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莫扎特之旅整理
文/图 2017-03-14 16:26 |
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安妮·索菲·穆特（Anne-Sophie Mutter1963～） |
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A biographical timeline
Anne-Sophie Mutter is a musical phenomenon: for more than 40 years
the virtuoso has now been a fixture in all the world’s major concert
halls, making her mark on the classical music scene as a soloist,
mentor and visionary.
The four-time Grammy® Award winner is equally committed
to the performance of traditional composers as to the
future of music: so far she has given world premieres of
26 works – Sebastian Currier, Henri Dutilleux, Sofia
Gubaidulina, Witold Lutoslawski, Norbert Moret,
Krzysztof Penderecki, Sir André Previn, Wolfgang
Rihm and John Williams have all composed for Anne-Sophie
Mutter. Furthermore, she dedicates herself to
numerous benefit projects and to supporting tomorrow’s
musical elite: in the autumn of 1997 she founded the
“Association of Friends of the Anne-Sophie Mutter
Foundation e.V.”, to which the Anne-Sophie Mutter
Foundation was added in 2008. These two charitable
institutions provide support for the scholarship
recipients, support which is tailored to the fellows’
individual needs. Since 2011, Anne-Sophie Mutter has
regularly shared the spotlight on stage with her
ensemble of fellows, “Mutter’s Virtuosi”.
Concerts in 2018
Anne-Sophie Mutter’s 2018 concert calendar features
performances in Asia, Australia, Europe and North
America, once again reflecting the violinist’s musical
versatility and her unparalleled prominence in the world
of classical music: in March she will perform the world
premiere of André Previn’s composition The Fifth Season
for violin and piano at Carnegie Hall. In November, she
will introduce the world to musical terra incognita
again, premiering a work for two violins by the South
Korean composer Chin Un-suk. Throughout the year, the
violin works by Krzysztof Penderecki form a great
thematic focus, commemorating the composer’s 85th
birthday in 2018 and the many years of friendship
between him and Anne-Sophie Mutter. In honour of the
Polish composer, she will play those works he has
dedicated to her, the Violin Concerto No. 2
“Metamorphoses” (which she premiered in 1995) and the
Sonata for Violin and Piano No. 2 (premiered by her in
2000), the Duo concertante per violino e contrabbasso
(premiered by her in 2011) as well as La Follia for solo
violin (which she premiered in 2013). A double CD with
all the works Penderecki has dedicated to her is
scheduled for release in the late summer of 2018, also
including the first recording of the Sonata for Violin
and Piano No. 2.
Awards
In March 2018 Poland bestowed the Gold Medal for
Merit to Culture – Gloria Artis upon her. In February
2018 she was named an Honorary Member of the Accademia
Nazionale di Santa Cecilia. Romania awarded the Order of
Cultural Merit in the rank of a Grand Officer to
Anne-Sophie Mutter in November 2017; during the same
month France honoured her by presenting her with the
insignia of a Commander of the French Order of the Arts
and Literature. In December 2016, the Spanish Ministry
of Education, Culture and Sports awarded her the
“Medalla de oro al Mérito en las Bellas Artes” (Gold
Medal for Merits in the Fine Arts). In January 2015
Anne-Sophie Mutter was named an Honorary Fellow of Keble
College at the University of Oxford. In October 2013 she
became a Foreign Honorary Member of the American Academy
of Arts and Sciences, after winning the medal of the
Lutoslawski Society (Warsaw) in January. In 2012 the
Atlantic Council bestowed the Distinguished Artistic
Leadership Award upon her. In 2011 she received the
Brahms Prize as well as the Erich Fromm Prize and the
Gustav Adolf Prize for her social activism. In 2010 the
Technical-Scientific University of Norway in Trondheim
bestowed an honorary doctorate upon her; in 2009 she won
the European St. Ulrich Award as well as the Cristobal
Gabarron Award. In 2008 Anne-Sophie Mutter was the
recipient of the International Ernst von Siemens Music
Prize as well as the Leipzig Mendelssohn Prize. The
violinist has been awarded the German Grand Order of
Merit, the French Medal of the Legion of Honour, the
Bavarian Order of Merit, the Decoration of Honour for
Services to the Republic of Austria, and numerous other
honors.
