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| 埃尔玛奥利维拉（Elmar Oliveira 1950-) | |||||||||||||||||||||||||||||||||||
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Artist Biography by Robert Cummings Elmar Oliveira is considered one of the leading American violinists of his generation. Over the years he has developed a broad repertory that encompasses works by composers from J.S. Bach to Einojuhani Rautavaara. His performances, both in concert and on recordings, have garnered high praise from critics and audiences alike, and he has made numerous television appearances on popular programs like the Today Show, Good Morning America, and CBS Sunday Morning. Oliveira was born on June 28, 1950, near Waterbury, CT. At the age of 9 he took his first lessons on the violin from his older brother John. His advanced studies were at Hartt College of Music (University of Hartford) and the Manhattan School of Music. His principal teachers at Manhattan included Rafael Bronstein and Ariana Bronne. With first prizes at the Naumburg International and G.B. Dealey Competitions early in his career, Oliveira seemed poised for a promising career. In 1978 he more than fulfilled that promise when he captured the Gold Medal in violin performance (with Latvian Ilya Grubert) at the Sixth Tchaikovsky International Competition in Moscow. The victory for Oliveira was reminiscent of Van Cliburn's 20 years earlier. Prestigious concerts and recording opportunities followed quickly, as well as numerous offers to appear on television. For a time Oliveira was nearly the celebrity Cliburn was. But like Cliburn, the young violinist found that the limelight faded rather quickly. Still, since that triumph in Moscow, Oliveira has remained active, achieving consistent success in his appearances with major symphony orchestras, including the American "big five" (New York, Chicago, Philadelphia, Cleveland, and Boston), as well as notable ensembles from abroad, such as the Leipzig Gewandhaus, the London Philharmonic, Zurich Tonhalle, and Helsinki Philharmonic orchestras. Oliveira has been successful in the recording studio, too, garnering kudos for his 1990 recording of the Barber Violin Concerto on EMI and for his 1997 CD of the Rautavaara Violin Concerto on the Ondine label. His 2006 release on Artek of Prokofiev's Violin Sonatas and Five Melodies was his second recording of the works -- the first, on Vox Allegretto, dated to 1991. This later effort demonstrated his continued command of these challenging works. His 2006 concert schedule included appearances in May with the Utah Symphony Orchestra in the Bruch Scottish Fantasy, and in Kiev in June with the National Symphony Orchestra of Ukraine in the Flagello Violin Concerto. His recording of violin concertos by Ernest Bloch and Benjamin Lees was nominated in 2009 for a Grammy. |
