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| 尼科罗·帕格尼尼（Niccolò Paganini 1782—1840） | |||||||||||||||||||||
大卫·利斯克和安娜·维多维奇演奏帕格尼尼的《如歌的行板 》 |
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Paganini Cantabile - Ana Vidovic (guitar) and David Lisker (violin) |
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音乐历史上的今天 1840年5月27日，57岁帕格尼尼于下午5点20分在尼斯去世，但主教拒绝让他入土。直到36年以后，他的遗体才在帕尔玛下葬。从1840年的今天，帕格尼尼开始了绝无仅有的身后旅行。
伟大的意大利小提琴大师帕格尼尼，经过四十多年成效卓著的艺术活动之后，在靠近意大利的一个法国滨海小城市尼斯度过了不幸的晚年，于1840年5月27日与世长辞了。这位生前曾经以其卓越的小提琴演奏技艺，震撼过整个欧洲乐坛的巨星陨落以后，曾几何时，那些膜拜在他脚下和嫉妒他而又不得不慑服于他的艺术威力的人们，上至王富贵胄，下至仕商庶民，竟然对他表现得如此嫉恶如仇，冷漠甚至达到残酷的地步。
在历史上，不少为人类进步作出贡献的人，往往在他们在世或辞世后的一个短时期内，没有被当时的社会所承认；但是，象帕格尼尼那样，经过了36年漫长而曲折的身后旅行，历史才对他作出真正公正的评价的，这在音乐史的记载上，确可说是绝无仅有。 |
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| 帕格尼尼《如歌的行板》小提琴谱 | |||||||||||||||||||||
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Today in
the history of music Paganini died in nice at 5:20 p.m. on May 27, 1840, at the age of 57, but the bishop refused to let him be buried.It was not until 36 years later that his body was buried in parma.From this day in 1840, paganini began his unique journey behind the scenes. The great Italian violin master paganini passed away on May 27, 1840, after more than 40 years of successful artistic activities, in a poor old age in nice, a small city on the coast of France near Italy.The living former violin playing skill, for its excellent shock after the entire European music stars fall, once upon a time, those who worship at his feet and jealous of his power and presence in his art, from Wang Fu nobles, to foster business subaltern, unexpectedly is behaved so detest evil to him, indifference and even reached the point of cruelty. On the morning of paganini's death, the whole Catholic church was on the move.They gathered up all kinds of hearsay, declared paganini an atheist, that he never attended church, that he failed to give his son a religious education, that he was a determined gambler, and that it was utter moral depravity, and they excommunicated him.So the bishop of nice ordered that a religious funeral should not be held for the dead, and that the funeral knell of the departed should not be rung, and formally notified the archbishop of Genoa, paganini's hometown, who informed the local administrator to refuse to allow his body into the city.The prefect declared it in time, and the viceroy of Genoa rejected the obituary. In this way, the remains of a generation of masters were abandoned for two months!Later, a circus owner paid an extra thirty thousand francs for the body to be exhibited.The ingenious stunt drew thousands of curious spectators, who filed in line around the body.This person who was falsely called "the devil" in his lifetime is still unable to escape the mockery of the evil forces in the society. The obstruction of the church and the "body exhibition" carried out by speculators only extended paganini's influence, which further angered the church.Coupled with the lack of proper embalming, the bodies began to rot and had to be disposed of quickly.In order to maintain the sacred Canon, the church authorities searched for and organized the priests to search through the scriptures, and finally found an ancient, long-forgotten law, and obtained the right to remove the body.The coroner was ordered to dispose of the body, seal it, and take it to the chateau franca, where it was to be kept in a leper's hospital. As soon as the coffin was laid to rest, superstitious fishermen and farmers in the area began to make strange reports of terrible sounds coming from the leper hospitals, ghostly music being heard in the depths of silence, and some people seeing tiny spirits dancing around the coffin.So much so that the authorities once again turned to the church and ordered the coffins to be hastily buried next to the walls of a nearby olive oil factory.It was a very harsh environment and the waste from the factory was seriously eroding the grave.In the face of such a situation, it is