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| 路德维希·凡·贝多芬 （Ludwig van Beethoven 1770—1827） | |||||||||||||||||||||||
穆特演奏贝多芬第九号小提琴奏鸣曲“克莱采” |
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Mutt plays Beethoven's no. 9 violin sonata "cratzer" |
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| DVD 贝多芬的第九号小提琴奏鸣曲（克莱采），OP.47，A大调。这是贝多芬的所有小提琴奏鸣曲中，技巧表达最出色的一首，也是浪漫主义时期小提琴奏鸣曲形式表达的巅峰。 | |||||||||||||||||||||||
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音乐历史上的今天
1803年5月24日，贝多芬与非洲-波兰混血小提琴家乔治·奥古斯图斯·波尔格林·布里奇托尔（George Augustus Polgreen
Bridgetower)合作演出了新写的一首奏鸣曲。随着两人关系闹翻，他把这首曲子转而献给法国小提琴家克莱采尔，结果克莱采尔觉得这首曲子“从头到尾莫名其妙”，出来没碰过。 |
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Today in
the history of music On May 24, 1803, Beethoven performed a newly written sonata in collaboration with the african-polish violinist George Augustus Polgreen Bridgetower.When their relationship fell out, he dedicated the piece to a French violinist, kletzel, who found it "inexplicable from beginning to end" and never touched it. Beethoven wrote 10 sonatas for violin and piano in his lifetime, of which the fifth "spring" and the ninth "kreitzel" are the most famous."Spring sonata" is beautiful and romantic, full of vitality, is a hymn to celebrate the emergence of life, "kreitzel sonata" is deep in the soul of the fierce conflict and to shock people.Both sonatas are regular concert pieces, and the violins play many versions of the master's recordings. When it comes to spiritual fullness, the kreitzel sonata wins out. Until the end of the 18th century, the field of sonatas had been dominated by the piano. In sonatas with violins, the violin was also in a subordinate position. Some musicians' scores clearly marked "keyboard sonatas with violins".The 10 sonata of Beethoven's also is "the piano and the violin sonata", but in the music by violin conveys the music content clearly dominant, just like a piano accompaniment, the musicians later treat these as a violin sonata works, and was included in the violin teaching repertoire.The "violin sonata" is now clearly marked on CDS. "The kreitzel sonata" was originally written for a young violinist named georges augustus bolgrin bridgtor, a polish-born mulatto.Bridgetower was a gifted violinist who performed in Paris at the age of 10 and later became a violinist to the prince of wales in England.In 1802 he came to Vienna to give a concert, much to Beethoven's approval.Bridge tower and Beethoven between the teachers and students, in order to carry forward, Beethoven gave the violin sonata title to bridge tower.In 1803, the work was completed. Beethoven and bridgetower performed together for the first time. The performance was very successful.After the premiere, bridgetower's reputation grew, and Beethoven introduced the young performer to the nobility.However, due to the narrowness, suspicion and jealousy of bridgetower's character, he turned against Beethoven and finally left Vienna when the two had completely broken up.Bridgetower does not retain any reputation for musical talent, and the name is only found in the corners of history when one mentions Beethoven's violin sonata no. 9.Beethoven dedicated the sonata to the French violinist Rudolf kreitzel, and the work became the kreitze sonata.A professor at the Paris conservatory and respected by Beethoven, he wrote 40 operas and ballets, 19 violin concertos and scores of other pieces, and his "42 violin etudes" are still a necessary path to specialization. Today's video: 1. Annie Sophie mut performs Beethoven's "kreitzel" no. 9 violin sonata; 2.2. Zimbarist and Bauer performed Beethoven's violin sonata by klaetzer (rare 1926 video). |
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| 乔治·奥古斯图斯·波尔格林·布里奇托尔（George augustus bolgrin bridgtor） | |||||||||||||||||||||||
| 乔治·奥古斯图斯·波尔格林·布里奇托尔，一个生于波兰的黑白混血儿。布里奇托尔是个有天赋的提琴手，10岁在巴黎登台演出，后来在英国成为威尔士亲王的小提琴师。1802年他来到维也纳开演奏会，很受贝多芬赞赏。布里奇托尔与贝多芬之间以师生相称，为了提携后进，贝多芬把小提琴奏鸣曲题赠给布里奇托尔。1803年作品完成，贝多芬与布里奇托尔首演时配合得非常圆满，演出很成功。首演之后布里奇托尔的名声渐起，贝多芬也向贵族们介绍这位年轻的演奏家。但是，由于布里奇托尔性格的狭隘、猜疑和妒忌，竟与贝多芬反目，最后离开维也纳时两人已完全绝交。布里奇托尔并没有由于音乐才能而留下来半点儿名声，只有当人们提到贝多芬的小提琴奏鸣曲第九号时，才会从历史的角落里找到这个名字。贝多芬后来把这首奏鸣曲题献给法国小提琴家鲁道尔夫·克勒采，这部作品就成了《克勒采奏鸣曲》。克勒采是巴黎音乐学院教授，很受贝多芬敬重，曾写过40部歌剧和芭蕾，有19部小提琴协奏曲和大量其他乐曲，他的《小提琴练习曲42首》至今仍是通往专业化的必由之路。 | |||||||||||||||||||||||
