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莫扎特之旅
编译文/图 2020-06-16
20:36 |
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本杰明·布里顿(Benjamin Britten,1913-1976) |
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本杰明·布里顿歌剧《魂断威尼斯》
2013年 英国国家歌剧院
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Benjamin Britten - Death in Venice
English National Opera (London, Great Britain), 2013
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演员:
古斯塔夫·冯·奥森巴哈-约翰·格雷汉姆-霍尔
旅行者,老年花花公子,船夫,理发师,酒店经理,演奏者,酒神-安德鲁肖尔
阿波罗的声音-蒂姆·米德
达齐奥-山姆·萨尔迪瓦尔
波兰母亲——劳拉·卡尔多
女儿-米娅·安吉丽娜·马瑟
女儿- Xhuliana Shehu
家庭教师-乔伊斯·亨德森
Jaschiu, Tadzio的朋友,Marcio Teixeira
酒店搬运工-彼得·范·胡勒
草莓销售商,漫步演奏者——安娜·丹尼斯
向导——查尔斯·约翰斯顿
漫步球员-阿德里安·德怀尔
英国职员-马库斯·法斯沃斯
玻璃制造商——理查德·埃德加·威尔逊
蕾丝销售商——康斯坦斯·诺维斯
乞丐女人——玛德琳·肖
餐厅服务员-乔纳森·麦戈文
利多船夫,船夫,神父-保罗·纳皮尔-布伦斯
酒店服务员-大卫·纽曼
卖报人-琳·库克
船夫-菲利普·达格特
船夫——安东·里奇
船上的管家-加里·考沃德
英国国家歌剧合唱团
英国国家歌剧院
爱德华·加德纳指挥
黛博拉·华纳,舞台导演
Paul Brough,合唱大师
Kim Brandstrup编排
Jean Kalman,灯光设计师
克洛伊Obolensky、服装
Tom Pye,布景设计师 |
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音乐历史上的今天
1973年6月16日,布里顿根据小说《威尼斯之死》改编的同名歌剧在奥尔德堡上演。小说原著是托马斯·曼于马勒垂死之际所作。
布里顿,(爱德华)本杰明(奥尔德伯格的布里顿勋爵)(Britten. (Edward) Benjamin(Lorci Britten of
Aldeburg)1913年生于洛斯托夫特;1976年卒于奥尔德伯格)。英国作曲家、钢琴家、指挥家。生于11月22日圣塞西利亚节,对于这位英国最伟大的作曲家的事业来说,这是个良好的预兆。他主要是声乐作曲家,他的歌剧和声乐套曲获得国际广泛公认。他从未放弃调性原则,是一位拥有大量听众的“现代”作监家,也是一位保守作曲家,但没有一位有头脑的激进派敢否认他的创新精神。他和他的前辈帕里、沃恩·威廉斯和霍尔斯特一样,对于业余作品和儿童音乐曲非常关心。他
在钢琴和指挥方面的辉煌天赋加上技艺精湛的创造性,使他也为大提琴家罗斯特罗波维奇(Rostropovich)、声乐家维什涅夫斯卡娅(Visevskaya)、菲舍尔一迪斯考(Fischer-Dieskau)和珍妮特·贝克(Janet
Baker)等人作曲。他和男高音彼得·皮尔斯(Peter Pears)的友谊对他的音乐起了最大的人情影响,布里顿为他创作了许多歌剧角色和声乐曲。
布里顿的音乐天赋在早年即已锋芒毕露,学校放假期间他师从哈罗德·塞缪尔(Harold Samuel)学习钢琴,从弗兰克。布里奇(Frank
Bricige)学习作曲;布里奇的影响特别强烈持久。布里顿于1930~33年在皇家音乐学院学习,但他发现该学院的音乐气氛与他不相投,乏而且对于院方不同意他去维也纳师从贝尔格学习感到不满。从本杰明学习钢琴,艾尔兰学习作曲。他的令人惊叹的早期作品公开出版,其中包括《小响交曲》(Sin
fonietta)和《一个男孩诞生了》(A Boy was Born),他的乐队伴奏的声乐套曲《我们的狩猎父老们》(Our Hunting
Fathers)(奥登Auden作歌词)于1936年在诺里奇吝乐节上演出。他在邮政总局电影团工作时,为十余部短记录片配乐,最著名的为《煤层截面》(Coal
Face)和《夜邮》( Night Mail)(两部均作于1
936年)。1937年他为博伊德·尼尔弦乐队在萨尔茨堡音乐节上的音乐会创作了《弗兰克·布里奇主题变奏曲》(Variations on a
Theme by Frank
Bridge)。他和皮尔斯追随他们的朋友,诗人奥登,于1939年赴北美,在那里住到1942年,在纽约时他的小提琴协奏曲(1939)和《交响安魂曲》(Sinfonia
da
Requiem)(1940)在卡内基音乐厅首演,由巴比罗利指挥。返回英国后,布里顿定居于萨福克郡的奥尔德伯格。他的歌剧《彼得。格赖姆斯》(Peter
Grimes)于,1945年6月7日在萨德勒泉剧院上演,这天是英国音乐重要的日期,堪与埃尔加的《谜语变奏曲》(Enigma
Variations)于l899年6月的首演相媲美。他对于室内歌剧的兴趣导致英国歌剧团(现名英国音乐剧院Engish Music
