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| 约翰·塞巴斯蒂安·巴赫（Johann Sebastian Bach 1685-1750） | |||||||||||||||||||||||
【古尔德】巴赫；哥德堡变奏曲 BWV988；1955/1981版本The Goldberg Variations BWV 988 |
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| 哥德堡变奏曲，BWV 988，是音乐史上规模最大、结构最恢宏、也是最伟大的变奏曲，全作品包括主题，30个变奏，主题反复。古尔德是这部作品最有号召力的演奏家，他于1955年和1981年先后两次在录音棚中录制了哥德堡变奏曲，本视频摄于1981年。古尔德在演奏的时候，没有流露丝毫多愁善感，反而一直处于极度的欣喜和幸福之中。在巴赫的伟大音乐中，古尔德战胜了死亡，超越了时空，成为了名副其实的艺术圣徒。 | |||||||||||||||||||||||
| Gothenburg variations, BWV 988, is the largest, most magnificent and greatest variation in the history of music.Gould was the most influential performer of the work, recording goldberg variations in a studio in 1955 and again in 1981, in this video from 1981.Gould played without sentimentality, but in a state of ecstasy and bliss.In Bach's great music, gould overcame death, transcended time and space, and became a veritable saint of art. | |||||||||||||||||||||||
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音乐历史上的今天
1685年3月21日，约翰·塞巴斯蒂安·巴赫出生在今日德国中部图林根森林地带的爱森纳赫。虽然爱森纳赫是一个小城镇，可它的市民却酷爱音乐。 |
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| 约翰·塞巴斯蒂安·巴赫（Johann Sebastian Bach ） | |||||||||||||||||||||||
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Today in the
history of music Johann Sebastian Bach was born on March 21, 1685, in eisenach, in what is now central Germany, in the forest of thuringia.Although eisenach is a small town, its citizens love music. Johann Sebastian Bach (1685-1750) is the successor of the past polyphonic musical art. He is the peak representative of baroque music, the last great religious artist, and one of the giants in the history of music. Since the end of the 16th century, the Bach family has been known as a musical family. Within two years, dozens of musicians were born, most of them active in thuringia or the surrounding areas.Several of his children went on to become famous in the music business.For young Bach, who had a great talent for music, it was lucky to grow up in such an environment. At the age of eight, Bach entered the Latin school for an extensive subject education.At home, Bach followed his father in violin and cello skills and his uncle in organ lessons.His mother died of illness when he was nine years old, and his father died the following year. Bach had to stay with his brother and continue his education while learning organ and harpsichord from his brother.At that time, Bach was also a child soprano in the church choir.Based on a love of music and desire, he is skilled in a very short period of time brother as he arranged all the music courses, but it doesn't seem to satisfy his desire of learning, he has repeatedly pleaded with brother let him have a look at some famous masters, such as Florida, berger, Kerr and seashells large keys, the music of violin music such as people but are brother sternly refused.Despite the large amount of musical materials stored in the house, his domineering brother would not allow him to read them, no matter how hard he begged.Little Bach had to take advantage of his brother's leaving home and sleeping in the middle of the night, secretly in the moonlight to the beloved music score a stroke to write down, lasted as long as half a year, thus greatly damaged his vision, so that he spent his old age in blindness in pain, until death. How sad and honorable that a 10-year-old boy who had lost both parents should be able to claim valuable knowledge from his own family in this way!It was strange that his brother could not be moved by such a noble and persistent pursuit. When he discovered his