difficult to say whether people are afraid of the "devil", who is an obscene and melancholy god, and will return to his dead body and commit crimes against the world, or whether out of compassion, they always feel that this is not a foolproof plan.So, over the course of a year or more, paganini's body was exhumed, redisposed of, reburied, and tortured;In the end, no one can tell how many places they have been moved, or how many times they have been reburied!Finally, after a brave two-year battle with the church, paganini's son was allowed to bring the body home and bury it on April 2, 1844, at the estate of lamelonia, which paganini owned. In 1845, a requiem mass was held for paganini at the stikat church in palma (against paganini's wishes).In April the body was allowed to enter the duchy of parma at the instigation of the late princess Mary Louise, an admirer of paganini's.In may, it was moved from Genoa and buried at the gheonie estate, paganini's last home in Italy.In 1876, the church's ban was lifted and the body was reburied in the barma cemetery.About 15 years later, in 1891, the authorities relaxed the policy again, allowing paganini's plaque to be placed on the walls of the two houses where he was born in Genoa and died in nice. So far, it seemed, the storm was over!Great violinist paganini as a glorious image has been recognized, his works full of infinite imagination and extraordinary performance skills, has begun to gradually become the wealth of the violin art in future generations and imitate, inheritance and development, their influence has transcended the violin, he has deservedly become the pioneer of the development of instrumental music and romantic period of music history! However, his journey behind him was not over.Three years after his burial in 1876, his remains were reinterred in the new barma cemetery, where his descendants erected monuments and marble busts to him.At this point, it seems, we may wish paganini a quiet rest.However, according to recent news, we learned that in 1926, the Italian government in order to forever commemorate this excellent artist of the motherland, in Genoa, where paganini was born, held a grand funeral for him again! More than a century ago, paganini wrote to a Paris publisher: "People want to keep the body, in other words, after my death, the detractors will give up their prey, and those who are eager to avenge me cruelly in the face of my victory will let my ashes rest." Unfortunately, things did not turn out as paganini had hoped;The slanderer does not give up his prey easily, and the envious look forward to the hour of vengeance.This phenomenon is commonplace in all class societies.The spirit of forgiveness paganini yearned for, in his life in 19th century Europe, can only be a kind of fantasy! In history, many people who made contributions to human progress were not recognized by the society at that time in a short period of time after they lived or died.But, like paganini, it took 36 long and tortuous years of backcountry travel before history could judge him truly justly, which is quite unique in the history of music. Today's video: 1. David liske and Anna vidovic play paganini's andante as a song; 2.2. Gitlis plays paganini's andante as a song. |
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| 大卫·利斯克（David Lisker） | |||||||||||||||||||||
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人们把大卫·利斯克描述为一个“精致的小提琴独奏家”(芝加哥太阳时报》)的“技巧有非常深刻的音乐本能”(经典网络)和“较高的艺术品味”(库图拉斯日报,拉脱维亚),大卫·利斯克是一个独奏者,也是一个室内乐音乐家,和管弦乐表现在许多当今最著名的音乐厅包括纽约卡内基音乐厅,艾弗里费雪厅,爱丽丝,和叫法大厅,曼恩礼堂在以色列,加州的橘子郡表演艺术中心，渥太华的国家艺术中心，以及中国的上海剧院。利斯克还在PBS电视台的“林肯中心现场直播”(live
from Lincoln Center)节目中表演，在纽约WQXR电视台鲍勃·谢尔曼(Bob Sherman)的“青年艺术家展示”(Young
Artist Showcase)节目中亮相，是唯一一位出现在大卫·杜巴尔(David Dubal)的《钢琴事宜》(Piano
