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| 路德维希·凡·贝多芬 （Ludwig van Beethoven 1770—1827） | |||||||||||||||||||||||
林品任演奏贝多芬《d大调小提琴协奏曲》 |
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Richard Lin Beethoven: Violin Concerto in D major, Op. 61 |
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| 原曲: Beethoven: Violin Concerto in D major, Op. 61 演奏者: 林品任演奏乐器: 小提琴简介补充: 2016年第15届维尼奥夫斯基大赛-决赛-林品任世界四大小提琴协奏曲之一，是我最喜欢的小提琴协奏曲 :) | |||||||||||||||||||||||
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音乐历史上的今天 1982年5月21日，贝多芬的小提琴协奏曲被苏联作曲家阿尔弗雷德·施尼凯特（Alfred Schnittke)配上一首不协和的华彩后出现在唱片中，该华彩包含了许多其它协奏曲的片段。指挥内维尔·马里纳称之为“一种对于贝多芬乐思在20世纪末可能形态的当代幻想。”
贝多芬用他的小提琴协奏曲，创造了一个全新的小提琴语法。因此，可以认为贝多芬创作了小提琴史上最伟大的小提琴协奏曲。 |
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| 路德维希·凡·贝多芬 （Ludwig van Beethoven 1770—1827） | |||||||||||||||||||||||
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Today in the
history of music On May 21, 1982, Beethoven's violin concerto appeared on a recording by the Soviet composer Alfred Schnittke with a dissonant flourish that included many other concertos.Conductor neville mariner called it "a contemporary fantasy of what Beethoven's musings might have looked like at the end of the 20th century." Beethoven used his violin concerto to create a new violin grammar.Thus, it can be said that Beethoven composed the greatest violin concerto in the history of the violin. Lantian warm jade also smoke Violin concerto in D major, created in 1806, is the only violin concerto by Beethoven. It is known as the king of violin concerto by later generations.The melody of this work is soft and sunny, fresh and elegant style, magnificent and grand.As the contemporary German violinist anne-sophie mutt said in her own record introduction, "Beethoven is still the greatest composer of violin documents, although his violin works are few and far between.In his violin concertos, Beethoven provides the performer with more elements of flavor.Here he created a whole new violin grammar.Thus, it can be said that Beethoven composed the greatest violin concerto in the history of the violin. It is believed to have been composed during Beethoven's passionate love affair with miss Teresa Brunswick, and is therefore one of the few periods in Beethoven's life when he was most passionate and even happiest.The renowned piano composer and maestro Beethoven, as he had repeatedly done throughout his life, chose the violin to express his most intimate feelings. It is well documented that in the beautiful year 1860, our Louis (in this case, Beethoven) spent a beautiful summer at the manor of miss Teresa Brunswick.The fragrance of this rare day of his life permeates every nook and corner of this work, which may be said to be "a handshake among thousands of people, which has kept my sleeve perfumed for ten years" -- but for ten years, it has been perfumed for century after century. It cannot be stressed that true love is valuable only because it is a bridge and not a goal, pointing with its earthly hand to all good things, and thus transcending love itself. The violin concerto in D major consists of three movements. The first movement: deliberate allegro.The music begins with a soft four-tone timpani.It is said that this sound is Beethoven late at night composition, from a neighbor's knock on the door in the inspiration, Beethoven later used the "passion" sonata and the fifth symphony (" fate ", also known as the fate of the god knock on the door.Of course, the legend may have overlooked the "character of 1806" of Beethoven's violin concerto (the fourth piano concerto, the fourth symphony, the fourth symphony, and the revised "fredrio," which celebrated women). The knock on the door in the "passion" sonata and "destiny" in the fifth symphony is known to be the most brutal of fates.In Beethoven's violin concerto, Beethoven's chop, "knock on the door," is more like an elegant lady's knock on the door.Perhaps it would be more figurative to say: perhaps the elegant step has just come close, and has not yet reached the door, but the knock appears in the imagination and expectation of the person waiting. We can listen to repeatedly, to master or speculate that Beethoven in his different life stage, different mood and crystallization of different styles - violin concerto in the timpani rhythm repeatedly appeared in the first movement over 7 (), and from beginning to end, the movement of music provides a kind of filled with peaceful, almost within reach of aroma, and a gentle, waiting for the heart become really interested in. The second movement: small Canton.Lyric variations.It can be thought of as a symphonic dialogue between the solo and the