Last updated March 2018
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安妮·索菲·穆特（Anne-Sophie Mutter） |
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传记时间表
安妮·索菲·穆特是一个音乐现象：40多年来，这位演奏家现已成为世界各大音乐厅的一员，在古典音乐界独树一帜，成为导师和梦想家。
四次格莱美奖得主同样致力于传统作曲家对音乐未来的表现：迄今为止，她已经完成了26件作品的全球首映式 -
塞巴斯蒂安柯里耶，亨利杜蒂勒，索非亚古拜杜丽娜，维托尔德卢托斯拉夫斯基，诺贝尔莫雷，
Krzysztof Penderecki，AndréPrevin爵士，Wolfgang
Rihm和John Williams都为Anne-Sophie Mutter作曲。此外，她致力于多项福利项目，并支持未来的音乐精英：1997年秋天，她创立了“安妮
- 索菲马特基金会eV之友协会”，2008年加入了Anne-Sophie Mutter基金会。这两个慈善机构为奖学金获得者提供支持，这些支持是根据研究人员的个人需要而定制的。自2011年以来，安妮·索菲·穆特定期与她的合作伙伴“穆特的演奏家”共同登台亮相。
2018年的音乐会
安妮·索菲·穆特的2018年演唱会日历在亚洲，澳大利亚，欧洲和北美等地进行演出，再次体现了小提琴家的音乐多样性和她在古典音乐世界中无与伦比的突出地位：3月，她将演出AndréPrevin的作品The
World卡内基音乐厅第五季小提琴和钢琴演奏。去年11月，她将再次向世界推出音乐领域，这是韩国作曲家金仁淑主持的两首小提琴作品。在这一年中，Krzysztof
Penderecki的小提琴作品形成了一个伟大的主题焦点，纪念2018年作曲家的85岁生日以及他和Anne-Sophie
Mutter之间多年的友谊。为纪念这位波兰作曲家，她将演奏他献给她的作品，小提琴协奏曲第2号“变形金刚”（她于1995年首演）和小提琴与钢琴第2号奏鸣曲（2000年由她首演）
），每首Violino e contrabasso的Duo
concertante（2011年由她首演）以及La Follia独奏小提琴（她于2013年首演）。带有潘德列斯基献给她的所有作品的双CD将于2018年夏末发行，其中还包括小提琴和第二钢琴奏鸣曲的首次录制。
奖项
2018年3月，波兰向她颁发了文化荣誉金奖 - 格洛丽亚阿蒂斯。在2018年2月，她被任命为圣塞西莉亚国家艺术学院的荣誉会员。
2017年11月，罗马尼亚将大任军衔的文化勋章勋章授予安妮·索菲·穆特;在同一个月份，法国向她颁发了法国艺术和文学指挥官的徽章，以表彰她的荣耀。
2016年12月，西班牙教育，文化和体育部授予她“艺术美术金奖”的“Medalla de oro
alMéritoen las Bellas Artes”奖。
2015年1月，安妮·索菲·穆特被任命为牛津大学Keble学院的荣誉院士。
2013年10月，她在1月份赢得Lutoslawski协会（华沙）的奖牌后，成为美国艺术与科学学院的外籍荣誉会员。
2012年，大西洋理事会授予她杰出艺术领袖奖。
2011年，她获得了勃拉姆斯奖以及埃里希弗罗姆奖和古斯塔夫阿道夫奖，因为她的社会活动。
2010年，挪威特隆赫姆技术科学大学授予她荣誉博士学位;在2009年，她赢得了欧洲圣乌尔里克奖以及克里斯托瓦尔Gabarron奖。
2008年，安妮·索菲·穆特获得国际恩斯特·冯·西门子音乐奖以及莱比锡门德尔松奖。这位小提琴手曾获得德国大功勋勋章，法国荣誉勋章勋章，巴伐利亚勋章勋章，奥地利共和国荣誉勋章以及其他诸多荣誉。
最后更新于2018年3月 |
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穆特：贝多芬与我 Anne-Sophie Mutter: A Life with Beethoven
(1999)
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安妮·索菲·穆特（Anne-Sophie
Mutter）个人资料 |
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【穆特】贝多芬第九号小提琴奏鸣曲“克莱采”
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Anne-Sophie Mutter - Biography
Anne-Sophie Mutter is universally considered to
be one of the greatest violinists of modern
times. Her artistry embraces everything from
tonal richness and consummate technical
virtuosity to transcendent expression and
profound musicianship. Born in the German border
town of Rheinfelden, she showed signs of
exceptional talent at an early age. Anne-Sophie
began to study piano at the age of five; soon
after, she received her first violin lessons
from Erna Honigberger, a pupil of Carl Flesch.
