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　　　　　　　　　　　　　　　　　　　　　　　　　　　　            田润德 编译文/图 2020-03-18  19:36

 　
　
　
　
　

　
　
　
　
　

　
　
　
　
　
　 谢尔盖·拉赫玛尼诺夫（Sergei  Rachmaninof  1873-1943） 　 　 　
　   　 　 　
　

拉赫玛尼诺夫第二钢琴协奏曲 乌克兰美女钢琴家安娜·费托罗娃

Anna Fedorova

 　 　 　
　 此节目为2017瑞士卢塞恩音乐节的一部分
Berliner Philharmoniker 柏林爱乐乐团
Sir Simon Rattle, conductor
Elsa Dreisig, soprano
Mark Padmore, tenor
Florian Boesch, bass-baritone
KKL (Kultur und Kongresszentrum Luzern)		 　 　 　
　
　 　 　
　 音乐历史上的今天

1927年3月18日，拉赫玛尼诺夫在费城演奏了《第四钢琴协奏曲》，但之后他决定收回修改。评论家发现这首协奏曲的慢乐章主题同一首名为《三只盲眼老鼠》（Tbree Btinct Rice）的儿歌有相似之处。

谢尔盖·拉赫玛尼诺夫（Sergei  Rachmaninof  1873年4月1日生于俄罗斯，1943年3月28日逝世），是二十世纪世界的古典音乐作曲家、钢琴家、指挥家。
拉氏毕业于著名的莫斯科音乐学院（现莫斯科柴可夫斯基音乐学院）；他的创作中深受柴科夫斯基影响，有深厚的民族音乐基础，旋律丰富，擅长史诗式壮阔的音乐风格；主要作品有第二、三钢琴协奏曲、帕格尼尼主题狂想曲、二十四首前奏曲、音画练习曲，歌剧《阿莱科》、《利米尼的法兰契斯卡》和第二交响曲、管弦乐“死岛”、钟等。其中《d小调第三钢琴协奏曲》以其艰深的难度，成为钢琴演奏曲目中的“最难”。

 柴可夫斯基、里姆斯基-科萨科夫、巴拉基列夫、穆索斯基和其他俄罗斯作曲家的影响在他的早期作品中看到，后来被一种以歌曲般旋律、表现力和丰富的管弦乐色彩而闻名的个人风格所取代。

拉赫玛尼诺夫的作曲风格跟柴可夫斯基是遥相呼应，拉赫玛尼诺夫夫一家生活在20世纪的早期，拉赫玛尼诺夫年纪比较大的时候已经有了留声和录音技术， 拉赫玛尼诺夫有自己的录音，这就有非常不一样的感觉，古往今来的音乐大师的作品应该演奏成什么样子，拉赫玛尼诺夫有自己的录音，这对后来又了一个非常好的参考。
拉赫玛尼诺夫是一个钢琴家，钢琴弹的超好，他是一个巨人症，据说他有两米高个子，他的手极大无比可以轻松跨十二度。
他的创作不得志，第一部交响曲创作之后非常不被看好，他是一个玻璃心，别人一批评他，他就非常气馁，第一交响曲之后他颓废消沉了多年，直到他到美国发展，用他的第二钢琴协奏曲，才敲开成功之门，拉赫玛尼诺夫非常喜欢低音，他不喜欢高音，所以他很多钢琴协奏曲都是很低沉的，尤其是他的拉二开头，是最低的，平时不一定能用到的低音开始的，他是模仿俄罗斯教堂的钟声。
世界上最难的钢琴协奏曲是，拉赫玛尼诺夫第三钢琴协奏曲，甚至很多钢琴家是拒绝演奏这部作品的，讲到拉赫玛尼诺夫必须提及霍洛维茨，因为拉克马尼诺夫这部协奏曲就是为霍洛维茨创作的。因为霍洛维茨的技术极高，在当时除了霍洛维茨很少有人能演奏这首协奏曲。
他许多作品值得听的，他的特点就是旋律极强，他是一个非常唯美的浪漫主义作曲家。
拉赫玛尼诺夫有一首帕格尼尼主题狂想曲，是他晚年所作，甚至被称为他的第五钢琴协奏曲，其中第18首变奏在一部电影中被用作配乐，让这首曲子名扬海外。