Theatre)的创建,他希望办一个植根于英国农村生活和上演业余音乐作品,然而能吸引国际演奏家的音乐节,终于创建了奥尔德伯格音乐节(Aldeburgh
Festival)。
第一届于1948年举行,此后他的事业除了大量创作各类作品外,表面看来无重大事件,许多作品由他亲自指挥或弹奏钢琴。他不仅擅长表演自己的作品,弹舒伯特歌曲的伴奏也十分出色,他演奏和指挥莫扎特的作品精美绝伦,也指挥巴赫、马勒、埃尔加、舒曼和其他人的作品。上演一些曾遭忽视而布里顿和他的同行们认为值得重新评价的作品,也是奥尔德伯格音乐节的一个特点,1973年布里顿心脏动大手术,此后活动大大减少。1953年被封为荣誉侍从,1965年获殊功勋位。是第一位被封为终身贵族的作曲家(奥尔德伯格的布里顿勋爵,1976)。(伯纳斯(Berners)勋爵继承了他的称号。)
布里顿的歌剧具有戏剧性效果,他的艺术的主要力量在于他天生善于找寻恰如其分、简单、能很快记住而又不易忘掉的乐句,用以说明一个问题或一个情景。另一个特点是他那抓住儿童的想象力和兴趣的神力。《让我们来演一部歌剧》(Let's
Make an Opera)、《诺亚洪水》(Noyes Fludde)、《圣尼古拉》(Saint
Nicolas)等作品都能证实这一点。天真泯灭、社会对“圈外人”的迫害、暴行等主题深深吸引着他(源自他本人的和平主义和出自内心地反对兵役)。这些主题在歌剧《比利·巴德》(Billy
Budd)、《旋螺丝》(The Turn of the Screw)和《欧文‘温格雷夫》(Owen
Wingrave)中最为深刻地表现出来,后两部是迈范维·派珀(Myfanwy Piper)改编自亨利·詹姆士(Henry
James)的小说。如果说这些作品以及伟大的《战争安魂曲》(War
Requiem)这样的作品代表他的音乐个性的阴郁一面,那么1953年的加冕歌剧《格洛利阿纳》(Gloriana)(起初没有成功)、他的光采夺目的《仲夏夜之梦》(Midsummer
Night's Dream)、喜剧《阿尔贝·埃林》(AlbertHer-' ring)和诸如钢琴协奏曲、《学院康塔塔》(Cantata
Academica)和《春天交响曲》(Spring Symphony)之类的大量合唱曲和器乐曲显示
出表达欢乐的才能。在3部教堂寓言剧中他创造了音乐戏剧的一种新体裁,其中的第一部 (《麻鹬河》( Curlew
River))改编自日本能乐;他的声乐套曲,歌词有英、法、意、德、俄等文字,是绝妙的谱曲;5首圣歌是独具慧眼的作品;他的器乐曲,特别是弦乐四重奏和大提琴组曲,探索并扩大了演奏者的潜力,但音乐性毫不减弱。没有几位作曲家能够象布里顿一样,生前如此强烈地抓住听众的想象力;听众热情等待他的每一部新作品,为之吸引。他的作品非常讲求实效,他为之创作乐曲的那些艺术家对他赞赏备至。数次访问苏联后,与肖斯塔科维奇结下牢固的友谊,肖斯塔科维奇把他的第14交响曲题献给布里顿。布里顿的歌剧,特别是唤起人们对19世纪初的奥尔德伯格的回忆,《彼得·格赖姆斯》(Peter
Grimes),在他的作品中占主要地位,但因此而忽视他创作非声乐作品的天才,这也是错误的。
今日视频:1、英国皇家歌剧院出演本杰明·布里顿歌剧《魂断威尼斯》
;2、电影《魂断威尼斯》配乐为马勒第五交响曲第四乐章小柔版
;3、电影《魂断威尼斯》精彩片段《最令人难过的事情》。 |
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本杰明·布里顿歌剧《魂断威尼斯》唱片封面 |
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《魂断威尼斯》,两幕歌剧,由马凡·帕博尔据托马斯·曼同名小说撰写脚本,英国作曲家布里顿(Benjamin
Britten,1913―1976年)作曲,1973年6月16日首演于奥尔德堡。这是布里顿最后的一部歌剧,题献给皮尔斯。彼得
·皮尔斯不仅是布里顿生活上的伴侣
,而且还是他事业上不可缺少的伙伴,布里顿的许多作品都是为这位英国当代杰出的男高音歌唱家而作的,他歌剧中的许多主要角色也因此而由男高音担当。缘此,该剧十分难得地向我们提供了一个可以从中窥探作曲家情感世界的机会。
本剧倾尽全力刻画了一位受到同性之美诱惑的老作家阿申巴赫的复杂心态。故事的主人公古斯塔夫·阿申巴赫是一位功成名就的著名作家,年届五旬的他,妻子离世、女儿出嫁,并由于长年笔耕不辍而心力交瘁、灵感枯竭。在威尼斯度假时,他遇到了一个来自波兰的贵族少年塔奇奥,后者俊美的相貌体态使老作家陷入心灵的痛苦挣扎之中。在由最初追求理性的“完美”逐渐变化为感官的“愉悦
”过程中,他不由自主地堕入深渊。当威尼斯瘟疫肆虐之时,阿申巴赫倒在了空寂的海滩上。
布里顿在歌剧中进一 步发展了他在《彼得 ·格莱姆斯》(Peter Grimes,Op.33)中所采用的某些电影艺术的手法
,使这部两幕歌剧表现出耳目一新的视觉效果。全剧由17个场景构成
,场景之间的频繁交替如同放大了的电影剪切镜头,每个场景之间的音乐长度基本平均,人物
之间采用近乎对白般的宣叙调,主人公的几段独白式的宣叙调在乐谱上仅标明音高而无时值。同样值得一提的是,作曲家在这部歌剧中恢复了宣叙调的传统形式
,无论是钢琴伴奏的宣叙调,还是乐队伴奏的宣叙调 ,都被恢复到了它们在早期意大利歌剧中的那种地位。 |
