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| 伊戈尔·斯特拉文斯基（Igor Stravinsky，1882－1971) | |||||||||||||||||||||||
| 斯特拉文斯基 春之祭 音乐会与纪录片 旧金山交响乐团 | |||||||||||||||||||||||
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大约一百年前，伊戈尔·斯特拉文斯基(Igor
Stravinsky)的芭蕾舞剧《春之祭》(the Rite of
Spring)震惊了西方世界。迈克尔·蒂尔森·托马斯在圣彼得堡和巴黎的幕后探索这部作品的创作精神，以及震撼整个音乐世界的首演之夜。 附加功能: 斯特拉文斯基(Stravinsky)的《春之祭》(The Rite of Spring)和旧金山交响乐团(San Francisco Symphony)的《火鸟》(music from The Firebird)的全长音乐会表演，最初是在高清16:9宽屏和5.1环绕声中拍摄的。 |
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Almost a hundred years ago,
Igor Stravinsky shocked the Western world with his ballet score, The
Rite of Spring, a highly charged and confrontational piece. Michael
Tilson Thomas goes behind the scenes in St. Petersburg and Paris to
discover the spirit in which it was written and the drama of the opening
night that shook the music world to its foundations. Bonus Features: Full-length concert performance of Stravinsky's The Rite of Spring and music from The Firebird by the San Francisco Symphony originally filmed in high-definition 16:9 widescreen and 5.1 surround sound. |
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音乐历史上的今天
1913年5月29日，斯特拉文斯基《春之祭》首演。
斯特拉文斯基的芭蕾舞剧《春之祭》则完全算得上是在音乐、节奏、和声等诸多方面都与古典主义音乐切断了联系的一场革命。 |
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| 斯特拉文斯基的芭蕾舞剧《春之祭》唱片封面设计。 | |||||||||||||||||||||||
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Today in the
history of music Stravinsky's "rite of spring" premiered on May 29, 1913. Stravinsky's the rite of spring has undergone great aesthetic changes in the past 60 years The curtain went up on the stage for the premiere of "the rite of spring," a new ballet under the direction of mondu at the champs elysees in Paris, France. When the bassoon reached the highest note of the melody, the French composer saint sang, who was present, asked the others in surprise: "what strange instrument is this?"Without looking back, he walked out of the door of the theatre.Two minutes later, the first sounds of disgust began to come from the hall, a cat-meow, and the audience on the ground floor began to echo it.Although the band continued to play, the audience, tired of the repetitive rhythm and strong dissonance, jeered from the seats and fired whatever could be found at the band.In the midst of the stirring orchestra, the audience was evidently divided between supporters and opponents, and the quarrel grew into fighting, the chairs became temporary weapons, and the theatre was in such disorder that it was necessary to call in a multitude of policemen to keep order among the already frenzied audience.Some of the protesters even shouted to kill stravinsky, so much so that the composer jumped out of the window to escape. Sixty years later, on June 6, 1973, the play was again performed in the same theatre, where the same wild scene took place, but this time the whole audience rose from their seats to give a hearty cheer to the great musical piece of the dance drama. Stravinsky's ballet "the rite of spring" was a revolution completely cut off from classical music in music, rhythm, harmony and many other aspects. Originally conceived as a symphony, "the rite of spring" persuaded stravinsky to turn it into a ballet.Nevertheless, the work is usually performed in the form of a symphony concert.The score of this piece was completed in March 1913, which is his third ballet music work. It was selected by Classical CD Magazine as the top 50 works with the greatest influence on the history of western music. Today's video: 1. Tilson Thomas conducts stravinsky's "rite of spring" with the San Francisco symphony orchestra;2. Mr. Djeev directs the mariinsky theater's production of stravinsky's ballet "the rite of spring." |
