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| 阿尔坎格罗·科莱里（Arcangelo Corelli，1653-1713） | ||||||||||||||||||||||||||||
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演奏:Igor Oistrakh / Johannes Brahms | |||||||||||||||||||||||||||
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音乐历史上的今天 1713年1月8日阿尔坎格罗·科莱里（Arcangelo Corelli，1653-1713）死于罗马，终年59岁。 阿尔坎杰罗·科雷利（Arcangelo Corelli，1653－1713）是巴洛克时期最有影响力的意大利小提琴家和作曲家，他几乎只为弦乐器创作。器乐领域里，他占有很重要的地位，在他的时代里声望无人能及，音乐史上人称“现代小提琴技巧创建者”、“世界第一伟大小提琴手”及“大协奏曲之父”。阿尔坎格罗·科莱里1653年1月17日，科莱里在拉文纳到博洛尼亚途中的罗曼依·富西格纳诺小城出生。
他学于博洛尼亚，成名在罗马，科莱里还是个出色的教育家，足以代表十八世纪意大利小提琴演奏艺术顶峰的几位杰出的小提琴家——皮耶特罗·洛卡塔利、弗朗切斯科·杰米尼亚尼、乔万尼·巴蒂斯塔·索米斯都是他的得意弟子。 他的作品对后世影响很大。很多人用他曾经用过的主题写曲子，包括塔尔蒂尼，克莱斯勒和拉赫玛尼诺夫等等。塔蒂尼根据科莱里的《小提琴奏鸣曲集》写成了称为“弓法艺术”的变奏曲集。小提琴家克莱斯勒根据塔蒂尼变奏曲中最动 人的主题重新改编成《塔蒂尼风格的科莱里主题变奏曲》，就变成一首适合公开演出的独奏乐曲了。
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| 大卫·奥伊斯特拉赫David Oistrakh (1908-1974) | ||||||||||||||||||||||||||||
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Referring
to David Oistrakh (1908-1974), whoever loves violin music, No one
doesn't know it. In the 20th century violin master, his name was enough
to be with the greatest violinist Chrysler and Heifetz, etc. keep pace.
As the author of the famous string theory theorist's "The Violinist of
excellent in Ancient and Modern" wrote, "He is the
most optimistic and most lyrical player in our age. It is a person who
brings people Artists who are brilliant and hopeful.” If the “Russian
Violin school of thought”
represents the development of violinist performing arts in the 20th
century, then after a large number of well-known Jewish fiddlers have
flown to the West, Oistrach is well-deserved. As a spiritual leader of
the Soviet violin school of thought, his great contribution to violin
art can be remembered in history.
提起大卫·奥伊斯特拉赫（David Oistrakh1908-1974），喜爱提琴音乐的无人不知，无人不晓，在20世纪的小提琴大师中，他的名字足以与最伟大的小提琴泰斗克莱斯勒和海菲兹等并驾齐驱。正像著名弦乐理论家《古今杰出的小提琴家》一书的作者拉阿本所指出的那样：“他是我们这个时代最乐观和最抒情的小琴演奏大师，是一位给人们带来光明和希望的杰出艺术家。”如果说“俄罗斯提琴学派”代表着20世纪提琴演奏艺术发展主流的话，那么当一大批犹太裔的著名提琴家相继流向西方之后，奥伊斯特拉赫则当之无愧地成为实际意义上的苏联小提琴学派的精神领袖，他对于小提琴艺术的巨大贡献堪以永垂史册。 There were few people who heard him in front of him. He recorded a large number of records and his reputation never died. "Strad" magazine wrote: "...Oistrach gives the greatest satisfaction among all the artists.Their extraordinary music cultivation, admirable style, and great skills have made him unique. He has played almost the greatest player in history. Someone can achieve the ideal realm. He belongs to the rare few violinists whose pitch is pure and pure. Every one of his voices is always press on the center."亲耳聆听到他的演奏的人比较少，他录制过大量的唱片，他的名声因此而永不消逝；《斯特拉迪》杂志这样写道：“......奥伊斯特拉赫在所有的艺术家中给人最大的满足。他们非凡音乐修养、令人钦佩的风格、巨大技巧，使他自成一格。他演奏的几乎达到了历史上最伟大的演奏家也很少有人能达到的理想境界。他属于稀有的几个音准纯净得超凡入圣的小提琴家行列，他的每一个音总是按在正中心。” |
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| 更多大卫·奥伊斯特拉赫链接 | ||||||||||||||||||||||||||||
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