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本杰明·布里顿歌剧《魂断威尼斯》唱片封面 |
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Joseph Soul of
Venice, a two-act opera written by Marvin Paabo and based on Thomas
Mann's novel of the same name and composed by British composer Benjamin
Britten (1913-1976), premiered in Aldeburgh on June 16, 1973.It was
Britten's last opera, dedicated to Pierce.Peter Pearce was not only
Britten's companion in life, but also his indispensable companion in his
career. Many of Britten's works were written for the great British tenor
of his time, and many of the principal roles in his operas were thus
performed by tenors.As a result, the play offers a rare glimpse into the
composer's emotional world.
The show does its best to depict the complex mind of an old writer,
Ashenbach, seduced by the beauty of the same sex.The protagonist of the
story, Gustav Ashenbach, is a famous and successful writer. At the age
of fifty, his wife died and his daughter married.While vacationing in
Venice, he met tacio, a polish nobleman whose good looks and figure made
the old writer suffer in his mind.In the process from the initial
pursuit of rational "perfection" to the gradual change of sensory
"pleasure", he involuntarily fell into the abyss.As the Venetian plague
raged, Ashenbach fell on the deserted beach.
Britten further developed in the opera some of the cinematic techniques
he used in Peter Grimes (Op.33), giving the two-act opera a refreshing
visual effect.The whole play consists of 17 scenes, the frequent
alternations between scenes are like amplified film cut shots, the
length of music between each scene is basically equal, the characters
adopt almost dialogue-like narration, and several monologue narration of
the hero is only marked with pitch and no time value on the score.It is
also worth mentioning that the composer has restored the traditional
form of narrative in this opera, both the piano accompaniment and the
band accompaniment have been restored to their position in the early
Italian opera. |
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Today in the
history of music
Britten's opera of the same name, based on the novel Death in Venice,
was staged in Aldeburgh on June 16, 1973.The novel is based on a novel
written by Thomas Mann when Mahler was dying.