At the age of nine she commenced studies with
Aïda Stucki, one of Switzerland’s finest
musicians and an inspirational teacher.
In 1976 Herbert von Karajan heard the
13-year-old Mutter in recital at the Lucerne
Festival. The legendary conductor subsequently
invited the young violinist to make her concerto
debut with the Berlin Philharmonic at the 1977
Salzburg Whitsun Festival. Their partnership
continued in 1978 when Mutter made her first
recording for Deutsche Grammophon, an album of
Mozart’s Violin Concertos Nos. 3 and 5. Mutter
collaborated regularly with Karajan and the
Berlin Philharmonic to create a landmark series
of recordings of violin concertos by Beethoven,
Brahms, Bruch and Mendelssohn for the Yellow
Label. Meanwhile her debuts in Berlin (1978),
Washington and New York (1980), Tokyo (1981) and
Moscow (1985) garnered critical acclaim and
helped establish her regular presence at the
world’s major concert halls.
In 1986 Mutter was appointed International Chair
in Violin Studies at the Royal Academy of Music
in London. The following year she founded the
Rudolf Eberle Trust to support the development
of outstandingly gifted young string players
throughout Europe. The initiative’s reach
extended worldwide in 1997 after it was
incorporated into the Friends of the Anne-Sophie
Mutter Foundation, with the establishment of the
Anne-Sophie Mutter Foundation itself following
in 2008. Mutter’s commitment to the promotion of
young musicians has helped launch the careers of
many fine artists, Daniel Müller-Schott, Sergey
Khachatryan, Roman Patkoló, Leonard
Elschenbroich and Kian Soltani among them. In
2011 she established the Mutter Virtuosi, an
ensemble made up of former and current
scholarship holders of the Anne-Sophie Mutter
Foundation and selected other young musicians.
Her Foundation has commissioned André Previn’s
Concerto for Violin and Double Bass and his
Nonet for Two String Quartets and Double Bass,
Krzysztof Penderecki’s Duo concertante, Wolfgang
Rihm’s Dyade and Sebastian Currier’s Ringtone
Variations.
Anne-Sophie Mutter’s commitment to the future of
string playing extends to her wholehearted
championship of contemporary music. In 1986 she
gave the first performance of Chain II, written
for her and the Paul Sacher Foundation by Witold
Lutosławski, and recorded the work for Deutsche
Grammophon. Her tally of world premiere
performances includes Rihm’s Gesungene Zeit and
Lichtes Spiel, Penderecki’s Second Violin
Concerto Metamorphosen, La Follia for solo
violin and Duo concertante for violin and double
bass, Dutilleux’s Sur le même accord,
Gubaidulina’s Violin Concerto In tempus
praesens, Previn’s Violin Concerto
“Anne-Sophie”, Violin Concerto No.2 and Second
Violin Sonata, and Currier’s Aftersong and Time
Machines. She has recorded these and many other
new works for the Yellow Label, together with
such monuments of the 20th-century repertoire as
Berg’s and Stravinsky’s Violin Concertos and
Bartók’s Second Violin Concerto.
