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| 奥托里诺·雷斯皮基(Ottorino Respighi 1879－1936） | |||||||||||||||||||||||
阿尔贝纳·达纳洛娃演奏雷斯皮基《格雷戈里亚诺协奏曲》 |
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Ottorino Respighi - Concerto gregoriano |
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NHK Symphony Orchestra Albena Danailova, violin Jesús López Cobos, conductor @Suntory Hall, Tokyo, Japan (2017.1.18) NHK交响乐团 Albena Danailova,小提琴 指挥，耶稣·洛佩兹·科沃斯 @Suntory Hall，日本东京(2017.1.18) |
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音乐历史上的今天
1936年4月18日，56岁的雷斯庇基（Ottorion Respighi)在罗马因癌症过世，他以罗马的松林为主题创作的管弦乐作品远近闻名。 |
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| 年轻的奥托里诺·雷斯庇基(Ottorino Respighi ） | |||||||||||||||||||||||
| 奥托利诺·雷斯皮基是意大利小提琴家、作曲家和音乐学家，在20世纪初成为意大利主要作曲家之一。 在雷斯皮基最著名的作品中有他的三首交响诗、罗马喷泉、罗马松树和罗马节日，它们展示了丰富的管弦乐色彩，给他带来了国际声誉。 他对16、17和18世纪音乐的音乐兴趣使他根据这些时期的音乐创作作品。 | |||||||||||||||||||||||
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Ottorino Respighi Violinist Ottorino Respighi was an Italian violinist, composer, and musicologist who became one of the leading Italian composers in the early 20th century. Among Respighi's best known works are his three symphonic poems, Fountains of Rome, Pines of Rome, and Roman Festivals, which displayed rich orchestral colours and brought him international fame. His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. |
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Today in the
history of music Ottorion Respighi, who died of cancer in Rome on April 18, 1936, at the age of 56, was best known for his orchestral works on the theme of the city's pine forests. Ottoriano Respighi (Ottorion Respighi, 1879-1936) was an Italian instrumentalist and composer.He was born in bologna on July 9, 1879.Lespigi's musical genius was inherited directly from his father, who was not only good at playing the piano, but had given him music lessons himself from an early age.In 1891, lespigi went to bologna music school to study violin and viola, where he stayed for eight years.After graduation, he came to Russia to learn composition and orchestration from Russian music master rimsky-korsakov.After leaving Petersburg, lespigge returned to Berlin, then the art capital of Europe.He felt a strong cultural atmosphere there, and his music level has been greatly improved.At first he played mainly violin and piano in these places.Gradually, he also began to try to compose music.His works such as piano concerto, king anzo and semirama established his reputation as an excellent composer. In 1913, lespigi moved to Rome, where he lived until his death on April 18, 1936. Lespighi was employed in Rome as a professor of composition at the saint-cicilli school of music, and in 1924 became its director, but resigned two years later to become a professor of composition.The period of lespigi's settlement in Rome was his heyday, and it was during this period that he completed some of his most representative symphonies.These works were created by the composer inspired by the beautiful ancient city with a glorious history -- Rome. They vividly depict the customs of Rome from different angles. Lespigi's music creation abandoned some progressive principles of Italian classical opera and pursued "pure instrumental doctrine".He strove to restore ancient ways in musical form and deliberately imitated the melody and mode and