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| 卡尔·戈德马克(Goldmark Károly 1830－1915） | |||||||||||||||||||||||
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| 莎拉·张(Sarah Chang）演奏戈德马克 小提琴协奏曲 | |||||||||||||||||||||||
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戈德马克 小提琴协奏曲，普罗米修斯序曲 GLODMARK Prometheus-overture, Violin concerto 1、A小调小提琴协奏曲，Op.28 I.中速的快板 Violin concerto in A minor Op.28 I. Allegro moderato 00:15:22 2、A小调小提琴协奏曲，Op.28 II.咏叹调：行板 Violin concerto in A minor Op.28 II. Air: Andante 00:07:32 3、A小调小提琴协奏曲，Op.28 III.中庸速度—小快板 Violin concerto in A minor Op.28 III. Moderato-Allegretto 00:13:41 4、“被缚的普罗米修斯”序曲，Op.38 Overture from "Prometheus bound" Op.38 00:17:23 |
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专辑名称：戈德马克
小提琴协奏曲，普罗米修斯序曲/GLODMARK Prometheus-overture, Violin concerto 所属厂牌：EMI Electrola GmbH 出版日期：2000 作曲家：卡尔·戈德马克/Karl Goldmark 指挥：詹姆斯·库隆/James Conlon 表演者：莎拉·张(小提琴)/Sarah Chang; 表演团体：科隆爱乐乐团/Gurzenich-Orchester Kolner Philharmoniker; |
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音乐历史上的今天 1881年4月10日，匈牙利作曲家戈德马克的《A小调第一小提琴协奏曲》首演于维也纳。
卡尔·戈德马克(Goldmark
Károly，1830年5月18日－1915年1月2日）,犹太血统的匈牙利作曲家，小提琴家。1830年五月诞生在平湖边上的堪斯特赫伊村（Keszthely
on the
Plattensee）。父亲任当地犹太教堂合唱队指挥。由于家境贫寒,卡尔仅受到浅薄的音乐基础教育。考入奥登堡音乐小学后，他的小提琴功课进步很快，遂去维也纳在利奥波德露·杨沙（Leopold
Jansa)门下学习三年，又进入维也纳音乐院多学习小提琴和和声课程。1848年爆发革命，音乐院停课，为维持生计，戈德马克在奥地利某小镇上谋到一个军乐队指挥的工作，错误被捕，幸为友人在刑场上保释，险伤一命。他急急返回维也纳，从此发奋读书，苦心造诣七年，写出许多小型作品后重返匈牙利佩斯市学习二年，再回维也纳，此后定居于兹，致力音乐事业。 |
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| 卡尔·戈德马克(Goldmark Károly） | |||||||||||||||||||||||
| 作为一个贫穷的犹太康托尔的儿子，戈德马克在维也纳师从格奥尔格·玻姆(Georg Bohm)学习小提琴，并师从戈特弗里德·普雷耶(Gottfried Preyer)学习理论;他的作文是自学的。在维也纳漫长的职业生涯中，他成为了这座城市的音乐领军人物，指挥Eintracht合唱协会，撰写音乐评论，并为理查德·瓦格纳的派系争取支持——反对约翰内斯·勃拉姆斯和爱德华·汉斯利克。他创作了所有标准体裁的作品，有时使用模糊的匈牙利习语，但几乎总是依赖瓦格纳。他最成功的作品是序曲Sakuntala(1860)和歌剧Die Konigin von Saba。在他的其他作品中有五部歌剧，其中最著名的是《达斯·海姆臣》(1896年;《壁炉里的蟋蟀》(The Cricket on The灶台，查尔斯·狄更斯[Charles Dickens]著);两个交响乐;和室的作品。 | |||||||||||||||||||||||
| The son of a poor jewish cantor, goldmark studied the violin in Vienna with Georg Bohm and theory with Gottfried Preyer;His composition is self-taught.During his long career in Vienna, he became the city's musical leader, conducting the Eintracht choral society, writing music reviews, and rallying support for Richard Wagner's faction against Johannes Brahms and Edward hansrik.He wrote in all the standard genres, sometimes using obscure Hungarian idioms, but almost always relying on Wagner.His most successful works are the overture Sakuntala(1860) and the opera Die Konigin von Saba.Among his other works are five operas, the most famous of which is darth hemson (1896;"The Cricket on The hearth" (Charles Dickens);Two symphonies;And room works. | |||||||||||||||||||||||
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Today in the