今日视频：1、乌克兰美女钢琴家安娜·费托罗 娃演奏拉赫玛尼诺夫第二钢琴协奏曲 ；2、希腊钢琴家吉娜·巴豪尔演奏拉赫玛尼诺夫 前奏曲 op.32 no.10；3、俄罗斯钢琴家丹尼斯·马祖耶夫演奏拉赫玛尼诺夫第四钢琴协奏曲。

 　
　
　
　
　
　
　 　
　 年轻时代的谢尔盖·拉赫玛尼诺夫（Sergei  Rachmaninof  ） 　 　 　
　 谢尔盖·拉赫玛尼诺夫是一位传奇浪漫的俄罗斯作曲家、钢琴家和指挥家。他的音乐以优美的旋律、精湛的钢琴演奏和令人兴奋的编曲为特点。他在莫斯科接受的训练使他首先成为一名音乐会钢琴家，但作为一名年轻的作曲家，他表现出了惊人的天赋，他在十几岁时就创作了《升C小调前奏曲》和独幕剧《阿列科》，令他的导师柴可夫斯基惊叹不已。他的大部分作品都是晚期浪漫主义风格，类似于柴可夫斯基，尽管肖邦和李斯特的强烈影响是显而易见的。他的作品包括四首钢琴协奏曲，三首交响曲，两首钢琴奏鸣曲，三首歌剧，一首合唱交响曲，一组晚祷，帕格尼尼主题狂想曲，41首前奏曲和练习曲，交响舞曲和许多歌曲。拉赫玛尼诺夫的第二钢琴协奏曲是钢琴演奏曲目中最伟大的作品之一。 　 　 　
　 Sergei Rachmaninov was a legendary romantic Russian composer, pianist, and conductor. His music is characterized by sweeping melodies, virtuosic pianism, and heady orchestration. His Moscow training equipped him first and foremost to be a concert pianist but as a young composer he showed prodigious gifts, stunning his mentor Tchaikovsky with the C Sharp Minor Prelude and the one-act opera, Aleko, he composed while still in his teens. Most of his pieces are in a late Romantic style akin to Tchaikovsky, although strong influences of Chopin and Liszt are apparent. His compositions include, among others, four piano concerti, three symphonies, two piano sonatas, three operas, a choral symphony, a setting of the Vespers, Rhapsody on a Theme of Paganini, 41 Preludes and Etudes, Symphonic Dances, and many songs. Rachmaninov’s Piano Concerto No. 2 is one of the greatest works in the piano repertoire.     　 　 　
　 　 　 　
　 1917年12月23日,44岁的拉赫玛尼诺夫永别俄罗斯，没有人为他送行，只有夏里亚宾为他准备了一些鱼子酱和自制的白面包。 　 　 　
　 On December 23, 1917, at the age of 44, Rachmaninov left Russia for good, with no one to see him off, only Shariabin prepared some caviar and homemade white bread for him. 　 　 　
　 　
　 谢尔盖·拉赫玛尼诺夫（Sergei  Rachmaninof  ） 　 　 　
　 1934年
61岁的拉赫玛尼诺夫在做完小手术后来到了卢塞恩湖休养，开始酝酿以帕格尼尼的《A小调第二随想曲》其中一个主题写一首狂想曲。舒曼和勃拉姆斯之前都提出过这样的设想。拉赫玛尼诺夫每天从早到晚工作，在六个星期内完成了这首协奏曲。		 　 　 　
　  The year 1934
Rachmaninoff, 61, came to Lake Lucerne after minor surgery
To recuperate, and to begin the brewing of Paganini's "Capriccio No. 2 in A Minor."
Write a rhapsody on one of the themes. Schumann and Brahms had both made this argument before. Rachmaninoff worked every day from morning to dusk, completing the concerto in six weeks.		 　 　 　
　 　 　 　 　
　 　 　 　 　
