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　　　　　　　　　　　　　　　　　　　　　　　　　　　　           田润德 编译文/图 2020-04-19  20:36

 　
　
　
　
　

　
　
　
　
　

　
　
　
　
　
　
　 卡尔·菲利普·伊曼纽尔·巴赫 (Carl Philipp Emanuel Bach 1714- 1788） 　 　 　
　   　 　 　
　 克里斯托弗·霍克伍德指挥卡尔·菲利普·伊曼纽尔·巴赫《A小调大提琴协奏曲》wq170 　 　 　
　

Carl Philipp Emanuel Bach - Cello Concerto in A minor, Wq 170

 　 　 　
　 在这张1998年慕尼黑王子摄政剧院音乐会的录音中，慕尼黑巴赫学院在克里斯托弗·霍克伍德的指导下表演，他是历史正确演奏的最著名代表之一，他练习了卡尔·菲利普·伊曼纽尔·巴赫的几首作品。
大卫阿多扬-大提琴
卡尔·菲利普·伊曼纽尔巴赫:A小调大提琴协奏曲，wq170
1:00 I.阿赛快板
38 II。行板
18:26 III。快板极其		 　 　 　
　 In this recording of a concert at the Prinzregententheater in Munich in 1998, the Bach Collegium München performs under the direction of Christopher Hogwood, one of the most reputed representatives of historically correct performance, practice several works of Carl Philipp Emanuel Bach.
David Adorján - cello
Carl Philipp Emanuel Bach - Cello Concerto in A minor, Wq 170
1:00 I. Allegro assai
10:38 II. Andante
18:26 III. Allegro assai		 　 　 　
　
　 　 　
　 音乐历史上的今天

1768年4月19日，接替其教父泰勒曼（Telemann)在汉堡的合唱指挥职务后，C.P.E.巴赫畏缩了，因为他每年要为超过两百次活动提供音乐。


卡尔·菲利普·伊曼纽尔·巴赫 (Carl Philipp Emanuel Bach1714年3月8日- 1788年12月14日，德国汉堡-魏玛)，J.S.巴赫和玛利亚·芭芭拉·巴赫的次子，早期古典时期的主要作曲家。
C.P.E.巴赫是一位早熟的音乐家，他一直很成功，是他父亲真正的继承者，也是他自己的重要人物。在他的自传中，他写道:“对于写作和玩键盘，除了我的父亲，我从来没有其他的老师。他学的是法律，1735年在法兰克福拿到了学位，尽管他可能从未想过要从事音乐以外的职业。
1740年，他被任命为普鲁士腓特烈大帝的羽管键琴演奏家。弗雷德里克是一个优秀的长笛手，他非常喜欢音乐，每天晚上都有宫廷管弦乐队为他伴奏，只有星期一和星期五是歌剧之夜。他要求他的杰出的羽管键琴演奏家的顺从变得令人厌烦，但直到1767年巴赫才能够辞去他在柏林的职务，担任汉堡的音乐总监。与此同时，他已经结婚(1744年)，出版了他的Versuch uber die wahre Art das Klavier zu spielen (1753, rev. ed. 1787;作为作曲家、演奏家和教师，他获得了令人羡慕的声誉。
与他的哥哥威廉·弗里德曼不同，C.P.E.巴赫成功地吸收了他们父亲的强大影响，并成功地过渡到新的风格中。这代表了一种与过去的决裂，就像在很少其他的音乐发展时期所发生的那样。巴洛克音乐不朽的特点让位于反复无常的浪漫主义，当代最受欢迎的描述是“敏感”(Empfindsamkeit)。巴赫成为了这场运动的领导者，但他保留了扎实的技艺和信心的优势，他总是把这归功于他父亲的教导和榜样。

