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| 耶胡迪·梅纽因（Yehudi Menuhin 1916－1999） | ||||||||||||||||||||||||
| 耶胡迪·梅纽因演奏费里克斯·门德尔松：E小调小提琴协奏曲，op.64 | ||||||||||||||||||||||||
Felix Mendelssohn: Violin Concerto in E minor, Op.64
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音乐历史上的今天 1916年4月22日，小提琴演奏家耶胡迪·梅纽因（Yehudi Menuhin)在纽约出生。他的父母从俄国通过巴勒斯坦移民美国“我的母亲发过誓：她的孩子会向全世界显示她的民族身份，他会被称作‘那个犹太人’。”（梅纽因《未完成的旅行》）
很少有哪一位小提琴家能比年轻的耶胡迪·梅纽因对音乐世界有更大的影响了。在他的手指有足够的力量为小提琴调音之前，他的名字已经在国际上广为传播。当1978年6月26日为庆祝他舞台生涯五十周年在费城举行音乐会时，詹姆斯·费尔顿在《晚报》上写道： |
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| 孩提时代的耶胡迪·梅纽因 | ||||||||||||||||||||||||
| 耶胡迪·梅纽因是世界上有史以来最伟大的小提琴家之一。每个人都知道。当他还穿着短裤的时候，他就用他的天赋震惊了所有的人，他的天赋比莫扎特的更征服世界。正如他的传记作者汉弗莱·伯顿所说，在20世纪30年代的一段时间里，他确实是“这个星球上最著名的孩子”。1929年，13岁的梅纽因在柏林首演协奏曲时，爱因斯坦就在观众席上，事后有人听到他含泪说:“奇迹的日子还没有结束……我们亲爱的老耶和华仍在工作。”这位指挥家不亚于布鲁诺·瓦尔特(古斯塔夫·马勒的朋友)，他很久以后回忆说:“他还是个孩子，但他是一个男人，一个伟大的艺术家…… (为了纪念这位超级小提琴家的百年诞辰，伊万·休伊特回顾了他非凡的生活和事业) | ||||||||||||||||||||||||
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Yehudi Menuhin was
one of the greatest violinists the world has ever seen. Everyone knows
that. While he was still in short trousers, he astonished allcomers with
his gifts, which were more world-conquering than Mozart’s. For a while,
during the 1930s, he was literally “the most famous kid on the planet,”
as his biographer Humphrey Burton put it. At the 13-year-old Menuhin’s concerto debut in Berlin in 1929, Einstein was in the audience, and afterwards was heard to remark tearfully that “the day of miracles is not over... Our dear old Jehovah is still on the job”. The conductor was no less than Bruno Walter (friend of Gustav Mahler), who long afterwards recalled “he was a child, and yet he was a man and a great artist... (To mark the superstar violinist's centenary, Ivan Hewett looks back on his remarkable life and career ) |
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| 沉浸在音乐遐想中的耶胡迪·梅纽因（Yehudi Menuhin 1916－1999） | ||||||||||||||||||||||||
| 罗尔夫(1942-2018)是耶胡迪最小的妹妹雅尔塔的儿子。1978年，他写了《梅纽因——一个家庭的奥德赛》(Boryanna Books)，详细描述了梅纽因的家庭生活，他的父亲摩西(Moshe)对犹太人和以色列有着强烈的政治感情，他的母亲马鲁沙(Marusha)给儿子灌输了一种高贵和力量的感觉。比起犹太背景，Marusha更认同她的俄罗斯血统。她讲述了她所谓的鞑靼祖先的故事，尽管他们是残忍、野蛮的人，经常杀害犹太人。她充满激情的讲故事和对异国情调，东方服装的热爱，使她成为一个压倒性的个性。 | ||||||||||||||||||||||||
| Rolfe (1942-2018) was the son of Yehudi’s youngest sister, Yaltah. He wrote The Menuhins-A Family Odyssey (Boryanna Books) in 1978, describing a detailed description of the home life of Menuhin, his father, Moshe, who had very strong political feelings about Jews and Israel, and his mother, Marusha, who imbued in her son a sense of nobility and strength. Marusha had a stronger identification with her Russian lineage than her Jewish background. She told stories about her supposed Tartar ancestors, even though they were cruel, savage people who regularly killed Jews. Her passionate storytelling and love of exotic, Oriental costumes, made her an overwhelming personality. | ||||||||||||||||||||||||
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| 少年时代的耶胡迪·梅纽因（Yehudi Menuhin 1916－1999） | ||||||||||||||||||||||||
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| 年轻的耶胡迪·梅纽因和他的恩师埃奈斯库（George Enescu） | ||||||||||||||||||||||||
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埃奈斯库（George
Enescu）作为杰出的小提琴演奏大师，他的身上有着异常丰富而别人又无法摹仿的个性，在演奏当中，他总是能够很好地调配其技术手段来尽善尽美地表现音乐内容。例如在运弓方面，他能够利用宽阔的幅度和科学合理的分配来获得美丽的音色及绝妙的分句处理。而在左手技术方面，他则是一个较早使用伸张手指技术并使其逐步得到完善的小提琴家，他的这方面成就，以后逐渐由后人演变而成为20世纪现代小提琴左手技术发展的一个主要潮流。 埃奈斯库作为法比小提琴学派的正宗传人之一，在许多方面都有着创新性的贡献。有人研究和考证说，这位小提琴艺术巨匠在自己的演奏艺术中成功地将传统小提琴技术与罗马尼亚民间吉普赛音乐中的器乐演奏风格巧妙地融合在了一起，使其有着一种生动而亲切的自然风格。 |
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As an
outstanding violin master, enescu has an unusually rich and
unimitable personality. In his performance, he can always
perfectly deploy his technical means to perform the music
