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| 迈克尔·拉宾(Michael Rabin 1936-1972) | |||||||||||||||||||||||
| 迈克尔·拉宾演奏克莱斯勒《中国花鼓》 | |||||||||||||||||||||||
| 《中国花鼓》是具有东方风格的小品曲。作曲家克莱斯勒对中国的民间音乐有着浓厚的兴趣，他在美国西部城市旧金山旅行时，曾欣赏过当地中国移民表演的“华埠音乐”。克莱斯勒有感于中国艺人的演奏，于是选用了花鼓的前奏创作本曲。 | |||||||||||||||||||||||
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音乐历史上的今天
1936年5月2日，迈克尔·拉宾(Michael
Rabin
1936-1972)于出生在美国纽约的一个音乐家的家庭，父亲作为一名出色的小提琴家，曾是纽约交响乐团中的一位优秀乐手，母亲作为一名钢琴家和钢琴教师，也是当地的一位有影响的人物。拉宾出生在这样的家庭中，从小耳濡目染，受到了极好熏陶和教育。他聪明过人，敏捷灵巧，还是在很小的时候。就显示出了很高的音乐才华。幼年时，拉宾是跟随父亲开始学习小提琴的，当时，他所具备的天才使得他的进步速度快得惊人，为此还在相当长的一段时间中享有了神童的称号。九岁时，拉宾以异常出色的成绩考入了著名的朱利亚德音乐学院，开始成为世界著名小提琴教育家伊凡·加拉米安的学生。在名师的谆谆教导和悉心指点之下，拉宾的才华得到了进一步的展现，他进步神速，很快就成为加拉米安的得意弟子。 今日音频：1、迈克尔·拉宾演奏萨拉萨蒂的《流浪者之歌 》2、拉宾用“库贝里克”瓜奈利.德尔吉苏小提琴演奏马斯内的《沉思》。 |
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| 迈克尔·拉宾(Michael Rabin ）在演奏中。 | |||||||||||||||||||||||
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| 1952年拉宾和他的老师加拉米安.以及西盖蒂在一起。 | |||||||||||||||||||||||
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| 迈克尔·拉宾(Michael Rabin ）录制的极少的唱片之一——帕格尼尼二十四首随想曲。 | |||||||||||||||||||||||
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Today in the
history of music On May 2, 1936, Michael Rabin (1936-1972) was born in New York City, the United States, to a family of musicians. His father was an outstanding violinist and an outstanding musician in the New York symphony orchestra.Rabin was born in such a family, from childhood osmosis, received excellent edification and education.He was very clever, very agile, very young.He showed great musical talent.When rabin was a child, he began to learn the violin from his father. At that time, his talent made his progress surprisingly fast, and for a long time he was known as a child prodigy.At the age of nine, rabin entered the famous julliard conservatory of music with exceptional results and began his career as a student of Ivan galamian, the world-renowned violin educator.Under the teacher's indefatigable teaching and careful guidance, rabin's talent was further demonstrated, he made rapid progress, and soon became the proud disciple of galmian. Rabin rose to fame early in the society. In 1947, when he was not yet 11 years old, he gave his first professional public performance and won over the audience with his highly skilled skills and mature musical expression. Therefore, he was widely praised by people from all walks of life at that time.Meanwhile, the music critics were enthusiastic and excited.Gave him a very high and at the same time very objective evaluation.He was praised as a violinist with extraordinary skill and delicate artistic expression. It is well known that Carnegie Hall, located in New York, is a place of sacred symbolic significance for musicians.For many years, it only accepted talented musicians from all over the world to give concerts here, and once a performer had played there, he would have an extraordinary influence and even obtain supreme status.Almost all of the world's greatest violinists, including heffetz, menuhin, David oyster and stern, have made their mark here.Because of this, Carnegie Hall has become a hot destination for young musicians around the world.For most young performers, however, this longing remains an ideal, for one reason: Carnegie Hall accepts only real musical talent.But such a difficult thing for rabin, it seems so easy.In 1950, when he was only 14 years old, rabin gave two solo concerts here with the national symphony orchestra. His brilliant success shocked the world of music and made him famous. Rabin's rise to fame in Carnegie Hall was by no means accidental.He is indeed how many years to appear a rare talent, in fact, before this, rabin has earned a lot of honor with his outstanding talent.Just a year before his global fame at Carnegie Hall, also in the United States national music club league held music won the first prize in the competition, the experience and honor, is if he succeed in Carnegie Hall, more specifically, is more than these achievements in Carnegie Hall is famous for his world laid a good and necessary basis. After rabin became famous, he went on a series of successful Tours around the world for a period of time, and his skills and fame began to spread abroad.However, his untimely death greatly reduced his influence in the world.Rabin, with his unique skills and vigorous spirit, had not waited for people to fully understand and understand him, but he suffered misfortune and died. This adverse factor greatly limited the development of his reputation, and made him a short-lived figure in the world of violin performance. Similarly, the critic argued that despite rabin's professed lifelong admiration for heffetz, his playing was more like that of David oysterlach, with warmth, magnanimity and humanity in it.Of course, from rabin's skilled and gorgeous playing skills and hot passion, we can also feel his