C.P.E.巴赫的许多作品包括宗教音乐(如《尊颂》、《激情》)、交响乐、协奏曲(长笛、羽管键琴、钢琴、羽管键琴和钢琴、管风琴、双簧管)、管风琴奏鸣曲、室内乐和歌曲。由于他的皇家雇主的偏爱，他的柏林时期的音乐相对来说是过时的。在汉堡，他发展出了一种更大胆的风格，为开创未来的音乐风格做了许多努力。他的交响乐、协奏曲和键盘奏鸣曲对古典奏鸣曲-快板形式的演变影响尤为深远。他对约瑟夫·海顿，w·a·莫扎特，甚至路德维希·凡·贝多芬的影响是公认的，有趣的是，巴赫在影响了海顿之后，又允许自己受到年轻作曲家的影响，就像海顿后来受到莫扎特的影响和被莫扎特影响一样。
作为一名表演者，巴赫以其精准的演奏、优美的触感和强烈的情感而闻名。“他变得如此活跃和着迷，”查尔斯·伯尼(1773年德国音乐现状)写道，“他看起来就像一个受到鼓舞的人。”他的眼睛凝视着，他的下唇下垂着，脸上渗出了几滴气泡。”
巴赫的散文对键盘乐器的影响是两代人无法超越的。海顿称之为“学校中的学校”。莫扎特说:“他是父亲，我们是孩子。”贝多芬在给年轻的卡尔·策尔尼(Karl Czerny)授课时写道:“一定要拿到伊曼纽尔·巴赫(Emanuel Bach)的论文。”它确实是了解18世纪音乐风格和诠释的重要资料之一。它是全面的彻底的低音，装饰和指法，是一个真正的指南，以许多其他18世纪的表演细化。

今日视频：1、克里斯托弗·霍克伍德指挥卡尔·菲利普·伊曼纽尔·巴赫《A小调大提琴协奏曲》2、布雷默巴洛克乐团演奏卡尔·菲利普·巴赫《A小调长笛协奏曲》。

 　
　
　
　
　
　 　
　 卡尔·菲利普·伊曼纽尔·巴赫 (Carl Philipp Emanuel Bach) 　 　 　
　 卡尔·菲利普·埃马努埃尔·巴赫 (Carl Philipp Emanuel Bach, 1714-1788) 是约翰·塞巴斯蒂安·巴赫 (Johann Sebastian Bach) 的次子，生前被称为“汉堡巴赫”，同时代的人称赞他为“有独创性的天才”，其风头盖过了他的父亲。他被视为感伤主义时期最重要的作曲家，巴洛克音乐风格通过这一时期逐渐过渡到古典主义音乐风格。
卡尔·菲利普·埃马努埃尔·巴赫 (Carl Philipp Emanuel Bach) 和他的三个兄弟姐妹均为约翰·塞巴斯蒂安·巴赫 (Johann Sebastian Bach) 与第一任妻子所生，他在家里便接受了音乐启蒙教育。 他相继在魏玛 (Weimar)、克滕 (Köthen) 和莱比锡 (Leipzig) 度过孩提时代，后在莱比锡和法兰克福（奥德河畔）攻读法律。 但是音乐仍然召唤着他：1740 年，他到波茨坦 (Potsdam) 任腓特烈大帝 (Friedrich des Großen) 的宫廷羽管键琴师。 在服务二十多年之后，C.P.E.巴赫作为做曲家享誉整个欧洲。1768 年，他接手汉堡的教堂乐长之职，直至去世。
这位交友广阔的作曲家始终跟随者时代精神的脚步，他的朋友圈中并非只有音乐家，其中还不乏许多诗人。 因此他的音乐作品包罗万象，除交响乐和室内乐以及由于他职责所在而创作的宗教合唱作品之外，还有数不胜数的歌曲和清唱剧。 作为著名的作曲家，同时也是杰出的键琴演奏家，他的个人作品还包括了钢琴曲集“Für Kenner und Liebhaber”（为行家与爱好者）。 他独树一帜的作曲风格赋予了早年的海顿以灵感，并促成了维也纳古典主义乐派（莫扎特和贝多芬）的诞生。		 　 　 　
　
　 　 　
　 Today in the history of music
On April 19, 1768, after succeeding his godfather, Telemann, as choral conductor in Hamburg, C.P.E. Bach winced because he provided music for more than 200 events a year.
Carl Philipp Emanuel Bach1714 (March 8, 1714 -- December 14, 1788, hamburg-weimar, Germany), second son of J.S. Bach and maria Barbara Bach, was a major composer of the early classical period.
C.P.E. Bach was a precocious musician who had been successful, a true successor to his father, and an important figure in his own right.In his autobiography, he wrote: "apart from my father, I never had a teacher for writing or playing the keyboard.He studied law and received his degree in Frankfurt in 1735, though he probably never considered a career outside music.
In 1740, he was appointed harpsichord player to Frederick the great of Prussia.Frederick was an excellent flautist. He loved music so much that he was accompanied every night by the court orchestra, and only on Mondays and fridays were opera nights.His demands for the obedience of his distinguished harpsichord players became irksome, but it was not until 1767 that Bach was able to resign from his post in Berlin to become music director in Hamburg.At the same time, he had married (1744) and published his Versuch uber die wahre Art das Klavier zu spielen (1753, rev. Ed. 1787;He gained an enviable reputation as a composer, performer and teacher.
Unlike his older brother, William friedman, C.P.E. Bach successfully absorbed the powerful influence of their father and successfully transitioned to the new style.This represents a break with the past, as has happened in few other periods of musical development.The enduring character of baroque music gave way to capricious romanticism, with the most popular contemporary description being "sensitive" (Empfindsamkeit).Bach became the leader of the movement, but he retained the advantage of solid skill and confidence, which he always attributed to his father's teachings and example.
Many of C.P.E. Bach's works include religious music (such as "ode to honor" and "passion"), symphonies, concertos (flute, harpsichord, piano, harpsichord and piano, organ, oboe), organ sonatas, chamber music, and songs.His berlinian music was relatively dated due to the preference of his royal employers.In Hamburg, he developed a bolder style and did much to create the future of music.His symphonies, concertos and keyboard sonatas had a profound influence on the evolution of the classical sonata-allegro form.His influence on Joseph Haydn, w. a. Mozart, and even Ludwig van Beethoven is acknowledged, and it is interesting to note that Bach, after influencing Haydn, allowed himself to be influenced by younger composers, just as Haydn was later influenced by Mozart and influenced by Mozart.
As a performer, Bach was known for his precision, beautiful touch and strong emotions."He became so active and fascinated," wrote Charles burney (the state of German music in 1773), "that he seemed to be an inspired man."His eyes were fixed, his lower lip drooping, a few drops of air bubbling out of his face."
The influence of Bach's prose on keyboard instruments cannot be surpassed in two generations.Haydn called it "the school of schools."Mozart said, "he is the father, we are the children."In his lecture to the young Karl Czerny, Beethoven wrote, "be sure to get the paper by Emanuel Bach.It is indeed one of the most important sources of understanding of the style and interpretation of 18th century music.It is comprehensive and thorough with bass, ornamentation and fingering, and is a true guide to many other 18th century performance refinements.
Today's video: 1. Christopher hawkwood conducting Karl Philip Emanuel Bach's cello concerto in A minor 2. Bremmer baroque orchestra performing Karl Philip Bach's flute concerto in A minor.		 　

