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| 埃里克·萨蒂，(Eric Satie 1866－1925） | |||||||||||||||||||||||
| 萨蒂 《巴黎往事》 | |||||||||||||||||||||||
Erik Satie - Once Upon A Time In Paris |
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音乐历史上的今天
1866年5月17日，埃里克·萨蒂在翁弗勒出生，父亲是个买卖船只的法国人，母亲是苏格兰人。“艺术家必须生活有规律……我早上7点18分起床。我从上午10点23分到11点47分有灵感。
12点11分，我吃午餐，12点14分离开餐桌。下午1点19分到2点53分，为了身体健康，我去骑马。3点12分到4点07分，是另一段充满创作灵感的时间……晚上8点09分到9点59分，我（大声地）读交响曲。
10点37分是我固定的就寝时间。每周二的凌晨3点1 9分我都会惊醒一次……睡觉的时候，我只闭一只眼睛。” |
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| 埃里克·萨蒂，(Eric Satie ） | |||||||||||||||||||||||
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Today in the
history of music On May 17, 1866, Eric satie was born in onfleur to a French father who bought and sold boats and a Scottish mother."An artist must live a regular life...I get up at 7:18 in the morning.I have an idea from 10:23 a.m. to 11:47 a.m.At 12:11, I eat lunch and leave the table at 12:14.Between 1:19 p.m. and 2:53 p.m., I went riding for the sake of my health.From 3:12 to 4:07, it's another creative moment...From 8:09 p.m. to 9:59 p.m., I read the symphony (aloud).10:37 is my regular bedtime.I wake up every Tuesday morning at 3:19 am...When I sleep, I only close one eye." Eric Alfred Leslie Satie (born May 17, 1866, died July 1, 1925, later renamed Erik Satie) was a French composer.Representative works include piano music "mystery 3 pieces", "3 pieces of saraband", symphonic drama "Socrates", dance drama "parade", "showpiece" and "relaxation", etc. Before that, I was only aware of one of his pieces, trouble, which was about 840 repetitions of a two-minute piece of music. Satie, the French composer, was an irreverent music geek.He did not use the baroque style of writing, is known for his straightforward and simple music style, his music view has a decisive influence on modern music, is the forerunner of neoclassicism.Satie was against romanticism as well as impressionism.He was disgusted by the dramatic forms of late romanticism and expressionism that continued from the end of the 19th century until the end of the first world war.This style of minimalism really laid the foundation for neoclassicism.He also thought that Debussy's music was a vision in the nearsighted eye, a mirage of sugarcoating peace. At the same time, he did not like Debussy's music language, which was too gorgeous and complicated, but advocated simple, natural and unpretentious expression.Satie was fond of grotesque images and wild ideas.All of his works are piano works, which account for the highest proportion, and are mostly sketches. In the piano music of sadie no huge momentum, also does not have the passion of dense, only simple and calm "vernacular", his piano works, however, often with strange or ironic title, such as hundreds of years and moment, the dawn of the noon, the fetus after dehydration, the harm of toothache owl "and so on.His cynical, pungent and grotesque style is quite different from the artistic style of impressionism. Satie's most representative piano piece "three pear-shaped sketches" was written in response to Debussy's criticism that "satie's music lacks form".This means that his work is in the shape of a pear."Three Jim nopetti" is also satie's masterpiece.The music consists of simple melodies which are repeated over and over again, while the melody is supported only by simple rhythms and single modal chords in the whisper.The music of the whole song is simple and pure, with elegant colors and no frappings. Today's video: 1. Sadie's piano solo, once upon a time in Paris;2. "troubles" by Nicholas horvath. |
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| 埃里克·萨蒂，(Eric Satie ） | |||||||||||||||||||||||
| 埃里克·萨蒂（1866-1925年）代表了这一时期法国音乐的另一个侧面。萨蒂的音乐我行我素，他的作品表现出对传统和声技法的漠视以及对讽刺与喜剧的倾向，他的通俗钢琴曲《三首吉姆诺佩迪埃曲》（1888年，后由德彪西改编配器）是运用静谧调式的早期典型作品，而他为女高音和钢琴而作的《苏格拉底》（1920年）则更趋庄重古典，萨蒂的影响在在去世后很久才显露出来，约翰·凯奇的作品受其影响最深。凯奇对萨蒂的独奏曲《烦恼》十分熟悉，这首乐曲将一段大约两分钟长的音乐重复了840次。 | |||||||||||||||||||||||
| Eric satie (1866-1925) represents another aspect of French music of this period.Sadie music of its own will, his works show the art of traditional harmony disregard and the tendency of irony and comedy, his popular piano "three Jim pettigrew's Mr Qu" (after 1888, adapted from Debussy instruments) is an early typical works with quiet mode, and his for soprano and piano "Socrates" (1920) is more solemn classical, sadie's influence in the died a long time didn't show it, John cage's works are influenced by the most.Mr. Cage is familiar with Ms. Sadie's solo, "trouble," which involves 840 repetitions of a roughly two-minute piece. | |||||||||||||||||||||||
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| 埃里克·萨蒂，(Eric Satie）和 德彪西在一起 | |||||||||||||||||||||||
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| 尼古拉斯·霍瓦特(Nicolas Horvath) | |||||||||||||||||||||||
| 在该系列的第三部《玻璃世界》(Glassworlds)中，尼古拉斯·霍瓦特(Nicolas Horvath)带领我们回顾了出生于美国的作曲家菲利普·格拉斯(Philip Glass)的职业生涯。为了让生活更轻松，让我们从他的第二奏鸣曲开始说起。这首奏鸣曲创作于1959年，时年22岁，在他从纽约茱莉亚音乐学院毕业之前。把三个动作压缩到三分钟以内，这就是韦伯恩的出身。然后是1968年的重大飞跃——那时他已经在巴黎呆了三年，导师纳迪娅·布朗热(Nadia Boulanger)是他的指路明灯——现在他已经完全接受了1968年的两页乐谱上的极简主义。重复的工作性质采取极简主义的一个巨大的步骤，在一个工作持续几乎13分钟。值得庆幸的是，当他写歌剧《爱因斯坦在海滩上》时，他已经度过了那个时代，这是歌剧的一个插曲，后来形成了三部曲奏鸣曲的第一部分。现在，他已经打破了有节奏的紧身衣，并采取了一个温暖和丰富多彩的调色板，即使在这个版本的独奏钢琴。接着，我们向史蒂夫·赖克(Steve Reich)不同寻常的极简主义时间模式迈进了一步，我们看到了1977年的《秘密独奏》(a brief a Secret Solo)，它似乎是歌剧《萨蒂亚格拉哈》(Satyagraha)的过渡时期，歌剧《萨蒂亚格拉哈》(Satyagraha)与阿克那顿(Akhnaten)的选段，构成了三部曲奏鸣曲的其余部分。随着奥运圣火的点燃和洛杉矶奥运会的闭幕，玻璃开始了四次变形，并在一个由柔和的声音组成的旋律世界中找到了玻璃。并不是所有的光盘最初都是为钢琴准备的，很多音轨都是这样发音的，尽管玻璃专家尼古拉斯·霍瓦特(Nicolas Horvath)一直是强有力的倡导者。 | |||||||||||||||||||||||
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| 尼古拉斯·霍瓦特(Nicolas Horvath) | |||||||||||||||||||||||
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钢琴家Nicolas
Horvath在2016年4月14日于youtube上发布的他不间断演奏这首名为《Vexations（烦恼）》的曲子。这首曲子由一个很小的片段重复连续组成，需要连续弹奏这个片段840次；作曲家埃里克·萨蒂（Erik
Satie）提醒演奏者需要事先做好准备，一定要保持最大限度的安静，并且绝对不能移动。 然后真的有人弹完了6666666 演奏者自称这是在网络上能找到的最长的不间断演奏。。。。。而且他说这个版本并不是他最长的版本……他于2012年12月12日在巴黎的the Palais de Tokyo连续演奏了35个小时！【真心跪了……不知道怎么解决的上厕所问题…… |
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