Benjamin(Lord Britten of Aldeburg) (Edward) Benjamin(Lorci Britten of
Aldeburg) was born in 1913 in Rostoft;He died in Alderberg, 1976.British
composer, pianist, and conductor.Born on 22 November on St Cecilia's
Day, it bodes well for the career of Britain's greatest composer.He is
primarily a vocal composer, and his operas and vocal tracks are widely
recognized internationally.Never abandoning tonality, he was a "modern"
commentator with a large audience and a conservative composer, but no
brainy radical dared to deny his creative spirit.Like parry, Vaughan
Williams and Holst before him, he was deeply interested in amateur and
children's music.His brilliant talent for piano and conducting, combined
with his exquisite creativity, led him to also compose for the cellist
Rostropovich, the vocalist Visevskaya, Fischer-Dieskau, and Janet Baker,
among others.His friendship with the tenor Peter Pears had the greatest
human influence on his music, and Britten composed many opera roles and
harmonies for him.
Britten's musical talents showed at an early age, taking piano lessons
from Harold Samuel during the school holidays and from Frank.Frank
Bricige studied composition;Bridge's influence was particularly strong
and lasting.Britten studied at the Royal College of Music from 1930 to
33, but found its musical atmosphere unsympathetic, unsympathetic, and
dissatisfied with its refusal to permit him to go to Vienna to study
with Berg.Learned piano from Benjamin, and learned composition from
Arlan.His impressive early works were published, including "Sin
Fonietta" and "A Boy Was Born," and his band's vocal suite, "Our Hunting
Fathers" (lyrics by Auden Auden), was performed at the Norwich College
Festival in 1936.While working for the General Post Office Film Corps,
he scored more than a dozen short documentaries, most notably Coal Face
and Night Mail (both in 1936).He created "Variations on a Theme by Frank
Bridge", for a Concert by the Boyd Neal String band at the Salzburg
Festival in 1937.He and Pierce followed their friend, the poet Auden, to
North America in 1939, where they lived until 1942, when in New York his
violin concerto (1939) and "Sinfonia da Requiem" (1940) premiered at
Carnegie Hall under Barberoli.After returning to England, Britten
settled at Alderburgh in Suffolk.His opera, "Peter Grimes", opened at
Sadler Springs on June 7, 1945, an important Date for British music that
rivals the premiere of Elga's "Enigma" Variations in June 899.His
interest in chamber opera led to the creation of the English Opera
Company (now Engish Music Theatre). He hoped to create a Festival rooted
in English rural life and featuring amateur Music, but attracting
international performers.The first was held in 1948, and after that his
career appeared to have no major events except the creation of a large
number of works, many of which he conducted or played on the piano
himself.Not only was he good at performing his own work, but he also
excelled at playing Schubert, playing and conducting the exquisite works
of Mozart, as well as Bach, Mahler, Elgar, Schumann and others.It was
also a feature of Alderburgh that britten and his peers deemed worthy of
reappraisal to have been neglected. Britten underwent major heart
surgery in 1973, and since then events have been greatly reduced.He was
made an honorary page in 1953 and made a special merit in 1965.He was
the first composer to be made a life peer (Lord Britten of Aldeburgh,
1976).(Lord Berners inherited his title.)
Britten's operas have dramatic effects, and the main strength of his art
lies in his natural ability to find appropriate, simple, quickly
remembered but not easily forgotten phrases to illustrate a problem or a
situation.Another characteristic was his power to capture the
imagination and interest of children."Let's Make an Opera," "Noyes
Fludde" and "Saint Nicolas" bear this out.Themes of naivete, social
persecution of "outsiders" and brutality (from his own pacifism and
instinctive opposition to military service) fascinated him.These themes
are most pronounced in The operas "Billy Budd," "The Turn of The Screw,"
and "Owen Wingrave," Myfanwy Piper's adaptation of Henry James.If these
works, and works like the great "War Requiem," represent the darker side
of his musical personality,1953 the coronation of the opera, raleigh
Anaheim, "(Gloriana) (without success) at first, his luster of" a
Midsummer Night's Dream "(Midsummer Night 's Dream), comedy" Albert
ellyn "(AlbertHer -' ring), and such as piano concerto," college Cantata
"(Cantata Academica) and the Spring Symphony (Spring Symphony), such as
a large number of part-song and instrumental shows to express joy.He
created a new genre of musical drama in three church parables, the first
of which (Curlew River) was adapted from Nogaku;His vocal music cycle,
the lyrics of English, French, Italian, German, Russian and other words,
is an excellent composition;The five hymns are works of unique
insight;His instrumental music, especially string quartets and suites
for cello, explored and expanded the player's potential without
diminishing its musicality.Few composers have captured the imagination
of their listeners so powerfully in their lifetime as Britten;The
audience eagerly awaited and enthralled each of his new works.His work
was so pragmatic that the artists for whom he composed his music were
most appreciative.After several visits to the Soviet Union, a strong
friendship was forged with Shostakovich, who dedicated the title of his
14th Symphony to Britten.Britten's operas, especially evocations of
Alderberg in the early 19th century, and "Peter Grimes" dominate his
work, but it would be a mistake to ignore his non-vocal genius.