In the closing years of the 1990s, Mutter
recorded Vivaldi’s The Four Seasons with the
Trondheim Soloists and Beethoven’s Violin
Sonatas with her regular duo partner Lambert
Orkis. The latter went on to win Grammy® and
Echo Awards, while her Vivaldi album attracted
critical acclaim and sold over 370,000 copies
worldwide. She began the new millennium with a
series of touring and recording projects,
including Back to the Future, a retrospective
look at major works from the 20th-century violin
repertoire, and Recital 2000, an album of
chamber works by Crumb, Prokofiev, Respighi and
Webern. In 2001 Mutter performed Mozart’s
complete violin concertos in two evenings as
artist-in-residence at Carnegie Hall and with
the Vienna Philharmonic in Vienna and on tour in
Germany. Previn’s Tango Song and Dance,
dedicated to and premiered by Mutter, formed the
core of an eponymous recital album and her
touring programme in 2003. Her recordings with
Previn as conductor also include award-winning
accounts of his Violin Concerto “Anne-Sophie”
and a pairing of the violin concertos by
Korngold and Tchaikovsky (Echo Award 2005 for
“Instrumentalist of the Year”). Mutter
celebrated the 250th anniversary of Mozart’s
birth in 2006 with world tours and complete
recordings of his sonatas and concertos for
violin.The year 2008 saw the release of her
first Bach recordings for Deutsche Grammophon in
a disc coupling his two violin concertos with
the world premiere recording of Gubaidulina’s In
tempus praesens. This was followed by a
Mendelssohn album marking the bicentenary of the
composer’s birth (2009); a complete recording of
Brahms’s Violin Sonatas with Lambert Orkis
(2010); an album of first recordings of works by
Rihm, Currier and Penderecki (2011); and the
release of ASM35, a 40-disc box set of her
complete recordings for Deutsche Grammophon
(2011) issued to mark the 35th anniversary of
her professional debut. In June 2013, Mutter and
the Berlin Philharmonic came together at the
Berlin Philharmonie to make their first studio
album in 30 years: the resulting recording of
Dvořák’s Violin Concerto, Mutter’s first, was
released to critical acclaim in October 2013.
Mutter launched Carnegie Hall’s 2014/15 season
with a gala concert that also marked the
beginning of her six-concert term as featured
artist in the famous New York venue’s
Perspectives series. Having made her debut in
Deutsche Grammophon’s Yellow Lounge in September
2013, at Berlin’s Asphalt club (where her
300-strong audience included many young
clubbers), Anne-Sophie Mutter repeated the
experience in May 2015 with two dates at
Berlin’s Neue Heimat venue, a converted railway
station in the city’s bohemian Friedrichshain
district. Her performances were recorded live
for Deutsche Grammophon’s first Yellow Lounge
album, released in August 2015. The event was
also filmed by ZDF for subsequent television
broadcast and as the subject of a documentary
film. Mutter joined the London Symphony
Orchestra and André Previn at the Barbican
Centre in June 2015 for a special performance of
the composer-conductor’s Violin Concerto
“Anne-Sophie” in honour of his 85th birthday.
In October 2016 Mutter celebrated the 35th
anniversary of her debut in Japan with
appearances in Tokyo with the Wiener
Philharmoniker and Seiji Ozawa, the Mutter
Virtuosi, and Lambert Orkis. Last season also
featured a concert marking the 40th anniversary
of her debut at the Salzburg Whitsun Festival
and the world premiere of John Williams’s
Markings for solo violin, strings and harp at
the Tanglewood Festival.