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罗伯特.卡明斯为艺术家所作的传记 埃尔玛奥利维拉被认为是他那一代美国领先的小提琴家之一。多年来他开发了一个广泛的曲目，包括J.S.的作曲家的作品。巴赫到Einojuhani Rautavaara。他在演唱会和录音中的表演获得了评论家和观众的高度赞扬，并且他在诸如Today Show，Good Morning America和CBS Sunday Morning等流行节目中出现过许多电视节目。 奥利维拉出生于1950年6月28日，靠近康涅狄格州沃特伯里。 9岁时，他从他的哥哥约翰开始学习小提琴。他的高级研究在Hartt音乐学院（哈特福德大学）和曼哈顿音乐学院学习。他在曼哈顿的主要教师包括拉斐尔布朗斯坦和阿里亚娜布朗尼。 在Naumburg International和G.B.获得一等奖。 Dealey比赛在职业生涯初期，奥利维拉似乎有望迎来前途光明的职业生涯。 1978年，他在莫斯科举办的第六届柴可夫斯基国际比赛中获得小提琴表演金奖（拉脱维亚伊利亚格鲁贝尔）时，他履行了这一承诺。奥利维拉的胜利令人联想到范克莱本20年前的事迹。 着名的音乐会和录音机会紧随其后，以及众多优惠可以在电视上播出。一度Oliveira几乎是Cliburn的名人。但就像克林本一样，这位年轻的小提琴手发现风头渐渐消失。尽管如此，自莫斯科胜利以来，奥利维拉一直保持活跃，在主要交响乐团，包括美国“五大”（纽约，芝加哥，费城，克利夫兰和波士顿）以及着名乐团来自海外，如莱比锡格万德豪斯，伦敦爱乐乐团，苏黎世Tonhalle和赫尔辛基爱乐乐团等。 奥利维拉在录音室也取得了成功，他在1990年录制了EMI的理发小提琴协奏曲，并在1997年发行了Ondine唱片中的Rautavaara小提琴协奏曲CD。他在2006年发行的普罗科菲耶夫的小提琴奏鸣曲和五首旋律的Artek是他第二次录制的作品 - 第一部是1991年Vox Allegretto的作品。后来的这些作品表明他继续指挥这些具有挑战性的作品。他的2006年演唱会时间表包括5月与犹他州交响乐团在布鲁赫苏格兰幻想剧中的演出，以及6月在基辅与弗拉基洛小提琴协奏曲乌克兰国家交响乐团的演出。他录制的Ernest Bloch和Benjamin Lees的小提琴协奏曲于2009年被提名为格莱美。 |
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| 今天的埃尔玛奥利维拉 | |||||||||||||||||||||||||||||||||||
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Famous Violinist : Elmar Oliveira Elmar Oliveira is a famous
contemporary violinist from the United States. He
recorded great achievements in over 50 years of his
violin career, which includes winning top musical
awards, being nominated for a Grammy Award and
serving on the juries of some of world’s prestigious
violin competitions. |
着名小提琴家埃尔玛.奥利维拉
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| 阿普尔鲍姆采访埃尔玛·奥利维拉全文： | |||||||||||||||||||||||||||||||||||
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荣获柴可夫斯基比赛金质奖章的第一位 |
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7月3日晚八点零五分，埃尔玛·奥利维拉走上了柴可夫斯基音乐学院的舞台，在莫斯科国家乐队的协奏下，举起弓子演奏柴可夫斯基的唯一的一首小提琴协奏曲。空气已十分紧张，因为只剩下一位俄国人和一位罗马尼亚姑娘代表东方国家，和四个美人激烈争夺最高的名次。毫无疑问，埃尔玛·奥利维拉是整个比赛中最引人注目的小提琴家。在比赛的全过程中，从第一轮一直到最后一轮，演奏包括柴可夫斯基协奏曲在内的两首协奏曲，听众的雷鸣般的掌声早已说明了这一事实，但是有几位俄国评委还为奥利维拉表示担心。 奥利维拉上台进行最后一轮的演奏，观众对他报以几声礼节性的掌声之后，整个大厅就处在异常安静的气氛之中。这位美国小提琴家调了弦。他那把借来的、声音很闷的斯特拉地瓦利小提琴，有嗡嗡的声音，还有一些发音上的毛病，所以一直给他带来不少 麻烦。几天前我把他带到莫斯科的一位提琴制作家那里，调整了音柱，并换了弓毛。但是到了第二天，琴的声音更坏了。所以在决赛前两天，我们把他从又热又潮湿的俄罗斯旅馆搬到装有空调设备的国际旅行家旅馆去住了。干燥的空气使这把小提琴顿时回春，奥利维拉因而精神大为振作，信心百倍。
乐队演奏柴可夫斯基协奏曲开始的几个小节，大厅里的气氛紧张得吓人，乐队使用的速度比所有比赛参加者所用过的速度都要快。但是奥利维拉美丽的、缎子般光洁的声音，很快使听众忘记了速度。他那辉煌的技巧把第一乐章演奏得毫不费力而又令人激动。现在听众等待他酌第二乐章，如果第二乐章也那么冲……不，指挥瓦克坦·乔丹尼亚(Vakhtang
Jordania)开始的速度几乎是太慢了！但是奥利维拉一进来，听众就松了一日气。一切他都应付自如。他的浓郁的揉音和俄国式的滑音，正是听众所要昕到的。啊，要是布朗斯坦教授能听到这场演出该多好呀！布朗斯坦是奥利维拉最敬爱的老师，他就是在俄国跟奥尔学的小提琴，布朗斯坦以他的<小提琴演奏的科学》-书而著名。奥利维拉在柴可夫斯基协奏曲第二乐章中扣人心弦的演奏，不明明就是布朗斯坦的教导吗？我激动地流下了泪水。这是我整个音乐生活中难以忘怀的时刻！他以惊人的速度拉完这首协奏曲的最后几段，金场听众为之疯狂！！掌声之热烈，使得报幕员足足等了五分钟，让听众安静下来，才能宣布奥利维拉最后的一首曲予是比利时作曲家及小提琴家亨利．维俄当的艰深难拉的第五协奏曲。 |
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| 更多埃尔玛·奥利维拉的链接 | |||||||||||||||||||||||||||||||||||
| 中西文化的碰撞-－谢楠与世界级小提琴大师奥利维拉的对话观后 | |||||||||||||||||||||||||||||||||||
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| 未得原作者编者授权严禁转载www.mt77.com任何内容 | |||||||||||||||||||||||||||||||||||
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