1. The Royal Opera House performs Benjamin Britten's "Death in
Venice";2. The soundtrack of "Requiem in Venice" is a small flexor
version of Mahler's Fifth Symphony, movement;3. The Saddest Thing. |
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托马斯·曼(Thomas Mann,1875—1955) |
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托马斯·曼(Thomas
Mann,1875年6月6日—1955年8月12日),德国小说家和散文家,出生于德国北部卢卑克城一家望族。
1924年发表长篇小说《魔山》。1929年度获得诺贝尔文学奖。第一次世界大战时曾一度为帝国主义参战辩护,但30年代即大力反对法西斯主义威胁,发表了中篇佳作《马里奥与魔术师》(1930),对法西斯在意大利制造的恐怖气氛做了生动的描述
。
托马斯·曼是德国20世纪最著名的现实主义作家和人道主义者,受叔本华、尼采哲学思想影响。代表作是被誉为德国资产阶级的“一部灵魂史”的长篇小说《布登勃洛克一家》(1901),被看作德国19世纪后半期社会发展的艺术缩影。
1930年大选,纳粹一跃成为得票率奇高的党派。托马斯·曼一直不赞同这种煽动性的政治势力,于1930年10月17日在柏林贝多芬厅发表了被称为“德意志致词”的讲话,他质问是否“纳粹理想所要求的那种低级的,纯种的,思想单纯的,脚后跟行军中啪啪作响的,幼稚听话的,激情荡漾的真诚;这种高度的全民族的单一化在一个成熟且经验丰富的文化民族里,如德意志民族,真的可以实现。”除了托马斯·曼自己的作品不合纳粹的胃口之外,他哥哥亨利希·曼的进步言论,他妻子的犹太血统以及他子女公开的同性恋身份都足以令纳粹咬牙切齿。目睹理性知识分子日益受到排挤、迫害,目睹曾受良好教育的
德国青年在大街上跟随纳粹焚烧书籍,作为德国贵族礼仪的典范,托马斯·曼开始采用了谩骂的形式。在他的私人书信中,开始频繁出现“白痴”、“流氓”、“令人厌恶的小丑”、“悲惨的可怜人”、“蒙昧主义的痴呆”、“奴隶的劣根性”这些词,他用足了全部带有侮辱性的字眼,对纳粹德国及其人民“开骂”了。他在通信中写道:“德国人民要对所发生的事情负责。因为他们并不热爱自由,相反认为自由是一种可以完全忽视的形式。尽管遇到残酷的幻灭,在新的恐怖的制约下,他们甚至会比在共和国的环境中,还要感觉良好和幸福。”他把这种只有国家概念,没有人的概念的现象看做是一个民族智性和道德的衰败。他甚至认为野蛮的德国已经不配称作“国家”,而应当称为“白痴野战营地”。
1935年,他与爱因斯坦一起获得了哈佛大学荣誉文学博士的头衔。
1936年,托马斯·曼终于从私人书信转向公开表达:“对人类、道德及审美的无数观察让我确信,现在的德国政权对德国和世界都不会有什么好处。”同年,他被剥夺了德国国籍。同时,纳粹还剥夺了托马斯·曼于1919年被波恩大学授予的荣誉博士称谓。他声明不承认那个“占据在德国土地上的灭绝人性的统治政权”,当时的德国“没有思想,却又反对思想,反对所有高尚的、美好的、正派的东西,反对自由、真理和正义”。
1933年希特勒上台,他撰文谴责法西斯对德国文化的歪曲和破坏,发表《理查德·瓦格纳的苦难与伟大》的著名演讲,而被迫流亡国外,于1938年移居美国,1941年托马斯·曼举家迁往PacificPalisades(在洛杉矶/加利福尼亚附近)。加入美国国籍一事一拖再拖,直到1944年,托马斯·曼才取得了美国国籍。 |
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托马斯·曼(Thomas Mann)和家人及朋友在一起 |
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Thomas Mann was with
family and friends |
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托马斯·曼(Thomas Mann)出身德国望族,其母亲爱好音乐,托马斯从母亲那里得到音乐、文学和艺术的熏陶。音乐艺术一直伴随他的左右,他写作的灵感以及写作之余最大的心里慰籍只能从音乐中寻找。 |
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Thomas Mann was
wiThomas Mann was brought up in music, literature
and art by his mother, a member of a prominent
German family.The art of music has always been with
him. His inspiration for writing and the greatest
comfort after writing can only be found in music.th
family and friends. |
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Thomas
Mann (June 6, 1875 -- August 12, 1955) was a German
novelist and essayist.In 1924, he published the
novel Magic Mountain.In 1929, he won the Nobel Prize
for Literature.During the First World War,
imperialism was once justified for entering the war,
but in the 1930s it was strongly opposed to the
threat of fascism. Mario and the Magician (1930), a
fine novellas, was published, giving a vivid
description of the atmosphere of terror created by
fascism in Italy.