　
　
　
　
　 　 　
　 　
　 卡尔·菲利普·伊曼纽尔·巴赫 (Carl Philipp Emanuel Bach） 　 　 　
　 Carl Philipp Emanuel Bach and his three siblings were born to Johann Sebastian Bach by his first wife, and he received an early musical education at home.He spent his childhood in Weimar, Kothen and Leipzig, before studying law in Leipzig and Frankfurt (on the oder).But music still beckons: in 1740, he went to Potsdam to work as a harpsichord for Friedrich des Gro en.After more than twenty years of service, C.P.E. Bach became known throughout Europe as a composer.In 1768, he took over the church rector in Hamburg, where he remained until his death.
 The widely-connected composer followed the zeitgeist, and his circle of friends included not only musicians but also poets.As a result, his musical works include everything from symphonies and chamber music to the religious choral works that he was responsible for, as well as countless songs and oratorios.As a renowned composer and outstanding harpsichord player, his personal works include the piano collection Fur Kenner und Liebhaber (for the connoisseur and the lover).His distinctive style of composition inspired Haydn in his early years and led to the birth of the Viennese classicism (Mozart and Beethoven).。		 　 　 　
　
　
　
　
　 　
　
德国的哥特式的科隆大教堂为汉堡巴赫创作提供了很多灵感。
　 　 　
　 科隆大教堂是欧洲基督教权威的象征，是哥特式宗教建筑艺术的典范。
科隆大教堂 高157.38米，是欧洲除乌尔姆大教堂外第二高的教堂建筑，同样也是世界第三高的教堂。
夜色中的科隆大教堂最为壮观：在灯光的辉映下，教堂显得荧光闪烁，灿烂夺目，美不胜收。装在四周各建筑物上的聚光灯向教堂射出一道道青蓝色的冷光，照在宏伟的建筑上，蓝莹莹的璀璨晶亮，仿佛嵌上了蓝色的宝石，染上了绮丽的神秘色彩。教堂中央的双尖顶直剌云霄，一连串的尖拱窗驮着陡峭的屋顶，整座教堂显得清奇冷峻，充满力量。		 　 　 　
　 Cologne cathedral is a symbol of Christian authority in Europe and a model of gothic religious architecture.
At 157.38 meters, cologne cathedral is the second tallest church building in Europe after ulm cathedral and the third tallest in the world.
Cologne cathedral is the most spectacular in the night: it glows with fluorescent light and is gorgeous.The spotlights mounted on the surrounding buildings cast a cold blue light on the church, shining on the magnificent building, the bright blue yingying crystal, as if embedded in the blue gem, stained with the mysterious color.In the middle of the church, with its double steeple soaring into the sky, and its steep roof supported by a series of pointed arched Windows, the whole church looked cool and powerful.
　		 　 　 　
　
　 　 　
　 　 　 　
　 克里斯托弗·霍格伍德（Christopher Hogwood） 　 　 　
　 克里斯托弗·霍格伍德（Christopher Hogwood），英国指挥家，于1941年9月10日生于英国诺丁汉。早年就学于剑桥大学，师从英国著名羽管键琴演奏家、音乐学家莱帕德（R.Leppard）和达德（T.Dart），也曾随哥伦比亚羽管键琴演奏家普亚纳（R.Puyana）和荷兰羽管键琴演奏家莱翁哈特（G.Leonhardt）学习过。1964年毕业后又赴布拉格进修1年。1967年以羽管键琴演奏家的身份加盟由古乐吹奏家芒罗（D.Munrow）主理的伦敦古乐合奏团。同年他还与英国男高音（Countertenor）鲍曼（J.Bowman）等组成四重奏团，又参与由马里纳领导的圣马丁室内乐团。 　 　 　
　 　
　 克里斯托弗·霍格伍德（Christopher Hogwood） 　 　 　
　  Christopher Hogwood, British conductor, was born on September 10, 1941, in Nottingham, England.He studied at the university of Cambridge, where he studied under the famous harpsichord players and musicologists r. eppard and t.dart in England, as well as with the Colombian harpsichord player r. p. uyana and the Dutch harpsichord player g.leonhardt.After graduation in 1964, he went to Prague for further study for one year.In 1967, he joined the London ensemble of harpsichord as a harpsichord player, led by the ancient musician d.munrow.In the same year, he also formed a quartet with English tenor Countertenor j. bowman, and also participated in the st. Martin chamber orchestra led by mariner. 　 　 　
　 　 　 　
　

