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| 爱德华·拉罗(Edouard Lalo 1823-1892） | |||||||||||||||||||||||
| 蒂穆尔·皮尔维迪耶夫演奏拉罗《西班牙交响曲》 | |||||||||||||||||||||||
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俄罗斯国家爱乐乐团演绎『西班牙之夜』夏布里埃、拉罗与拉威尔作品 Russia National Philharmonic Chabrier
Lalo Ravel 2020.02 俄罗斯国家爱乐乐团演绎『西班牙之夜』夏布里埃、拉罗与拉威尔作品 俄罗斯国家爱乐乐团 National Philharmonic Orchestra of Russia 指挥：加布里埃尔·贝贝塞利亚 蒂穆尔·皮尔维迪耶夫(小提琴) |
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PROGRAM: Emmanuel Chabrier "Spain" – Rhapsody for Orchestra Edouard Lalo Spanish Symphony for Violin and Orchestra Maurice Ravel "Alborada" (Morning Serenade of the Jester) "Spanish Rhapsody" |
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| 俄罗斯国家爱乐乐团（NPR）由俄罗斯文化部根据俄罗斯联邦总统弗拉基米尔·普京（Vladimir Putin）的委托于2003年1月成立。乐团团结了顶尖音乐家和才华横溢的青年指挥。在其活动的十二年中，NPR已成功成为俄罗斯最好的交响乐团之一，并赢得了观众的赞赏和专业人士的认可。 | |||||||||||||||||||||||
| The National Philharmonic orchestra of Russia (NPR) was founded in January 2003 by the Ministry of Culture as commissioned by President of the Russian Federation Vladimir Putin. The Orchestra united top orchestra musicians and gifted youth. During the twelve years of its activities, the NPR has succeeded in becoming one of the best symphonic orchestras of Russia and in gaining admiration from the audience and recognition from the professionals. | |||||||||||||||||||||||
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音乐历史上的今天 1879年10月26日，爱德华.拉罗的《挪威狂想曲》（Rhapsodie Noevegienne）没有获得如其《西班牙交响曲》那样的反响。
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| 爱德华·拉罗(Edouard Lalo） | |||||||||||||||||||||||
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Today in the history of music October 26, 1879, Edouard Lalo's Rhapsodie Noevegienne did not receive the same kind of response as his Spanish symphony. French composer and Edward Lalo violinist (Edouard Lalo. 1823-1892) was born on January 27, 1823, a small Spanish ancestry official family, his childhood he was from the institute of music of a violin teacher and a former local in Beethoven's command band played the cello teacher there, accepted the strict training play stringed instruments, so his initial interest is first chamber music.Rallo's desire to major in music could not be forgiven by his father. At the age of 16 (1839), he decided to leave home and went to Paris to study composition at the conservatory, but it was not long. Little is known about this part of Lalo's life, even in the college archives, except that from the age of twenty to twenty-five, his main interest was still chamber music, and he wrote unsuccessfully reps and drawing-room songs.For a long time he lived only by teaching and playing the violin or viola with the Armingaud-Jacquard quartet, which he founded in 1853. In 1867, after a pause of about ten years, Rallo set about writing fiske for a competition based on Schiller's theme. He neither won nor was given a chance to perform, but the author later used some of the material to rewrite other works.A few years later, Rallo turned to instrumental music with very different effects, and his Plays (1872), Spanish symphonies (1873), and several other violin