Thomas Mann was the most famous German realist
writer and humanist in the 20th century, influenced
by Schopenhauer and Nietzsche.The masterpiece is the
Boudenbrock Family (1901), which is regarded as the
artistic epitome of the social development of
Germany in the second half of the 19th century.
In the 1930 election, the Nazis emerged as the party
of the most popular vote.Thomas mann didn't agree
with this kind of inflammatory political forces, in
Berlin on October 17, 1930, Beethoven hall talking
is known as the "deutsche speech", he asked whether
"required by the Nazi ideals that low-level,
pedigree, thought simple, heel snapped in March,
naive docile, sincere passion ripples;Such a high
degree of national unification can really be
achieved in a mature and experienced cultural
people, such as the Germans."Apart from Thomas
Mann's own work, the progressive rhetoric of his
brother, Henrich Mann's wife's Jewish heritage and
his openly gay children were enough to make the
Nazis gnash their teeth.To witness the increasing
marginalization and persecution of rational
intellectuals and the well-educated
Young Germans followed the Nazis in burning books on
the streets, and As a model of aristocratic German
etiquette, Thomas Mann began to use the form of
abuse.In his private letters he began to use the
words "idiot", "hooligan", "disgusting clown",
"miserable wretch", "the dementia of ignorance",
"the vileness of slavery", and to use all the
insults he could against Nazi Germany and its
people."The German people are responsible for what
happened," he wrote.Because they did not love
freedom, but rather saw it as a form that could be
completely ignored.In spite of brutal
disillusionment, they will feel better and happier
under the new constraints of terror than even in the
republic."He saw this phenomenon, which had only the
notion of the state and no man, as the decay of the
intelligence and morality of a nation.He went so far
as to suggest that savage Germany no longer deserved
to be called a "country", but rather an "idiot field
camp".
In 1935, he received an honorary Doctorate from
Harvard University with Albert Einstein.
In 1936, Thomas Mann finally switched from private
letters to public expression: "Numerous observations
of humanity, morality and aesthetics have convinced
me that the present German regime is not good for
Germany or the world."That same year, he was
stripped of his German citizenship.The Nazis also
stripped Thomas Mann of the honorary doctorate he
had received from the University of Bonn in 1919.He
declared that he did not recognize the "inhumane
ruling regime occupying German soil" in a country
that "had no thoughts and yet opposed them, against
all that was noble, good, decent, against freedom,
truth, and justice."
When Hitler came to power in 1933, he wrote articles
condemning the fascist perversion and destruction of
German culture and gave a famous speech entitled
"The Suffering and Greatness of Richard Wagner".
After that, he was forced to go into exile. In 1938,
he moved to the United States.Naturalization dragged
on until 1944, when Thomas Mann was granted American
citizenship. |
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【电影/古典音乐/交响曲/马勒/托马斯·曼】魂断威尼斯MV-配乐为马勒第五交响曲第四乐章小柔版
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Brahms: Violin Concerto / Hilary Hahn 2015 |
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【魂断威尼斯】片段 The Saddest Thing(Aschenbach&Tadzio) |
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【魂断威尼斯】片段(Aschenbach&Tadzio)最令人难过的事情 |
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未得原作者编者授权严禁转载www.mt77.com任何内容 |
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