brother's secret, he was so furious that he not only ruthlessly confiscated all Bach's efforts, but also severely punished him without introspection or pity. At 15, Bach felt he could no longer rely on others.He finally left home and went on his own. His excellent singing voice and excellent clavichord, violin, and organ skills won him admission to the choir of the marcus church in luneburg and admission to the theological school.The library contained a wealth of classical music, and Bach plunged into it like a giant sponge, absorbing and integrating the artistic achievements of various European genres and broadening his musical horizon. He often stayed up all night to practice.On holidays, he would walk tens of miles to Hamburg to hear famous musicians. Looking back on Bach's development, we can find that he consulted many famous musicians, but never received long-term guidance from a formal teacher.Because of this, he just like a hard bee, everywhere looking for and suck nutrition, experienced painstaking, at all costs. In Bach's life, poverty and death went hand in hand like a pair of terrible devils.He married twice and had 20 children.Not only did he never enjoy a life of affluence and comfort, but he began to feel the gloom of death when his parents died at the age of nine and, as a father, saw his 11 children walk into the grave. In his later years, Bach had two operations to cure his eyes. The result was not only that he could not see again, but that his body collapsed and he finally died on July 28, 1750. Although Bach's career revolted between the noble court and the church, even though his music was attached to the religious system, his works focused on the thoughts, feelings and sufferings of the common people.His works also have humorous and cheerful themes, which are expressed as the hope of happiness and ideal, the overcoming of pain and abuse, and the implicit dissatisfaction and protest against the reality.His hymns and passion songs are his masterpieces. Bach's creation can be generally divided into three main stages -- the weimar period (1 708 ~ 1717), which was the period when his creation reached maturity.Corden's period (1717 ~ 1723) was the peak of his creation, and many outstanding works were completed in this period.The leipzig period (1723 ~ 1750) was the period when Bach promoted religious art to the highest level. Bach's musical works covered all musical fields except opera.Although much of the work has long since been lost, more than 500 remain.Throughout history, Bach's music has been written with great power, but when it comes to his contribution to the history of music and music education, he is unsurpassed.The music giant of the baroque period opened up a new state of music skills such as counterpoint music, equal temperament and fugue in later generations, consolidated the stable foundation stone of music art after him, and became the source of artistic inheritance of Haydn, Mozart, Beethoven and other great music artists. Bach's greatest achievement in the art of music was to push polyphonic music to an unprecedented height, in this territory, he can be said to have reached the highest level of excellence. Today's video: 1. Glenn gould playing Bach; 2.Gothenburg variations BWV988 (1955/1981 version);2. Violinist anastasia petrishek plays Bach's aria on the G string. |
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| 巴赫和他的三个儿子，其中大儿子弗里德曼的二儿子埃曼努埃尔，从少年时代起就在父亲身边听上乘的音乐。 | |||||||||||||||||||||||
