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| 彼得·伊里奇·柴可夫斯基（Pyotr Ilyich Tchaikovsky，1840—1893） | |||||||||||||||||||||||
安德烈斯·尼尔森指挥柏林爱乐乐团演奏柴可夫斯基《1812序曲》 |
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| Andres nelson conducts the Berlin philharmonic orchestra in Tchaikovsky's 1812 overture | |||||||||||||||||||||||
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音乐历史上的今天
1891年5月5日，柴科夫斯基和沃尔特·达姆罗什( Walter
Damrosch)联袂指挥了卡内基音乐厅的开幕演出。该厅是亚历山大·卡内基为纽约清唱剧协会建造的。
在柴可夫斯基赴美国之前，也就是他登上卡内基音乐厅舞台的前一年，他一直得到经济上安全可靠的梅克夫人12年的资助被迫中断，这对柴可夫斯基而言简直就是晴天霹雳，尽管他在前几天的日记中还在“潸然泪下”，但由于他在纽约已久的英名，受到了非常热烈的欢迎，他参加了首场演出，为后来在纽约演出的所有表演者树立了高质量的先例。
为了这个音乐厅，安德鲁·卡内基捐款二百万美元开始兴建。设计师赋予它以意大利文艺复兴时代的式样。在它容有2784个座席的庄严殿堂中所演奏演唱的音乐具有宏伟悦耳的超等的音响效果，成为评判所有音乐厅音响的标准。它被誉为美国水平最高的音乐宫，各国的表演艺术家也都以能去这个音乐厅演出作为自己最大的荣耀。
今天我们看到的这个视频，尼尔森指挥柏林爱乐乐团演奏的柴可夫斯基《1812序曲》，简直就时史无前例的完美的，并且在高潮部分加上了开炮的效果。可想而知柴可夫斯基当年指挥1812序曲的时候的辉煌场面。 在卡内基开幕的演出也应该如此的辉煌，但历史不能重演，柴可夫斯基当年的演出只能找到文字记载，没能找到历史的视频，非常遗憾，但我们看了尼尔森的指挥完全可以弥补这其中的遗憾！一流的演奏、一流的指挥、超高清的视频，公然开炮的也配合的非常默契，让我们第一直观地感受到了具有如此博大胸襟的伟大的作曲家柴可夫斯基音乐的巨大魅力，这真是人类历史以来如此的音乐盛宴，艺术饕餮一般的享受！感谢上帝创造了音乐！没有音乐的世界将和地狱一般。 |
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| 1891年的卡内基音乐厅 | |||||||||||||||||||||||
| Carnegie Hall, 1891 | |||||||||||||||||||||||
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| 今天的卡内基音乐厅(Carnegie Hall) | |||||||||||||||||||||||
| Carnegie Hall today | |||||||||||||||||||||||
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Today
in the history of music On May 5, 1891, Tchaikovsky and Walter Damrosch co-directed the Carnegie Hall opening.The hall was built by Alexander Carnegie for the New York oratorio society. The great Russian composer Tchaikovsky traveled to the United States, where he was invited to inaugurate Carnegie Hall and conduct the symphony 1812 overture. Before Tchaikovsky went to the United States, also is the year before he boarded the stage of Carnegie Hall, he has been in the economic, safe and reliable, was forced to interrupt the support of madame von meck 12 years it was a bolt from the blue for Tchaikovsky, although in the diary of a few days ago he was still "tears", but because of his long already illustrious name in New York, received a very warm welcome, he attended the opening night, for all the performers show in New York later set up the high quality of precedent. Carnegie Hall is named after Andrew Carnegie, the man who financed the building.A few years before it was built, he and his wife traveled to Scotland.They visited walter damrosh, who Shared his vision for a high-quality concert hall in New York.Carnegie supported the idea. He took the dream and made it a reality.When the foundation stone was laid in 1890, Carnegie predicted: "it was built to represent an era in which the hall might become intertwined with the history of our country.""So it is.In addition to being called the "dream auditorium," it has actually become a growing center for music education and gratitude, as well as a place where magical thinkers dedicate themselves to the audience. Andrew Carnegie donated two million dollars to build the hall.The designer gave it an Italian Renaissance style.The music played and sung in its 2, 784 seats in the grand hall has magnificent, pleasing and superior sound effects, and has become the standard for judging the sound of all concert halls.It