| George augustus bolgrin bridgtor, a polish-born mulatto.Bridgetower was a gifted violinist who performed in Paris at the age of 10 and later became a violinist to the prince of wales in England.In 1802 he came to Vienna to give a concert, much to Beethoven's approval.Bridge tower and Beethoven between the teachers and students, in order to carry forward, Beethoven gave the violin sonata title to bridge tower.In 1803, the work was completed. Beethoven and bridgetower performed together for the first time. The performance was very successful.After the premiere, bridgetower's reputation grew, and Beethoven introduced the young performer to the nobility.However, due to the narrowness, suspicion and jealousy of bridgetower's character, he turned against Beethoven and finally left Vienna when the two had completely broken up.Bridgetower does not retain any reputation for musical talent, and the name is only found in the corners of history when one mentions Beethoven's violin sonata no. 9.Beethoven later dedicated the sonata to the French violinist Rudolf kreitze, and the work became the kreitze sonata.A professor at the Paris conservatory and respected by Beethoven, he wrote 40 operas and ballets, 19 violin concertos and scores of other pieces, and his "42 violin etudes" are still a necessary path to specialization. | |||||||||||||||||||||||
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| 鲁道夫·克莱采尔（Rodolphe Kreutzer） | |||||||||||||||||||||||
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法国小提琴家、作曲家鲁道夫·克莱采尔（Rodolphe
Kreutzer）1766年11月15日生于法国凡尔赛。他是贝多芬时代欧洲最伟大的小提琴家之一，贝神曾将自己的第九“克鲁采”小提琴奏鸣曲题献给他。退出舞台后，他在巴黎音乐学院教学，他写的《42首小提琴练习曲》是所有提琴手进阶中的必备教材。 鲁道夫·克莱采尔1831年1月6日在日内瓦去世，享年64岁。 |
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Rodolphe
Kreutzer, a French violinist and composer, was born on November 15,
1766, in Versailles, France.He was one of the greatest violinists in
Europe in Beethoven's time, and he dedicated his ninth "kreutzer" violin
sonata to him.After retiring from the stage, he taught at the Paris
conservatory of music, where he wrote "42 violin etudes," a textbook for
all fiddlers to advance. Rudolf kreitzel died in Geneva on January 6, 1831, at the age of 64. |
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| 艾弗雷姆·津巴利斯特（Efrem Zimbalist 1889–1985） | |||||||||||||||||||||||
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艾弗雷姆·津巴利斯特（Efrem Zimbalist
1889–1985）于1889年4月9日出生在俄国的罗斯托夫，他的父亲是一位小提琴家和指挥家，曾在当地的歌剧院中担任过多年的小提琴手和乐队指挥。因此可以说，津巴利斯特从小是在一个拥有良好音乐氛围的家庭中生活与成长的。他自幼随父亲学习小提琴，很快便掌握了扎实的演奏技巧。11岁进入了彼得堡音乐学院，拜在了20世纪小提琴教育巨匠、俄罗斯小提琴学派的创史人奥尔教授的门下，成为这位大名鼎鼎的小提琴教育家所培养的众多优秀学生中的一位。 津巴利斯特在现代小提琴演奏艺术史上是一位技艺出众而又修养深厚的演奏家，在对这项艰难、深刻而又丰富的艺术的看法和理解上，他有着非常独到的鉴赏力和审美观。在他看来，小提琴演奏艺术从根本上说是一项表现音乐内容的艺术，它的一切技术表现手段都是为揭示音乐的内容而服务的，因此，作为一个优秀的小提琴演奏家，不论在何时何地都应该牢记表现音乐的重要性，而不该为了卖弄而炫耀技巧。他曾诚恳地告诫人们，一个出色的小提琴家具备娴熟的技巧只能说是拥有了一半资本，只有同时拥有了丰富的内在音乐感觉，而且能够通过技术手段把它很好地表达出来，才能说是达到了完美的标准。津巴利斯特是这样认为的，同时也是这样去做的。前面提到过，津巴利斯特本人的演奏是以纯朴、真挚和典雅而见长的，他的演奏无论激动和热情都是十分内在和真切的，他的音色极为甜美和润泽，技巧干净明快，虽然从表面上看似乎无更多的辉煌效果，而实质上却有着无法比拟的深刻表现力。 |
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| 艾弗雷姆·津巴利斯特（Efrem Zimbalist ） | |||||||||||||||||||||||
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Efrem Zimbalist
1889 (1985) was born on April 9, 1889, in rostov, Russia. His
father was a violinist and conductor who had been a violinist
and conductor in the local opera house for many years.Therefore,
it can be said that zimbarist lived and grew up in a family with
a good musical atmosphere.He learned the violin from his father
when he was young and soon mastered solid playing skills.At the
age of 11, he entered the Petersburg conservatory of music, and
became one of the many outstanding students trained by the
renowned violin educator under the tutorage of professor ORR,
the great master of violin education in the 20th century and the
founder of the Russian violin school. In the history of modern violin performance, zimbarist is a performer with outstanding skills and profound cultivation. He has a very unique appreciation and aesthetic taste for this difficult, profound and rich art.In his view, the violin art is fundamentally a performance in the art of music content, its technical performance means everything is to reveal the content of the music and the service, therefore, as an excellent violinist, no matter when and where should bear in mind that the importance of music performance, not to show off the skills.He has earnestly warned people that a good violinist with skillful skills can only be said to have half the capital, and only when he has a rich inner musical sense, and can express it well through technical means, can he be said to have reached the standard of perfection.That's what zimbalist thought, and that's what he did.Mentioned earlier, almost lister I play is a simple, sincere, and elegant and his play both excitement and enthusiasm is very internal and real, his tone is very sweet and moist, skill is clean and lively, although on the surface seems to be no more brilliant effect, and in essence is an incomparable profound expression. |
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| 贝多芬，克罗伊茨奏鸣曲，辛巴斯特-鲍尔1926 | |||||||||||||||||||||||
Beethoven Kreutzer Sonata Zimbalist-Bauer Rec.1926最早的有声录像之一 |
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