perfectly.For example, in the aspect of bow handling, he can use
wide range and scientific and reasonable allocation to obtain
beautiful timbre and excellent clause processing.On the left
hand technique, he was an early violinist who used the
extensional finger technique and gradually perfected it. His
achievements in this aspect gradually became a major trend of
the development of the left hand technique of modern violin in
the 20th century. As one of the authentic successors of the Fabian violin school, enescu has made innovative contributions in many aspects.According to some research and research, the great master of violin art successfully combined the traditional violin technique with the instrumental style of romanian folk gypsy music in his performance art to make it have a vivid and friendly natural style. |
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| 1733年，在梅纽因12岁生日的时候，人们送给他一把名为“khevenhller王子”的斯特拉迪瓦里琴。图片来源:Jan Röhrmann | ||||||||||||||||||||||||
| The ‘Prince Khevenhüller’ Stradivari of 1733 was presented to Menuhin on his 12th birthday. Photo credits: Jan Röhrmann | ||||||||||||||||||||||||
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| 梅纽因在20世纪50年代购买了1714年的“土壤”斯特拉迪瓦里，最终卖给了伊扎克·帕尔曼。图片来源:tarisio.com | ||||||||||||||||||||||||
| Menuhin bought the ‘Soil’ Stradivari 1714 in the 1950s, which was eventually sold to Itzhak Perlman. Photo credits: tarisio.com | ||||||||||||||||||||||||
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| 梅纽因在20世纪70年代获得了1742年的“威尔顿勋爵”瓜纳里德尔耶稣。图片来源:Peter Biddulph Ltd | ||||||||||||||||||||||||
| Menuhin acquired the 1742 ‘Lord Wilton’ Guarneri del Gesu in the 1970s. Photo credits: Peter Biddulph Ltd | ||||||||||||||||||||||||
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| 这是1979年在哈尔滨师范大学求学期间，薛澄潜老师送给我的——1979年梅纽因第一次访华演出的节目单(我如获至宝、保留至今） | ||||||||||||||||||||||||
| This is the program list of Menuhin's first visit to China in 1979, which was given to me by teacher Xue Chengqian when I was studying in Harbin Normal University in 1979 (I have acquired it and keep it to this day). | ||||||||||||||||||||||||
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| 阿道夫·布什（Adolf Busch1891～1952) | ||||||||||||||||||||||||
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布什是一位以细腻和严谨见长的小提琴演奏大师。他的演奏贯穿着德国小提琴学派中的许多优良传统，而这种传统显而易见是与他的老师约阿希姆一脉相承的，因此他被公认为20世纪德国小提琴演奏学派的主要代表人物。从独奏方面来看，布什具有着扎实而又全面的演奏技巧，同时也拥有着丰富的表现力和对作品深邃的理解力。在演奏中，他的风格雅致洁美，音色清丽悦耳，具有质朴、简洁和紧凑、严谨的特点。而从重奏方面来看，他又有着异常细腻的配合能力和综合控制能力，且具备驾驭多风格作品的高超技能。布什一生中演奏的作品数量很多，体裁也很广泛。然而从今天看来，他的最有价值的演奏还是体现在对德、奥作曲家的小提琴独奏作品和重奏作品的演奏方面，特别是对于贝多芬的作品，他的演奏更是显得精深和富有功力。贝多芬的小提琴协奏曲，全套小提琴与钢琴奏鸣曲及全套弦乐四重奏，勃拉姆斯的小提琴协奏曲及奏鸣曲，还有巴赫的《勃兰登堡协奏曲》等室内乐作品，都是布什一生中演奏的精华。他对这些作品的精彩诠释，给后人们树立起了极为光辉的典范。 布什不仅是一位卓越的小提琴演奏大师，而且还是一位优秀的小提琴教育家。自从他于1918年任柏林高等音乐学校教授以后，就始终坚持在这个特殊的领域中辛勤地耕耘着。他的教学可谓是硕果累累，在几十年中，先后培养出了一大批优秀的小提琴演奏家。曾投身在他的门下学习过的优秀小提琴家包括梅纽因、弗兰克尔、康德尔、马内斯和埃洛夫等人。 |
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Bush was a master
violinist known for his delicacy and preciseness.His performance runs
through many fine traditions of the German violin school, which are
clearly in line with his teacher joachim, so he is recognized as the
main representative of the German violin school in the 20th century.From
the solo side, bush has a solid and comprehensive performance skills,
but also has a rich expression and profound understanding of the work.In
his performance, his style is elegant and clean, his timbre is clear and
pleasing to the ear, and he is characterized by simplicity, simplicity,
compactness and preciseness.From the perspective of ensemble, he also
has the ability to cooperate and control comprehensively with
exceptional delicacy, and has the superb skills to control multi-style
works.Bush played a wide range of works in his lifetime.However, from