concertos, Norwegian rhapsody (1881), and G Minor Symphonies (1885-1886) were warmly welcomed by audiences.Rallo, meanwhile, did not give up writing operas. His new opera, The King of Easton, was completed in 13 years from 1875 to 1887. The work went through a long and difficult period.His last unfinished opera, The Rebellion of the Zakre Peasants, was later followed up by The French composer A. Coquard (1846-1910). The enthusiasm aroused by the Franco-Prussian War led patriotic composers, including Saint - SAN, to organize in 1871 the National Musical Society of France, which aimed at the revival of the national musical culture in France.Rallo added to French music a passion lacking in Saint-Isant, a rhythmic vitality combined with delicacy and artistry, and the innate quickness and clarity of the French character in expressing emotions, in addition to an unquenchable passion for exoticism and a strong inclination for poetic imagination.If, French composer of vader (F.C.D avid, 1810-1876) in 1844, namely before liszt began writing his series of symphonic poem, in his symphony carols "desert" in the Oriental introduced French hall, so, la rochelle is more confident to develop this kind of exotic taste, make it become one of the most notable features of French music later.His "Spanish" symphony, "Norway" rhapsody, "na wei" fantasia, "Russia" concerto and ballet "namtso lake that the fragment, all tend to show picture which in grass cloth, Debussy, ravel, schmidt, and many different works of Russell and other French composer is further emphasized.Therefore, it can be said that Rallo in the use of orchestral color, is a direct pioneer of the younger generation of French music. At the end of his life, Rallo was nervous and weak. At the time he was writing the dance drama Namuna, he suffered from paralysis due to physical weakness and died of a heart attack in Paris on April 22, 1882. Video of today: 1. Timur Piervidiev playing Lalo's Spanish Symphony; 2.2. Edgar Moreau playing The Edouard Lalo (1823-1892) Cello Concerto. |
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| 爱德华·拉罗(Edouard Lalo) | |||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo)唱片封面 | |||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo)大提琴协奏曲唱片封面 | |||||||||||||||||||||||
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| 梅纽因演奏爱德华·拉罗(Edouard Lalo)小提琴协奏曲《西班牙交响曲》唱片封面 | |||||||||||||||||||||||
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| 胡贝尔曼演奏爱德华·拉罗(Edouard Lalo)小提琴协奏曲《西班牙交响曲》唱片封面 | |||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo)大提琴协奏曲唱片封面 | |||||||||||||||||||||||
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| 爱德华·拉罗(Edouard Lalo） 笔迹 | |||||||||||||||||||||||
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| 蒂穆尔·皮尔维迪耶夫（Timur Pirverdiev) | |||||||||||||||||||||||
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蒂穆尔·皮尔维迪耶夫，小提琴 蒂穆尔·皮尔维迪耶夫于1979年出生于莫斯科。 他在莫斯科柴可夫斯基音乐学院获得了文凭，Eduard Grach，Maya Glezarova和Tatiana Gaidamovich是他的导师之一，并与Eduard Grach教授一起完成了研究生课程。 他是俄罗斯，意大利，波兰和德国多项国际比赛的获奖者。 他参加过国际大师班。 他于2016年毕业，目前在莫斯科柴可夫斯基音乐学院任教。 自2013年以来，他一直是俄罗斯国家爱乐乐团的成员，自2015年以来一直担任音乐会大师。 |