history of music Hungarian composer mark goldmark's violin concerto no. 1 in A minor premiered in Vienna on April 10, 1881. Carl Karoly (May 18, 1830 -- January 2, 1915) was a Hungarian composer and violinist of jewish origin.Born in May 1830 in the village of Keszthely on the Plattensee on the edge of a lake.My father was the local synagogue choir director.Owing to his poor family, Carl received only a superficial musical education.After being admitted to oldenburg music school, he made rapid progress in violin lessons. He went to Vienna to study under Leopold Jansa for three years, and then entered the Vienna conservatory to learn more violin and harmony courses.To make ends meet, goldmark took a job as a military conductor in a small town in Austria after the 1848 revolution, when the conservatory was closed.He rushed back to Vienna and studied hard for seven years. After writing many small works, he returned to Perth, Hungary, studied for two years, and then returned to Vienna. After that, he settled in yuz and devoted himself to music. Goldmark writes music reviews, teaches piano, and focuses on composition.This unassuming and taciturn figure spent the rest of his life in Vienna, where he became an important pillar of the local music scene. He devoted himself to the study of the techniques of contemporary Wagner and to his music.His own work is similar in style and conception to Wagner's: the characters in the harmony-rich country plays are written in detail, but his orchestration is unique and witty.For example, "The queen of Sheba" (The queen of Sheba), an opera that he made in ten years with painstaking efforts, created vivid characters, beautiful music and rich Oriental colors, which caused a sensation in Germany and Italy and was performed in New York.This is his representative.In addition, his "Sakuntala Oberture," about the Indian maiden Sakuntala and king dohiyana's separation and separation, has a beautiful melody, a strong Indian flavor, for the music industry. "Rustic Wedding Symphony" Symphony no. 26, set in 1876, is actually more like a five-movement suite, full of lyrical melodies, pleasant melodies, elegant melodies, and witty sentiments.Interest, revealing the love and joy of the newlyweds, this is one of the author's most successful crystal.Each movement has a title: l, the wedding march.2. Wedding song.Serenade.In the garden.5. Dance music. Other works, including two violin concertos, reflect on his childhood violin lessons.Some violins, piano music, quartet, "in the spring" and other overture, can reveal the composer's noble, happy heart and gentle personality. The critic j.a. Full er ~ Maitland summed up goldmark's music by saying, "although he didn't tap into the deepest notes in the human heart, nor did he leave behind the most masterful fragments in the world, his work gave musicians an extraordinary sense of pleasure and joy." Video of the day: 1. Sarah Chang playing the goldmark violin concerto; 2. Eric friedman plays goldmark's "Air." |