genre of the middle ages.He did not want to dissociate himself from the past, as many contemporary composers do.Most of his work, including his own highly rated ones, is rooted in the past. In addition to his famous symphonic poems, lespigi composed a variety of orchestral works including eight operas, two ballets and some concertos and suites.Lespigi also wrote a number of vocal and chamber music works, in addition, he wrote a religious mystery play "maria egziaka." One of the most important characteristics of lespigi's composition is the combination of traditional musical technique and modern tendency.His works are interwoven with a variety of creative techniques, including classical elements, romantic title music techniques, impressionism, expressionism and neoclassicism.It seems that it is this method of composition, which combines the essence of preparation, that makes lespigi occupy an important position in the music stage. Video of the day: 1. Albena danarova playing lespici's "gregorio concerto"; 2.Dema slobodinuk conducts the galicia youth symphony orchestra in lespicchi's "the pine forests of Rome." |
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| 奥托里诺·雷斯庇基 的夫人艾尔莎·雷斯庇基（Elsa Respighi ） | |||||||||||||||||||||||
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是一名歌手(女中音)，也是一名作曲家，她用雷斯皮基古老的乐曲和舞蹈组曲创作了芭蕾舞剧，并于1937年完成了他的最后一部歌剧《卢克雷齐亚》。在她漫长的一生中，她始终支持她丈夫的工作。1955年，她写了一本回忆录，记录了她与20世纪早期一些最有影响力的文化人物的遭遇。她还在1962年出版了雷斯比吉的传记。 1969年，她在威尼斯的Fondazione Giorgio Cini建立了Fondo Respighi，以促进意大利的音乐教育。她也是1979年Respighi百年庆典的先锋人物，在庆典上，许多长期被忽视的作品得以首次上演并被记录下来。从那时起，她的几部作品，主要是为独奏伴唱，已经进行了他们的首演。 |
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A
singer (mezzo-soprano) and composer herself, Elsa Respighi
created ballets out of Respighi's Ancient Airs and Dances suites
and completed his final opera Lucrezia in 1937. Throughout her
long life she championed her husband's work unfailingly. In 1955
she produced a memoir of her encounters with some of the most
influential cultural figures of the early twentieth century. She
also published a biography of Respighi in 1962. In 1969 she established Fondo Respighi at the Fondazione Giorgio Cini in Venice, to promote music education in Italy. She was also at the forefront of the 1979 Respighi Centenary celebrations, which saw a number of long-neglected works performed and recorded for the first time.[1] Since then, several of her own works, chiefly for solo voice with accompaniment, have been given their premiere. |
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| 奥托里诺·雷斯庇基和埃尔莎·雷斯庇基，在美国北部的一个海滨城市（1932年） | |||||||||||||||||||||||
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Ottorino ed Elsa
Respighi nel 1932, a bordo di una nave per il Nord America |
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交响诗《罗马的松树》 在《罗马的喷泉》大获成功之后，雷斯庇基又按相似的体例创作了交响诗《罗马松树》和《罗马的节日》。雷斯庇基这位配器色彩大师熟练地掌握着一块既能描绘壮观的景象又能作出细致层次，有时还具有像“罗马大道上的松林”中那样表现雷霆万钧之势的神奇的调色板。 他1924年创作的《罗马的松树》于1 9 24年至1 9 2 5年的演出季在罗马的奥古斯都首次上演， 由贝纳迪诺·莫利纳里指挥。而在美国的首演则于1 9 2 6年1月1 4日在卡耐基大厅举行，由纽约爱乐乐团演奏，阿图罗·托斯卡尼尼指挥。 在总谱上，《罗马的松树》的4个乐章描述如下： 第一乐章，波尔盖塞别墅的松树。孩子们在波尔盖塞别墅的松树丛边玩耍，跳着相当于“玫瑰花环舞”的意大利舞；他们模仿着行进的兵士，玩着战争游戏。他们兴奋地叽叽喳喳，就像傍晚的燕子；他们一窝蜂地溜跑了。突然，换了另一幅场景… 第二乐章，墓地的松树。我们在墓穴入口的顶部看到松树的影子。一支忧伤的歌曲从深处冉冉升起，庄严地向四处传去，就像一首圣咏，然后又神秘地消失…． 第三乐章，雅尼古伦山的松树。在空气中有一种微微的颤动。明月下雅尼古伦山的侧影隐约可见。夜莺在歌唱。 第四乐章，罗马大道上的松袜。罗马大道上的薄雾弥漫的黎明。孤独的松树守卫着带有悲剧色彩的战地。无数脚步声组成微弱而不断的节奏。古代灿烂文明的光辉景象出现在诗人的幻觉之中：小号声嘟嘟响起，执政官的军队迎着初升的朝阳向神圣的大道涌去，胜利地登上卡皮托利奈山的顶峰。 |