　 谢尔盖·拉赫玛尼诺夫是一位传奇浪漫的俄罗斯作曲家、钢琴家和指挥家。他的音乐以优美的旋律、精湛的钢琴演奏和令人兴奋的编曲为特点。他在莫斯科接受的训练使他首先成为一名音乐会钢琴家，但作为一名年轻的作曲家，他表现出了惊人的天赋，他在十几岁时就创作了《升C小调前奏曲》和独幕剧《阿列科》，令他的导师柴可夫斯基惊叹不已。他的大部分作品都是晚期浪漫主义风格，类似于柴可夫斯基，尽管肖邦和李斯特的强烈影响是显而易见的。他的作品包括四首钢琴协奏曲，三首交响曲，两首钢琴奏鸣曲，三首歌剧，一首合唱交响曲，一组晚祷，帕格尼尼主题狂想曲，41首前奏曲和练习曲，交响舞曲和许多歌曲。拉赫玛尼诺夫的第二钢琴协奏曲是钢琴演奏曲目中最伟大的作品之一。 　 　 　
　 Sergei Rachmaninov was a legendary romantic Russian composer, pianist, and conductor. His music is characterized by sweeping melodies, virtuosic pianism, and heady orchestration. His Moscow training equipped him first and foremost to be a concert pianist but as a young composer he showed prodigious gifts, stunning his mentor Tchaikovsky with the C Sharp Minor Prelude and the one-act opera, Aleko, he composed while still in his teens. Most of his pieces are in a late Romantic style akin to Tchaikovsky, although strong influences of Chopin and Liszt are apparent. His compositions include, among others, four piano concerti, three symphonies, two piano sonatas, three operas, a choral symphony, a setting of the Vespers, Rhapsody on a Theme of Paganini, 41 Preludes and Etudes, Symphonic Dances, and many songs. Rachmaninov’s Piano Concerto No. 2 is one of the greatest works in the piano repertoire.     　 　 　
　 　 　 　
　 拉赫玛尼诺夫和夏里亚宾 　 　 　
　 　 　 　
　 这张图片摄于1890年代末，画面为谢尔盖·拉赫玛尼诺夫和歌手费奥多尔·夏里亚宾。这张图片收藏于莫斯科的中央M. 格林卡音乐博物馆，仅供编辑使用。 　 　 　
　 This image could have imperfections as it’s either historical or reportage.
Sergei Rachmaninoff and Singer Feodor Chaliapin, End 1890s. Found in the collection of State Central M. Glinka Museum of Music, Moscow.Strictly for Editorial use only.		 　 　 　
　 　 　 　
　 伟大的男低音歌唱家费多尔·伊万诺维奇·夏里亚宾（Chaliapin Fedor Lvanovich，Ф.И. Шаляпин，1873-1938年） 　 　 　
　 　 　 　
　 夏里亚宾与哈尔滨 　 　 　
　 1936 年春，63 岁的俄罗斯歌唱家夏里亚宾来到中国，其中就包括哈尔滨。夏里亚宾从日本到了上海，又从上海坐船到大连，从大连经过沈阳、长春后来到哈尔滨，到达时间好像是 3 月 7 日。他住在中央大街的马迭尔旅馆，在这里住了半个多月。
     原计划演出时间因他生病而延迟，最终于 3 月 16 日、19 日、20 日在哈尔滨道里西九道街的美国电影院（后为东北电影院，1997 年拆除）举行了 3 场独唱音乐会，另外还有一场嘉演是在中东铁路哈尔滨俱乐部。
     尽管夏里亚宾演出时身体欠安，但他的歌声给人们留下了极深的印象，不仅对俄罗斯的观众有很大影响，对中国观众也是如此。当时哈尔滨的大街小巷到处都飘荡着夏里亚宾的歌声，在所有的商店里都悬挂着他的照片，许多人都盼望能得到他的签名。
      夏里亚宾的哈尔滨之行给这座城市的音乐文化带来了一定的影响，也成为了哈尔滨音乐历史上的一段重要记忆。他的到来丰富了哈尔滨的音乐文化生活，让哈尔滨的观众有机会欣赏到世界顶级歌唱家的表演，对哈尔滨音乐文化的发展起到了推动作用。		 　 　 　
　 　 　 　 　
　 拉赫玛尼诺夫和夏里亚宾的友情 　 　 　
　 拉赫玛尼诺夫和夏里亚宾有着深厚且独特的友谊。他们都是俄罗斯音乐界的巨匠，两人的友谊在音乐领域有着诸多体现：

