小提琴家祖克曼纪录片 Pinchas Zukerman：Here to make music - Documentary of 1975

Violinist, violist, conductor—Pinchas Zukerman could have made an outstanding career with only one of these pursuits, but this multi-faceted artist combines all three. Known for his rich tone, masterful technique, and well thought-out interpretations of works for violin and viola, Zukerman performs with the leading orchestras and chamber ensembles worldwide. As a conductor Zukerman has garnered mixed reviews; yet he is in high demand for guest appearances. Seen often on commercial and public television and known as Pinky to his friends, Zuckerman enjoys an almost superstar status.

Pinchas was born into a musical family on July 16, 1948, in Tel Aviv, Israel. He is the only child of professional violinist Juhda Zukerman and Miriam (Lieberman-Skotchilas) Zukerman, who, concentration-camp survivors from Poland, had emigrated to Israel in 1947. At age five, Pinchas learned to play a recorder given to him by his father. After later trying and disliking the clarinet, he settled on the violin, which his father taught him. At age eight, he began studying with llona Feher, the noted Hungarian violinist who was also the early teacher of Shmuel Ashkenasi and Shlomo Mintz (see Newsmakers entry), at the Israel conservatory and the Academy of Music in Tel Aviv.

During a visit to Israel in 1961, celebrated cellist Pablo Casals and world famous violinist Isaac Sternheard Zukerman perform. Stern was impressed enough that he guided the course of the young violinist’s education, even becoming his legal guardian to do so. With support from the American-Israel Cultural Foundation and scholarships from Juilliard and the Helena Rubinstein Foundation, Zuckerman was able to study violin and, beginning at agefourteen, viola with the famous string teacher Ivan Galamian at the Juilliard School of Music in New York City.

While studying at the Juilliard School, Zukerman also attended the Professional Children’s School and the High School of Performing Arts, living with the parents of pianist Eugene Isotomin.

Zukerman, who admits that he was an arrogant child prodigy, found it difficult to adjust to life in New York City—he did not then speak English—and to being one of many musical prodigies. He rebelled against Galamian’s insistence that he concentrate on the basics and maintain a rigid practice schedule, and often skipped school and roamed the streets. Finally, Stern took Zukerman to task. “I knew I had something in me, something on the violin that I had to say,” Zukerman told David Hawley of the St.Paul Pioneer Press, “And I knew that eventually I was going to say it. With the guidance of these people it luckily worked out.”

Zukerman ended his formal schooling when on May 16,

For the Record…

Born July 16, 1948, in Tel Aviv, Israel; came to United States, 1962; son of Yehuda and Miriam Lieberman Zukerman; married Eugenia Rich, May 26, 1968 (divorced); children: Natalia, Arianna; married Tuesday Weld, 1985. Education: Attended Juilliard School of Music, 1965-68.

Concert violinist 1968—. With impresario, Sol Hurok, 1967-76; conductor, soloist English Chamber Orchestra, 1974, Mostly Mozart Festival, N.Y.C., 1975; guest conductor, soloist Los AngelesPhilharmonic, Boston Symphony, Philadelphia Orchestra, N.Y. Philharmonic Orchestra; music dir. South Bank Festival, London, 1978-80, St. Paul Chamber Orch., 1980-87; toured with Isaac Stern; mem. trio with Daniel Barenboim and Jacqueline du Pre; recording artist with CBS, EMI, Philips Classics labels.

Awards: Winner International Levintritt Competition, 1967.

Addresses: Office: c/o Shirley Kirshbaum & Assocs. 711 West End Ave., New York, NY 10025.

1967, he was co-winner with Kyung Wha Chung of Korea of the Leventritt International Competition. Publicity from this prize and his replacing Stern, who was ill, in a series of concerts set the stage for Zuckerman’s solo career. Since then he has performed numerous solo recitals on both violin and viola and chamber music with many other noted artists, including Stern, violinist Itzhak Perlman (see Musicians entry), cellist Jacqueline Du Pre, flutist Jean-Pierre Rampal (see Musicians entry), and the Guarneri and Cleveland quartets.

Though Zukerman had begun to study conducting while at theJuilliard School, he first became actively interested inconducting in the late 1960s when he played with the English Chamber Orchestra directed by Israeli conductor Daniel Barenboim. Encouraged by members of the orchestra, Zukerman conducted from the concertmaster’s chair works by Bach and Vivaldi. Pieces by eighteenth-century composers were often conducted by the lead violin before the advent of the conductor as we now know it. Zuckerman became more and more experienced at leading the group while playing the violin and in 1974 officially made his conducting debut with the English Chamber Orchestra. While he has since then guest conducted most of the major orchestras in the United States, including the New York Philharmonic, Boston Symphony, Los Angeles Philharmonic, and the National Symphony, reviews of his conducting are mixed.