influence on heffetz, and the combination of David oyster's gentleness, sweetness and depth with heffetz's exquisite, gorgeous and brilliant is the basic mode of rabin's playing style. Even so, rabin that extraordinary perfect performance, still make people feel a generation of great master excellent style.Is the so-called gold no fault, no one is perfect, rabin in the bright future is destroyed in his own hands.Who would have thought that this prodigy, the promising young violinist, would have fallen into a drug habit that, although he had struggled to quit, had a fatal effect on his career. On January 19, 1972, rabin relapsed at home, fainted, and died at the age of 36 after accidentally hitting his head on a hard tool as he fell to the ground.His death was deeply regretted by the many music lovers who cared for him and deeply grieved his teacher, galameen.However, after all, rabin destroyed himself, a generation of genius like a meteor like fleeting.This unfortunate outcome not only made the world violin art world pay a heavy price, but also made people get a painful lesson from it. Today's video: 1. Michael rabin playing Chrysler's "China flower drum"; Today's audio: 1. Michael rabin playing sarasati's song of the wanderer 2. Rabin playing massenet's meditation on the violin with "kuberic" guarneri delgiuso. |
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萨拉萨蒂的《流浪者之歌》，又名《吉普赛之歌》，小提琴独奏曲中不朽的名篇。萨拉萨蒂的作品自始至终十分讲究效果和技巧，都是纯粹的小提琴作品。这一首乐曲是萨拉萨蒂所有作品中最为世人所熟悉的名作，它那回肠荡气的伤感色彩与艰涩深奥的小提琴技巧所交织出来的绚烂效果，任何人听后都会心荡神驰不已。 吉普赛民族在世界上分布广泛，但都是从不定居的流浪民族，世世代代过着清苦而又饱受歧视的生活，但这个民族活泼、乐观、能歌善舞。作者萨拉萨蒂运用十分恰当的手笔描写了这一民族性格的几个侧面，并使小提琴的旋律性与技巧性得到相当完美的结合。本曲中的管弦乐伴奏部分，也是作者亲自编配的。 全曲共分为四个部分： 第一部分 中板，C小调，4/4拍子。由强而有力的管弦乐齐奏作为开始，然后主奏小提琴奏出充满忧伤的旋律。这一部分很短，只是全曲的引子。 第二部分 缓板，由小提琴奏出新的旋律，是一种美丽的忧郁，以变奏和反复做技巧性极强的发展，轻巧的泛音和华丽的左手拨弦显示出这一主题的丰富内涵。在这部分，管弦乐并不太明显，始终是以小提琴的轻柔旋律为主题。 第三部分 稍为缓慢的缓板，2/4拍子。小提琴装上弱音器，“极有表情地”奏出充满感伤情调的旋律，悲伤的情绪达到极点。这一旋律广为人知。 第四部分 2/4拍子，急变为极快的快板， 有与第二、三部分形成明显对比的豪迈性，反映出吉普赛民族性格的另一面——能歌善舞。以管弦乐的强奏作为先导，小提琴演奏出十分欢快的旋律，右手的快速拨奏与高音区的滑奏无比欢愉；这一旋律告一段落后，又用小提琴的拨奏开始新的旋律，接着是由十六分音符的断奏所构成的像游丝般的旋律，充满舞蹈气氛；然后以更具技巧性的拨奏再现第四部分的最初部分，逐渐朝气蓬勃地趋于高潮，最后像闪电般结束乐曲。 |
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Sarasati's
"song of the wanderer", also known as "the song of the gypsies",
the immortal masterpiece of the violin solo.Sarasati's work is
always about effect and technique, and it is all pure violin
work.This piece of music is one of the most well-known works of
sarasati, and the gorgeous effect of its evocative sadness and
abstruse violin skills will make anyone's heart go wild. The gypsy people are widely distributed in the world, but they are all nomadic people who have never settled down. They live a life of poverty and discrimination for generations, but they are lively, optimistic and can sing and dance.The author salasati describes several aspects of the national character in a very appropriate way and perfectly combines the melody and skill of the violin.The orchestral accompaniment in this song is also arranged by the author himself. The whole song is divided into four parts: The first part Middle plate, C minor, 4/4.It starts with a strong orchestra, and then the main violin plays a sad melody.This part is very short, just the introduction of the whole song. The second part The slow plate, played by the violin to produce a new melody, is a beautiful melancholy, with variations and the development of a strong technique to do repeatedly, light overtones and gorgeous left hand plucked strings show the rich connotation of this theme.In this part, the orchestra is not so obvious, and the theme is always the soft melody of the violin. The third part Slightly slower slow plate, 2/4 beat.The violin is equipped with a pianissimo, "very expressively" to play a full of sentimental mood melody, the mood of sadness to the extreme.This melody is well known. The fourth part The 2/4 meter, the allegro that changes quickly to extremely fast, has the heroic character that forms apparent contrast with the 2nd, 3 parts, reflect the other side of gypsy national character -- can sing and dance.Led by the strong orchestral playing, the violin plays a very happy melody, the rapid pizzicato of the right hand and the smooth playing of the high notes are extremely happy.After this melody is finished, a new melody is started with the pizzicato of the violin, followed by a gossamer melody composed of staccato of sixteenth notes, full of dancing atmosphere;Then, with a more technical pizzicato, the first part of the fourth part is reproduced, gradually reaching a climax with vigor and vitality, and finally ending the music like lightning. |
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| 拉宾用“库贝里克”瓜奈利.德尔吉苏小提琴演奏马斯内的《沉思》 | |||||||||||||||||||||||
| Massenet:Meditation - Michael Rabin | |||||||||||||||||||||||
| 未得原作者编者授权严禁转载www.mt77.com任何内容 | |||||||||||||||||||||||
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