today's point of view, his most valuable performance is still reflected
in the German and Austrian composer's violin solo works and the
performance of the ensemble works, especially for Beethoven's works, his
performance is more profound and rich in skills.Beethoven's violin
concerto, the full set of sonata for violin and piano and the full set
of string quartet, Brahms's violin concerto and sonata, and Bach's
"Brandenburg concerto" and other chamber music works, are the essence of
bush's life performance.His wonderful interpretation of these works set
a very brilliant example for the later people. Bush is not only an outstanding violin master, but also an excellent violin educator.Ever since he became a professor at the Berlin high school of music in 1918, he has been toiling away in this particular field.His teaching is fruitful, in the past few decades, has produced a large number of excellent violinists.Among the outstanding violinists who had devoted themselves to studying under his tutelage were menuhin, frankel, condell, manes, and elof. |
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Today in the history of music On April 22, 1916, violinist Yehudi Menuhin was born in New York.His parents immigrated to the United States from Russia through Palestine. "my mother swore that her child would show her national identity to the world and that he would be called 'the Jew.'"(menuhin, the unfinished journey) Few violinists have had a greater impact on the music world than the young Yehudi Menuhin.By the time his fingers were strong enough to tune the violin, his name had spread internationally.When he gave a concert in Philadelphia on June 26, 1978, to celebrate the 50th anniversary of his stage career, James felton wrote in the evening paper: He does seem to be a man who never grows old, always modest, and still an elegant violinist who avoids showmanship and seeks to tap into melodic beauty.He did not deliberately raise the standard note of the violin, as many violinists do, to make his voice more prominent.He did not bend his bow as hard as he could to turn his enthusiasm into enthusiasm.His choice of playing Mendelssohn's violin concerto was very fitting...Menuhin handled the music in a gentle and friendly way, sometimes with a smile, as if he and his violin were intimate companions...He also did not play the concerto's cadenza in a showy way, but rather, after careful consideration, processed it into something consistent with the overall lyricism of the concerto.It was a decent performance.Menuhin also made a point of sharing the audience's applause with all the players on the stage, as if they had been playing together indoors. Yehudi Menuhin (22 April 1916 -- 12 March 1999) was an American violinist and Jew.At the age of seven, she was praised as a "child prodigy" when she performed raro's "Spanish symphony" with the San Francisco symphony orchestra under the direction of her division passinger.Performed as a Beethoven violinist with the New York symphony orchestra.Performing Beethoven's violin concerto with major orchestras from Europe and the United States, followed by a recital at Carnegie Hall, he entered the ranks of the world's most famous violinists.After the war, he visited the Soviet union, Israel, Japan and India, which played a certain role in the cultural exchanges between the east and the west.In the 1970s he published his autobiography, the unfinished journey.His performance has brilliant skill, unique temperament and moving charm. Video today: 1. Menuhin playing the Mendelssohn violin concerto by dorati; 2.2. Yehudi Menuhin playing paganini's infinite motion. |
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| 印度瑜伽大师埃因嘎（B. K. S. Iyengar）在指导梅纽因训练 | ||||||||||||||||||||||||
| 50年代后期，梅纽因因为练琴过于劳累，职业病开始发作，曾因此中断了几次演出，正是运用了后来瑜伽功的练习，对他的身体的恢复受益匪浅，使他不但重返舞台，而且功力不但不减，而且还练习了一身绝技。 | ||||||||||||||||||||||||