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Symphonic
poem the pines of Rome After the success of the fountain of Rome, lespigi wrote symphonic poems Roman pine and Roman festival in a similar style.Lespighi, the master of color orchestrator, had mastered a palette that combined grandeur with subtlety, sometimes with the thunderous intensity of "the pine forests of the Roman boulevard." His 1924 pine-tree of Rome was first performed at augustus in Rome during the season of 24-25, Led by bernardino molinari.The American premiere took place at Carnegie Hall on January 14, 2006, with the New York Philharmonic orchestra and arturo toscanini conducting. On the score, the four movements of the pine tree in Rome are described as follows: The first movement, pine trees in the villa boerghese.The children played by the pine trees of the villa bolghese, and danced the Italian equivalent of the rose-garlands dance;They imitated marching soldiers and played war games.They chattered excitedly, like evening swallows;They snuck off in a swarm.Suddenly, there was another scene... The second movement, pine trees in the cemetery.We saw the shadow of a pine tree on top of the entrance to the tomb.A sad song rose from the depths, passed solemnly around, like a chant, and then mysteriously disappeared.... The third movement, the pines of the yanigulun.There was a slight tremor in the air.The silhouette of the yanigulun mountain was dimly visible under the moon.The nightingale is singing. Fourth movement: loose socks on the Roman boulevard.Misty dawn on the Roman boulevard.Lonely pines guard the tragic field.Countless footsteps make up a weak and constant rhythm.The splendour of the ancient civilization is seen in the poet's imagination: the trumpeter blares, the archon's army marches triumphantly up the sacred high road to the summit of mount capito linai against the rising sun. |
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阿尔贝纳·达纳伊洛娃是一位最重要的小提琴家，她在索非亚长大，是一家专业音乐家：她的母亲维奥拉·波波娃是一名钢琴家，她的父亲博扬·达纳伊洛夫是一名著名的小提琴教师。
阿尔贝纳毕业的LyubomirPipkov国家音乐学院和帕乔弗拉德吉罗夫国家音乐学院在索菲亚。
她继续在德国的罗斯托克学习。
她在国内外的国际小提琴比赛中获得了一系列著名的奖项，并有丰富的经验，在慕尼黑和伦敦爱乐乐团担任巴伐利亚州歌剧的音乐会主持人。
阿尔贝纳·达纳洛娃(AlbenaDanailova)成为聚光灯下的焦点，当时她赢得了维也纳Stat
soper音乐会主持人的试镜，并成为担任这一职位的第一夫人。 4. 阿尔贝纳·达纳洛娃(Albena Danailova)一直与保加利亚观众保持着联系。每年她都会来到保加利亚，以独奏者或室内乐团成员的身份举办音乐会。2012年初，她在索菲亚爱乐乐团担任独奏嘉宾。她与德国大提琴家亚历山大·胡尔肖夫一起演奏了勃拉姆斯的双协奏曲。音乐会结束后，阿尔贝纳·达纳洛娃对保加利亚电台说: “我很高兴我在维也纳Statsoper管弦乐团工作了四年。一切都很好。我们的日程很紧，担任首席小提琴手是我日常工作的一部分。我试着在两者之间挤出时间做独奏或室内乐。在我们的工作中，重要的是我们的游戏方式要符合我们的个性。这是非常重要的一个整体。当我们雇佣一个新的音乐家时，正是在这个试用期，我们会发现我们是否在性格上犯了错误。” Albena Danailova将在帕扎尔茨克的冬季音乐之夜与小提琴演奏家的作品一起表演。她还是维恩乐团的首席小提琴手。音乐家们在勃拉姆斯音乐厅表演室内节目。2011年底，在指挥家埃米尔·塔巴科夫的指挥下，阿尔贝纳·达纳洛娃作为保加利亚国家广播电台交响乐团独奏家首次登台演出。他们演奏了贝多芬的小提琴协奏曲。 |
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Albena
Danailova, concertmaster of Vienna’s Statsoper Albena Danai lova is a foremost violinist who grew up in Sofia in the family of professional musicians: her mother, Violeta Popova, is a pianist, and her father, Boyan Danailov, a famous violin pedagogue. Albena graduated the Lyubomir Pipkov National School of Music and the Pancho Vladigerov National Music Academy in Sofia. She continued her studies in Rostock, in Germany. She has garnered a host of prestigious distinctions at international violin competitions at home and abroad, and has a rich experience as concertmaster