    夏里亚宾是杰出的歌唱家，他多次出色地演绎了拉赫玛尼诺夫的声乐作品。1899 年，夏里亚宾在拉赫玛尼诺夫的独幕歌剧《阿列科》中担任主角，进行了精彩的表演。这部歌剧早在 1892 年于莫斯科首演时就获得了成功，夏里亚宾的演绎更是为其增色不少。

    夏里亚宾卓越的歌唱艺术给了拉赫玛尼诺夫很多创作上的灵感。可以说，夏里亚宾的演唱对拉赫玛尼诺夫在声乐作品创作方面产生了积极的影响，推动他创作出了许多优秀的声乐作品。

    拉赫玛尼诺夫对夏里亚宾的艺术才华非常认可和赞赏。夏里亚宾不仅歌唱技艺高超，在表演和艺术理解方面也有独特的见解，这让拉赫玛尼诺夫对他十分钦佩。

    夏里亚宾对拉赫玛尼诺夫的音乐创作才能也极为尊重。拉赫玛尼诺夫作为作曲家、钢琴家、指挥家，在音乐领域的多方面才能和杰出成就，让夏里亚宾对他充满敬意。在合作中，夏里亚宾对拉赫玛尼诺夫的创作意图和音乐表达有着深刻的理解和尊重。

    夏里亚宾性格外向，善于交际，是人群中的焦点；而拉赫玛尼诺夫相对内向、沉默寡言。但在相处中，他们的性格形成了一种奇妙的互补。拉赫玛尼诺夫在夏里亚宾身边时，会被他的幽默和故事所吸引，成为一个倾听者，享受与夏里亚宾相处的时光。

    拉赫玛尼诺夫和夏里亚宾的友谊是建立在对彼此艺术才华的认可和尊重基础上的，他们在艺术上相互成就，性格上互补契合，这种友谊在俄罗斯音乐史上留下了浓墨重彩的一笔。

                                                                                                                       ——莫扎特之旅

 　 　 　
　 The friendship between Rachmaninoff and Shaliapin

was a deep and unique one. Both were giants in the world of Russian music, and their friendship had many musical expressions:

Shaliapin was an outstanding singer who performed Rachmaninoff's vocal works with great skill many times. In 1899, Shaliapin played the lead role in Rachmaninoff's one-act opera Aleko, delivering a brilliant performance. The opera had its premiere in Moscow in 1892 and was a success, and Shaliapin's performance enhanced its appeal even further.

Shaliapin's outstanding singing art gave Rachmaninoff many inspirations for his compositions. It can be said that Shaliapin's singing had a positive impact on Rachmaninoff's vocal works, driving him to create many excellent vocal works.

Rachmaninoff highly recognized and appreciated Shaliapin's artistic talent. Shaliapin not only had exceptional singing skills, but also had unique insights into performance and artistic understanding, which made Rachmaninoff admire him greatly.

Shaliapin also showed great respect for Rachmaninoff's musical creative talent. As a composer, pianist, and conductor, Rachmaninoff's multifaceted talents and outstanding achievements in music made Shaliapin respect him greatly. In their collaboration, Shaliapin had a profound understanding and respect for Rachmaninoff's compositional intentions and musical expression.

Shaliapin was outgoing and skilled at socializing, and was the center of attention in any crowd. In contrast, Rachmaninoff was relatively introverted and reserved. However, in their interactions, their personalities formed a wonderful complement. When Rachmaninoff was with Shaliapin, he was drawn to his humor and stories and became a good listener, enjoying the time spent with Shaliabinov.

The friendship between Rachmaninoff and Shaliapin was based on mutual recognition and respect for each other's artistic talent. They achieved each other's artistic success, complemented each other's personalities, and this friendship left a vivid mark on the history of Russian music.