In 1980 Zukerman assumed the directorship of the St. Paul Chamber Orchestra (SPCO), the nation’s only full-time professional chamber orchestra. During his seven-year tenure there, Zukerman increased attendence threefold, was instrumental in the building of a permanent home for the orchestra, increased the number of musicians in the ensemble, made eight albums on major labels, and led the orchestra on tours of the United States and South America. He often performed as soloist with the SPCO, conducting from the concert-master’s chair. Zukerman, tired of the administrative duties required of a music director, decided to leave the SPCO after the 1987 season, though he was offered a longer contract.

Since then Zukerman has increased his solo performance schedule and limited his conducting to guest appearances and the principal guest conductorship of the Dallas Symphony Orchestra’s International Festival. Zukerman limits his teaching to a few master classes in the summer, usually at music festivals, such as those at Aspen, Colorado, and Tanglewood, Massachusetts.

Zukerman lays claim to an impressive discography numbering more than seventy-five releases, which are widely representative of the violin and viola repertoire. His catalog of recordings for Angel, CBS Masterworks, Deutsche Grammaphon, London Records, Philips Classics, and RCA contains more than a dozen Grammy nominations and two awards: “Best Classical Performance—Instrumental Soloist with Orchestra” for the Isaac Stern Sixtieth Anniversary Celebration, which contains Mozart’s Sinfonia Concertante for Violin and Viola, recorded as a tribute to Zukerman’s long-time supporter; “Best Chamber Music Performance” for his Angel/EMI release of Moszkowski’s Suite for Two Violins and Piano,Shostakovich’s Three Violin Duos, and Prokofiev’s Sonata for Two Violins.

After collapsing from exhaustion in March 1981, Zuckerman has been careful to pace himself more conservatively, though he has sacrificed none of the diversity of his efforts. He once told The Strad, “The diversity of my career has allowed me to explore all aspects of music, and I feel that my artistic life today is on a level of greater maturity. I hope that when the day comes that my abilities as a soloist begin to deteriorate, I will have the strength of character to retire from the concert stage and continue my contribution to music in other ways.

【祖克曼】贝多芬-第九号小提琴奏鸣曲“克鲁采”

Zigeunerweisen, for violin & piano (or orchestra) ('Gypsy Airs'), Op. 20

 Zukerman was born in Tel Aviv, to Jewish parents Yehuda and Miriam Lieberman Zukerman. He began his musical studies at age four, on the recorder. His father then taught him to play the clarinet and then the violin at age eight. Isaac Stern and Pablo Casals learned of Zukerman's violin talent during a 1962 visit to Israel. Zukerman subsequently moved to the United States that year for study at the Juilliard School,^[1] under the tutelage of Stern and Ivan Galamian. He made his New York debut in 1963. In 1967, he shared the Leventritt Prize with the Korean violinist Kyung-wha Chung. His 1969 debut recordings of the concerti by Tchaikovsky (under the direction of Antal Dorati, with the London Symphony Orchestra) and Mendelssohn (with Leonard Bernstein and the New York Philharmonic) launched a successful recording career that continues to the present day and boasts over 110 releases.

Zukerman launched his conducting career in 1970 with the English Chamber Orchestra, and served as director of London's South Bank Festival from 1971 to 1974. In the USA, Zukerman was music director of the Saint Paul Chamber Orchestra from 1980 to 1987. He later directed the summer festivals of the Dallas Symphony Orchestra (1991–1995) and the Baltimore Symphony Orchestra (1996–1999). In 1999,^{[2][not in citation given]} he became Music Director of Canada's National Arts Centre Orchestra (NACO) in Ottawa, stepping down from the post in 2015. He has served as Principal Guest Conductor of the Royal Philharmonic Orchestra since 2009.

Zukerman is on the faculty at the Manhattan School of Music and is the head and founder of the Zukerman Performance Program at the school. His former students have included Koh Gabriel Kameda, Julian Rachlin, and Guy Braunstein. In 1999 he founded the National Arts Centre Young Artists Programme, which counts young musicians such as Viviane Hagner, Jessica Linnebach, and Antal Szalai as alumni. In 2006 Zukerman began his involvement in the Rolex Artistic Mentorship programme.

Zukerman plays the "Dushkin" Guarnerius del Gesù violin of 1742. His honours include the King Solomon Award, the National Medal of Arts (presented by President Reagan in 1983), the Isaac Stern Award for Artistic Excellence, and an honorary doctorate from Brown University.

