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田润德
编译
文/图 2020-02-19 16:36 |
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朱尔斯·马斯内(Jules mile Massenet
1842-1912) |
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【小提琴】沉思 Clara Jumi Kang-Massenet meditation
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曲目:meditation(沉思)作者:Massenet (马斯奈)
演奏:Clara Jumi Kang(康珠美)韩裔德国 |
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音乐历史上的今天
1910年2月19日朱尔斯·马斯内在蒙特卡洛被自己的歌剧《唐吉坷德》深深迷住了,该剧由伟大的俄罗斯男低音夏里亚宾担纲主演。“啊!这是多么完美而壮观的首演!”
朱尔斯·马斯内(Jules mile Frédéric
Massenet)法国作曲家。1842年5月12日生于蒙托,1912年8月13日卒于巴黎。1847年全家移居巴黎。他的母亲教钢琴课补助家庭费用。马斯内自幼跟母亲学钢琴,11岁入巴黎音乐学院。
朱尔斯·马塞内是法国浪漫主义时期的作曲家,以他的歌剧闻名,他创作了三十多部歌剧。最常上演的两出戏是《玛农》和《维特》。他还创作了清唱剧、芭蕾、管弦乐、配乐、钢琴曲、歌曲和其他音乐。
今日视频:1、康珠美演奏马斯内歌剧《泰伊思》选曲《沉思》。2、2019年布雷根茨音乐节演出马斯奈的歌剧《唐吉诃德》
;3、马斯奈
歌剧《泰依丝》;4、克莱斯勒 演奏 马斯奈 《沉思》;5、不一样的马斯奈《沉思》--吉特里斯(1988)6、泰伊思冥想曲(沉思曲)(柯岗演奏);7、马斯奈《沉思》,穆特演奏;8、斯蒂潘·豪瑟
泰伊思冥想曲【大提琴版】9、泰伊思冥想曲(沉思曲)(迈克尔·拉宾演奏)。 |
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朱尔斯·马斯内(Jules mile Massenet ) |
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Today in the
History of Music
Jules Massenet was mesmerized by his own opera Don Quixote, starring the
great Russian bass Sariabin, in Monte Carlo on February 19,
1910."Ah!What a perfect and spectacular opening!"
Jules Mile Frederic Massenet (Jules Mile Frederic Massenet) is a French
composer.He was born on 12 May 1842 in Monto and died on 13 August 1912
in Paris.In 1847 the family moved to Paris.His mother gave piano lessons
to support the family.Massenet learned piano from her mother at an early
age and entered the Paris Conservatory of Music at the age of 11.
Jules Massenet was a French composer of the Romantic period, known for
his operas, of which he composed more than thirty.The two most
frequently performed plays are "Manon" and "Werther".He also wrote
oratorios, ballets, orchestras, scores, piano pieces, songs and other
pieces of music.
Video of the Day: 1. Kang Jumei performs "Meditation" from Massenet's
Thais.2. Masnet's Don Quixote at the Bregenz Festival in 2019;Masnet's
opera Thais; 3.4. Chrysler playing Masnai's "Reflections";5. A Different
Masnai's Meditations -- Gitris (1988) 6. Thais Meditations (Meditations)
(performed by Cogan);Masnai's "Meditation", played by Mutter;8. The
Thais Meditation by Stepan Hauser (Cello Edition) 9. The Thais
Meditation by Michael Rabin. |
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费多尔·伊万诺维奇·夏里亚宾(Chaliapin
Fedor Lvanovich ) |
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费多尔·伊万诺维奇·夏里亚宾(1873-1938),俄国男低音歌唱家。被誉为世界低音之王,他是一位具有独创精神的艺术家,表演与人物、语言
和歌唱高度融合,嗓音洪亮,音域宽广,富有表现力。主演过电影《可怕的沙皇伊凡》和《堂吉诃德》,录有近
200张唱片,著有《我生活的一页》和《面具和人》等书。 |
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夏里亚宾饰演马斯内的歌剧《唐吉坷德》中的唐吉坷德 |
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夏里亚宾中国之行
哈尔滨侨居着许多白俄,夏里亚宾到来时,全城沸腾,尤其俄国侨民更是欣喜若狂,像迎接一个盛大节日,又像迎接一位亲人。中国大街(今中央大街)上到处张贴着夏里亚宾的招贴画,马车声“哒、哒”响,里面乘坐着去参加夏里亚宾音乐会的人们。歌唱家来到这里,仿佛回到了俄罗斯……