is known as the highest level of music in the United States, performing artists from all over the world to the concert hall to perform as their greatest honor. But 70 years later, in 1960, Carnegie Hall was almost torn down and replaced with an office building because of the poor economy and the near completion of a new, modern Lincoln Center for the performing arts not far away.The crisis in a place where such famous musicians as heifez, horowitz and toscanini have all enjoyed successful premieres has shocked many."Carnegie" was saved by the famous violin master stern, after his efforts to contact, fundraising, and by the New York City government funds to buy the way, finally saved the world's famous hall. Video today: andres nelson conducts the Berlin philharmonic orchestra in Tchaikovsky's 1812 overture. The video we saw today, nelson conducting the Berlin philharmonic orchestra in Tchaikovsky's 1812 overture, is as perfect as ever.The opening performance in Carnegie should also be so brilliant, but history cannot repeat itself, Tchaikovsky's performance in that year can only find written records, can not find the history of the video, very sorry, but we watched nelson's command can make up for this regret!The first-class performance, the first-class conductor, the ultra high clarity video, the open fire also cooperated with the very tacit understanding, let us first intuitively feel the great charm of the great composer Tchaikovsky's music with such a broad mind, this is really such a musical feast since the human history, the general enjoyment of art.Thank god for music!The world without music would be hell. |
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| 沃尔特·达姆罗什(Walter Damrosch)1891年5月5日和柴可夫斯基联袂指挥了卡内基音乐会。 | |||||||||||||||||||||||
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沃尔特·达姆罗什 美国音乐家 作者:大英百科全书的编辑 沃尔特·达姆罗什全名沃尔特·约翰·达姆罗什(生于1862年1月30日,德国的布雷斯劳,(现在的Wrocław,波尔。——1950年12月22日逝于美国纽约)，德裔美国管弦乐队指挥和作曲家，其活动横跨半个多世纪的美国音乐生活。 达姆罗奇的父亲利奥波德·达姆罗什(Leopold Damrosch, 1832-85)是德国小提琴家和指挥家，他于1871年定居纽约。1885年父亲去世后，沃尔特·达姆罗什担任了纽约交响乐团和纽约圣剧协会的指挥，这两个协会是由他父亲创立的，并在大都会歌剧院(1885年至1891年)担任指挥。1898年，他的兄弟弗兰克·达姆罗什(1853-1937)接任纽约清唱剧协会的指挥。后来，沃尔特·达姆罗什成立了达姆罗什歌剧公司(1894-1900)，专门从事德国歌剧。1903年，他重组了纽约交响乐团，并一直指挥到1927年与爱乐乐团合并。 和他的父亲一样，瓦尔特·达姆罗什也是浪漫主义作曲家理查德·瓦格纳(Richard Wagner)公开宣称的宣传家;早在1886年3月3日，他就在纽约举办了一场歌剧《帕西法尔》(1862年首次演出)的音乐会。他还首次在美国演出了约翰内斯·勃拉姆斯和彼得·伊里奇·柴可夫斯基的交响乐。他虽然不喜欢新音乐，但还是介绍了几位当代欧美作曲家的作品。他是交响乐广播的先驱，并在1928年至1942年期间，创办了每周一期的学校音乐欣赏广播讲座。 作为一个有能力的作曲家，达姆罗奇写了几部歌剧，分别在纽约、波士顿和费城上演，包括《红字》(1896)、《贝热拉克》(1913)、《没有国家的人》(1937)和《歌剧斗篷》(1942)。他还为戏剧创作了配乐，并出版了自传《我的音乐生涯》(1923年;第二版,1930)。 |
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| 沃尔特·达姆罗什(Walter Damrosch)和他的夫人 | |||||||||||||||||||||||
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| 弗里茨·克赖斯勒、哈罗德·鲍尔、巴勃罗·卡萨尔斯和瓦尔特·达姆罗什于1904年在卡内基。 这张照片的日期是1904年 | |||||||||||||||||||||||
| Fritz Kreisler, Harold Bauer, Pablo Casals, and Walter Damrosch at Carnegie Hall in 1904. THis version of the image is dated as 1904 | |||||||||||||||||||||||
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| 纽约交响乐团指挥首席指挥家沃尔特·达姆罗什(Walter Damrosch) | |||||||||||||||||||||||
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Walter