  Zukerman was born in Tel Aviv, to Jewish parents Yehuda and Miriam Lieberman Zukerman. He began his musical studies at age four, on the recorder. His father then taught him to play the clarinet and then the violin at age eight. Isaac Stern and Pablo Casals learned of Zukerman's violin talent during a 1962 visit to Israel. Zukerman subsequently moved to the United States that year for study at the Juilliard School,^[1] under the tutelage of Stern and Ivan Galamian. He made his New York debut in 1963. In 1967, he shared the Leventritt Prize with the Korean violinist Kyung-wha Chung. His 1969 debut recordings of the concerti by Tchaikovsky (under the direction of Antal Dorati, with the London Symphony Orchestra) and Mendelssohn (with Leonard Bernstein and the New York Philharmonic) launched a successful recording career that continues to the present day and boasts over 110 releases.

Zukerman launched his conducting career in 1970 with the English Chamber Orchestra, and served as director of London's South Bank Festival from 1971 to 1974. In the USA, Zukerman was music director of the Saint Paul Chamber Orchestra from 1980 to 1987. He later directed the summer festivals of the Dallas Symphony Orchestra (1991–1995) and the Baltimore Symphony Orchestra (1996–1999). In 1999,^{[2][not in citation given]} he became Music Director of Canada's National Arts Centre Orchestra (NACO) in Ottawa, stepping down from the post in 2015. He has served as Principal Guest Conductor of the Royal Philharmonic Orchestra since 2009.

Zukerman is on the faculty at the Manhattan School of Music and is the head and founder of the Zukerman Performance Program at the school. His former students have included Koh Gabriel Kameda, Julian Rachlin, and Guy Braunstein. In 1999 he founded the National Arts Centre Young Artists Programme, which counts young musicians such as Viviane Hagner, Jessica Linnebach, and Antal Szalai as alumni. In 2006 Zukerman began his involvement in the Rolex Artistic Mentorship programme.

Zukerman plays the "Dushkin" Guarnerius del Gesù violin of 1742. His honours include the King Solomon Award, the National Medal of Arts (presented by President Reagan in 1983), the Isaac Stern Award for Artistic Excellence, and an honorary doctorate from Brown University.

祖克曼出生于特拉维夫，父母都是犹太人。他在四岁时开始用录音机学习音乐。他的父亲在他八岁的时候教他吹单簧管和小提琴。艾萨克·斯特恩(Isaac Stern)和巴勃罗·卡萨尔斯(Pablo Casals)在1962年访问以色列期间了解到祖克曼的小提琴天赋。祖克曼随后在那年搬到了美国，在朱利亚德学院(Juilliard School)[1]学习，接受斯特恩和伊万·加拉米安(Ivan Galamian)的指导。1963年，他在纽约首次登台演出。1967年，他与韩国小提琴家郑京和(Kyung-wha Chung)共同获得莱维特奖。1969年，柴可夫斯基(Antal Dorati指挥，伦敦交响乐团指挥)和门德尔松(伦纳德·伯恩斯坦指挥，纽约爱乐乐团指挥)的首张协奏曲唱片开启了他成功的音乐生涯，至今已发行110多张唱片。

1970年，祖克曼加入英国室内乐团，开始了他的指挥生涯。1971年至1974年，他担任伦敦南岸音乐节的总监。在美国，祖克曼从1980年到1987年担任圣保罗室内乐团的音乐总监。后来，他指导了达拉斯交响乐团(1991-1995)和巴尔的摩交响乐团(1996-1999)的夏季音乐节。1999年，[2](未被引用)成为渥太华加拿大国家艺术中心管弦乐队(NACO)的音乐总监，2015年卸任。自2009年以来，他一直担任英国皇家爱乐乐团的首席客座指挥。

朱克曼是曼哈顿音乐学院的教员，也是该校Zukerman表演项目的负责人和创始人。他以前的学生包括Koh Gabriel Kameda、Julian Rachlin和Guy Braunstein。1999年，他创立了国家艺术中心青年艺术家项目，将薇薇安•哈格纳(Viviane Hagner)、杰西卡•林内巴赫(Jessica Linnebach)和安塔尔•斯扎莱(Antal Szalai)等年轻音乐家视为校友。2006年，祖克曼开始参与劳力士艺术导师计划。

祖克曼演奏的是1742年的“Dushkin”Guarnerius del Gesu小提琴。他的荣誉包括所罗门国王奖、国家艺术奖章(1983年由里根总统颁发)、艾萨克·斯特恩艺术卓越奖以及布朗大学荣誉博士学位。

Antonio Stradivari, A Gala Celebration 1737-1987

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