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| 阿诺尔德·勋伯格（Arnold Schoenberg 1874－1951） | |||||||||||||||||||||||||||||||||||||||||
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阿诺德·勋伯格 Arnold Schoenberg:小提琴协奏曲 作品36号 Michael Barenboim,violin Vasily Petrenko,conductor Berliner Phiharmoniker |
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音乐历史上的今天 1930年2月1日，由阿诺德·勋伯格和他的妻子葛特鲁德( Gertrud)共同创作的一部讲述婚姻不忠的喜剧《朝夕之间》（Von Heute auf Morgen）在法兰克福上演，指挥是威廉·斯坦伯格(William Steinberg)。勋伯格说：“今晚您的演绎和我写的乐谱之间所存在的不同，简直可以产生一部新的歌剧出来。”
今日视频：1、迈克尔·巴伦勃依姆演奏《勋伯格小提琴协奏曲 》OP.36；2、小泽征尔指挥勋伯格《升华之夜》Op.4；3、讲解勋伯格《升华之夜》。 |
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Today in music history On February 1, 1930, Von Heute auf Morgen (Von Heute auf Morgen), a comedy about marital infidelity co-written by Arnold Schoenberg and his wife Gertrud, was staged in Frankfurt. The conductor was William Steinberg. Schoenberg said: "The difference between your performance tonight and the score I wrote could almost produce a new opera." Arnold Schoenberg (1874-1951), an Austrian-American composer, a representative of experimental music in the 20th century, and the founder of the twelve-tone system. On September 13, 1874, he was born in Vienna, the musical capital of Austria. Schoenberg's father was a Jewish shoe dealer, and neither of his parents had any musical expertise. Yet Schoenberg and his younger siblings were gifted. Schoenberg started learning to play the violin at the age of 8, and at 12 he was already very good at it. However, due to the loss of his father at an early age and the poverty of his family, Schoenberg was unable to complete his studies and became a bank clerk. During his work, he has been studying hard, and in his spare time also participated in the band organized and conducted by Zemlinsky. The conductor discovered Schoenberg's talent and had a premonition that he had a great future, so he took the initiative to give him a systematic music education, teaching him harmony and counterpoint. The two formed a deep friendship in teaching and learning. Later, when Schoenberg became a master of the generation, he owed everything to Zemlinsky's help. In October 1901, Schoenberg married Zemlinsky's sister Mathilde. After marriage, in order to raise daily expenses, they moved to Berlin to make a living. At this time, Schoenberg met Richard Strauss, who brought some fragments of his newly written "Song of Gulie" and the symphonic poem "Pelleas and Melisande" to consult Richard · Strauss. Schoenberg's work left a deep impression on the composer. He used his position and influence to win a "Liszt Scholarship" for Schoenberg and a position for him to teach composition at the Stern Academy of Music. In 1904, Schoenberg returned to Vienna, and with Zemlinsky organized a "Society of Music Creators", who managed to have Mahler as their honorary president. Once, Mahler listened to a rehearsal of "Night of Ascension" and praised the work, and he has since become a staunch supporter of Schoenberg. The newly formed society existed for only one season, but during this time they successfully performed some rather large works by Mahler, Richard Strauss, Zemlinsky and Schoenberg. For a period of time, Schoenberg always felt that as soon as he was restrained by traditional forms and techniques, he began to abandon Romanticism and Wagnerism, and to free his music from the shackles of the diatonic scale, even from the tonality. Get rid of it. In 1907, he used atonality for the first time in the fourth movement of the "Second String Quartet"; in 1909, he wrote the first work "Three Pieces of Piano Pieces" that completely abandoned the tonality. Since then, his music has become more and more bold along the road of atonality and dissonance, and strives to be simple, economical, and objective. and personal self-expression. Schoenberg's main works during this period include "Five Orchestral Pieces", the musical drama "Expectation", the soundtrack reading "Pieiro the Moon" and the soundtrack drama "Hand of Happiness". Yet these new works by Schoenberg have almost always caused a storm of condemnation among the Vienna audience. In Vienna at the time, ancient musical traditions did not seem to belong to history and past; there were houses where classical musicians lived, theatre halls where classical masterpieces were performed for the first time; inns where Beethoven or Schubert had dinner, The church where Haydn and Schubert sang in the choir as children. In such an environment and musical atmosphere, despite Mahler's public support, Schoenberg's music was met with a doom that is generally incomprehensible. During these unfortunate years, Schoenberg turned to painting. After the outbreak of the First World War, he served in the Austrian army when he was over 40; Engaged in teaching and lecturing, living a poor life. In 1923 Schoenberg's wife died, and he wrote a requiem as a tribute to his condolences; the following year, his wife was Colic, the sister of one of his pupils. In 1925, Schoenberg accepted the invitation to teach composition for the master's class at the Prü± Academy of Arts in Berlin. From 1926 to 1933, Schoenberg's life was relatively stable, his income increased, and his creations were also enriched. His works included "The Third String Quartet" and "Variations for Orchestra". Schoenberg died in Los Angeles on July 13, 1951. Schoenberg's contribution to mankind lies in the two aspects of music teaching and composition.
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| 勋伯格和他的学生们 | |||||||||||||||||||||||||||||||||||||||||
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| 迈克尔·巴伦博伊(Michael Barenboim) | |||||||||||||||||||||||||||||||||||||||||
| Michael Barenboim lets music, in its diverse and enduring ways, speak for itself through his violin. His performances are praised by the critics as “stunning”, “exciting, “utterly persuasive and breathtaking.” Committed to the core classical and romantic repertoire, he is deeply invested and specially recognized for his performances of the 20th century and contemporary repertoire. | |||||||||||||||||||||||||||||||||||||||||
| 迈克尔·巴伦博伊姆让音乐以其多样而持久的方式，通过他的小提琴为自己代言。他的表演被评论家称赞为“惊人的”，“令人兴奋的”，完全有说服力和惊人的。“他致力于古典和浪漫的核心曲目，他对20世纪和当代曲目的表演有着深厚的感情和特别的认可。 | |||||||||||||||||||||||||||||||||||||||||
【小泽征尔】勋伯格 升华之夜Op.4 |
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【中字】讲解勋伯格《升华之夜》Schoenberg Verklärte Nacht Lecture 1 |
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