                                                                                                                     ——Mozart on tour

 　 　 　
　
Today in music history
On March 18, 1927, Rachmaninoff performed the Fourth Piano Concerto in Philadelphia, but later decided to withdraw the revision. Critics found similarities in the theme of the slow movement of the concerto to a children's song called "Tbree Btinct Rice" (Three Blind Mice).
Sergei Rachmaninof (born April 1, 1873 in Russia; died March 28, 1943) was a classical music composer, pianist and conductor of the 20th century.
He graduated from the prestigious Moscow Conservatory (now Moscow Tchaikovsky Conservatory); His creation is deeply influenced by Tchaikovsky, has a profound foundation of folk music, rich melody, good at epic magnificent music style; His main works include the second and third piano Concertos, Paganini's Rhapsody, 24 preludes, etudes, opera "Alecco", "Limini's Francisca" and Symphony No. 2, orchestral "Dead Island", Bells, etc. Among them, Piano Concerto No. 3 in d Minor has become the "most difficult" in piano playing repertoire because of its difficult difficulty.
The influence of Tchaikovsky, Rimsky-Korsakov, Balakirev, Mussorgsky, and other Russian composers was seen in his early works, later replaced by a personal style known for its songlike melodies, expressivity, and rich orchestral color.

Rachmaninoff's style of composition is very much in line with Tchaikovsky's, the Rachmaninoff family lived in the early 20th century, Rachmaninoff when he was older already had the technique of recording and recording, Rachmaninoff had his own recording, which had a very different sense of what the music of the great masters of the ages should be playing, Rachmaninoff had his own recordings, which later became a very good reference.
Rachmaninoff was a pianist, very good at the piano, he was a gigantism, it was said that he was two meters tall, and his hands were so large that they could easily span twelve degrees.
His creation was not successful, after the creation of the first symphony was very unpopular, he was a glass heart, when others criticized him, he was very discouraged, after the first symphony, he was decadent and depressed for many years, until he went to the United States to develop, with his second piano concerto, it was knocked on the door of success, Rachmaninoff likes the bass very much, he does not like the high voice, Therefore, many of his piano concertos are very low, especially his double opening, which is the lowest, usually not necessarily can use the bass, he is modeled after the Russian church bell.
The most difficult piano concerto in the world is Rachmaninoff's Third Piano Concerto, even many pianists refuse to play this work, and Rachmaninoff must mention Horowitz, because Rachmaninoff wrote this concerto for Horowitz. Because of Horowitz's skill, few other people could play the concerto at the time.
Many of his works are worth listening to, he is characterized by strong melodies, he is a very beautiful romantic composer.
Rachmaninoff had a rhapsody on a Paganini theme that he wrote in his later years and is even known as his Fifth Piano Concerto, the 18th variation of which was used as the soundtrack in a film, making the piece famous abroad.

Video of the day: 1. Ukrainian beautiful pianist Anna Fetorova performs Rachmaninoff's Second Piano Concerto; 2. Greek pianist Gina Bahower performs Rachmaninoff's Prelude, op.32 no.10; 3. Russian pianist Denis Mazuev performs Rachmaninoff's Piano Concerto No. 4.		 　 　 　
　 　 　 　 　
　 　 　 　 　
　
　 　 　
　 　
　 谢尔盖·拉赫玛尼诺夫与尤金·奥曼蒂 　 　 　
　 Sergei Rachmaninoff and Eugene Omanti 　 　 　
　 作曲家兼钢琴家谢尔盖·拉赫玛尼诺夫和尤金·奥曼蒂在1938年音乐学院的一次排练中。
艾德里安·西格尔收藏/费城交响乐团协会档案
88年前，也就是1927年3月18日，费城交响乐团在音乐学院首次演奏了谢尔盖·拉赫玛尼诺夫(Sergei Rachmaninoff)的第4号钢琴协奏曲。作曲家在1928年修改了这首协奏曲。1941年，费城交响乐团首演了另一个也是最后的一个修订版
据WRTI的苏珊·刘易斯报道，费城交响乐团与俄罗斯作曲家、钢琴家和指挥家之间的紧密联系是通过这些作品和其他作品建立起来的。		 　 　 　
　 Composer/pianist Sergei Rachmaninoff and Eugene Ormandy during a rehearsal at the Academy of Music in 1938.
ADRIAN SIEGEL COLLECTION/PHILADELPHIA ORCHESTRA ASSOCIATION ARCHIVES
It was 88 years ago - on March 18, 1927 - that The Philadelphia Orchestra played the first performance of Sergei Rachmaninoff’s Piano Concerto No. 4 at the Academy of Music. The composer revised the concerto in 1928. And, in 1941, The Philadelphians premiered yet another revised version - the final one.