Matters)节目中的小提琴家。 最近的亮点包括加州州立大学鲍勃·科尔音乐学院的驻校艺术家、墨西哥瓜达拉哈拉大学音乐学院的驻校艺术家、拉脱维亚的Artissimo夏季音乐节的驻校艺术家以及匈牙利的圣安德鲁夏季音乐节的驻校艺术家。利斯克先生在Casa De La重逢在厄瓜多尔,这位歌手的节日在华沙,波兰,在佛蒙特州,曼彻斯特音乐节JAAMM节日在丹佛,科罗拉多州,在芝加哥WFMT贝多芬音乐节现场,是在周五晚上住演唱会在底特律艺术学院博物馆,并给出一个C的性能主要莫扎特中提琴五重奏在纽约大都会艺术博物馆和伊扎克·帕尔曼就是。最近，他作为独奏者出现在秘鲁利马的爱乐协会室内乐团，在加利福尼亚的南海岸交响乐团，和克雷塔罗爱乐乐团指挥大师Guadalupe Flores在XEQUE墨西哥电台直播。 利斯克还是他的非营利组织“利斯克音乐基金会”(Lisker Music Foundation)的艺术总监。该基金会致力于通过其广受赞誉的系列音乐会、拓展计划和奖学金，支持当代和未来的音乐家。 利斯克出生于俄罗斯新西伯利亚，4岁时随父母移民美国，5岁时开始跟随父亲学习小提琴。他在伊利诺斯州香槟市与特琳·戈麦斯、洛杉矶的琳达·罗斯和芝加哥的马克·辛格继续他的研究。14岁时，他和其他18位年轻的小提琴家一起参加了著名的帕尔曼音乐节，之后他连续6年获得全额奖学金。利斯克先生还参加了渥太华国家中心的青年艺术家项目，为期4年。与利斯克合作的包括Eric Friedman, Vadim Repin, Joseph Kalichstein, Michael Tree, Lawrence Dutton和Robert Mann。 |
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| 大卫·利斯克与帕尔曼等人合作演奏四重奏 | |||||||||||||||||||||
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Described
as an “exquisite virtuoso violinist” (Chicago Sun-Times) whose
“playing possesses a deeply profound musical instinct” (The
Classical Network) and a “cultivated artistic taste” (Kulturas
Diena, Latvia), David Lisker has appeared as soloist, chamber
musician, and orchestral performer in many of today’s most
prestigious concert halls including New York’s Carnegie Hall,
Avery Fisher Hall, Alice Tully Hall, and Merkin Hall, The Mann
Auditorium in Israel, The Orange County Performing Arts Center
in California, The National Arts Centre in Ottawa, and The
Shanghai Theatre in China. Mr. Lisker has also performed on the
live PBS television broadcast of “Live from Lincoln Center”, was
featured on Bob Sherman’s “Young Artist Showcase” on WQXR in New
York, and was the only violinist ever to appear on David Dubal’s
“Piano Matters” on WWFM Radio. Recent highlights include artist-in-residencies at the Bob Cole Conservatory of Music at California State University, the Guadalajara University School of Music in Mexico, the Artissimo Summer Music Festival in Latvia, and the St. Andrew Summer Music Festival in Hungary. Mr. Lisker performed at the Casa De La Musica in Ecuador, the Singer Festival in Warsaw, Poland, at the Manchester Music Festival in Vermont, at the JAAMM Festival in Denver, Colorado, at the Chicago Beethoven Festival live on WFMT, was featured in the Friday Night Live Concert Series at the Detroit Institute of Arts Museum, and gave a performance of the C Major Mozart Viola Quintet at the Metropolitan Museum of Art in New York with Itzhak Perlman. He recently appeared as soloist with the Philharmonic Society Chamber Orchestra in Lima, Peru, the South Coast Symphony Orchestra in California, and the Queretaro Philharmonic Orchestra under Maestro Guadalupe Flores live on XEQUE Mexican radio. Mr. Lisker is also artistic director of his nonprofit organization, the Lisker Music Foundation, which strives to support current and future generations of musicians through its acclaimed concert series, outreach programs, and scholarships. Born in Novosibirsk, Russia, Mr. Lisker immigrated to America with his parents when he was 4 years old and began studying violin at the age of 5 with his father. He continued his studies with Terrine Gomez in Champagne, Illinois, Linda Rose in Los Angeles, and Mark Zinger in Chicago. At 14, he was one of 18 young violinists selected to participate in the renowned summer festival, The Perlman Music Program, which he then attended for 6 consecutive years under a full scholarship. Mr. Lisker also participated in the National Centre’s Young Artists Program in Ottawa for 4 years. Further associations have included Eric Friedman, Vadim Repin, Joseph Kalichstein, Michael Tree, Lawrence Dutton, and Robert Mann. |
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| 安娜·维多维奇(Ana Vidović) | |||||||||||||||||||||
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安娜·维多维奇,克罗地亚古典吉他手。 她于1980年11月8日出生在克罗地亚萨格勒布附近的卡尔洛夫茨，五岁时受哥哥维克多的影响开始弹吉他。11岁时，她开始在国际舞台上表演，13岁时，她成为萨格勒布著名的国家音乐学院最年轻的学生，她在那里师从Istvan Romer。Vidović的声誉在欧洲导致在巴尔的摩的皮博迪音乐学院学习的邀请,美国,Manuel Barrueco,她于2003年5月毕业。 Vidović赢得了令人印象深刻的奖和世界各地的国际比赛。这些奖项包括在英国巴斯举行的艾伯特·奥古斯丁国际竞赛一等奖，在意大利罗马举行的费尔南多·索尔竞赛一等奖，以及在西班牙贝尼卡西姆举行的弗朗西斯科·塔尔加竞赛一等奖。其他最高奖项包括欧洲青年艺术家大赛、意大利的毛罗·朱利亚尼大赛、比利时的Printemps de la Guitare和纽约的青年音乐会艺术家国际选拔赛。 维多维奇已超过一千公共表演自1988年第一次的舞台。她的国际演出生涯包括在伦敦、巴黎、维也纳、萨尔茨堡、罗马、布达佩斯、中国、华沙、特拉维夫、奥斯陆、哥本哈根、多伦多、巴尔的摩、旧金山、诺克斯维尔、休斯敦、奥斯汀、达拉斯、圣路易斯和雅加达的演出。 |