结束了令他激动不已的哈尔滨之旅,夏里亚宾启程到上海。上海文艺界知名人士立即举行了一个隆重而热情的茶话会欢迎贵宾。茶话会开到一半,梅兰芳站起来向客人表示歉意,说晚上还有演出,需要提前离开。夏里亚宾听了非常吃惊,问道:“怎么?今天你有演出还来参加这个会?”他的神情与口气显得十分不理解,甚至有点责备的意思,接着他又说:“我的习惯是,演出前夕决不参加宴会,连说话都要尽量减少。这样,到了歌唱时才能保证精神饱满,发音清亮。”大歌唱家这一席话让梅兰芳牢牢记在心里,后来他把这件事讲给青年演员听,并告诫他们一定要百倍爱护自己的嗓子。
夏里亚宾在哈尔滨、上海演出的盛况早就传到了北京。歌王尚未抵达北京,北京的《世界日报》已经刊登了许多介绍夏里亚宾以及这次独唱音乐会的文章。音乐会平均票价为6块袁大头,在那时是相当昂贵的,但仍然被抢购一空。而夏里亚宾本人这时候绝没有料到,当时年仅20岁的青年李德伦,在观赏完他的演唱会后就迷上了音乐,并从此献身音乐,后来成为新中国的第一代指挥大师。夏里亚宾成了李德伦的启蒙老师。李德伦说:亲耳聆听过夏里亚宾的歌声,是他一生的光荣。
夏里亚宾中国之行的最后一个城市是天津。演唱会会场设在天津英租界设备十分考究的耀华学校礼堂,演出盛况不亚于北京,票价也与北京相当,从5元直到10元。众多文艺界人士和音乐爱好者纷纷前往观赏。日后分别成为艺术大家的沈湘和曹禺都曾去聆听独唱会。曹禺回忆道:我对夏里亚宾这个名字早就熟悉,并且知道他是高尔基的好友。我在南开中学上学时,张彭春老师就给学生播放夏里亚宾的唱片《伏尔加船夫曲》,作为艺术欣赏课。这给我留下非常深刻的印象。后来夏里亚宾到天津开独唱音乐会,我知道后便急忙去买票。他的《伏尔加船夫曲》唱得深沉,浑厚,有力,令人神往。我还从未听过这么美妙绝伦的歌唱。西洋音乐对我产生了很好的影响。 |
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Shari abin's trip
to China
Harbin was home to many white russians, and when sharyabin arrived, the
whole city was seething with excitement, especially the Russian
expatriates, as if welcoming a grand festival, as if welcoming a loved
one.China street (today's central street) was plastered with posters of
Shari abin, and the sound of horse-drawn carriages was "da da da", and
people were riding in them to Shari abin's concerts.The singer came
here, as if back to Russia...
After an exciting trip to Harbin, he set off for Shanghai.Shanghai
literary and art celebrities immediately held a grand and enthusiastic
Summer in the bin
Summer in the bin
The tea party welcomes the distinguished guests.Halfway through the tea
party, mei lanfang stood up to apologize to the guests, said there was a
performance in the evening, we need to leave early.Shariabin was very
surprised and asked, "why?Are you coming to the meeting today with a
performance?"He looked and sounded very uncomprehending, almost
reproachful, and then added: -- it is my custom never to go to a party
before a performance, and to speak as little as possible.That way, when
it comes to singing, you'll be fresh and articulate."A great singer this
words let mei lanfang firmly in mind, later he told the young actors to
listen to this matter, and warned them must take care of their voice a
hundred times.
Shariabin's performances in Harbin and Shanghai had already spread to
Beijing.The singer has not yet arrived in Beijing, where the world
journal has already published many articles about her and the solo
concert.The average ticket price for the concert was six yuan, which was
quite expensive at the time, but it was still sold out.And the xia
riabin oneself by this time absolutely did not expect, at that time the
youth li delun of 20 years old is only, after watching his concert is
infatuated with music, devote oneself to music from now on, become the
first generation of conductor master of new China later.Shari abin
became li delun's first teacher.Li delun said: it is the glory of his
life to have heard the song of Shari abin with his own ears.