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| 斯特拉文斯基的芭蕾舞剧《春之祭》剧照 | |||||||||||||||||||||||
| 芭蕾舞剧《春之祭》介绍 | |||||||||||||||||||||||
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整部芭蕾舞剧共分为两大部分， 前一部分有八段，后一部分有六段。 第一部分:大地的崇拜 引子——舞剧以独奏大管在高音区吹出的一支阴郁的立陶宛民间曲调开场，它那神秘的音响把我们带到了史前时期的一座孤寂的山谷。在这里，春天即将来临，大地逐渐苏醒，一群男女在静静地沉思。 大地回春；少女舞曲——这一段以模仿沉重踏步的节奏作为开始，少女们和着这种粗野的节奏而跳舞。这是“春天到来”的欢乐宣告。 诱拐之舞——这是整部舞剧中最粗野、最恐怖的一段，舞蹈也是激烈而粗犷的。整个乐队变得越来越喧闹，不时还传来雷鸣般的爆裂声。 春之轮舞——单簧管奏起了似乎无始无终的抒情旋律，像一支牧歌，充满了质朴的思慕之情，同时又表达出热烈的愿望。 对垒游戏——一场描写部落间战斗的舞蹈。在舞剧中，这是一段两人一组的体操般的舞蹈，而乐队则用一支受到“古怪而有力”的节奏交替支撑和推进的旋律，来为这一舞蹈伴奏。 长者的行列——四支法国号以不同的调性，庄严而有力地宣告长者的到来。这时，打击乐器用各种节奏来作伴奏，其中还有弦乐器的颤音缠绕其间，呈现出在远古的献祭仪式上香烟缭绕的情景。 大地的崇拜——这一段仅四小节，以一个轻微而神秘的不协和和弦构成，是上一段突然刹住后的一个尾音，它与先前的轰然巨响形成鲜明的对比。 大地之舞——这是一段气氛热烈、力度与配器变化多端的音乐。当这一音乐最后上升到极度狂乱的音响时，全曲的第一部分在乐队的沉重切分和弦音响中，以最强音结束。 第二部分:献祭 引子——斯特拉文斯基曾为这个引子取名为“异教徒之夜”。 这段音乐描写出献祭前夜的沉思：长者和少女们围坐在篝火旁，他们都沉思不语，因为要从这些少女中挑选一个作牺牲者——她将不停地跳舞，直至死去，这就是对大自然的献祭。 十、少女神秘的环旋舞——为表现精细效果而细分成十三个声部的弦乐器组，奏起了一支阴沉的、忏悔似的旋律；这是青年们在舞蹈。 十一、对被选少女的颂赞——这段表现被选少女与其他少女们和男青年的两段舞蹈。音乐节奏复杂，节拍多变。 十二、祖先的召唤——在低音单簧管和低音弦乐器低沉的长音背景下，木管乐器和铜管乐器的一连串蛮横和弦，令人心焦地反复奏响。它们不时被定音鼓和低音鼓打断，这鼓声仿佛是在催促被选少女跳“献祭舞”。 十三、祖先的仪式——英国管奏出一支粗野的歌，仿佛一个原始的咒语，全场为之震惊，并在这激发原始人举行神秘祭仪的咒语声中感到颤栗。 十四、被选少女的献祭舞——这最后一段音乐是整个献祭仪式的最高潮。被选少女经过前几段音乐的催促，在彷徨以及因惧怕而神思恍惚之后，终于跳起了献祭舞。被选少女在越来越粗野的音乐声中，精疲力尽地倒下——她终于将自己的生命献给了大地和春天。 这里仅仅选录了全剧中最为著名的第十四段音乐——被选少女的献祭舞，其内容与风格都具有最显著的代表性。 |
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Introduction to the ballet the rite of spring The whole ballet is divided into two parts, The first part has eight paragraphs, and the second part has six. Part one: the worship of the earth Introduction - the dance begins with a sulky Lithuanian folk tune played by solo pipes in the high notes, and its mysterious sound takes us to a lonely valley in prehistoric times.Here, spring is coming, the earth is gradually waking up, a group of men and women in quiet meditation. The earth springs again;Girl-dance - the passage begins with a cadence that imitates the tramp to which the girls dance.It was a joyous declaration of the arrival of spring. The dance of abduction -- this is the roughest and scariest part of the whole dance, and the dance is fierce and rough.The whole band grew louder and louder, with occasional thunderous crackles. Spring dance - clarinet playing seemingly endless lyric melody, like a pastoral, full of simple yearning, but also express a warm desire. Matchup game - a dance depicting inter-tribal battles.In the dance drama, it is a gymnastic dance in pairs, accompanied by a melody alternately supported and propelled by an "odd and powerful" rhythm. The procession of the elders -- the four French trumpets announced the arrival of the elders solemnly and forcefully in different tones.At this time, the percussion instruments are accompanied by various rhythms, among which are the tremolo of stringed instruments, showing the smoke wreathed in the ancient sacrificial ceremony. The adoration of the earth - this passage is only four bars long and consists of a slight and mysterious chord of dissonance, a final note that comes to a sudden halt after the previous passage, in sharp contrast to the