ‘Comin’ Right Atcha’, titled after Hindson’s up-tempo, super-funky work to be performed that night alongside works by American composer Michael Daugherty. The concert will feature young emerging performers in the Australian Youth Orchestra’s ‘New Music Now’ program, with Conservatorium dean Professor Kim Walker on bassoon. The festival includes masterclasses, community workshops, courses for music teachers and school students and sound installations – with most events taking place in Western Sydney. “The large population there is just as entitled to experience high quality contemporary art music as those living closer to the coast,” Dr Hindson said. Most performances, including the Hook lecture-recital, are being recorded by ABCFM for broadcast nationally later, greatly extending the audience for the festival. An educational spinoff of the festival, Dr Hindson said, is the first-hand experience in event management that it’s affording the 62 students in his new and highly popular Arts-Music course, Music Festivals and their Administration. |
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| 特瑞·莱利(Terry Riley)作品演出之后，极光音乐节艺术总监，作曲家马修·辛德森与大家合影。 | |||||||||||||||||||||
| Composer Matthew Sinderson, artistic director of the Aurora Music Festival, poses for a photo after Terry Riley's performance. | |||||||||||||||||||||
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Today in
the history of music On June 24, 1935, The founder of minimalism, Terry Riley, was born in Colfax, Calif. Terry Riley was one of America's greatest minimalist innovators, the author of such basic works as "A Rainbow in Curved Air" (1969), "Ascetic asceticism for Persian Surgery" (1972) and, of course, "C" (1968).California composers introduced the use of repetition;The tape cycled and delayed elements in the development of western classical music, and often sought inspiration from a wide range of sources, especially India, a country he had visited many times.Riley is a classical pianist and self-taught saxophonist, the lover of John Cage and John Coltrane, a classmate of LaMonte Young at Berkeley University, and a pioneer in electronic music that USES synthesizers in academic and contemporary contexts.Terry Riley wrote "The Grans Minimalisme," "The Rainbow In Curved Air" (1969) and "The Persian Surgical Ascetic" (1972), and "In C" (1968).California composer is going to introduce us to the elements of classical Western music that are used to describe classical Western music, and I'm going to introduce buses to the trade of the United States, especially India, when we visit other countries.Taught by John Cage and John Coltrane in a young Lamont course at Berkeley, Riley learned electronic piano for us in a contemporary academic setting at the United Nations. Today's videos: 1. The documentary Terry Reilly Lived in the '70s; 2.The documentary What a Musician and Terry Riley Lived in the '70s and the film Four Sections by Steve Reich. |
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| 特瑞·莱利(Terry Riley)在钢琴旁 | |||||||||||||||||||||
| 极简派音乐(Minimal Music) | |||||||||||||||||||||
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上个世纪70年代初创作和演出的另一种音乐可以称作“极简派音乐”，因为它类似同时在美术界出现的一种把绘画严格限制在基本视觉的最低成份中的流派，这一绘画流派的主要画家之，阿德·莱因哈特曾经提出“不要有结构，不要有笔法多不要构勒或轮廓线，不要有明暗层次，不要表现空间、时间，不要有活动的态势，不要有客体、主体或素材。”那末还留下什么呢？大幅的被涂成一片漆黑，这就是莱因哈特的画。另外一些从事这种绘画的画家，有时在一幅画布上画上两条或三条宽带。同一流派的雕塑家们则搞一些箱状物体或其它几何形物体。 泰瑞·莱利(Yerry Riley)曾经写了一首具有与这些绘画相同特征的乐曲，叫作《C调》。它由53个旋律片断组成。这些片断可以按照任何顺序演奏，可以随意反复，能用多少乐器就用多少乐器。由于某些音符占有数量上的优势多可能产生一个基本的和弦进行。不过如果在某次演奏中这些和t弦没有出现，那也没有关系。 斯蒂夫·雷奇(Steve Reich)的音乐，除在节奏的结构上加以控制外，实际上与此作品相类似。他的乐曲《四架管风琴》是：为四个电子风琴和一付沙棰写的。沙棰打着不变的拍子，同时四个电风琴连续奏着相同的和弦进行，共持续二十五分钟，但是在各个和弦之间有着各种长短不等的休止。雷奇在他的另一首乐曲《显现》(Come Out)中使用了电子音响，这里用的音响材料是从始至终反复着的一个口述的句子。通过两声道把它录到磁带上，先是速度一致，然后，第二声道慢慢加快赶到前头，于是两个声音分成四个，又分成八个，形成了一首有趣的、几乎是催人入睡的乐曲。 波琳·奥利维罗斯(Paulinc Oliveros)的《I of IV》是由一些复杂的、更接近噪音的音响组成的，几乎持续二十分钟。作者偶然加进一些新的音响，有些非常微妙，有些很明显，但是持续低音不变。在上述这类乐曲中，许多世纪以来占主要地位的、着重主旋律的音乐思想被着重声音的思想所代替了。 斯托克豪森为八个歌唱演员写过一首乐曲，叫作《心境》《Stimmung)。每个歌唱演员带着一个话筒坐在地板上，好象围着一堆篝火。他们拉着长声唱出降B大调和弦，时间长约二十分钟。偶然呼喊几声某神明的名字。 |