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| 安娜·维多维奇(Ana Vidović) | |||||||||||||||||||||
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Ana Vidović (b. 1980), more commonly known as Ana
Vidovic, is a Croatian classical guitarist. She was born on the 8th November 1980, in Karlovac near Zagreb, Croatia, and started playing guitar at the age of five, inspired by her brother Viktor. By the age of eleven she was performing internationally, and at thirteen became the youngest student to attend the prestigious National Musical Academy in Zagreb, where she studied with Istvan Romer. Vidović’s reputation in Europe led to an invitation to study at the Peabody Conservatory in Baltimore, U.S., with Manuel Barrueco, from where she graduated in May 2003. Vidović has won an impressive number of prizes and international competitions all over the world. These include first prizes in the Albert Augustine International Competition in Bath, England, the Fernando Sor competition in Rome, Italy, and the Francisco Tárrega competition in Benicasim, Spain. Other top prizes include the Eurovision Competition for Young Artists, the Mauro Giuliani competition in Italy, the Printemps de la Guitare in Belgium, and the Young Concert Artists International Auditions in New York. Vidović has given over one thousand public performances since first taking the stage in 1988. Her international performance career includes recitals in London, Paris, Vienna, Salzburg, Rome, Budapest, China, Warsaw, Tel Aviv, Oslo, Copenhagen, Toronto, Baltimore, San Francisco, Knoxville, Houston, Austin, Dallas, St. Louis, and Jakarta. |
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| 伊夫利·吉特里斯(Ivry Gitlis 1922- ) | |||||||||||||||||||||
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伊夫利·吉特里斯(Ivry
Gitlis)，以色列小提琴家。第二次世界大战时困居英国，战后在英国各地演奏赢得声誉。1951年参加在巴黎举行的“蒂博国际小提琴竞赛会”荣获首奖，以后经常在巴黎演出，并先后将帕格尼尼、柴可夫斯基、贝尔格、欣德米特、斯特拉文斯基的小提琴协奏曲录了唱片。Gitlis一向以其幽默博得不少Fans，市面上他的录音不多，每张都被Fans视为珍宝。
1922年8月25日生于海法。5岁开始学琴，早年的教师是卡密。10岁时得到霍贝尔曼的赏识和帮助，去巴黎音乐学院从步彻列学习，13岁毕业获第一奖；以后又曾先后从埃内斯库、蒂博、弗莱什诸名家进修。1939年，17岁的Gitlis开始演奏家的生涯。60岁至今定居法国。 |
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| 伊夫利·吉特里斯(Ivry Gitlis 1922- ) | |||||||||||||||||||||
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Ivry Gitlis was an
Israeli violinist.Trapped in Britain during world war ii, he won fame
playing all over the country after the war.In 1951, he won the first
prize in the "tibo international violin competition" held in Paris.
Since then, he has often performed in Paris and recorded the violin
concertos of paganini, Tchaikovsky, berg, sindmeet and stravinsky.Gitlis
has always won many Fans for his humor. There are not many recordings of
him on the market, and every one of them is treasured by Fans. He was born in Haifa on August 25, 1922.He started playing the piano at the age of five, and his early teacher was carmi.At the age of 10, with the recognition and help of hoberman, he went to Paris conservatory of music to study in bouchelles. At the age of 13, he graduated with the first prize.After that, he studied from the masters of enescu, tibbo, and flash.In 1939, at the age of 17, Gitlis began his career as a performer.He has lived in France since he was 60. During his career, he used a 1737 stradivari "Chant du Cygne" (swan song), "Ysaye" Guarnerius del Gesu (" isai "of Jesus guanelli), and owned a 1713 stradivari violin called" Sancy ". Ghitelis spoke highly of paganini. He once said, "paganini is more than a development...First there were these [violinists] and then paganini came along.Even though the techniques paganini used had been invented before him, the techniques developed and stagnated, and no violinist had the great reputation of paganini, whose name, even in his own lifetime, had been associated with inexplicable oddities." |
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| 小提琴家 伊夫利·吉特里斯演奏帕格尼尼的《如歌的行板》 | |||||||||||||||||||||
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