【布雷默巴洛克乐团】卡尔·菲利普·巴赫 A小调长笛协奏曲

 III. Allegro assai, Wq.166, H.431

 　 　 　
　 卡尔·菲利普·伊曼纽尔·巴赫:A小调长笛协奏曲。阿赛快板，Wq.166, H.431
布雷默Barockorchester, www.bremer-barockorchester.de
这是2018年11月23日在不来梅“教堂”录制的
Traverso:菲利普联
小提琴:Leila Schayegh, Tomoe Badiarova, Meelis Orgse, Anna Dmitrieva，
Franciska Hajdu, Valeria Caponnetto, Pierfrancesco Pela
维奥拉:爱丽丝·瓦兹，路易斯·平松
巴松管:马丁·雅
连续低音:纳丁·雷默特，雨果·德·罗达斯，内斯特·法比安·科尔特斯·加尔松，费利克斯·戈尔格
　		 　 　 　
　 Carl Philipp Emanuel Bach: Flute Concerto in A minor, III. Allegro assai, Wq.166, H.431
Bremer Barockorchester, www.bremer-barockorchester.de
Recorded in "Unser Lieben Frauen" Church, Bremen on November 23rd, 2018
Traverso: Felipe Egaña
Violin: Leila Schayegh, Tomoe Badiarova, Meelis Orgse, Anna Dmitrieva,
Franciska Hajdu, Valeria Caponnetto, Pierfrancesco Pelà
Viola: Alice Vaz, Luis Pinzón
Bassoon: Martin Jaser
Basso Continuo: Nadine Remmert, Hugo de Rodas, Néstor Fabián Cortés Garzón, Felix Görg		 　 　 　
　
　
　
　 　 　
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