orchestra.Beethoven had never written such a beautiful and mild music.Perhaps only the second movement of Brahms's violin concerto is as tender as water, but Beethoven had none of Brahms's restrained personal tenderness and mild contemporary pathos.Beethoven does not need restraint, the sea is bright, blue field warm, jade also smoke, lingbo micro step, mei sheng dust.... In the middle of this movement, the music theme is simple and naive, chanting, singing, passion in the space filled with ripples...The wonderful part is as if the band is meditating into a world without me, while the "comments" of the recital department show clouds flying and snow falling and the sky filled with spring.From beginning to end, the melody is smooth, simple and natural, and the expression is rich and subtle. The third movement: light and brilliant rondo, with the taste of sonata.The basic theme is light and lively, the emotion is running joyously, from time to time with the tender feelings pour out.Happiness and happiness completely permeated in the expression, full of spontaneous vitality.The end of the movement is left to the solo violin with a short, compact flourish that brings the music to a glorious climax at the end. This magical work gives full play to the sensitive, magical and moving qualities of the violin.Created a kind of special calm, as if the sky is clear and clear, we have been accustomed to see the kind of Beethoven's mood of melancholy and impermanence swept away, the original contradiction, opposition is harmony, unity of the variants. The concerto D minor was composed in a hurry on December 21, 1806, and the violinist clementi made his debut two days later.Clementi was a prodigious musician at an early age, performing at the age of nine and becoming concertmaster and conductor of the Vienna theatre at the age of 22.He was very talented and famous, and often liked to do some little tricks to show off his skills in the concert. Moreover, his performance style was excellent in the American earthquake and refined and elegant, which more or less influenced Beethoven's attitude in composing the D major concerto. But the premiere on December 23, 1806, was too hastily prepared to be a success.There was no response other than a few half-hearted comments from second-rate critics, some of whom said it was "boring in the endless repetition of certain inanimate phrases".In the decades that followed, the concerto was largely ignored, with only five or six performances. It was not until 38 years after the premiere that Mendelssohn's performance in his hometown of leipzig brought him back.The soloist was joachim, who was only 13 years old.Because of joachim and Mendelssohn's exploration and expression of the artistic charm of the concerto, the performance was a sensational success.Since then, Beethoven's violin concerto in D major has been flourishing on the world stage. All violinists have to test their artistic expression through this concerto. Joachim's stylistic treatment of the work is perfect, accurately expressing the artistic connotation of Beethoven.At present, there are three famous versions of the cadenza for the D major concerto, by joachim, Chrysler and David oyster. Today's video: 1. Lin pinren performs Beethoven's violin concerto in d major. |
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| 阿尔弗雷德·施尼特克(Alfred Schnittke) | |||||||||||||||||||||||
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阿尔弗雷德·施尼特克(Alfred
Schnittke)出生于伏尔加河上的日耳曼人自治区恩格斯(Engels)。他在奥地利的维也纳接受钢琴训练，他的父亲曾在那里的一家苏联报纸担任记者。1953年，他来到莫斯科音乐学院，并在1962年至1972年期间担任教职。Schnittke在1961年到…参见完整简历 生于:1934年11月24日，苏联苏维埃社会主义共和国恩格斯，阿西尔·涅姆采夫·波沃尔兹亚[现为恩格尔斯基·rayon, Saratovskaya oblast，俄罗斯] |
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Engels,
an autonomous region for ethnic Germans on the Volga river,
Alfred Schnittke trained as a pianist in Vienna, Austria, where
his father served as a correspondent for a Soviet newspaper. In
1953, he moved on to the Moscow Conservatory and served on its
faculty from 1962 to 1972. Schnittke wrote over 60 film scores
between 1961 and ... See full bio » Born: November 24, 1934 in Engels, ASSR nemtsev Povolzhya, RSFSR, USSR [now Engelsskiy rayon, Saratovskaya oblast, Russia] |
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| 林品任(Richard Lin) | |||||||||||||||||||||||
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林品任(Richard Lin，1991年7月6日)，出生美国，后随父母返台。4岁学习小提琴，2007年追随Gregory
Lee(李东亨)前往美国深造，2008年考取美国柯蒂斯音乐学院，师事Aaron
Rosand。2013年起就读于美国茱丽亚音乐学院，师事Lewis