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| 蒂穆尔·皮尔维迪耶夫（Timur Pirverdiev) | |||||||||||||||||||||||
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俄罗斯国家爱乐乐团（N.P.R.） 指挥:米歇尔普拉森 小提琴:蒂穆尔·皮尔维迪耶夫 最年轻的明星指挥家之一在他最喜欢的曲目中回归我们:法国音乐。 没有人比米歇尔·普拉森更懂得如何为这个如此美丽而又同时又如此脆弱的音符注入生命和色彩！ 今晚，蒂穆尔·皮尔维迪耶夫将离开他作为俄罗斯国家爱乐乐团首席的职位，与指挥一起演奏圣桑第三小提琴协奏曲。 节目 G.福莱:佩莱亚斯和梅丽桑德，套曲，同上。80 C.圣桑:小提琴协奏曲第3号，B小调，同上。61 H.柏辽兹:交响曲幻想，Op.14 |
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Soirée Fauré, Saint-Saëns et
Berlioz Russische Nationalphilharmonie (N.P.R.) Leitung : Michel Plasson Geige : Timur Pirverdiev Einer der jüngsten Stardirigenten kehrt zu uns zurück, und zwar in seinem bevorzugten Repertoire: der französischen Musik. Niemand weiß besser als Michel Plasson, wie man diesen so schönen und gleichzeitig so zerbrechlichen Noten Leben und Farbe einhauchen kann! Heute Abend wird Timur Pirverdiev seine Position als Konzertmeister der Russischen Nationalphilharmonie verlassen, um mit ihm das großartige 3. Klavierkonzert von Camille Saint-Saëns aufzuführen. Programm G. Fauré: Pelleas und Melisande, Suite, Op. 80 C. Saint-Saëns: Violinkonzert Nr.3, h-moll, Op. 61 H. Berlioz: Symphonie Fantastique, Op.14 |
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| 埃德加·莫罗(Edgar Moreau) | |||||||||||||||||||||||
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埃德加·莫罗 传记 法国大提琴家埃德加·莫罗在2015年21岁,已经可以回顾一些非凡的成就,其中成为赢家——只是17岁的俄罗斯强大的柴可夫斯基比赛二等奖,赢得了年轻的独奏者奖2009年巴黎,那个大提琴家罗斯特罗波维奇一样大提琴比赛和表演等著名音乐家耶夫,Gidon克雷默是Andras希夫,尤里•Bashmet Krzysztof Penderecki,古斯塔夫。杜达梅尔,Renaud Capucon,Nicholas Angelich, Frank Braley, Khatia Buniatishvili, Gerard Causse和Talich四重奏。2013年，他的巨大潜力在法国顶级音乐奖项“音乐胜利奖”(Les Victoires de la Musique)中得到彰显，该奖项将他评为今年年轻古典乐器演奏家的“启示”。 他发行了他的首张专辑在2014年3月与钢琴家皮埃尔·埃拉托Hodique:玩是短篇的集合和杰出的内容从波普尔,帕格尼尼,肖邦,Saint-Saens,福尔,Dvořak,马斯奈,舒伯特,Poulenc和柴可夫斯基。他的后续专辑，Giovincello，展示了18世纪的大提琴协奏曲记录与意大利巴洛克合奏Il Pomo d'Oro。 埃德加·莫罗出生在巴黎，4岁时第一次意识到自己想要演奏大提琴。当时，他和父亲去一家古董店，看到一个女孩正在学习大提琴，他就对大提琴产生了浓厚的兴趣。此后不久，他开始学习音乐，11岁的时候就开始与一些大型管弦乐队一起举办音乐会。从13岁起，他就在巴黎的国家音乐学院学习。他参加过林恩·哈勒尔(Lynn Harrell)、安那·比斯玛(Anner Bylsma)、米克洛斯·佩雷尼(Miklos Perenyi)、加里·霍夫曼(Gary Hoffman)和大卫·格林加斯(David Geringas)等大提琴演奏家的大师班，自2013年10月以来，他一直在法兰克福附近的Kronberg Academy就读。 当国际音乐网站的编辑Bachtrack看到埃德加·莫罗执行在格施塔德在2013年年初,他下面说:“一个总是一个年轻的音乐家的音乐会,希望这将是特别的一天,当你听到一个演员,你要绝对相信将会是一个未来之星。这一希望只在少数场合实现:这场音乐会就是其中之一。我愿意打赌，十九岁的巴黎大提琴家埃德加·莫罗(Edgar Moreau)会有一个闪闪发光的事业……他的演奏肌肉发达，他全身心地投入到音乐中……莫罗的舞台表现力很强，面部灵活多变，可以瞬间从微笑变成鬼脸，但总是表现出对音乐的深度投入……尽管年纪这么小，莫罗却能用他响亮的声音和无拘无束的风格完全赢得了观众。我认为他会成为赢家。” |
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| 埃德加·莫罗(Edgar Moreau) | |||||||||||||||||||||||
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Edgar
Moreau BIOGRAPHY The French cellist Edgar Moreau, who turned 21 in 2015, can already look back on a number of exceptional achievements, among them becoming the winner – at the age of just 17 – of the Second Prize in Russia’s formidable Tchaikovsky Competition, winning the Young Soloist Prize in the 2009 Rostropovich Cello Competition in Paris, and performing with such distinguished musicians as Valery Gergiev, Gidon Kremer, András Schiff, Yuri Bashmet, Krzysztof Penderecki, Gustavo Dudamel, Renaud Capuçon, Nicholas Angelich, Frank