The last city on Shari abin's China trip was tianjin.The concert venue
is located in the hall of yaohua school, which is very well-equipped in
the British concession area of tianjin. The performance is as grand as
Beijing, and the ticket price is the same as Beijing, ranging from 5
yuan to 10 yuan.Many people from the literary and art circles and music
lovers came to see it.Shen xiang and cao yu, who later became masters of
art, went to listen to the recitals.Cao yu recalled: I have long been
familiar with the name of xialiabin, and know that he is a good friend
of gorky.When I was at nankai middle school, zhang pengchun played the
volga ferryman, a recording by Shari abin, as an art appreciation
class.I was very impressed.Then she went to tianjin for a solo concert,
and I went to buy a ticket.His volga ferryman is deep, rich, powerful
and fascinating.I've never heard anything so beautiful.Western music has
had a good influence on me. |
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马斯奈《唐吉诃德》2019年布雷根茨音乐节
Massenet - Don Quichotte Bregenzer Festspiele
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Jules Massenet - Don Quichotte
Bregenzer Festspiele 2019
儒勒·马斯奈:唐吉诃德
2019年 布雷根茨音乐节
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Cast:
Gabor Bretz (Don Quichotte)
Anna Goryachova (Dulcinée)
David Stout (Sancho)
Léonie Renaud (Pedro)
Vera Maria Bitter (Garcias)
Paul Schweinester (Rodriguez)
Patrik Reiter (Juan)
Elie Chapus (Anführer der Banditen)
Jan Bochnak (Bandit)
Lukas Hynek-Kr?mer (Bandit)
Jakub Kos (Bandit)
Martin Kalivoda (Diener)
Bronislav Palowski (Diener)
Felix Defèr (Der Mann im Publikum)
Prager Philharmonischer Chor
Wiener Symphoniker
Conductor - Daniel Cohen
Director - Mariam Clément |
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歌剧介绍《唐吉诃德》 |
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五幕歌剧《唐吉诃德》,由法国作曲家儒勒·马斯奈作曲,1910年2月19日在蒙特卡罗首次公演,1912年2月17日在罗马初次演出。主人公堂吉诃德简单地看一方面脱离现实,爱幻想,企图仿效游侠骑士的生活;另一方面又心地善良,立志铲除人间邪恶。堂吉诃德大战风车的经典场景是孩子们就最喜欢的故事之一,堂吉诃德也成为幽默文学中一个不朽的典型。
但是和唐璜一样,唐吉诃德绝不是一个简单扁平的形象。小说作者塞万提斯和莎士比亚同时,两者还巧合地在同一天去世(1616年4月23日)。莎士比亚是一位真正闻名世界的人物,但如果你仔细研读过《唐吉诃德》,可以发现两人都是世界级的讽刺大家(universal
ironists),他们洞悉人生的壮丽和不幸,用一种温柔的顺从和怜悯,关注着这个世界的芸芸众生。
唐吉诃德演绎的是一个全新的故事(而在他之前的故事大多基于神话和传说),这个人物体现了即使在现代也依然深刻的困境:个人对自己所处世界的不满,和根据个人欲望来改变世界的挣扎。
第一幕:杜西内家前的广场。
一群市人正在称赞杜西内的美貌,唐吉诃德带着他的扈从桑乔,骑着马赶来参加这一年一度的盛会。夜幕渐深,月光如水,唐吉诃德对着杜西内奏起小夜曲,引起了胡安的嫉妒,胡安也是杜西内的仰慕者之一。后来还是杜西内自己出来,才阻止了俩人的决斗,杜西内告诉唐吉诃德,假如他能把强盗抢去的一串项链找回来,她答应考虑接受他的爱情。
第二幕:赴土匪窝的路上。
到土匪窝的旅途上,他们描绘着与假想敌人战斗的情景。
第三幕:土匪窝里。
唐吉诃德及桑乔向土匪进攻,不幸败阵,唐吉诃德反被强盗所掳。他以为会被处死,但是由于他的勇气,以及他对杜西内虔诚的爱情,使土匪们深受感动,他们释放了他,并且还给了他杜西内的那串项链。
第四幕;杜西内家中。
杜西内在家里大摆盛筵时,唐吉诃德和桑乔竟适时赶返赴宴,使众宾客大为惊奇。唐吉诃德把杜西内的项链送还,物归原主,杜西内不胜雀跃。这时骑士请求她跟他结婚。杜西内为其诚意所动,于是将自己过去生涯详告,并要他忘记她。
第五幕:森林中。
幻想破灭,精疲力尽,唐吉诃德卧床将死,他留遗言给他的扈从,以世上最美丽的岛屿,即是“睡梦之岛”,申言这是他最珍贵的财产。当他的心思在漫游间,他又看到美丽的杜西内,遂伸臂向她拥抱,却不料堕地断气。
在最后一幕中,当老英雄歌唱《睡梦之岛》时,管弦乐队以非常柔和的旋律,支持着强有力的低音音符。然后是杜西内的声音,歌颂着爱情与快乐,听来动人心扉,感到最后片刻是极快乐的。但临终时,只有忠仆桑乔陪伴身旁,唐吉诃德感觉十分忧伤。 |