Upcoming highlights include appearances at the
BBC Proms, Lucerne Festival and Enescu Festival
in the Dvořák Concerto with the Pittsburgh
Symphony Orchestra and Manfred Honeck;
performances of the Tchaikovsky Concerto in
Buffalo and Chicago; and, in November, a recital
tour taking in four German cities and Barcelona
in which Mutter anticipates her programmatic
focus of 2018: the music of Penderecki in the
composer’s 85th-birthday year. November will
also see the release of Mutter’s latest Deutsche
Grammophon album, which will feature
performances of Schubert’s “Trout” Quintet and
“Notturno” Piano Trio in company with pianist
Daniil Trifonov and the Mutter Virtuosi.
Anne-Sophie Mutter has for long used her public
profile to support and promote charitable
causes, notably those associated with the
alleviation of medical and social problems. Her
benefit concerts have raised funds for, among
other organisations, Save the Children Japan,
the Swiss Multiple Sclerosis Society, victims of
the 2011 Japanese tsunami and nuclear energy
disasters, the Hanna and Paul Gräb Foundation’s
Haus der Diakonie in Wehr-Öflingen, Artists
against Aids in the United States, the Bruno
Bloch Foundation, the UK-based Beethoven Fund
for Deaf Children, SOS Children’s Villages in
Syria, the Leipzig Refugee Council and the
“Healing Arts Program” at the Fred and Pamela
Buffett Cancer Center (Omaha).
Mutter’s many awards and honours reflect the
nature of her humanitarian work as well as the
excellence of her artistry. She has won the
Grammy® Award for “Best Instrumental Soloist(s)
Performance (with orchestra)” three times,
received the prestigious Ernst von Siemens Music
Prize in 2008 and the Légion d’honneur in 2009
for services to contemporary French music, and
in 2011 was awarded the Erich-Fromm-Preis for
the advancement of Humanism through social
engagement, as well as being named Musical
America’s Musician of the Year. Other honours
include the Merit Cross 1st Class of the Federal
Republic of Germany, the Mendelssohn and Brahms