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在世界音乐史上，可以说，没有哪一个家族比巴赫家族对人类的音乐事业作出更大的贡献了。 巴赫家族自十六世纪中叶以来，即生活在塞巴斯蒂安。巴赫的诞生地——德国中部图林根州爱森那赫市附近。家族的始祖菲特·巴赫是一个面包师，同时也是一位齐特拉琴业余演奏家，他和他的兄弟汉斯·巴赫是这一音乐家族有据可考的最早的祖先。自十六世纪中叶至今，巴赫家族共传了九代，成员有一百人。最后一人卡尔·贝伦啥尔特。巴维尔·巴赫殁于1968年。 菲特之子卡斯帕尔·巴赫是家族中第一个职业音乐家，曾任哥达市乐师及阿尔恩斯塔特市宫廷乐师。从这以后，巴赫家族中曾先后诞生过五十多位音乐家，包括管风琴家、作曲家、小提琴家、长笛演奏家、小号演奏家以及市镇与宫廷乐长等。其中有六人曾对德国及欧洲音乐发展有重要的贡献。他们当中除了被称为“音乐之父”的塞巴斯蒂安·巴赫之外，还有威廉·弗里德曼（1710-1784）、卡尔·菲立普·艾曼纽(1714一1788)、约翰·克里斯多夫·费德烈(1732-1795)．约翰·克利斯蒂安(1735-1782)，维海姆·弗里多里普· 奥斯托(1759-1845)。其中艾曼纽在当时已声名远扬，甚至超过了他的父亲。 |
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In the history of world music, it can be said that no family has made a
greater contribution to the cause of human music than the Bach family. The Bach family has lived in Sebastian since the middle of the sixteenth century.Bach was born near eisenach in the central German state of thuringia.Fett Bach, a baker and amateur zither player, and his brother Hans Bach are the earliest known ancestors of this musical family.From the middle of the 16th century to the present, the Bach family has descended from nine generations and has 100 members.The last man, Carl belem holt.He died in 1968. Fett's son, caspar Bach, was the first professional musician in the family, having been a musician in the city of gotha and a court musician in the city of alnstadt.Since then, the Bach family has produced more than 50 musicians, including organists, composers, violinists, flute players, trumpet players, and town and court musicians.Six of them have made important contributions to the development of music in Germany and Europe.In addition to Sebastian Bach, known as the father of music, there were William friedman (1710-1784), Carl Philip Emmanuel (1714-1788), and John Christopher Frederick (1732-1795).John Christian (1735-1782), vihelm fridoripe ostow (1759-1845).One of them, Emmanuel, was now more famous than even his father. |
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| 巴赫《十二平均律钢琴曲集》 | |||||||||||||||||||||||
| 巴赫是运用双手所有五个手指在现代钢琴的前身羽管键琴上演奏的创始人。巴赫指出，所有的琴键都是有联系的，各种升降音在羽管键琴上应调成可以互相替换的。例如，虽然升C和降D是在同一个键上，但理论上，升C音要比降D音略高一点。巴赫主张调整音调，以便使这些相邻的升降音能在同一个键上弹出来。巴赫写了《十二平均律钢琴曲集》，向作曲家们表明：通过所有的关系调和调性来扩展和声的发展是完全可能的。人们经常称《前奏曲与赋格曲》是“音乐家的圣经”，并说，即使所有的音乐都在地球上消失了，只要有这样一部值得纪念的著作多音乐家们仍能概括出音乐结构的轮廓，来作为重新建立一个完整的调性的文献的指南。 | |||||||||||||||||||||||
| Bach was the originator of the harpsichord, the precursor of the modern piano, which he played on with all five fingers of his hands.Bach pointed out that all the keys were connected, and that the hintings on the harpsichord should be interchangeable.For example, even though c-sharp and d-flat are on the same key, in theory, c-sharp is slightly higher than d-flat.Bach advocated tuning so that these adjacent elevations could play on the same key.Bach wrote a collection of the twelve even-tempered piano tunes to show composers that it was possible to extend the development of harmony through all its relations and harmonies.Preludes and fugues are often referred to as "the musicians' bible," and it is said that even if all music were lost from the earth, a memorable work by many musicians would still outline the structure of music as a guide to re-establishing a complete tonal document. | |||||||||||||||||||||||
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| 格伦·古尔德（(Glen gould)） | |||||||||||||||||||||||
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格伦·古尔德（1932年9月25日-1982年10月4日）生于加拿大安大略省多伦多市， 加拿大钢琴演奏家。 他以演奏约翰·塞巴斯蒂安·巴赫乐曲闻名于世。1964年以后停止公开演奏，转向录音。 自幼随母亲学琴，后入多伦多皇家音乐学院学习。十二岁毕业，成为该校历史上最年轻的毕业生。十五岁时，与多伦多交响乐团合作首次公演。1955年到美国公演，弹奏巴赫的作品《哥德堡变奏曲》，一举成名。他还从事作曲，并在多伦多大学任教。在现代钢琴家中，象他那样以巴赫作品作为整个音乐会曲目是绝无仅有的。其演奏以严谨的结构、丰富多彩的变化、生动传神的处理，令人叹为观止。他演奏的曲目相当广泛，但以演奏巴赫作品获最高评价” |