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Minimal
Music. Early in the 70 s, creation and performance of another kind of music can be called "the minimalist music", because it is similar in fine arts at the same time the emergence of a strict limits the painting genre of the lowest in the basic visual elements, one of the major painters of this genre painting, o DE reinhart had put forward "don't have structure, don't have more strokes don't GouLe or contour line, do not have a level of light and shade, not to space, time, do not have activity, do not have the object, the subject or material."And what is left?The large ones are painted in complete darkness, and this is Reinhart's painting.Others who do this kind of painting sometimes paint two or three broad bands on one canvas.Sculptors of the same school made boxes or other geometric objects. Yerry Riley once wrote a piece with the same characteristics as these paintings, called "In C."It consists of 53 melodic fragments.The pieces can be played in any order, repeated at will, with as many instruments as you can use.The dominance of certain notes in number may result in a basic chord progression.But if these don't appear in a play, it doesn't matter. The music of Steve Reich is actually similar to this work, except that it controls the structure of the rhythm.His music, Four Organs, is written for four electronic organs and a maul.The mermaul is played in constant time, while the four electric organs play the same chord in succession, which lasts for twenty-five minutes, but with various pauses between the chords.In another of his pieces, "Come Out," Rich USES an electronic sound system that repeats an oral sentence from beginning to end.Recording it on tape over two tracks, first at the same speed, then slowly speeding up to the second track, the two voices split into four and eight, making an interesting, almost hypnotic piece. Paulinc Oliveros's "I of IV" is made up of complex, more noise-like sounds that last almost twenty minutes.The author accidentally added some new sounds, some very subtle, some very obvious, but with constant bass.In this kind of music the idea of melody, which had dominated for centuries, was replaced by the idea of sound. Stockhowson wrote a piece for eight singers called "The Mood" and "Stimmung". Each singer sat on the floor with a microphone, as if around a campfire. They sang long B flat chords for about twenty minutes, occasionally calling out the name of a god. |
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| 潘迪特·普兰·纳斯-拉·蒙特·杨-玛丽安·扎泽拉和特里·莱利在罕见的70年代 | |||||||||||||||||||||
| Pandit Pran Nath-La Monte Young-Marian Zazeela and Terry Riley in the 70s rare | |||||||||||||||||||||
| 斯蒂夫·雷奇(Steve Reich)的作品《四节》 | |||||||||||||||||||||
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2014年，巴黎，萨尔·普莱尔(1:19开始) 史蒂夫·赖克和特里·赖利(Terry Riley)、菲利普·格拉斯(Philip Glass)是极简主义的创始人之一 克里斯汀·贾维——指挥家 MDR Sinfonieorchester莱比锡 MDR Rundfunkchor莱比锡 史蒂夫·奇-四部分 美国作曲家史蒂夫·赖克被认为是最小限度音乐领域的先驱之一。这个古典音乐的分支诞生于20世纪60年代的美国，以重复作为作曲结构。为了诠释他的一些最著名的作品(如《击掌》)，史蒂夫·赖克亲自参加了这场音乐会，爱沙尼亚裔美国导演克里斯琴·贾维和莱比锡电台交响乐团和合唱团也参加了这场音乐会。 |
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From the Salle Pleyel, Paris, 2014
(Starts at 1:19)
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