prizes, the Herbert von Karajan Music Prize and
the Bavarian Order of Merit. In 2013 Anne-Sophie
Mutter became an Honorary Foreign Member of the
American Academy of Arts & Sciences, in 2015 she
was appointed an Honorary Fellow at Keble
College, Oxford, and in 2016 she was awarded the
Gold Medal of Merit in Fine Arts by Spain’s
Ministry of Culture.
8/2017
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安妮·索菲·穆特传记
安妮·索菲·穆特被普遍认为是现代最伟大的小提琴手之一。她的艺术感受从音调丰富，精湛的技艺，到卓越的表现和深厚的音乐才能。她出生在德国边境城镇莱茵费尔登，从小就显示出天赋异禀的迹象。安妮
- 索菲在五岁时开始学习钢琴;不久之后，她从Carl Flesch的学生Erna
Honigberger那里得到她的第一个小提琴课程。在九岁时，她开始与瑞士最优秀的音乐家之一，励志老师AïdaStucki一起学习。
1976年，赫伯特·冯·卡拉扬在卢塞恩音乐节上吟诵了13岁的穆特。传奇指挥随后邀请这位年轻的小提琴手在1977年的萨尔斯堡圣母降临节音乐节上与柏林爱乐乐团合作演出她的协奏曲。他们的合作在1978年继续进行，当时穆特为德国唱片公司首次录制了莫扎特的第3和第5号小提琴协奏曲专辑。穆特定期与卡拉扬和柏林爱乐乐团合作创作贝多芬，布拉姆斯小提琴协奏曲的地标系列，布鲁赫和门德尔松为黄色标签。与此同时，她在柏林（1978年），华盛顿和纽约（1980年），东京（1981年）和莫斯科（1985年）的首次亮相获得了评论界的好评，并帮助她在世界主要音乐厅定期出现。
1986年，穆特被任命为伦敦皇家音乐学院小提琴研究国际主席。第二年，她创立了Rudolf Eberle
Trust，以支持整个欧洲发展出色的年轻弦乐演奏者。该项目于1997年并入安妮 -
索菲笃基金会之友后于1997年在全球范围内推广，随后于2008年成立了Anne-Sophie
Mutter基金会。穆特对促进年轻音乐家的承诺帮助推动了职业生涯其中有许多优秀的艺术家，DanielMüller-Schott，Sergey
Khachatryan，RomanPatkoló，Leonard Elschenbroich和Kian
Soltani。
2011年，她创立了由穆斯特穆特基金会前任和现任奖学金获得者组成的合奏团，并挑选了其他年轻音乐家。她的基金会已委托安德烈普列文的小提琴和低音提琴协奏曲和他的Nonet为两个弦乐四重奏和低音提琴，Krzysztof
Penderecki的二重唱组合，Wolfgang Rihm的Dyade和Sebastian
Currier的铃声变奏曲。
安妮·索菲·穆特对弦乐演奏未来的承诺延伸到了她对当代音乐的全心全意的支持。
1986年，她首次为她写的第二张连续剧和由WitoldLutosławski创作的Paul
Sacher基金会，并为Deutsche
Grammophon录制了作品。她的世界首演表演包括Rihm的Gesungene
Zeit和Lichtes
Spiel，Penderecki的第二小提琴协奏曲Metamorphosen，La
Follia独奏小提琴和Duo Concertante小提琴和低音提琴，Dutilleux的Sur
lemême协奏曲，Gubaidulina的小提琴协奏曲Tempus
praesens，Previn的小提琴协奏曲“安妮 -
索菲”，小提琴协奏曲2号和第二小提琴奏鸣曲，以及柯里尔的后曲和时间机器。她为黄色唱片公司录制了这些和许多其他新作品，以及20世纪伯爵和斯特拉文斯基的小提琴协奏曲和巴托克的第二小提琴协奏曲等古迹。
在20世纪90年代的最后几年，穆特与她的常规二人合作伙伴兰伯特奥基斯一起录制了维瓦尔第的四季与特隆赫姆独奏家和贝多芬的小提琴奏鸣曲。后者继续赢得格莱美和回声奖，而她的Vivaldi专辑在全球销量超过370,000份。她开始了新千年的巡演和录制项目，包括回到未来，回顾20世纪小提琴曲目的主要作品和Recital
2000，由Crumb，Prokofiev，Respighi和韦伯恩。
2001年，穆特在两天晚间在卡内基音乐厅和维也纳爱乐乐团的艺术家驻地以及德国巡回演出中演奏莫扎特完整的小提琴协奏曲。
Previn的Tango Song and