As WRTI's Susan Lewis reports, the strong ties between the Philadelphia Orchestra and Russian composers, pianists and conductors have been forged through these and other works.

 　 　 　
　
　 　 　
　 　
　
　
　 希腊钢琴家吉娜·巴豪尔Greek pianist Gina Bachauer (1913-1976) 　 　 　
　 希腊钢琴家吉娜·巴豪尔(1913-1976)在雅典音乐学院开始了她的学业，之后进入了音乐师范学院，师从阿尔弗雷德·科托特。在巴黎，她还能师从拉赫玛尼诺夫。25岁时，她在雅典国家交响乐团首次登台。随着第二次世界大战的到来，她为中东的盟军演奏了数百场音乐会。战后，她在伦敦重新开始了她的音乐生涯，在皇家阿尔伯特音乐厅举办了一场音乐会，由亚历克·谢尔曼指挥，后来她嫁给了他。
巴hauer经常被称为20世纪最伟大的女钢琴家。她完美的风格被认为是浪漫钢琴传统的最佳代表。她因高超的技巧、有穿透力的音调和密集的段落而受到称赞。她在拉赫玛诺夫第二钢琴协奏曲的演奏中表现出了所有这些品质		 　 　 　
　 　 　 　 　
　

Gina Bachauer-拉赫玛尼诺夫 前奏曲 op.32 no.10

 　 　 　
　 Greek pianist Gina Bachauer (1913-1976) started her studies at the Athens Conservatory before attending the Ecole Normale de Musique to study with Alfred Cortot. In Paris, she was also able to study with Rachmaninov. Her professional debut was made at age 25 with the Athens National Symphony Orchestra. With the advent of WW II, she played hundreds of concerts for the Allied forces in the Middle East. After the war, she restarted her career in London with a concert at the Royal Albert Hall, conducted by Alec Sherman, who she later married.

Bachauer has often been called the greatest female pianist of the 20th century. Her consummate style was considered the best representation of the romantic piano tradition. She was praised for her enormous technique, her penetrating tone, and the intensity of her passage work. Her performance of Rachmanov’s Piano Concerto No. 2 brings out all of these qualities in her playing.
　		 　 　 　
　 　 　 　 　
　 　
　 安娜费多洛娃（(anna fedorova)） 　 　 　
　 费多洛娃(安娜费多洛娃)钢琴家，当今世界上最好的年轻钢琴家之一。1990年出生于基辅的一个音乐世家，5岁开始学习钢琴，从小就表现出天生的完美感和惊人的技巧。鲍里斯·费奥多罗夫(b.fedorov)毕业于基辅的列斯琴科音乐学校。他在意大利伊莫拉的国际钢琴学院师从莱奥尼达·玛赫里萨教授(jana horowitz的学生，horowitz的妹妹)。当这位钢琴家开始她的巡演生涯时，她还只是个孩子，全世界的观众都被她音乐表达的深度和激情所震惊。评论者称赞了安娜的表演，并写道:“甜美朴实而狂野的表情”，带给观众“彻底的惊喜，带有强烈的感召力和震撼力!” 　 　 　
　 　
　 安娜`费多洛娃 (anna fedorova) 　 　 　
　 Fedorova (anna fedorova) pianist, one of the best young pianists in the world today. Born in 1990 in Kiev, a musical family began learning piano at the age of five, showing a natural sense of perfection and amazing skill from an early age. Graduated from Leeschenko Music School in Kiev under Boris Feodorov (b.fedorov). He studied at the international piano academy in imola, italy, under leonida marhariusa professor (jana horowitz's student, horowitz's sister). When the pianist's tour career began, she was just a child, and audiences around the world were shocked by the depth and passion of her music expression. Commentators praised Anna's performance and wrote :" Sweet plain and wild expression ", brought to the audience ," completely surprised, with a strong appeal and shock !" 　 　 　
　
　 　 　
　 　
　 丹尼斯·马祖耶夫（Denis Matsuev） 　 　 　
　 自从丹尼斯·马祖耶夫在1998年第11届国际柴可夫斯基比赛胜利,他已经 基础了一个最伟大的艺术大师俄罗斯钢琴家的传统,已迅速成为他这一代最杰出的钢琴家之一。
马祖耶夫先生与世界最著名的管弦乐团合作的很多,如纽约爱乐乐团和洛杉矶爱乐乐团,芝加哥交响乐团、费城交响乐团,匹兹堡交响乐团、柏林爱乐乐团,慕尼黑爱乐乐团,巴伐利亚广播交响乐团、Staatskapella德累斯顿,莱比锡布业大厅乐团,Orchestre国家法国,巴黎Orchestre, Orchestre Philharmonique de无线电法国、伦敦交响乐团、伦敦交响乐团、皇家爱乐乐团、维也纳爱乐乐团,皇家Concertgebouw音乐厅管弦乐团交响乐团,BBC交响乐团、伦敦交响乐团“爱乐乐团”,蒙特利尔交响乐团,Filarmonica德拉Scala,乐团的学院赢得冠军迪圣塞西莉亚,维也纳交响乐团,以色列爱乐乐团和鹿特丹爱乐乐团,奥斯陆交响乐,国家交响乐团的比利时、瑞士Romande乐团、苜蓿交响乐团、Verbier和布达佩斯节日管弦乐团,Maggio音乐会佛罗伦萨,NHK交响乐团,以及欧洲室内乐团。 他不断重新保持与传说中的俄罗斯圣彼得堡爱乐乐团等乐团,马林斯基交响乐团和俄罗斯国家交响乐团。
丹尼斯给演出在美国波士顿、华盛顿和纽约卡内基音乐厅(键盘大师系列),在伦敦皇家节日音乐厅(国际钢琴系列),马德里在Auditorio Nacional de重逢,阿姆斯特丹在Concertgebouw音乐厅(主钢琴家系列)和莫斯科(大会堂莫斯科音乐学院)。		 　 　 　
　 Since his triumph in the 1998 at the 11th International Tchaikovsky Competition, Denis Matsuev has become a virtuoso in the grandest of Russian pianistic tradition and has quickly established himself as one of the most prominent pianists of his generation.