Kaplan。为2011年新西兰麦可希尔国际小提琴大赛银牌得主，2013年日本仙台国际音乐大赛冠军得主，2015年姚阿幸国际小提琴大赛第三名得主，以及2018年第十届美国印地安纳波里斯国际小提琴大赛金牌(首位获得此殊荣之华人)。 林品任曾與多個樂團於著名音樂廳演出;當中包括2014年首度於東京三得利音樂廳與東京交響樂團及指揮飯森範親合作，以及與世界各地的樂團合作，如NDR電台愛樂、上海交響樂團、波蘭波茲南愛樂、羅茲愛樂、波蘭波羅的海愛樂、名古屋愛樂、仙台愛樂等。 2013年，林品任與仙台愛樂及指揮費洛特推出首張專輯，收錄貝多芬、巴托克及布拉姆斯的作品，由Fontec發行。翌年他與弟弟—鋼琴家林品安，合作灌錄全套布拉姆斯鋼琴及小提琴奏鳴曲;他們二人亦常於台灣及日本舉行獨奏會，甚受兩地觀眾愛戴。 曾获奖项 △2001年: 荣获全国学生音乐比赛台中市小提琴国小B组第一名。 △2004年: 荣获台湾弦乐团第五届小提琴比赛国中组第一名，并于国家音乐厅合作演出莫札特第三号小提琴协奏曲。 △2007年: 荣获台中二中协奏曲大赛第一名，并于台中二中音乐厅合作演出柴可夫斯基小提琴协奏曲。 △2008年: 美国Oklahoma Music Olympic" Buttram Competition"小提琴第一名及大赛总冠军(Overall Winner) △2010年: 荣获第二十二届奇美艺术奖 △2011年: 荣获第六届新西兰麦可希尔国际小提琴大赛银牌 △2013年: 荣获第五届日本仙台国际音乐大赛冠军 △2015年: 荣获第一届新加坡国际小提琴比赛第二名 △2015年: 荣获第九届汉诺威姚阿幸国际小提琴大赛第三名 △2016年: 荣获第一届上海艾萨克斯特恩国际小提琴大赛第五名 △2016年: 荣获维尼奥夫斯基国际小提琴大赛第五名 △2018年: 荣获第十届美国印地安纳波里斯国际小提琴大赛金牌(首位获得此殊荣之华人)。 |
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| 林品任(Richard Lin) | |||||||||||||||||||||||
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Richard Lin (July 6,
1991) was born in the United States and returned to Taiwan with
his parents.He studied violin at the age of 4. In 2007, he
followed Gregory Lee (Lee dong heng) and went to the United
States for further study. In 2008, he was admitted to the Curtis
institute of music in the United States, where he studied with
Aaron Rosand.Since 2013, I have been studying at the American
Julia conservatory of music under the tutored of Lewis Kaplan.He
was the silver medalist of the 2011 Michael hill international
violin competition in New Zealand, the champion of the 2013
sendai international music competition in Japan, the third
winner of the 2015 yao ahsin international violin competition,
and the gold medal of the 10th Indianapolis international violin
competition in 2018 (the first Chinese to win this honor). Lin has performed with many orchestras in famous concert halls.Among them, I first cooperated with the Tokyo symphony orchestra and its conductor fanch iisen at suntory concert hall in Tokyo in 2014, as well as with orchestras from all over the world, such as the radio NDR philharmonic, Shanghai symphony orchestra, poznan philharmonic, rhodes philharmonic, Baltic philharmonic, Nagoya philharmonic, sendai philharmonic, etc. In 2013, Lin, together with sendai philharmonic and conductor feilot, released his debut album, featuring works by Beethoven, bartok and Brahms, by Fontec.The following year, he and his brother, the pianist Lin pin an, recorded a full set of Brahms sonatas for piano and violin.They also gave recitals in Taiwan and Japan, where they were well received by audiences. Once his awards 2001: won the first prize in group B of taichung violin national primary school in the national music competition. 2004: won the first prize of national middle school group in the fifth violin competition of Taiwan string orchestra, and performed Mozart no. 3 violin concerto in national concert hall. 2007: won the first prize in taichung no. 2 middle school concerto competition, and performed Tchaikovsky violin concerto in taichung no. 2 middle school concert hall. △ 2008: violin first place and Overall Winner of the Oklahoma Music Olympic "Buttram Competition" 2010: won the 22nd chi mei art award △ 2011: silver medal in the 6th New Zealand McChill international violin competition △ 2013: won the fifth sendai international music competition, Japan △ 2015: won the second place in the first Singapore international violin competition △ 2015: won the third place in the 9th Hanover yao a xing international violin competition △ 2016: won the fifth place in the first Shanghai isaxton international violin competition △ 2016: won the fifth place in the veniovsky international violin competition △ 2018: won gold medal in the 10th indiapolis international violin competition (the first Chinese to win the title) |
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| 马列克 皮雅罗夫斯基(marek pijarowski) | |||||||||||||||||||||||
| 马列克 皮雅罗夫斯基—波兰著名指挥家、教授(波兰罗兹爱乐乐团总监)。 他成为下西里西亚省的文化机构的领导。当波兰恢复独立时，当地的歌剧管弦乐队演奏交响乐。他的音乐深深地影响了世界上几代音乐家。他为不同的唱片公司录制了许多张专辑。 | |||||||||||||||||||||||
| Uwertura (1829) do opery „Wilhelm Tell” zawsze robi ogromne wrażenie. Jej dramatyczna narracja rozwija się od lirycznego prologu, aż po finał zwiastowany sygnałem trąbki. Dwa pozostałe punkty programu także cieszą się niesłabnącą popularnością. Fantazja Brucha (1880) jest dowodem fascynacji niemieckiego kompozytora szkocką muzyką ludową, która opracowana została w sposób wirtuozowski, co zadowala w pełni i wykonawcę, i słuchacza. Słowiańskie brzmienie da się usłyszeć w Tańcach symfonicznych (1940) Rachmaninowa. To ostatni utwór rosyjskiego mistrza będący podsumowaniem jego dokonań twórczych. Zestawia w nim kompozytor dwie symboliczne melodie: Dies irae oraz „temat Zmartwychwstania” ze swoich Nieszporów. | |||||||||||||||||||||||
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