of the Bavarian State Opera in Munich and the London Philharmonic. Albena Danailova came into the spotlight, when she won an audition for concertmaster of the Statsoper in Vienna, and became the first lady to hold the position. She has the chance of working with world famous musicians and conductors, such as Seiji Ozawa, Daniel Barenboim, Lorin Maazel, etc. Albena Danailova has maintained her connection with the Bulgarian audience. Each year she comes to Bulgaria and gives concerts either a soloist or as part of a chamber ensemble. In the beginning of 2012 she guest performed as soloist of the Sofia Philharmonic. Together with German cellist Alexander Hulshoff she performed Brahms’ double concerto. Here is what Albena Danailova told Radio Bulgaria after the concert. “I am very glad that I have been with the orchestra of the Statsoper in Vienna for four years. Everything goes fine. We have a busy schedule and being a concertmaster is part of my routine. I try to squeeze work as soloist or chamber musician in-between. It is essential in our work that the way we play matches our personality. And it is very important to make an ensemble. When we hire a new musician it is in that trial period that we find out whether we have been wrong about the personality.” Albena Danailova will perform at the Winter Music Evenings in Pazardzhik with virtuoso works from the violinist repertoire. She is also concertmaster of the Ensemble Wien. The musicians perform a chamber programme in the Brahms Hall of the Musikferein. At the end of 2011 Albena Danailova performed for the first time as soloist of the Symphony Orchestra of the Bulgarian National Radio under the baton of maestro Emil Tabakov. They performed Beethoven’s violin concerto. |
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| 迪玛·斯隆博迪努克(Dima Slobodeniouk ) | |||||||||||||||||||||||
| 称赞他深深了解和智能艺术领导下,迪玛Slobodeniouk一直从事的音乐指挥的位置Sinfonica德加利西亚自2013年以来,结合他最近的职位是校长拉赫蒂交响乐团的指挥家和艺术总监的西贝流士节日后在2016年他的任命。他将自己的俄罗斯血统与他后来的祖国芬兰的文化影响联系起来，利用了这两个国家强大的音乐遗产。他与柏林爱乐乐团、Gewandhausorchester Leipzig、Symphonieorchester des Bayerischen Rundfunks、伦敦爱乐乐团、伦敦交响乐团、芬兰广播交响乐团、芝加哥、休斯顿和巴尔的摩以及悉尼交响乐团合作。 | |||||||||||||||||||||||
| Lauded for his deeply informed and intelligent artistic leadership, Dima Slobodeniouk has held the position of Music Director of the Orquesta Sinfónica de Galicia since 2013, which he combines with his more recent positions as Principal Conductor of the Lahti Symphony Orchestra and Artistic Director of the Sibelius Festival following his appointment in 2016. Linking his native Russian roots with the cultural influence of his later homeland Finland, he draws on the powerful musical heritage of these two countries. He works with orchestras such as the Berliner Philharmoniker, Gewandhausorchester Leipzig, Symphonieorchester des Bayerischen Rundfunks, London Philharmonic, London Symphony Orchestra, Finnish Radio Symphony, Chicago, Houston and Baltimore as well as Sydney Symphony Orchestras. | |||||||||||||||||||||||
| 迪玛·斯隆博迪努克指挥加利西亚青年交响乐团演奏雷斯庇基的《罗马的松林》 | |||||||||||||||||||||||
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奥托里诺·雷斯庇基《罗马的松林》 加利西亚青年交响乐团 迪玛·斯隆博迪努克指挥 |
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OTTORINO
RESPIGHI (1879-1936) Pini di Roma Orquesta Sinfónica de Galicia Orquesta Joven de la OSG Dima Slobodeniouk, director |
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