Braley, Khatia Buniatishvili, Gérard Caussé and the Talich Quartet. In 2013 his huge potential was highlighted by France’s top music awards, Les Victoires de la Musique, which named him the year’s ‘Révélation’ among young classical instrumentalists. He released his debut album in March 2014 on Erato with pianist Pierre-Yves Hodique: Play is a collection of short pieces and brilliant encores from Popper, Paganini, Chopin, Saint-Saëns, Fauré, Dvořák, Massenet, Schubert, Poulenc and Tchaikovsky among others. His follow-up album, Giovincello, presents 18th-century cello concertos recorded with the Italian Baroque ensemble Il Pomo d'Oro. A Parisian by birth, Edgar Moreau first realised he wanted to play the cello when he was just four years old – the instrument caught his imagination when he saw a girl having a cello lesson in an antique shop he was visiting with his father. He began lessons soon afterwards, and was giving concerts with major orchestras by the time he was 11 years old. Since the age of 13 he has been a student at the Conservatoire National Supérieur de Musique in Paris. He has participated in masterclasses given by such cellists as Lynn Harrell, Anner Bylsma, Miklós Perényi, Gary Hoffman and David Geringas, and since October 2013 has been attending the Kronberg Academy near Frankfurt – home to the Emanuel Feuermann Conservatory, named after the legendary Ukrainian-born cellist. When the editor of the international music website Bachtrack saw Edgar Moreau perform in Gstaad in early 2013, he had the following to say: “One always comes to a young musician’s concert with a hope that this will be that special day when you hear a performer who you are absolutely sure will be a star of the future. That hope only comes to fruition on a small number of occasions: this concert was one of them. I'm willing to take bets that nineteen year-old Parisian cellist Edgar Moreau is going to have a glittering career ... His playing is muscular and he throws himself into the music ... and Moreau has bags of stage presence, with a flexible face which can turn from smile to grimace and back in an instant but always shows deep involvement with the music ... Even at such a young age, Moreau can completely win over an audience with his big sound and no-holds-barred style. I think he's going to be a winner.” |
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| 埃德加·莫罗演奏爱德华·拉罗(1823 - 1892)大提琴协奏曲 | |||||||||||||||||||||||
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伦敦交响乐团 弗朗索瓦-泽维尔罗斯(指挥) 埃德加·莫罗(大提琴) 程序 理查德·瓦格纳(1813 - 1883) 序曲,唐怀瑟 爱德华·拉罗(1823 - 1892) 大提琴协奏曲 克劳德·德彪西(1862 - 1918) 首映套件 儒勒·马斯内(1842 - 1912) 莱西德-套曲 录音:2018年1月21日-伦敦巴比肯音乐厅| 指挥:科宁·莱康特 |
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CASTING London Symphony Orchestra François-Xavier Roth (Conductor) Edgar Moreau (Cello) PROGRAM Richard Wagner (1813 - 1883) Overture to Tannhäuser Edouard Lalo (1823 - 1892) Cello Concerto Claude Debussy (1862 - 1918) Première Suite Jules Massenet (1842 - 1912) Le Cid - Suite Recording: January 21 2018 - Barbican Hall | London Director: Corentin Leconte |
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