首页 主页 纪念 古典 浪漫 现代 热点 教育 读书 图片 收藏 滚动 文化 人物 比赛                    
 
  您所在的位置-莫扎特之旅-名曲鉴赏  
 
 
 
 
 

  Mozart Music莫扎特奏鸣曲K.296301304 Mozart Music

 
 
 

                            莫扎特之旅整理 文/图 2017-03-14  16:26

 
 
 
 
  莫扎特C大调小提琴钢琴奏鸣曲 K.296 小提琴:西蒙.戈德博格 钢琴:拉杜.鲁普      
 

 
 
 
 

 
 
 

 
 
  西蒙.戈德博格      
 
 
 
 
     
  Mozart: Sonata for Piano and Violin in C, K.296 - 1. Allegro vivace      
    演奏:Radu Lupu - (拉度.鲁普) / Szymon Goldberg - (西蒙.戈德博格)

所属专辑:Mozart: The Sonatas for Violin & Piano (4 CDs)

 
  Mozart: Sonata for Piano and Violin in C, K.296 - 2. Andante sostenuto      
       
  Mozart: Sonata for Piano and Violin in C, K.296 - 3. Rondo (Allegro)      
       
 
 
 
莫扎特G大调小提琴钢琴奏鸣曲 K.301 小提琴:帕尔曼 钢琴:巴伦勃依姆
     
  Sonata for Piano and Violin in G major, K.301, Allegro con spirito      
    演奏:Perlman, Barenboim

所属专辑:Violin Sonatas · Violinsonaten K. 301, 302, 303, 304 (Perlman, Barenboim

 
  Sonata for Piano and Violin in G major, K.301, Allegro      
 

     
  这套《莫扎特:小提琴奏鸣曲全集》(典藏版)是由DG公司发行录制,伊扎克?帕尔曼(Itzhak Perlman) 与丹尼尔?巴伦博伊姆(Daniel Barenboim)两位享誉国际乐坛音乐大师联袂演绎。应该说,这套《莫扎特:小提琴奏鸣曲全集》无论是从演奏还是录音,可称为完美诠释和制作精致。帕尔曼的琴声富于动态、撼人心灵,巴伦博伊姆的演奏清晰准确,两位大师的默契让听者为之赞叹,心灵为之共鸣。      
 
 
 
     
  莫扎特E小调小提琴钢琴奏鸣曲 k.304 小提琴:    钢琴:内田光子      
  Mozart: Sonata for Piano and Violin in E minor, K.304 - 1. Allegro      
    演奏内田光子

所属专辑:Mozart: Sonatas for Piano & Violin

 
  Mozart: Sonata for Piano and Violin in E minor, K.304 - 2. Tempo di minuetto      
       
 
 
 
 
     
      在欣赏古典音乐,特别是室内乐的时候,往往对音乐不是很内行的人容易走入这样两个误区, 一是把奏鸣曲混同于一般的独奏曲;二是把室内乐看成小品。比如把贝多芬的钢琴小提琴奏鸣曲《春天》看成了小提琴独奏曲,此时 无形中钢琴沦为了从属地位。实际上奏鸣曲和独奏曲是截然不同的两回事,奏鸣曲英文名-SONATA,在意大利他又有诗的意思,所以我们总将他看成是室内乐中的非常有诗意的一种形式,用音乐术语来解释奏鸣曲是这样:由一种到四种乐器演奏的乐曲,其中一种通常为键盘乐器,通常由三个或四个独立的乐章构成,这些乐章在调、调式及速度上各不相同。所以我们看到奏鸣曲的曲体结构和演奏方式都和独奏曲有很大的区别, 奏鸣曲具有极大的张力。特别处于古典时期的莫扎特的奏鸣曲,更是有着自己的独特个性。它千姿百态、小鸟依人,亦入宫廷室内小姐闺房、又可登大雅之堂, 小提琴大师美岛丽的莫扎特奏鸣曲在美国卡内基音乐厅演奏时,同样收到相当强烈艺术效果 ;误区二是人们往往以为奏鸣曲就是很单一的,缺少丰富的内涵,2000年,傅聪在接受凤凰卫视记者许戈辉采访时就曾以一个钢琴奏鸣曲的回旋曲为例, 他说“莫扎特的奏鸣曲内涵是非常丰富的,这里面是莫扎特非常独自一个人孤独的时候的一个独白,一个作曲家是一个很大的世界,里头包罗很多东西,其实莫扎特音乐里头也有狂风暴雨,在莫扎特身上的狂风暴雨甚至于远远超过贝多芬。” 傅聪的爸爸傅雷曾写过一篇文章,写道:“莫扎特的经历一点也不比贝多芬更加顺利,相反他经历了各种各样的挫折 痛苦 灾难疾病,但是他最大的特点是他特别乐观。”傅聪说不并不完全同意我爸爸的观点 ,在傅聪看来,一些不被人看重的莫扎特的奏鸣曲中,潜藏着非常深刻的内涵和丰富的情感。    

   从这首K296钢琴小提琴奏鸣曲来看,这个特色更加突出,它的三个乐章突出了钢琴的作品,虽然小提琴绚丽明霞般的优美旋律时时漂浮在上面,但钢琴永远具有绝对的优势,莫扎特将三个乐章的开始部分的主旋律全都责无旁贷地交给了钢琴这一个音乐王国的伟大郡主。

      今天是莫扎特之旅精选的几部小提琴钢琴奏鸣曲的版本,这里有拉杜.鲁普和西蒙.格德伯格的版本;又有帕尔曼和巴伦勃依姆的版本和内田光子和()合作的版本,可谓是琳琅满目,我们有可能眼球应接不暇了。让我们怀着十分敬畏的心情,聆听不同的演奏家演奏莫扎特的 如诗般的作品吧!试试你能不能听出不同演奏家的区别?