Dance致力于并由Mutter首播，成为2003年同名专辑和巡演节目的核心。她与Previn一起担任指挥的录音还包括其小提琴协奏曲“Anne-Sophie”的获奖作品以及Korngold和Tchaikovsky的小提琴协奏曲（2005年Echo
Award“年度乐器演奏家”）的配对。穆特于2006年庆祝莫扎特诞辰250周年，并为世界巡回演出和完整录制了他的小提琴奏鸣曲和协奏曲。
2008年，她为Deutsche
Grammophon发行了首张巴赫唱片，并将他的两首小提琴协奏曲与世界首演的Gubaidulina's
tempus
praesens录制在一起。随后是门德尔松专辑，标志着作曲家诞生二百周年（2009年）;与Lambert
Orkis（2010）完整录制了勃拉姆斯的小提琴奏鸣曲;
Rihm，Currier和Penderecki（2011年）的第一部作品录制专辑;以及为她的专业首次亮相35周年而发行的40盘盒装ASM35，这是她为Deutsche
Grammophon（2011）发行的完整唱片集。
2013年6月，穆特和柏林爱乐乐团在柏林爱乐乐团共同演出，创作了他们30年来的第一张录音室专辑：2013年10月，德沃夏克的小提琴协奏曲
- 穆特的第一张小提琴协奏曲的发布录像获得好评。
穆特在2014/15赛季推出了卡内基音乐厅，并举办了一场盛大的音乐会，这也标志着她六次音乐会的开始，成为着名纽约场馆视角系列的特色艺术家。
2013年9月，她在柏林的Asphalt俱乐部（她的300多名观众中包括许多年轻的俱乐部成员）首次在Deutsche
Grammophon的黄色休息室亮相，2015年5月，Anne-Sophie
Mutter在柏林的Neue
Heimat场地举办了两场比赛，该市的波希米亚弗里德里希海因区（Friedrichshain）的火车站改建。她的表演现场录制于2015年8月发行的Deutsche
Grammophon的第一张Yellow
Lounge专辑。该活动还由ZDF拍摄，用于随后的电视转播和纪录片拍摄。穆特于2015年6月加入了伦敦交响乐团和安德烈普雷文在巴比肯中心，以表彰作曲家指挥的小提琴协奏曲“安妮
- 索菲”，纪念他85岁生日。
2016年10月，穆特庆祝她在日本首演的35周年纪念，并在维也纳与维也纳爱乐乐团，小泽征尔，穆特维特奥斯和兰伯特奥基斯在东京亮相。上个赛季还举办了一场音乐会，标志着她在萨尔茨堡圣灵降临节举行的首演40周年，以及约翰威廉姆斯在丹格伍德音乐节举行的独奏小提琴，弦乐和竖琴的标志全球首演。
即将到来的亮点包括与匹兹堡交响乐团和Manfred Honeck在德沃夏克协奏曲中的BBC
Proms，卢塞恩音乐节和Enescu音乐节上亮相;布法罗和芝加哥的柴可夫斯基协奏曲的表演;并于11月在德国的四座城市和巴塞罗那举行了一场独奏音乐会，其中穆特预计她的2018年计划重点：作曲家85岁生日那年的潘德列茨基音乐。
11月还将发布穆特最新的德意志唱片公司的专辑，该专辑将与钢琴家丹尼尔特里福诺夫和穆特维特罗西共同演出舒伯特的“鳟鱼”五重奏组和“诺托尔诺”钢琴三重奏组。
安妮·索菲·穆特长期以来利用她的公众形象来支持和促进慈善事业，特别是那些与缓解医疗和社会问题有关的慈善事业。她的福利音乐会为其他组织提供资金，包括日本拯救儿童会，瑞士多发性硬化症协会，2011年日本海啸和核能灾难的受害者，汉娜和保罗格雷布基金会在Wehr-Öflingen的Haus
der
Diakonie，美国的艾滋病，布鲁诺布洛赫基金会，英国贝多芬聋人儿童基金会，叙利亚SOS儿童村，莱比锡难民委员会以及弗雷德和帕梅拉巴菲特癌症中心（奥马哈）的“治疗艺术计划”。
穆特的许多奖项和荣誉反映了她的人道主义工作的本质以及她的艺术才能。她曾三次荣获格莱美奖“最佳器乐独奏家表演（带管弦乐队）”，并于2008年荣获着名的Ernst
von
Siemens音乐奖和2009年法国现代音乐奖的Légiond'honneur奖。在2011年被授予Erich-Fromm-Preis通过社交活动推动人文主义，并被评为Musical
America的年度音乐家。其他荣誉包括德意志联邦共和国第一优等奖，门德尔松奖和勃拉姆斯奖，赫伯特冯卡拉扬音乐奖和巴伐利亚勋章奖。
2013年，Anne-Sophie
Mutter成为美国艺术与科学学院的名誉外籍会员，2015年，她被任命为牛津大学基布尔学院的荣誉院士，并于2016年获得西班牙美术学院的美术金奖文化部。
2017年8月 |
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传奇的德国小提琴家穆特艺术生涯剪影 |
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