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马斯奈歌剧《泰依丝》Massenet - Thais 2010(原带中字) |
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马斯奈——歌剧《奈依丝》
蕾妮·弗莱明(女高音)-泰国人
汤玛斯·汉普森(男中音)-亚但业
迈克尔·夏德(男高音)-妮西亚斯
纽约大都会歌剧院合唱团
纽约大都会歌剧院管弦乐团
指挥:耶稣Lopez-Cobos |
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Massenet - Thais
Reneee Fleming (Soprano) - Thais
Thomas Hampson (Baritone) - Athanael
Michael Schade (Tenor) - Nicias
Metropolitan Opera Chorus
Metropolitan Opera Orchestra
Conductor: Jesús Lopez-Cobos |
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《沉思》为马斯奈的歌剧《泰伊思》第二幕第一场与第二场中间所奏的间奏曲。乐曲表现了泰伊思厌倦世俗,而产生通过信仰宗教来求得解脱时的心态。这一优美的旋律,除用做间奏外,在剧中也经常出现以提高气氛。乐曲结构简单,为虔诚的行板,D大调,4/4拍子。 |
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Fritz
Kreisler弗里茨·克莱斯勒 |
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克莱斯勒 演奏 马斯奈 《沉思》 |
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曲目:Jules Massenet Meditation from Thais
小提琴:Fritz Kreisler |
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伊夫利·吉特里斯(Ivry Gitlis) |
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童年才子伊夫利·吉特里斯(Ivry Gitlis) |
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不一样的马斯奈《沉思》--吉特里斯(1988) |
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列奥尼德·柯岗(Leonid
Kogan) |
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【小提琴】泰伊思冥想曲(沉思曲)(柯岗演奏) |
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安妮·索菲·穆特 |
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马斯奈《沉思》,小提琴大师穆特演奏,含蓄隽永,意味深长! |
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Stjepan
Hauser 斯蒂潘·豪瑟 |
1986年6月15日出生于克罗地亚普拉市
豪瑟出身音乐世家,中学毕业后就读于萨格勒布音乐学院,后在英国、美国求学,并师从美国著名大提琴家伯纳德·格林豪斯。曾作为“美艺三重奏”成员在全球超过40个国家和地区的著名音乐厅进行过演出。豪瑟揽获了包括
PLG青年艺术家选拔赛、爱乐乐团马丁音乐奖学金基金等近30项国内外比赛的大奖,并因其出色的音乐表现应邀先后在白金汉宫和圣詹姆斯宫的音乐会上为查尔斯王子演奏。 |
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Stjepan
Hauser 斯蒂潘·豪瑟 |
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Stjepan Hauser 斯蒂潘·豪瑟
hc--泰伊思冥想曲【大提琴版】Meditation from Thais (Massenet) |
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迈克尔·拉宾 |
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迈克尔·拉宾 |
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泰伊思冥想曲(沉思曲)(迈克尔·拉宾演奏) |
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Massenet:Meditation Michael Rabin |
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Clara Jumi Kang(康珠美)韩裔德国 |
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韩裔小提琴家康珠美出生于德国,自小习琴,5岁时已与汉堡交响乐团合作,6岁登上德国《时代周报》封面,7岁时更获美国茱莉亚学院全额奖学金,自此与多个世界著名乐团合作无间,包括莱比锡格万特豪斯交响乐团、基尔爱乐乐团、尼斯爱乐乐团、亚特兰大交响乐团、韩国首尔爱乐乐团等。2012年,康珠美入选韩国《东亚时报》“韩国最具影响力的100大明日之星”,而其于国际舞台上杰出的表现同时令她荣获2012年大元音乐奖和锦湖2014年年度音乐家称号。 |
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Clara Jumi Kang(康珠美)韩裔德国 |
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马斯内歌剧《泰伊思》选曲小提琴《沉思》
【钢琴伴奏】Massenet
Meditation
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