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
     
       
         
 
拉度·鲁普,罗马尼亚钢琴家,6岁学琴,12岁登台演奏,他的钢琴老师穆济切斯库也是李帕蒂的老师。1963年获奖学金到莫斯科音乐学院深造,在涅高兹的大师班上学习。1966年获克莱本国际比赛奖,1967年获埃乃斯库比赛奖,1969年又获利兹国际比赛奖。鲁普的演奏追求音的微妙与流畅,在微妙的音中追求透明的阴影感,追求强音及它所造成的鲜明的明暗效果,强调动态与幅度。鲁普演奏的舒伯特、布拉姆斯及戈尔德堡合作的莫扎特小提琴奏鸣曲最具特色。
 
鲁普弹琴不用钢琴椅,而是用有椅子背的平常家用椅,显示出他对钢琴演奏的特异观念。时时把背部在椅背上会违反一般人对发出良好音色的认知:因为如果把背靠在椅背上,那么手臂重量就会移向椅子而不是琴键上。鲁普这个习惯不是故意作怪,也不是因为他的背有问题,而是得自他追寻创造特殊音色的研究心得,结果是,也演奏的音量并不特别大,但另一方面,他音色的细微变化却特别丰富,以致他可以创作出如光影变幻般的明暗对比。他就像一个画家把调色盘上的大红、大蓝、大紫等鲜艳色调予以舍弃,却精心调制出无限多种层次的黄、绿、褐色调。第一次听他演奏的听众若不是大吃一惊,就是被强烈吸引而心荡神驰。
 
Radu Lupu is firmly established as one of the most important musicians of his generation and is widely acknowledged as a leading interpreter of the works of Beethoven, Brahms, Mozart and Schubert. Since winning the prestigious Van Cliburn (1966) and Leeds Piano Competitions (1969), Mr. Lupu has regularly performed as soloist and recitalist in the musical capitals and major festivals of Europe and the United States. He has appeared many times with the Berlin Philharmonic since his debut with that orchestra at the 1978 Salzburg Festival under Herbert von Karajan, and with the Vienna Philharmonic, including the opening concert of the 1986 Salzburg Festival under Riccardo Muti. He is also a frequent visitor to the Royal Concertgebouw Orchestra and all of the major London orchestras. He has played at most notable music festivals and has been a regular guest at the Salzburg and Lucerne Festivals.
 
Radu Lupu’s first major American appearances were in 1972 with the Cleveland Orchestra under Daniel Barenboim in New York and with the Chicago Symphony led by Carlo Maria Giulini. Concerts with the New York Philharmonic soon followed and Mr. Lupu has since appeared with all of the foremost American orchestras.
 
In the 2013/14 season Mr. Lupu's concerto engagements will include the Bournemouth Symphony, Flanders Philharmonic, Santa Cecilia, Montreal Symphony, Cleveland, Milwaukee, Philadelphia, Cincinnati, Orchestre de Paris, Berlin Philharmonic, Stockholm Philharmonic, Gurzenich Orchestra Koln, Zurich Tonhalle, Frankfurter Museumsgesellschaft, Leipzig Gewandhaus, Monte Carlo Philharmonic and Lausanne Chamber. He will undertake his eleventh tour of Japan, and conclude his cycle of the Beethoven Piano Concertos at the new concert hall in Helsinki with the Finnish Chamber Orchestra (Jukka-Pekka Saraste). In addition, he will be Artist in Residence with the Dresden Staatskapelle.
 
Mr. Lupu has made more than 20 recordings for London/Decca, including the complete Beethoven concertos with the Israel Philharmonic and Zubin Mehta, the complete Mozart violin and piano sonatas with Szymon Goldberg, Grieg and Schumann Concertos, Debussy and Franck Violin and Piano Sonatas with Kyung Wha Chung, and numerous solo recordings of Beethoven, Brahms and Schubert. His most recent London/Decca releases are of Schubert’s Sonatas, D. 960 and 664, which won a Grammy® Award in 1995, and of Schumann’s “Kinderszenen,” “Kreisleriana” and “Humoresque,” which won an Edison Award in 1995. He has also made two records with pianist Murray Perahia (Sony Classical) and two albums of Schubert Lieder with soprano Barbara Hendricks (EMI). In 1998, for Teldec, he joined Daniel Barenboim for a disc of Schubert works for piano, four hands. In 2001 Decca re-released a 2-CD set of Schubert’s music for violin and piano, featuring Mr. Lupu together with Szymon Goldberg.
 
Born in Romania in l945, Mr. Lupu began studying the piano at the age of 6 with Lia Busuioseanu. He made his public debut with a complete program of his own music at l2, continuing his studies for several years with Florica Muzicescu and Cella Delavrance. In l96l he won a scholarship to the Moscow State Conservatory where he studied with Galina Eghyazarova, Heinrich Neuhaus and his son, Stanislav Neuhaus. During his seven years at the Moscow Conservatory he won first prize in the l967 Enescu International Competition in addition to the Van Cliburn and Leeds International competitions. In 1989 and again in 2006, he was awarded the prestigious “Abbiati” prize given by the Italian Critics’ Association. He is also the recipient of the 2006 Premio Internazionale Arturo Benedetti Michelangeli award.
     
       
         
 
 
 
     
 
 
 
 
 
  设为首页 关于本站 友情链接 网站地图 错误报告 在线投稿 联系平台

 留言 板

     
 
 
 
 

站长

13051246559 1197843751

          copyright © 2003-2005 xilu.com all rights reserved.

         版权所有 copyright © 2003 莫扎特之旅  黑icp备05009702号