Mr. Matsuev performs with the world's best known orchestras, such as the New York Philharmonic and Los Angeles Philharmonic Orchestras, Chicago Symphony Orchestra, Philadelphia Orchestra, Pittsburg Symphony Orchestra, Berlin Philharmonic Orchestra, Munich Philharmonic, Bavarian Radio Symphony Orchestra, Staatskapella Dresden, Leipzig Gewandhaus Orchestra, Orchestre National de France, Orchestre de Paris, Orchestre Philharmonique de Radio France, London Symphony, London Philharmonic, Royal Philharmonic Orchestra, Vienna Philharmonic Orchestra, Royal Concertgebouw Orchestra, National Symphony Orchestra, BBC Symphony, “Philharmonia” Orchestra of London, Montreal Symphony Orchestra, Filarmonica della Scala, Orchestra of Accademia Nazionale di Santa Cecilia, Vienna Symphony, Israel Philharmonic and Rotterdam Philharmonic, Oslo Symphony, National Orchestra of Belgium, Swiss Romande orchestra, Lucerne Symphony orchestra, Verbier and Budapest Festival Orchestras, Maggio Musicale Fiorentino, NHK Symphony, as well as the European Chamber Orchestra. He is continually re-engaged with the legendary Russian orchestras such as the St. Petersburg Philharmonic, the Mariinsky Orchestra and the Russian National Orchestra.

Denis gives recitals in the USA in Boston, Washington and New York in Carnegie Hall (Keyboard Virtuosos series), in London in Royal Festival Hall (International Piano series), Madrid in Auditorio Nacional de Musica, Amsterdam in Concertgebouw (Master Pianists series) and Moscow (the Great Hall of Moscow Conservatory).		 　 　 　
　 　
　 俄罗斯钢琴家丹尼斯·马祖耶夫演奏拉赫玛尼诺夫第四钢琴协奏曲 　 　 　
　 Russian pianist Denis Mazuev performs Rachmaninoff's Piano Concerto No. 4 　 　 　
　
　
　
　 　 　
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