Damrosch AMERICAN MUSICIAN WRITTEN BY: The Editors of Encyclopaedia Britannica See Article History Walter Damrosch, in full Walter Johannes Damrosch, (born Jan. 30, 1862, Breslau, Prussia [now Wrocław, Pol.]—died Dec. 22, 1950, New York, N.Y., U.S.), Prussian-born American orchestral conductor and composer whose activities spanned more than half a century of American musical life. Damrosch studied with his father, Leopold Damrosch (1832–85), German violinist and conductor, who settled in New York City in 1871. Upon his father’s death in 1885, Walter Damrosch assumed the conductorship of the New York Symphony Society and the Oratorio Society of New York, founded by his father, and also conducted at the Metropolitan Opera Company (from 1885 to 1891). In 1898 his brother Frank Damrosch (1853–1937) took over as conductor of the Oratorio Society of New York. Later, Walter Damrosch organized the Damrosch Opera Company (1894–1900), specializing in German operas. In 1903 he reorganized the New York Symphony Society and conducted it until 1927, when it was combined with the Philharmonic Society. Like his father, Damrosch was an avowed propagandist of the Romantic composer Richard Wagner; as early as March 3, 1886, he gave a concert performance of the opera Parsifal (first performed 1862) in New York. He also presented first American performances of symphonies by Johannes Brahms and Pyotr Ilyich Tchaikovsky. Although not in sympathy with new music, he introduced several works by contemporary European and American composers. He was a pioneer of symphonic broadcasting and also established a weekly series of radio lectures on music appreciation for schools, which aired from 1928 to 1942. Library of Congress, Washington, D.C. A competent composer, Damrosch wrote several operas that were performed in New York, Boston, and Philadelphia, including The Scarlet Letter (1896), Cyrano de Bergerac (1913), The Man Without a Country (1937), and The Opera Cloak (1942). He also composed incidental music to plays and published an autobiography, My Musical Life (1923; 2nd ed., 1930). |
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| 安德烈斯·尼尔森（Andris Nelsons ） | |||||||||||||||||||||||
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| 安德烈斯·尼尔森（Andris Nelsons ）在指挥中 | |||||||||||||||||||||||
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安德烈斯·尼尔森是波士顿交响乐团和格旺德豪斯卡佩尔梅斯特的音乐总监。
这两个职位，除了他领导两个机构之间的开创性联盟，已经牢固地建立了格莱美获奖的尼尔森作为当今国际舞台上最著名和创新的指挥者之一。 安德里斯·尼尔森以简洁的专注和活力进行，激发了管弦乐队的调性美、技术精度和可见的热情。
2014/15赛季，尼尔森开始担任波士顿交响乐团的音乐总监。这一季，BSO和Nelsons开始了他们在亚洲的巡回演出，在首尔、台北、香港和上海举行了他们的首场演唱会。 |
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Andris
Nelsons is Music Director of the Boston Symphony Orchestra and
Gewandhauskapellmeister of the Gewandhausorchester Leipzig.
These two positions, in addition to his leadership of a
pioneering alliance between both institutions, have firmly
established Grammy Award-winning Nelsons as one of the most
renowned and innovative conductors on the international scene
today. Andris Nelsons conducted with concise focus and vigor and elicited the orchestra both tonal beauty and technical precision and visible enthusiasm.
Nelsons
began his tenure as Music Director of the Boston Symphony
Orchestra in the 2014/15 season. This season, the BSO and
Nelsons embark on a major tour throughout Asia, giving their
first concerts together in Seoul, Taipei, Hong Kong and
Shanghai. |
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