previous roar. The dance of the earth - this is a piece of music with warm atmosphere, varying intensity and arrangement.The first part of the whole song ends on the strongest note in the band's heavy syncopated and chord sound, as the music finally rises to a frenzy of sound. Part two: sacrifice Introduction -- stravinsky once named this introduction "pagan night."The music describes a meditation on the eve of the sacrifice: the elders and maidens were sitting round the fire, and they were all silent, for one of these maidens was to be chosen as the victim -- she would dance on and on until she died, and that was the sacrifice to nature. Ten, the girl's mysterious circular dance -- for the performance of fine effect and subdivided into 13 parts of the string instrument group, played a gloomy, penitent melody;This is the young people dancing. 11. Ode to the chosen girl -- a two-part dance that shows the chosen girl with other girls and young men.The music has a complex and varied rhythm. The call of the forebears -- against the background of the deep, long notes of the bass clarinet and the bass stringed instruments, a series of savage chords of woodwind and brass instruments are played over and over again.They are punctuated by timpani and bass drums, which seem to urge the chosen maiden to dance the "sacrificial dance." 13. Ancestral rite -- the English piped out a wild song, like a primitive incantation, which shocked the whole audience and made them tremble in the sound of the incantation that had inspired the primitive people to hold the mystic rite. The chosen girl's sacrificial dance -- this last piece of music is the climax of the entire sacrificial ceremony.Urged by the first few pieces of music, the girl who was selected finally danced the sacrificial dance after wandering and being in a trance due to fear.The girl who is chosen falls down exhausted in the sound of more and more wild music -- she finally gives her life to the earth and the spring. Only the most famous 14th piece of music, the sacrificial dance of the selected girls, is selected here, and its content and style are most representative. |
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| 迈可·蒂尔森·托马斯(Michael Tilson Thomas) | |||||||||||||||||||||||
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迈可·蒂尔森·托马斯(Michael
Tilson
Thomas);(出生于1944年12月21日,洛杉矶,加利福尼亚,美国),美国指挥的古典音乐作曲家、钢琴家、教育家指出当代美国的冠军是谁的创始人兼董事音乐作曲家和迈阿密的新世界交响曲和旧金山交响乐团的音乐总监。 蒂尔森·托马斯来自一个富有创造力的家庭。他的祖父母贝西(Bessie)和鲍里斯•托马谢夫斯基(Boris Thomashefsky)是俄罗斯移民，是纽约市人民剧院(People’s Theater)的创始人，该剧院是意第绪语剧院(Yiddish literature: Yiddish theatre)的主要中心。他的父亲泰德·托马斯(Ted Thomas，简称托马斯·赫夫斯基)在搬到西海岸从事电影和电视工作之前，也曾在纽约从事戏剧工作。蒂尔森·托马斯的母亲罗伯塔曾在哥伦比亚电影公司工作。蒂尔森·托马斯(Tilson Thomas)学习钢琴，1967年在南加州大学(University of Southern California)获得音乐硕士学位。他还在大学里学习指挥，19岁时被任命为青年音乐家基金会首演管弦乐队的音乐总监。1969年，他成为波士顿交响乐团的助理指挥，后来被任命为首席客座指挥。从1971年到1979年，蒂尔森·托马斯担任布法罗爱乐乐团的音乐总监。在那段时间里，他遇到了作曲家和指挥家伦纳德·伯恩斯坦(Leonard Bernstein)，伯恩斯坦后来成为他重要的导师和朋友。20世纪70年代，蒂尔森·托马斯像伯恩斯坦一样，定期指挥纽约爱乐乐团的青年系列音乐会。 蒂尔森·托马斯于1981年成为洛杉矶爱乐乐团的首席客座指挥，并一直担任到1985年。两年后(直到1995年)，他成为伦敦交响乐团的首席指挥。1987年，他成立了新世界交响乐团，由世界各地最好的音乐项目的毕业生组成。在21世纪，新世界交响乐团作为古典音乐未来领袖的学院和孵化器，作为更大社区的文化和教育资源，为迈阿密各地的学校儿童提供古典音乐表演和音乐课的机会。 蒂尔森·托马斯于1995年成为旧金山交响乐团的音乐总监。他和交响乐团制作了《记分》(Keeping Score, 2004-11)，这是美国公共广播公司(PBS)的系列纪录片，探索著名作曲家的职业生涯，其中包括旧金山交响乐团(San Francisco symphony Orchestra)的表演。在他的职业生涯中，蒂尔森·托马斯以支持在世作曲家的作品和表演基于多种剧目的实验性节目而闻名。他是法国艺术与文学骑士，2006年被选入美国艺术与科学学院。他还被奥巴马总统授予2009年国家艺术奖章。 |