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Glen gould
(September 25, 1932 -- October 4, 1982) was born in Toronto,
Ontario, Canada. He is famous for his music of johann Sebastian Bach.After 1964, he stopped playing in public and turned to recording. He studied piano with his mother as a child, and then studied at the royal conservatory of music in Toronto.He graduated at the age of twelve, making him the youngest graduate in the school's history.At the age of fifteen, she made her debut with the Toronto symphony orchestra.In 1955, he came to the United States for public performance and became famous by playing Bach's goldberg variations.He also composed music and taught at the university of Toronto.Among modern pianists, he is unique in having Bach as an integral part of the concert repertoire.Its performance with rigorous structure, colorful changes, vivid processing, amazing.He played a wide range of repertoire, but received top reviews for playing Bach. |
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| 格伦·古尔德（(Glen gould)） | |||||||||||||||||||||||
| Fedorova (anna fedorova) pianist, one of the best young pianists in the world today. Born in 1990 in Kiev, a musical family began learning piano at the age of five, showing a natural sense of perfection and amazing skill from an early age. Graduated from Leeschenko Music School in Kiev under Boris Feodorov (b.fedorov). He studied at the international piano academy in imola, italy, under leonida marhariusa professor (jana horowitz's student, horowitz's sister). When the pianist's tour career began, she was just a child, and audiences around the world were shocked by the depth and passion of her music expression. Commentators praised Anna's performance and wrote :" Sweet plain and wild expression ", brought to the audience ," completely surprised, with a strong appeal and shock !" | |||||||||||||||||||||||
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| 阿纳斯塔西娅·佩特里谢克（Anastasiya Petryahak） | |||||||||||||||||||||||
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阿纳斯塔西娅·佩特里谢克
1994年出生于乌克兰。8岁时，她开始在公共场合表演。2005年，她前往意大利继续深造，并在16岁时考入了克雷莫纳“沃尔特·斯托弗”国际学院的高级小提琴特训课程，该课程由大师萨尔瓦托·阿卡尔多开设。 教育 阿纳斯塔西娅在17岁时以满分、荣誉和优异成绩毕业。2015年，在Laura Gorna的指导下，她以最高的成绩和荣誉，完成了在克蕾蒙纳为期两年的高水平艺术教育。2018年，她与大师鲁道夫·科尔曼在苏黎世ZHdK学院顺利完成了“专业音乐表演-独奏”硕士学位的学习。 与她的学术研究同时，阿纳斯塔西娅参加了伯里斯·贝尔金、扎哈尔·布隆、皮埃尔·阿莫约尔、菲利克斯·阿约、杰基·波克和什洛莫·敏茨的大师班。 多次比赛的优胜者 2012年以来，多次荣获“2011年意大利音乐学院最佳毕业生”、“第15届全国音乐演奏大赛”、“第4届渐强音乐大赛”等奖项。2016年，她荣获第46届“欧洲日”“欧洲古典音乐个性奖”。同年，她又获得用著名的尼科洛帕格尼尼的小提琴“大炮”演奏的殊荣，她与管弦乐队合作，在热那亚的卡洛费利斯剧院演奏了《帕格尼尼第一协奏曲》。 阿纳斯塔西娅多次举行音乐会和重要的剧院和音乐厅演出,在欧洲,中东,乌兹别克斯坦,韩国,和美国,在导演的指导下,如马罗塔布冯Gelmetti,迈克尔•Tabachnick Luigi Piovano菲利普•Draganov洛伦佐Bizzarri,阿尔波特·奥兰帝,安德里亚·Battistoni保罗Ponziani Ciardi等等。 表演者与安德烈波切利 自2010年以来，她以独唱和安德烈波切利在众多音乐会和巡演中支持他的二重唱，取得了巨大的成功，公众和评论家。 其他活动 阿纳斯塔西娅与克雷莫纳的安东尼奥·斯特拉迪瓦里基金会(Antonio Stradivari Foundation)合作，定期演奏该系列的所有乐器:斯特拉迪瓦里(Stradivari)、阿玛蒂(Amati)、格苏(Guarneri del Gesu)等。她还与音乐声学实验室理工的米兰和帕维亚大学的非侵入性诊断的实验室,它处理的声学方面的仪器和物理性质弦乐器小提琴,现代小提琴的阿玛蒂家族和克雷莫纳家族del Gesu国际三年小提琴制造竞争的赢家。 索尼古典独家 2017年，她与索尼经典签订了独家合同。2018年，她发行了自己的第一张CD，名为“Amato Bene”，由1690年的斯特拉迪瓦里“Toscano”、“Gli Archi dell 'Orchestra dell 'Accademia dell ' academy ia Nazionale di Santa Cecilia”和导演Luigi Piovano共同录制。这张CD的重点是维瓦尔第的音乐，包括RV 342音乐会，在其第一次世界录音。 2012年，阿纳斯塔西娅拉着罗伯特·瑞加兹为她特制的小提琴。 |
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Anastasiya Petryahak was born in Ukraine in 1994. At
the age of eight, she began performing in public. In
2005 she moved to Italy to continue her studies
which led her, at the age of sixteen, to be admitted
to the high violin specialization course held by