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专辑名称：戈德马克
小提琴协奏曲，普罗米修斯序曲/GLODMARK Prometheus-overture, Violin concerto 所属厂牌：EMI Electrola GmbH 出版日期：2000 作曲家：卡尔·戈德马克/Karl Goldmark 指挥：詹姆斯·库隆/James Conlon 表演者：莎拉·张(小提琴)/Sarah Chang; 表演团体：科隆爱乐乐团/Gurzenich-Orchester Kolner Philharmoniker; |
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| 戈德马克： 《A小调第一小提琴协奏曲》作品28号 | |||||||||||||||||||||||
| （Goldmark:Violin Concerto No.1,in A minor,1877） | |||||||||||||||||||||||
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卡尔·戈德马克(Goldmark
Károly，1830年5月18日－1915年1月2日）是作曲家中罕见的一位，他的遭遇恐怕还是空前绝后的，他曾经死里逃生。这件事情发生在l848年。那年正值政治动荡席卷欧洲，他担任着杰尔市(Gyor)剧院乐队的小领导。当革命风暴中冲击着这个城市时，他被错认为是“叛逆”，而被处以极刑——用火烧死。总算幸运，由于当时及时纠正这一误会，因而保全了他的性命。如果惨遭横死，我们今天也就无从听闻这首协奏曲。这部协奏曲作于1877年，A小调，是他的第28号作品。 1830年戈德马克生于匈牙利的堪斯特赫伊（Keszthely),自纺家境贫困,父亲是犹太人做礼拜时的合唱队指挥,无力供应他上正规的音乐课程。然而,当戈德马克十二、三岁 时，他在乡村音乐教师的指导下，却显示了非凡的才能。1844年他被送往维也纳，随杨沙（Jansa）学习。1847年进音乐学院跟伯姆（Bohm）学提琴,又在普赖尔（Preyer）那里学和声。到30岁时，他已经熟悉了乐队所宥的器乐，同时，也流露了他作魏方面的技巧和才麓。他的音乐，想像力丰富，经过他精细的艺术加工之后，具有浓厚的交响色彩。1865年，一位使人感到畏惧的评论家汉斯立克（Hanslick)他曾苛刻评论了柴可夫斯基的小提琴协奏曲）曾对他的乐队的丰富色彩写下了好评。 虽然戈德马克的作品很多，有六部歌剧、许多合唱曲，七首序曲，两部交响随、一首交响诗以及无数的室内乐曲，但是他的声誉使人们至今仍缅怀着的是他的《乡村婚礼》（Rustic Wedding）交响曲，作品第26号,和这首现在音乐界逐渐熟悉的第一小提琴协奏曲，作品第28号。不合理地讲，也可能这首协奏越为独奏乐器写得太好了，使人们竟一时认不出来。 这首协奏曲差不多把什么都包括了，优美的主题，结合了光辉丽有效的弓法，指法，能立即引起人们内心的共鸣。因此许多年以来，程度深的学生把它视为“典型”协奏曲，有志向的青年演奏家甚至觉得它是他们演奏大型罗曼带克协奏曲的入门，因为它包含了许多在各方面都必须具备的技巧——在整个指板上快速的走句，气派很大朗诵式的陈述，各种方式的弓法，那优美的慢板乐章中迷人的旋律以及终曲那激动人心的片断。 但是，许多学生却忽视了它，在他们的眼光里，把这首协奏曲比同那些缺少灵感和好像练无止境的克罗伊策（Kreutzer）、罗德(Rode)翻贝里奥特（Berot）的“学生”协奏曲。其实不然，事实是它包含了无限的诗意和音乐灵感，其程度远远胜过其同时期那些音乐学院作曲家的作品。好的演奏家一接触这首协奏曲立即会觉察到它是一部多么吸引人的作品。伟大的小提琴家海菲兹（Heifetz）早就熟悉该作品。1920年就将其慢板乐章录制成唱片。 全曲三个乐章的音乐是精美的罗曼蒂克形式，其旋律的处理完全证实了戈德马克具有作为，一个歌剧作曲家的勇气和才能，和声中坚定的全音阶布局，华丽而又精致的艺术手法，又给人以亲切感人的气氛。 卡尔·戈德马克(生于1830年5月18日，凯兹塞利，洪。- 1915年1月2日生于奥地利维也纳)，奥匈帝国作曲家，其歌剧Die Konigin von Saba(1875年;《示巴女王》(The Queen of Sheba)在19世纪末非常流行。 卡尔·戈德马克（德语：Karl Goldmark，匈牙利语：Goldmark Károly，1830年5月18日－1915年1月2日），生于一贫困家庭，有兄弟姐妹十余人。早年到维也纳音乐学院学习小提琴，作曲方面基本靠自学成材。后一直居住维也纳，并成为勃拉姆斯的好友。戈德马克擅长配器，并有较高的旋律天赋，其作品优美动听，平易近人，常具有一定民间色彩。但由于内涵稍逊，故今天演出机会不多。 |
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作为一名具有韩国血统的美国小提琴家，莎拉·张(Sarah
Chang)作为一名青春期前的独奏者已经是名人了;与许多神童不同的是，她顺利地过渡到成年，并一直是国际舞台上备受瞩目的独奏家。 她从5岁开始公开表演;不到两年，她就获得了茱莉亚音乐学院的斯特林奖学金，并在那里与多萝西·迪莱(Dorothy DeLay)和孝康(Hyo Kang)一起学习。8岁时，她在茱莉亚音乐学院只学习了两年，在这两年里，她仍然把拉小提琴当作一种爱好。之后，她参加了指挥家祖宾·梅赫塔和里卡多·穆蒂的试演，并将他们击败。1988年，她与梅赫塔和纽约爱乐乐团一起表演了帕格尼尼的第一小提琴协奏曲。很快，她发现自己与世界上最伟大的管弦乐队一起演奏帕格尼尼、柴可夫斯基和西贝柳斯协奏曲，衣服里还塞着一张百代唱片的唱片合同。最初的特写和评论都集中在一个可爱的小女孩身上这种技术精湛的不协调性上，而她十几岁时的报道也同样是半惊半喜。 |