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| 迈可·蒂尔森·汤玛斯(Michael Tilson Thomas) | |||||||||||||||||||||||
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Michael
Tilson Thomas, (born December 21, 1944, Los Angeles, California,
U.S.), American conductor and composer of classical music,
pianist, and educator who is noted as a champion of contemporary
American composers and as the founder and music director of
Miami’s New World Symphony and the music director of the San
Francisco Symphony. Tilson Thomas came from a line of creative family members. His paternal grandparents, Bessie and Boris Thomashefsky, were Russian immigrants and founders of the People’s Theater in New York City, a major centre of Yiddish theatre (see Yiddish literature: Yiddish theatre). His father, Ted Thomas (shortened from Thomashefsky), was involved in theatre in New York as well before moving to the West Coast to pursue film and television work. Tilson Thomas’s mother, Roberta, worked at Columbia Pictures. Tilson Thomas studied piano and earned a master’s degree in music in 1967 from the University of Southern California. He also studied conducting in college and at age 19 was named music director of the Young Musicians Foundation Debut Orchestra. In 1969 he became the assistant conductor of the Boston Symphony Orchestra, and he was later named principal guest conductor. From 1971 to 1979 Tilson Thomas served as the music director of the Buffalo Philharmonic. During that period he met composer and conductor Leonard Bernstein, who became a significant mentor and friend. During the 1970s Tilson Thomas, like Bernstein before him, regularly conducted the New York Philharmonic for its Young People’s Concert series. Tilson Thomas became the principal guest conductor with the Los Angeles Philharmonic in 1981 and held that position through 1985. He then became the principal conductor of the London Symphony Orchestra two years later (through 1995). In 1987 he established the New World Symphony, composed of recent graduates of the best music programs from around the world. In the 21st century the New World Symphony served as an academy and incubator for future leaders in classical music and as a cultural and educational resource for the larger community, providing access to classical music performances as well as music lessons to school children throughout Miami. Tilson Thomas became the music director of the San Francisco Symphony Orchestra in 1995. He and the symphony produced Keeping Score (2004–11), a PBS series of documentaries that explores the careers of notable composers and includes a performance by the San Francisco Symphony Orchestra. Over the course of his career, Tilson Thomas became known for championing the work of living composers and performing experimental programs that drew on a diverse repertory. He is a Chevalier des Arts et des Lettres of France and was elected to the American Academy of Arts and Sciences in 2006. He was also awarded the 2009 National Medal of Arts by Pres. Barack Obama. |
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| 捷杰耶夫指挥马林斯基剧院演绎斯特拉文斯基的芭蕾舞剧《春之祭》 | |||||||||||||||||||||||
| Djeev directs the mariinsky theater in the production of stravinsky's ballet "the rite of spring." | |||||||||||||||||||||||
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2009年 马林斯基剧院 伊戈尔·斯特拉文斯基晚会 指挥：瓦莱利·捷杰耶夫 作曲：伊戈尔·斯特拉文斯基 编舞：米哈伊尔·福金 作品：《火鸟》《春之祭》 主演：Ekaterina Kondaurova等 |
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