Maestro Salvatore Accardo at the “Walter Stauffer”
International Academy in Cremona. Education Anastasiya graduated at the age of 17 with full marks, honours and honourable mention. In 2015 she concluded the two-year high-level artistic education in Cremona under the guidance of Laura Gorna with the highest marks, praise and honourable mention. In 2018 she successfully completed the Master’s Degree in “Specialized Music Performance – Solist”, with Maestro Rudolf Koelman, at the ZHdK Academy in Zurich. Simultaneously with her academic studies, Anastasiya took Masterclasses with Boris Belkin, Zakhar Brohn, Pierre Amoyal, Félix Ayo, Gyorgy Pauk, and Shlomo Mintz. Prize winner of numerous competitions Since 2012 she has won numerous competitions as “Best Graduates of Conservatories and Music Institutes of Italy 2011”, 15th National Competition of Musical Execution “Etruscan Riviera”, the 4th edition of the “Crescendo” competition. In 2016 she received the “European personality in classical music” award for the 46th “European Day”. In the same year, she performed the Concerto no.1 for violin and orchestra by Niccolò Paganini at the Carlo Felice Theatre in Genoa playing the famous “Cannone” of Niccolò Paganini. Active concert schedule Anastasiya has held numerous concerts and recitals in important theaters and concert halls, in Europe, the Middle East, Uzbekistan, South Korea, and the US and played under the guidance of directors such as Marcello Rota, Gianluigi Gelmetti, Michael Tabachnick, Luigi Piovano, Philip Draganov, Lorenzo Bizzarri, Alberto Orlandi, Andrea Battistoni, Paolo Ponziani Ciardi and others. Performer with Andrea Bocelli Since 2010 she has performed as a soloist and in duet with Andrea Bocelli supporting him in numerous concerts and tours with a great success of the public and critics. Other activities Anastasiya collaborates with the Antonio Stradivari Foundation of Cremona, regularly playing all the instruments of the collection: Stradivari, Amati, Guarneri del Gesù and others. She also collaborates with the Laboratory of musical acoustics of the Polytechnic of Milan and the Laboratory of non-invasive diagnostics of the University of Pavia, which deal with the acoustic aspect of the instrument and the physical nature of the violins of Stradivari, Amati and Guarneri del Gesù , of the modern violins winners of the International Triennial Violin Making Competition. Sony Classical exclusive In 2017 she signed an exclusive contract with Sony Classical. In 2018 she released her first CD entitled “Amato Bene”, recorded with the Stradivari “Toscano” of 1690 together with “Gli Archi dell’Orchestra dell’Accademia Nazionale di Santa Cecilia” and director Luigi Piovano. This CD focuses on Vivaldi’s music and includes the RV 342 concert, in its first world recording. Anastasiya plays a violin by Roberto Regazzi built specifically for her in 2012. |
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巴赫 - G弦上的咏叹调 & 小提琴 阿纳斯塔西娅·佩特里谢克Air On The G String, J. S. Bach - Anastasiya Petryshak,Violin |
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G弦上的咏叹调，巴赫-阿纳斯塔西娅·佩特里谢克，小提琴 Anastasiya Petryshak 2016年9月5日发布 Anastasiya Petryshak,小提琴,乐团Cantelli约翰·塞巴斯蒂安·巴赫G弦上的咏叹调米兰大教堂桑特'AmAir On The G String, J. S. Bach - Anastasiya Petryshak, Violin |
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Anastasiya Petryshak 2016年9月5日发布 Anastasiya Petryshak, violin ,Orchestra Cantelli Johann Sebastian Bach Air On The G String Milan, Basilica sant'Ambrogio - 18 December 2015 Follow Anastasiyabrogio——2015年12月18日 |
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