| In the late 1950s, menueuw interrupted several performances due to the onset of occupational diseases caused by excessive fatigue of practicing the piano. It was the use of the later yoga exercises that benefited his physical recovery and enabled him to not only return to the stage, but also to practice his unique skills. | ||||||||||||||||||||||||
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| 印度瑜伽大师埃因嘎（B. K. S. Iyengar） | ||||||||||||||||||||||||
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在印度这个神秘的国度里，瑜伽大师埃因嘎由于其传奇的人生和对瑜伽的真诚奉献成为家喻户晓的神奇人物，他1918年生于印度教师家庭，幼年体弱多病，16岁拜师学瑜伽，受益匪浅，18岁到印度南部代师传授瑜伽。1952年，他结识了著名犹太小提琴家梅纽因·耶胡迪，在梅纽因帮助下开始把瑜伽传入西方。他的经典名著《瑜伽之光》1966年在西方引起轰动，被评为“通往东方古老健康艺术的捷径”，被译成18种文字在全球出版。1973年他创建拉玛摩尼·埃因嘎瑜伽学院，并成为全球瑜伽“圣地”。他认为，“如果你呵护树根，花朵会自然开放并散发芬芳。如果你呵护身体，心智及心灵会自然成长提升”，通过冥思和形体锻炼，约束引导人和大自然融合，获得自我解脱。前不久，美国《时代》周刊把印度瑜伽大师埃因嘎入选“世界最具影响力100人”，赞扬他努力推广瑜伽，对人类全民健身运动作出重大贡献。 瑜伽到底是什么呢？印度瑜伽宗师室利.阿罗频多曾这样概述：瑜伽的原则，是将我们人类生存的某种能力或一切能力，化为达到神圣“存在”的一种手段。在一般瑜伽中，有机的一个主要能力，或一集团能力，乃当作了手段、工具、道路。在一综合瑜伽中，一切能力皆将合并，融于动态的工具作用之中。 |
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What
exactly is yoga?Sri alopindo, the Indian yogic guru, has
outlined the principles of yoga as a means of transforming some
or all of our human faculties into a divine being.In yoga in
general, an organic main ability, or group of abilities, is used
as a means, a tool, a path.In an integrated yoga, all abilities
are merged into dynamic instrumental functions. In this mysterious country of India, yoga master ayinga has become a household name because of his legendary life and sincere dedication to yoga. He was born in 1918 in the family of an Indian teacher.In 1952, he met menuhin yehudi, a famous jewish violinist, with whom he began to introduce yoga to the west.His classic, light of yoga, caused a sensation in the west in 1966. It was named "the shortcut to the ancient Oriental health art" and was translated into 18 languages and published worldwide.In 1973 he founded the ramamuni einga yoga institute, which became a global yoga "sanctuary"."If you take care of the roots, the flowers will naturally open and smell fragrant," he said.If you take care of your body, your mind and soul will naturally grow and improve. "discipline leads to the integration of nature and human beings through meditation and physical exercise to achieve self-liberation.Not long ago, time magazine named Indian yoga master ayinga as one of the "100 most influential people in the world", praising his efforts to promote yoga and his great contribution to the universal fitness movement. |
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| 耶胡迪·梅纽因和拉维香卡在演奏印度音乐 | ||||||||||||||||||||||||
| Yehudi Menuhin and ravishankar are playing Indian music | ||||||||||||||||||||||||
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| 多拉蒂（AntaI Dorati ） | ||||||||||||||||||||||||
| 多拉蒂（AntaI Dorati，1906—1988）美籍匈牙利指挥家；1906年4月9日出生于匈牙利布达佩斯的一个音乐世家。1924年毕业于布达佩斯音乐学院，之后成为布达佩斯皇家歌剧院最年轻的指挥。 | ||||||||||||||||||||||||
| AntaI Dorati (1906-1988) American Hungarian conductor;Born on April 9, 1906, in Budapest, Hungary, to a musical family.Graduated from the Budapest conservatory in 1924 and later became the youngest conductor of the Budapest royal opera house. | ||||||||||||||||||||||||
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帕格尼尼：无穷动 小提琴独奏 耶胡迪·梅纽因 |
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| Paganini: endless violin solo by Yehudi Menuhin | ||||||||||||||||||||||||
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| 扩展阅读更多精彩： | ||||||||||||||||||||||||
| 梅纽因和瑜伽术训练法/田润德 | ||||||||||||||||||||||||
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| 未得原作者编者授权严禁转载www.mt77.com任何内容 | ||||||||||||||||||||||||
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