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| 莎拉·张（Sarah Chang) | |||||||||||||||||||||||
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| 莎拉·张（Sarah Chang) | |||||||||||||||||||||||
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An American violinist of Korean heritage, Sarah Chang was already a celebrity as a prepubescent soloist; unlike many child prodigies, she made the transition to adulthood painlessly, and remains a high-profile soloist on the international circuit. She began performing in public at age 5; within two years, she had won the Starling scholarship to the Juilliard School, where she studied with Dorothy DeLay and Hyo Kang. At age 8, after only two years of study at Juilliard during which she still regarded playing the violin as a hobby, she auditioned for conductors Zubin Mehta and Riccardo Muti and bowled them over. She made her professional debut in 1988 performing Paganini's Violin Concerto No. 1 with Mehta and the New York Philharmonic. Soon she found herself playing Paganini, Tchaikovsky, and Sibelius concertos with the world's greatest orchestras, with an EMI recording contract tucked into her frock. Initial features and reviews focused on the incongruity of such technical virtuosity coming from a cute little girl, and coverage during her teen years was similarly half awed, half patronizing. |
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| 弗里德曼(Erick Friedman 1939-)曾任耶鲁大学音乐学院教授。 雅沙·海菲磁作为20世纪中最伟大的小提琴演奏大 师．在世界小提琴艺术史上具有着无与伦比酌影响和地位。他那以神奇的技艺、稀有的风格和高尚的情趣所形成的伟大艺术精神，是 整个20世纪现代小提琴家们奉若神明的境界。然而在后辈小提琴 家当中，谁是海菲茨艺术精神的真正继承者，一直就是人们所经常议论的话题。故然 ，以帕尔曼为首的众多现代小提琴家们，在他们的演奏中都或多或少地受到了这位神话般的天才大师的影响．但是从根本上说，他们还都是属于借鉴的范畴之内的，而真正成为海 菲茨艺术精神直接继承者的人物，就是20世纪中叶卓越的美国小 提琴家弗里德曼。 | |||||||||||||||||||||||
| Erick Friedman was a professor at the Yale school of music.As the greatest violin master of the 20th century.In the world violin history has an unparalleled influence and status.His great artistic spirit, formed by his magical skills, rare style and noble taste, was the realm of deification of modern violinists throughout the 20th century.However, among the later generations of violinists, who is the true successor of heffetz's artistic spirit has been a topic of constant discussion.Therefore, many modern violinists, led by perlman, are more or less influenced by this mythical genius in their performance.But fundamentally speaking, they still belong to the category of reference, and the real heffetz art spirit of the direct successor, is the outstanding American violinist friedman in the middle of the 20th century. | |||||||||||||||||||||||
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| 埃里克·弗雷德曼演奏戈德马克的《旋律》 | |||||||||||||||||||||||
Karl Goldmark - Air（埃里克·弗雷德曼 |
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